Maritime Art and Sailing Vessels

A diverse array of print artworks depicting sailing ships in turbulent waters, showcasing intricate detail and the artistry of maritime scenes from different periods.

Sailing ships on turbulent waters off the coast, Willem Gruyter Jr., after Ludolf Bakhuysen, 1827 - 1880, draughtsman: Willem Gruyter jr., after: Ludolf Bakhuysen, 1827 - 1880, paper, pen, brush, h 216 mm × w 325 mm

Driemaster at sea, Anonymous, After Salomon Savery, 1610 - 1665 print The print is part of a six -part series with performances of different sailing ships. Amsterdam paper engraving / etching sailing-ship, sailing-boat

Sailing ships on turbulent waters off the coast, Willem Gruyter Jr., after Ludolf Bakhuysen, 1827 - 1880, draughtsman: Willem Gruyter jr., after: Ludolf Bakhuysen, 1827 - 1880, paper, pen, brush, h 216 mm × w 325 mm

Robert Wallis, 1794-1878, British, Entrance of the Meuse-Orange Merchantman, 1859-1879. Steel engraving.

Workshop of Johann Teyler after Jan van Call, The River IJ at Amsterdam The River IJ at Amsterdam

American Kijer Cunningham takes an English ship, 1777, Reinier Vinkeles (I), After Jacobus Buys, 1786 print The American Kaperkapitein Cunningham is shot and conquers an English package boat in the channel, May 2, 1777. Amsterdam paper etching / engraving piracy English Channel

Seascape with ships on the open sea, Jean -François Daumont, 1745 - 1775 print publisher: Parisprint maker: France paper. watercolor (paint) etching / brush sea (seascape) (+ landscape with figures, staffage). sailing-ship, sailing-boat

Pieter Bruegel the Elder's 1561-1565 etching and copper engraving depicts a gallery fleet with a flagship, including ships, sailors, and maritime environment.

Cartoon on the election of Liberal MPs, 1868, 1867 print Cartoon on the election of Liberal MPs in the cities of Maastricht, Rotterdam, Middelburg, Alkmaar, Dordrecht and Zutphen. Presented as Boeiers in a sailing competition. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 5, 1 February 1868. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper sailing (sport) (+ the contest (sports, games, etc.))

Print made by Richard Earlom, 1743-1822, British, Scene of a Storm, with a Vessel Wrecked, 1774. Mezzotint and etching printed in brown ink on moderately thick, slightly textured, cream laid paper.

Redding by Klaas Bording, 1849, 1849 print The rescue of Klaas Bording and his two sons from Durgerdam who from January 13 for fourteen days on an IJsschots on the Zuiderzee, January 27, 1849. print maker: Netherlandsprinter: The Hague paper saving a person from drowning. drift ice Zuiderzee. Durgerdam

Lodewijk Napoleon Vaart van Dalem to Gorinchem, 1809. King Louis Napoleon sticks by boat from Dalem to Gorinchem by the Betuwe, January 1809 taken by floods. On the left the quay and a windmill in Gorinchem.

Print made by Pierre Charles Canot, ca. 1710-1777, French, active in Britain, Marine Study No. 1, 1773. Line engraving and etching on moderately thick, moderately textured, cream laid paper.

Beach face. Beach face with two sailing ships during a storm. The print is made for the Dutch-speaking literary Almanak Aurora, which appeared between 1840 and 1878.

Shipwreck of the seven sailors from houses, 1824; Le 14 octobre 1824 une temple avait brisé un vaiseaeau and vue de pets (...). Tragic shipwreck of the seven sailors from domains that after having save elf shipwrecks with their boat themselves to save their second attempt to save more shipwrecks, October 14, 1824. The sloop with the seven men at sea between high waves.

Gosport, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1831, Line engraving and etching, 2nd state on moderately thick, smooth, cream, wove paper, with gray, chine colle, Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm), Plate: 10 1/16 × 12 inches (25.6 × 30.5 cm), Chine collé: 9 5/8 × 11 7/8 inches (24.4 × 30.2 cm), and Image: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)

Cartoon from Puck. Joseph Keppler (Austria, Vienna, active United States, 1838-1894)Bernhard Gillam (United States, 1856-1896). United States, 1880-1889. Prints; lithographs. Lithograph

Print made by William Woollett, 1735-1785, British, The Fishery, 1768. Engraving and etching on moderately thick, slightly textured, beige, laid paper, mounted on thick, smooth, cream, wove cardboard.

Velde, Willem van de, Sallieth, Mathias de, Seascape with sailing ships, verso - stamped, Seascape with various sailing ships. In the margin the family crest of Mr. Kien van Citters., print, prints, ro: M. de Sallieth a Rotterdam 1783; lo Peint par WVDVelde, Dedie a Monsieur MWA Kien van Citters, Echevin et Conseiller de la Villede Middelbourg en Zelande, Le Tableau Original est dans le Cabinet de Mr. Kien van Citters....Parson tres humble ..Serviteur de J. Arends, height 313 mm, width 381 mm, Czech, Northern Netherlands, 1749 - 1791-11-29, print maker, printmaker, 1783 - 1783, paper, engraving, engraving (printing process), etching

Fishing in the Moon Light ca. 1771 After Joseph Vernet. Fishing in the Moon Light. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1771. Engraving. Bertaud (French). Prints

Dish of the ship De Vrijheid, 1784, Carel Frederik Bendorp (I), 1784 print The decay of the ship freedom under the command of vice-admiral Reynst at the island of Minorca during the storm of 3-4 February 1784. Part of the series of historical events at sea in the years 1781-1784, second series. Northern Netherlands paper etching / engraving shipwreck (+ propulsion of vehicle, ship, etc. by wind) Minorca

Frigate and Corvette, Stern Forward, Joseph Cartwright, c.1789-1829, British, undated, Pen, in gray ink, gray wash and graphite on medium, moderately textured, beige, wove paper, mounted on, moderately thick, slightly textured, beige, wove paper, Mount: 13 9/16 × 16 5/16 inches (34.4 × 41.4 cm) and Sheet: 5 1/8 × 6 1/2 inches (13 × 16.5 cm)

The whale to a line, 1682; Six prints of catching a whale at Sint Annaland in 1682. The whale on a Line of the Fisherman ABR. Jansz. Van Oelen and his son. In the caption a verse of 4 lines. Print No. 4 in a series of six prints about catching a whale at Sint Annaland on the island of Tholen, October 7, 1682.

Shipping Scene from the Collection of John Chicheley. Dated: 1720s. Dimensions: image: 43.5 x 31 cm (17 1/8 x 12 3/16 in.) sheet: 50.8 x 36.5 cm (20 x 14 3/8 in.). Medium: mezzotint and etching printed in green and black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Elisha Kirkall after Willem van de Velde the Elder.

Warships and a Whale in a Sea Storms , print maker: Wenceslaus Hollar, (mentioned on object), Wenceslaus Hollar, (mentioned on object), publisher: Peter Stent, (mentioned on object), London, 1665, paper, etching, h 121 mm × w 267 mm, FTZYC Doctype

New York.. Davis, Alexander Jackson (1803-1892). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (N.Y.), New York Harbor (N.Y. and N.J.)

Seascape. Draughtsman: Pieter Idserts (possibly). Dating: 1708 - 1781. Measurements: h 145 mm × w 186 mm. Museum: Rijksmuseum, Amsterdam.

Side View of Battleship Surrounded by Several Others in Heavy Seas, Joseph Cartwright, c.1789-1829, British, undated, Watercolor, with pen, in gray ink, brown ink, gray wash, brown wash, and graphite on medium, slightly textured, beige, wove paper, mounted on, moderately thick, smooth, beige, wove paper, Mount: 7 5/8 × 16 7/8 inches (19.4 × 42.9 cm) and Sheet: 4 7/8 × 9 3/8 inches (12.4 × 23.8 cm)

Etching by Reinier Nooms depicting ships at sea, created in the 17th century, showing maritime vessels and oceanic scenes.

Regulus stranded on the shoals of Les Palles August 12 1809 - Louis-Philippe Crepin

J. Hill, active 19th century, A First Rate after a Storm, 1811. Aquatint on moderately thick, moderately textured, cream wove paper.

Storm on the IJ, 1788; Storm on 't y, the 3. And July, 1788. Storm on the IJ on July 13, 1788. Boats in problems on the water and people who have been beaten overboard.

Seascape, Louis Meijer, 1819 - 1866, draughtsman: Louis Meijer, 1819 - 1866, paper, brush, h 183 mm × w 235 mm

Flood at Halfweg, 1775, Simon Fokke, 1775 print Watersnood in Halfweg, on the left the Swanenburg House, former Gemelandshuis of the Rijnland Water Board, on the right the dike of the Haarlemmermeer, November 14, 1775. Northern Netherlands paper etching storm on land Halfway. Huis Zwanenburg. Haarlemmermeer

View of the dike breaking on Texel in stormy weather. High waves crash against the dike as figures try to rescue boaters who have been swept overboard. At the foot of the dike, a group of figures are busy reinforcing the sea wall, Dike breakage on Texel, 1775, print maker: Simon Fokke, (mentioned on object), intermediary draughtsman: Hendrik Kobell, (mentioned on object), publisher: weduwe Jacobus Loveringh & Johannes Allart, (mentioned on object), Amsterdam, 1776, paper, etching, h 215 mm × w 306 mm

Putti in a boat with a fishnet, Jan van Vianen, 1686 print Putti with a fishing net in a boat and two putti climbing on a pole. A lighthouse on the coast. Love is driven by hope; The beloved, as a fisherman, has the hope of catching something beautiful. Tenth emblem from Emblemata amatoria. Northern Netherlands paper etching (story of) Cupid, Amor (Eros). fishing (sports) (+ variant). climbing. lighthouse, lightship

Ship in storm at sea. .

Brussels, Burggraaff, Schelfhout, Andreas, Southern Netherlands, Boens, Alexandre Joseph, Storm at Scheveningen, 1825, verso - stamped, The beach of Scheveningen during the heavy storm of February 4, 1825. Inhabitants of the village have gone to the beach. Part of a group of illustrations from a commemorative book of the flood of 1825., print, engraving, prints, engravings, Frederik Muller Historieplaten, height 231 mm, width 302 mm, Belgian, 1793 - 1838, print maker, engraving maker, 1825 - 1826, paper, papier, lithografie (techniek), Nederlands, 1787-02-16 - 1870-04-19, intermediary draughtsman, after a drawing by, printer, drukker

Evening, Print made by John Boydell, 1720-1804, British, after Charles Brooking, 1723-1759, British, Published by John Boydell, 1720-1804, British, 1755, Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper, Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm), Plate: 11 3/4 x 16 9/16 inches (29.8 x 42.1 cm), and Image: 10 11/16 x 15 15/16 inches (27.1 x 40.5 cm), boats, cliffs, clouds, evening, flags, galleons, marine art, navy, night, rowboats, Royal Navy, sails, sea, seamen, ships, Union Jack, waves (natural events), wind, yachts

Print made by William Miller, 1796-1882, British, Portsmouth, Hampshire, 1814 to 1826. Etching and line engraving; engraver's proof touched on medium, slightly textured, cream wove paper.

Lithographer: Unknown, Navire balinier en panne pour secourir sesembarcations, Color lithograph, sheet: 29.4 × 38.5 cm (11 9/16 × 15 3/16in.), French, 19thcentury, Works on Paper -Prints

At each party his flag. (IT)

The Taking of the Marquese de Antim and Louis Erasme, Simon Francois Ravenet, 1721-1774, French, active in Britain, after Charles Brooking, 1723-1759, British, c. 1753, Line engraving, Sheet: 11 1/4 x 17 3/4in. (28.6 x 45.1cm)

Copper engraving by Jacques-Philippe Le Bas showing sailing ships navigating stormy seas with waves, clouds, and rigging details, produced between 1730 and 1783.

Panurge fait noyer le marchand et les moutons, Livre IV, ch. VIII. Bracquemond, Félix (1833-1914), graphic artist, Lemerre, Alphonse (1838-1912), publisher, Salmon, Alfred (1825-ca 1894), printer of graphic prints

Drawing by Allart van Everdingen showing a rowboat on Stiller See with Salutschiebing Dreifener. Executed with brown brush, gray wash, black chalk, and graphite traces.

Junk Ship Employed Against Gibralter..Single Junk Ship, Joseph Cartwright, c.1789-1829, British, 1782, Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, beige, wove paper, mounted on, moderately thick, slightly textured, beige, wove paper, Mount: 13 3/16 × 16 15/16 inches (33.5 × 43 cm) and Sheet: 9 7/8 × 13 9/16 inches (25.1 × 34.4 cm)

Ships on the IJ near the Blue Head in Amsterdam, 1762, Paulus van Liender, 1762 - 1783 print View of the IJ near the bluehead with sailing ships. On the right one of the city fillet water mills and two fishermen in a rowing boat. Under the show the title in Dutch and French. Numbered at the top right: 42. paper etching / engraving sailing-ship, sailing-boat. rowing-boat, canoe, etc.. landscapes with waters, waterscapes, seascapes (in the temperate zone). windmill Ij. Amsterdam

Heude of Heu; A huge of the Heu is great about 20 burden; Dutch ship types; Icones Vararum Navium Hollandicarum Quarum Usus Maxime in Aquis Interioribus Regionis. A Heude of Heu in the water. A cityscape in the distance.

The GreatEastern. Artist: J. S. Clay, British, active 19th century

Shipping in Southampton Water, off Calshott Castle, Dominic Serres RA, 1722-1793, French, active in Britain (from the 1750s), undated, Gray wash with pen and black ink over graphite on medium, moderately textured, cream laid paper, Sheet: 6 1/2 × 9 3/16 inches (16.5 × 23.3 cm), boats, castles, clouds, men, sea, shipping, Calshot, England, Hampshire

Frank Short, after Joseph Mallord William Turner, The Mouth of the ThamesIsle of Sheppey in Distance, 1891 The Mouth of the ThamesIsle of Sheppey in Distance

River face, Remigius Adrianus Haanen, 1849 print View on a river at night on which a sailing ship and on the left a barge with two figures. print maker: Austriapublisher: Vienna paper etching night ~ landscape (sometimes titled 'Nox')

The Fighting Téméraire, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1859-1879, Steel engraving

View of the New York Quarantine, Staten Island. Dated: published 1833. Dimensions: sheet (trimmed within plate mark): 49.5 x 61.5 cm (19 1/2 x 24 3/16 in.). Medium: hand-colored aquatint with touches of engraving onwove paper. Museum: National Gallery of Art, Washington DC. Author: WILLIAM JAMES BENNETT.

Jonah is thrown overboard by the fishermen.

Shipwreck of the seven sailors from Huisduinen, 1824, Otto Baron Howen, 1824 print Tragic shipwreck of the seven sailors from Huisduinen who, after saving eleven shipwrecked people with their boat, died in their second attempt to save more shipwrecked people, October 14, 1824. The sloop with the seven men at sea between high waves. Netherlands paper shipwreck. storm at sea Huisduinen

View of the Zijpe with ships, Johann Heinrich Troll, 1766 - 1824 print Netherlands (possibly) paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). sailing-ship, sailing-boat Zijpe, it

Sailing sailing ship at sea and in the foreground a sloop, anonymous, 1688 - 1750 print A sailing sailing ship seen on the mirror. In the foreground a moored sloop. A city on the horizon. Netherlands paper etching sailing-ship, sailing-boat. sea (seascape)

An etching by Adolf van der Laan created between 1717 and 1775 depicting sea pieces with sailing ships, showing oceanic scenery, waves, and maritime vessels.

Amsterdam, De Ruyter & Meijer, Meijer's prenten, Zeemansleven, verso - stamped, Sheet with 9 representations of different types of ships and a ship disaster. A caption below each image. Numbered top right: No. 1., print, prent, volksprent, prints, prenten, volksprenten, height 425 mm, width 343 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1873 - 1873, paper, papier, lithografie (techniek), kleuren, letterpress printing, boekdruk, print maker, prentmaker

Paris, Cadart, Alfred, Delâtre, Auguste, France, Daubigny, Charles-François, Voyage en bateau, Series of landscapes and events around water, Le mousse tirant au cordeau, River landscape with barge, verso - stamped, print, prints, height 126 mm, width 178 mm, 1817 - 1878-02-19, print maker, printmaker, 1867 - 1867, paper, papier, chine collé, etching, etchings, drypoint, engraving, engraving (printing process), French, 1822 - 1907-07-26, printer, printer's, Publication (Event), Publication, 1828 - 1875, publisher

Cartoon on the constitutional revision in 1886, Jan Holswilder, 1886 print The ship's ship is battered on the beach between wreckage of current issues. There is a sailor on the side. According to him, the ship is rotten from the inside and a makeover is not going to do good. With this he refers to the political unrest during the Heemskerk cabinet and his failed attempts to realize the constitutional revisions. This print was published by the lantern. print maker: Netherlandsprinter: The Haguepublisher: The Hague paper political caricatures and satires. repairing, caulking, careening (~ ship). sailor

Etching by Stefano della Bella, 1652-1657, depicting views of the port of Livorno with ships and harbor structures.

French brigantine ship l'Heureuse Marianne on which the travelling party sailed from Valette to Agrigento, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, pen, h 372 mm × w 254 mm

Robert Brandard, 1805-1862, British, Snowstorm, 1859-1879. Steel engraving.

Etching by Wenzel Hollar from 1665 depicting ships navigating stormy seas, showing waves, masts, sails, and maritime tension.

Fishermen, Engraving on paper, Europe, before 1896, Print, Print

The Shipwreck. Dated: c. 1880. Dimensions: sheet: 32.2 × 24.8 cm (12 11/16 × 9 3/4 in.). Medium: charcoal, watercolor, and gouache on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: Elihu Vedder.

A sperm whale attacked Date: 1868

Poon on Open Water, David Kleyne, 1763 - 1805 print Poon with three figures on open water under a Dutch flag. The print is part of a series with sailing ships. paper sailing-ship, sailing-boat

Henri Durand-Brager, 1814-1879, French, La Montagne, c. 1844. Colored lithograph.

Ship in need for a coast, c. 1825 - c. 1875 On a stormy sea, people with sloops are saved from a ship in need on a stormy sea. A castle in the background. Page 11 Recto from a sketchbook with 44 sheets. paper. pencil. watercolor (paint) brush On a stormy sea, people with sloops are saved from a ship in need on a stormy sea. A castle in the background. Page 11 Recto from a sketchbook with 44 sheets. paper. pencil. watercolor (paint) brush

Good Bye watercolours, works on paper

Spent the ship de Wilhelmina in Greenland, 1777; Illustration for national history. Presentation from national history. Figures in an ice landscape at a tent. In de Verte lies behind a large ice shout. The crashed boat. Presentation at the top numbered: XVI.

Oosterhuis, Haatje Pieters, Netherlands, Senus, Willem van, The great breach in the wall or stone bear, at the Jewish cemetery outside Hasselt, in the afternoon of February 4, 1825, from the city wall, towards Meppel and Roveen, visible, Dike breach near Hasselt, verso - stamped, Dike breach at the Jewish cemetery outside Hasselt in Overijssel, February 4, 1825. Part of the illustrations in a publication about the flood of February 3-5, 1825., print, prints, Frederik Muller Historieplaten, height 207 mm, width 293 mm, Dutch, 1773-08 - 1851-01-15, print maker, printmaker, 1825 - 1826, paper, papier, etching, etchings, engraving, engraving (printing process), 1784-11-28 - 1854-12-14, intermediary draughtsman

ATAQUE Y TOMA DE COSTA PAGALUGAN(FILIPINAS) POR CASTO MENDEZ NUÑEZ- 17 NOV 1861 - ACUARELA SIGLO XIX. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID.

. Night landscape with moonshine and right a farm and hay man. On the left a frozen lake with skaters. In the background a church tower and a mill. In the margin a caption mentioned from the collection of Mr. Van Buren to Leyden, in which the design drawing for this print was.

Gloucester, Massachusetts. Dated: 1872. Dimensions: sheet: 30.3 × 45 cm (11 15/16 × 17 11/16 in.). Medium: graphite on light brown wove paper. Museum: National Gallery of Art, Washington DC. Author: James Renwick Brevoort.

Shipwreck 1839-1868 Paris. Graphite with smudging, on off-white wove paper . Charles Meryon

Tile 1650-80 Dutch. Tile 196212

William Hogarth embarking on a boat in the Thames near Sheerness, accompanied by four friends. Etching by R. Livesay after S. Scott and W. Hogarth.

Sketches of a prauw and two bamboo fittings, Wouter Schouten, Cornelis de Bruyn (Rejected Attribution), c. 1660 drawing Sketches of burning a prauw and of two bamboo flies on the water. paper. ink pen / brush In the

Etching by Richard Houston, 1741-1775, depicting a shipwreck and a ship on fire, showing vessels, fire, water, and maritime disaster.

Reality, ô Hollands Jeugd! If you consider Deez 'print, /' t very distinction, that between 't Dobb'rend wood (...). Sheet with 12 representations of vessels, such as a simple tree trunk and a Dutch warship. Two six-line verses at the top. In the middle of the seal of society to the usefulness of the general. Under each image a two-legged caption. Numbered at the top right: R.

Foreign Ships Offshore at Yokohama. Artist: Utagawa (Gountei) Sadahide (Japanese, 1807-1878/79). Culture: Japan. Dimensions: Image: 14 1/2 x 32 7/8 in. (36.8 x 83.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

"Both jaws, like enourmous shears, bit the craft completely in twain", Opp. p. 510. Melville, Herman, 1819-1891. Illustrations. 1892. General Research Division. Whales

Single Corvette () with Three Figures in Naval Uniforms and Union Jack, Joseph Cartwright, c.1789-1829, British, undated, Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, beige, wove paper, mounted on, moderately thick, slightly textured, beige, wove paper, Mount: 13 5/16 × 16 1/2 inches (33.9 × 41.9 cm) and Sheet: 10 5/8 × 9 7/16 inches (27 × 24 cm)

The Turner Medal Prize Landscape of the Royal Academy, 1870. Engraving of a painting. 'The young painter, Mr. Wyllie...has given unmistakable indications of an original gift in art...And these indications have appeared at an unusually early age. He has only just attained eighteen years...The prize picture, entitled "The Sea-Beach After a Storm - Time, Dawn," beyond question represents a scene and an effect witnessed by the artist himself. The...colouring...is limited almost entirely to greys - a slatey hue predominating. The execution...shows a tendency to haste and dash, which...m

Excavated temples of Aboosimble Abû Sunbul, Nubia. The temples of Aboo-Simbel, from the Nile.. Roberts, David, 1796-1864. Brockedon, William, 1787-1854. Prints, Illustrations. 1846 - 1849. General Research Division. Egypt, Antiquities, Temples , Egypt , Abû Sunbul

Study for Decoration of the Obelisk at Port-Vendres 1783 Charles de Wailly French. Study for Decoration of the Obelisk at Port-Vendres 335239

Voesteven and figurehead of a frigate, Joseph Coiny, After Pierre Ozanne, 1798 - 1799 print This print is part of an album. paper etching / engraving parts of ship's exterior: bow. sailing-ship, sailing-boat

Morning at Venice.. Turner, Ross (1847-1915). Proofs, Cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Sailing ships, Venice (Italy)

Samuel Atkins, active 1787-1808, British, active in the East Indies (1796-1804), A Third-Rate in Coastal Waters, 1788. Pen and black ink and watercolor on medium, moderately textured, cream wove paper.

A Resting Place of Prisoners by Vereshchagin, Vasili Vasilyevich (1842-1904) / Brooklyn Museum, New York / 1878-1879 / Russia / Oil on canvas / Landscape,Genre / 181,6x302

Fumarole or sulphuric gases escaping from Solfatara volcano near Naples 1, and the eruption of the volcano on Stromboli island, 18th century. Handcoloured copperplate engraving by J.B. Hoessel from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1802.

Fisher-folk and their methods of working close to the shore. Engraving, c.1762, by Benard after Goussier.

Edward Lear, 1812-1888, British, Sommantino.

A Youth Rescued from a Shark 1779 England. Mezzotint on ivory laid paper . Valentine Green

Farne Island - Shipwreck, Print made by James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1853-1874, Line engraving; engraver's proof on medium, slightly textured, cream wove paper

English sailors examining objects dredged from the sea. Fishermen checking their catch. Savants anglais examinant les objets rapporte par la drague. Woodcut by Jules-Descartes Ferat from Alfred Fredols Le Monde de la Mer, the World of the Sea, edited by Olivier Fredol, Librairie Hachette et. Cie., Paris, 1881. Alfred Fredol was the pseudonym of French zoologist and botanist Alfred Moquin-Tandon, 1804-1863.

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