← Artworks

Maritime Landscape Paintings

Impressionistic seascapes featuring boats and harbors, evoking serene moods with soft color palettes and reflections on water.

Sunset by Eugene Louis Boudin, 1892, oil on canvas, (1824-1898), USA, Pennsylvania, Philadelphia, David David Gallery
Sunset by Eugene Louis Boudin, 1892, oil on canvas, (1824-1898), USA, Pennsylvania, Philadelphia, David David Gallery
140 assets in this story
4042-21242412
The Thames below Westminster, by Claude Monet, circa 1871, National Gallery, London, England, UK, GB, Europe
866-18251
Venice- The Customs House; Venise- La douane de mer. Paul Signac (1863-1935). Oil on canvas. Signed and dated 1908. 65.4 x 81.2cm.
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El Molinar, Marius Michel, 1905, oil on canvas, Museu de Mallorca, Palma, Majorca, Spain.
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Vétheuil 1901 France. In summer 1901 Claude Monet rented a modest house in Lavacourt, a small hamlet across the Seine from VÈtheuil and not far from his property at Giverny, which he was in the process of expanding. He began 15 paintings of VÈtheuil from the balcony of this rented home, all of which feature the same restricted view of the riverbank and townópunctuated by the churchóand document the changes in light throughout the day. The Art Institute holds two paintings from the series, one from midday and another from sunset. Painted on nearly square canvases, Monet divided each composition in half, separating the town from its reflection. Rather than replicating the areaís topography or creating a convincing illusion of space, Monet emphasized the decorative over the descriptive qualities of this riverscape. His loose brushwork and subtle color transitions blur the distinctions between the sceneís various forms, dissolving the borders, for example, between the water and the land an
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VACAS PASTANDO Y BEBIENDO AGUA - 1883/88 - O/L - IMPRESIONISMO FRANCES. Author: BOUDIN, EUGENE. Location: MUSEUM OF FINE ARTS, HAVRE, FRANCE.
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Gray Weather, Grande Jatte. Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: 27 3/4 x 34 in. (70.5 x 86.4 cm). Date: ca. 1886-88.This view extends from the island of La Grande Jatte, framed by trees, to the red-roofed houses of the Paris suburb of either Asnières or Courbevoie across the Seine. Seurat had earlier celebrated this stretch of the river with his ambitious compositions <i>Bathers at Asnières</i> (1883-84, National Gallery, London) and <i>A Sunday on La Grande Jatte</i> (1884-86, Art Institute of Chicago). Here he sought "to transcribe most exactly the vivid outdoor clarity of nature in all its nuances" using a technique known as Divisionism (also called Pointillism). The painted border was added shortly before the picture was first exhibited in 1889. Museum: Metropolitan Museum of Art, New York, USA.
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Summer Afternoon, Evesham, detail 2 by Charles Neal, 2012
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Paris, c1900, (1903). Artist: Frederic Houbron
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La Piccola Marina in Capri, by Vittorio Benisson (1830-1880), painting.
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Clammer's Horse Drive by Weissenbruch, Hendrik Johannes (Jan Hendrik) (1824-1903) / Gemeentemuseum Den Haag / c. 1890 / Holland / Oil on wood / Landscape / 40x47,3
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Canal in Venice, San Trovaso Quarter. oil on canvas. Date: ca. 1885. Museum: Smithsonian American Art Museum.
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View of the Cannaregio Canal, Venice, 1740, Italy, after a painting by Francesco Guardi, Historic, digitally restored reproduction from an 18th or 19th century original, Europe
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The Promenade with the Railroad Bridge, Argenteuil, Claude Monet, French, 1840-1926, 1874, Oil on canvas, Made in Western Europe, France, Europe, Argenteuil, Île-de-France, Western Europe, France, Europe, Paintings, 21 1/8 x 28 3/8 in. (53.7 x 72.1 cm)
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A Venetian Backwater. Frits Thaulow (1847-1906). Oil on canvas. 41.5 x 57cm
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Voiliers Pres de la Cote Henri Jean Guillaume Martin (1860-1936 French) Oil on canvas Christie's Images, London, England
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October Sundown, Newport. Frederick Childe Hassam (1859-1935). Oil on canvas. Signed and dated 1901. 67.2 x 61.8 Cm.
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Claude Monet painting on his boat, 1874, by Edouard Manet (1832-1883), oil on canvas, 82x100 cm.
4409-4720
'Lavaderos en el Manzanares', 1904, Óleo sobre lienzo, 57,5 x 81 cm. Author: AURELIANO BERUETE Y MORET (1845-1912). Location: MUSEO SOROLLA. MADRID. SPAIN.
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'Catspaws off the Land', 1885, (c1915). Artist: Henry Moore.
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Le Lavoir, Port Marly, Pontoise' 1872 (The Wash-House, Pontoise): Camille Pissarro (1830-1872) Fench artist. Oil on Ca nvas.
866-15146
Sampans at Tai Po. Edward Seago (1910-1974). Oil on board. 49.5 x 75cm
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Alger, le Port de L'Aghar. Albert Marquet (1875-1947). Oil on canvas. Painted circa 1942-1945. 50 x 61cm.
866-16684
Montauk Point. Frederick Childe Hassam (1859-1935). Oil on canvas. Signed and dated 1922. 100.4 x 82.2cm.
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Beach face in Domburg, Jean Leon Henri Gouweloos, 1917 drawing Domburg paper. pencil. watercolor (paint) brush beach Domburg
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At Joinville. Robert Henri (1865-1929). Oil on canvas. Signed and dated 49 Bv. Montparnasse, Oct. 1896.
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Scene on the RiverWuppe. Artist: Carlo Mense, German, 1886-1965
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Saint-Tropez (The Port of St. Tropez). Artist: Paul Signac (French, Paris 1863-1935 Paris). Dimensions: Sheet: 10 13/16 x 14 7/16 in. (27.5 x 36.7 cm)Image: 16 7/16 x 23 1/16 in. (41.7 x 58.6 cm). Publisher: André Marty (French, born 1857). Series/Portfolio: L'Estampe originale, Album VII. Date: 1894. Museum: Metropolitan Museum of Art, New York, USA.
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The Dock at Brittany by Martha Walter, oil on wood panel, 1925, 1875-1976, USA, Pennsylvania, Philadelphia, David David Gallery
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Highland Light Charles W. Hawthorne (American, 1872-1930). Highland Light, ca. 1925. Oil on panel, 24 x 19 13/16 in. (60.9 x 50.3 cm). American Art ca. 1925
1746-19661958
Starry Night Over the Rhone (September 1888) by Vincent Willem van Gogh (30 March 1853 29 July 1890), Dutch post-Impressionist painter
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Chicago World's Fair Thomas Moran (American, 1837-1926). Chicago World's Fair, 1894. Transparent watercolor with opaque white highlights and graphite on cream, moderately thick, moderately textured wove paper, 29 x 21 9/16 in. (73.7 x 54.8 cm). Watercolor was the ideal medium for the late nineteenth-century landscape painter Thomas Moran, a follower of the British painter J. M. W. Turner who was drawn to dramatic natural features in places such as Yellowstone and the Grand Canyon. In this view of the lagoon and central buildings constructed for the Chicago Worlds Columbian Exposition of 1893—an extravagant, nationalistic salute to the westward advance of “civilization”—Moran bathed the scene in the glowing colors of a vivid sunset and violet shadows that might have seemed extreme if rendered in oils. American Art 1894
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Sailing Boats in the Port of Sanary; Voiliers dans le Port de Sanary. Moise Kisling (1891-1953). Oil on canvas, 1937. 41 x 33cm
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Alfred Sisley, Banks of the River (Les Bords de rivière), 1897 Banks of the River (Les Bords de rivière)
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The banks of the Seine Jean Beraud (1849-1936). "The banks of the Seine". Oil on canvas.
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Washerwomen on the Beach of Etretat. Dated: 1894. Dimensions: overall: 37.2 x 54.9 cm (14 5/8 x 21 5/8 in.) framed: 52 x 69.5 x 5 cm (20 1/2 x 27 3/8 x 1 15/16 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Eugene Boudin.
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The painter's studio in Naples, 1827, by Massimo Taparelli Azeglio (1798-1866), oil on canvas, 46x35 cm.
1715-148
Sunset Sailing 2007 Todd Muskopf (b.20th C. American) Oil on panel
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Les Oies Made 1897 . Oil on canvas . Theodor Esbern Philipsen
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Central Park. Colin Campbell Cooper (1856-1937). Oil on canva. 91.4 x 91.4cm
866-13179
Flying the Kite, Sennen Cove, Cornwall. Ken Howard (b. 1932). Oil on canvas. 98 x 122cm.