Maritime Landscapes and Boats

Etchings illustrating tranquil water scenes with various boats, coastal views, and atmospheric elements, blending nature with human activity.

Study sheet with sketches of sailing ships and a bird cage, Albertus van Beest, 1830 - 1860 drawing paper. pencil bird in a cage. sailing-ship, sailing-boat

Early Morning, Battersea, 1863. James McNeill Whistler (American, 1834-1903). Etching;

Mountain landscape with a tower in a port, Jean Jacques de Boissieu, 1772 print France paper. etching / drypoint harbour. mountains. boat propelled by man or animal

San Georgio, Venice , Cities & towns, Lakes & ponds, Boats. Joseph Pennell (1857-1926). Prints and Drawings

James McNeill Whistler, Fishing Boat, 1880 Fishing-Boat

Long Lagoon 1879-80 James McNeill Whistler American. Long Lagoon. Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886). James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1879-80. Etching and drypoint, printed in brown ink on light weight ivory laid paper; second state of two (Glasgow). Prints

Village face with Landweg in De Kempen, Frans van Kuyck, 1862 - 1911 print paper etching prospect of village, silhouette of village. road, path. four-wheeled vehicle drawn by one animal Campaign

James McNeill Whistler, Long Lagoon, 1880 Long Lagoon

Study sheet with sketches of sailing ships and a bird cage, Albertus van Beest, 1830 - 1860 drawing paper. pencil bird in a cage. sailing-ship, sailing-boat

Battersea Reach. Francis Seymour Haden; English, 1818-1910. Date: 1863. Dimensions: 150 × 226 mm (image/plate); 174 × 245 mm (sheet). Etching with drypoint in black on cream Japanese paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Limehouse , Boats, Piers & wharves. James McNeill Whistler (1834-1903). Lithographs

Harmensz van Rijn Rembrandt (1606-1669). "Le Pont de Six" (B 208 - 3rd state), 1645. Museum of Fine Arts in the city of Paris, Petit Palais. 27016-1 Boat, countryside, canal, six bridge, bridge

De tocht van de Engelse koning Karel II over de Thames naar Sheerness en Chatham op 27 Augustus 1681.The journey of the English king Charles II about the Thames to Sheerness and Chatham on August 27, 1681. Here the king visits two East IndiaDers in Erith, left a few yachts.

AConcarneau. Artist: Maxime Lalanne, French, 1827-1886 Publisher: Alfred Cadart, French, 1828-1875

River view with a city in the background, Johannes Körnlein, after Pieter Coopse, 1765 - 1772 print View of a river with a few boats in the foreground, one of which is in one fisherman. The contours of a city and the Stadskerk are visible in the background. Amsterdam paper fisherman. church (exterior). sailing-ship, sailing-boat. river

Landscape in Moonlight with windmill and some buildings on a lake, Egide François Leemans, 1849 - 1883 print paper etching / drypoint windmill in landscape. moonlight

Edelfelt, Albert, work, Sketch book, drawing, 22.5 cm x 29.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Millbank, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects). Artist: James McNeill Whistler, American, 1834-1903

Harbour. Artist: Carel Nicolaas Storm van s Gravesande, Dutch, 1841-1924

Riva, No 2 1879-1880 United States. Etching and drypoint with foul biting in brownish black, with selective wiping of plate tone, on cream laid paper . James McNeill Whistler

Millbank, 1861, United Kingdom, by James Whistler. Gift of Sir John Ilott, 1952.

Frank Duveneck, Riva degli Schiavone, No 1, 1880 Riva degli Schiavone, No. 1

The Moerdyck, after Jan van Goyen Jules-Ferdinand Jacquemart French After Jan van Goyen Dutch Publisher P. & D. Colnaghi & Co. 1871 Among the ten works included in Jacquemarts portfolio of etchings celebrating the founding purchase of the Metropolitan Museum of Art, this is the only painting that is no longer in the collection. For reasons of condition, it was deaccessioned in 1989. In his review of the plate, the British critic and etching advocate, Philip Gilbert Hamerton admired the frankness of the "bare etched line" and the "varied employment of it" such that the print "suggests everything of the picture but its colour." View more. The Moerdyck, after Jan van Goyen. Etchings of Pictures in the Metropolitan Museum New York. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1871. Etching, second state of two (Gonse). P. & D. Colnaghi & Co.. Prints

Part of Amsterdam Central Station. In the background the IJ. Central Station in Amsterdam, print maker: Marius Bauer, (mentioned on object), 1890, paper, etching, h 130 mm × w 185 mm

Boats on River with Masts. Dimensions: overall: 17.6 x 29.4 cm (6 15/16 x 11 9/16 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

James McNeill Whistler, Chelsea Wharf, 1863 Chelsea Wharf

Billingsgate. Artist: James McNeill Whistler, American, 1834-1903

Fischerdorf, pl.6; Liebermann, Max (1847-1935), Cassirer, Bruno und Paul (Berlin; Publisher; 1898-1901), Angrer, Ludwig (London, Berlin, Vienna; Publisher; Fl. 1849-1930); 1898 (edition); 1896 (p Yta) (1896-00-00-1896-00-00);The Netherlands, Partage Plus, Sachs, Carl (1868-1943), Sachs, Carl (1868-1943) - iconography, Sachs, Carl (1868-1943) - collections, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection , Schlesisches Museum der Bildenden Künste. Library (Wrocław - Ante 1945) - collection, modernism (style), fishermen, village, fishing villages

The Inn, Purfleet, Francis Seymour Haden, 1818-1910, British, 1869, Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper, Sheet: 8 11/16 x 11 9/16 inches (22 x 29.3 cm), Plate: 6 15/16 x 9 13/16 inches (17.7 x 25 cm), and Image: 6 15/16 x 9 13/16 inches (17.7 x 25 cm), architectural subject, banks, boats, building, cityscape, clouds, estuary, figures, fishermen, inn, landscape, marine art, masts, net, posts, river, sailing, sails, shore (landform), smoke, steam, England, Erith, Essex, Europe, Purfleet, Thames, United Kingdom

Ships on the beach. Draughtsman: Johannes Christiaan Schotel. Dating: 1797 - 1838. Measurements: h 252 mm × w 439 mm. Museum: Rijksmuseum, Amsterdam.

Maxime Lalanne, Dutch View Dutch View

Tugboats on the Maas for Dordrecht, Carel Nicolaas Storm of 's -Gravesande, 1889 - 1902 print River face with three tugboats. Netherlands paper drypoint tug, pusher tug. river (+ landscape with figures, staffage) Mesh. Dordrecht

Scheepstimmerwerf on the water near Antwerp, Henri François Schaefels, 1861 print Left in the background the city of Antwerp. paper etching shipyard, shipdock - CC - more than one ship. landscapes with waters, waterscapes, seascapes (in the temperate zone). village Antwerp

Veer in Rhenen, Jan Weissenbruch, 1837 - 1880 print There is a house on a road along the water. A few figures can be seen in front of the house, two of whom are on a boat. paper. etching river. river bank. landscapes. housing. ferry Rhenen

Port de La Plataine à Royan (The La Plataine Bridge atRoyan). Artist: Maxime Lalanne, French, 1827-1886

Edelfelt, Albert, work, Sketch book, drawing, 7 cm x 12 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

The BroadBridge. Artist: James McNeill Whistler, American, 1834-1903

Gloucester, 1925. Elbridge Gerry Peirce (American, 1900-). Etching;

Print made by Sir Frank Short, 1857-1945, British, Shipping at the Entrance of the Medway, No. 2, 1906. Soft-ground etching printed in brown ink on medium, slightly textured, cream wove paper.

Print made by John Cousen, 1804-1880, British, Folkstone, 1844-1867. Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine colle.

Seascape with sailing boats and setting sun, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1924 print In the foreground, groups of people are on the beach. paper drypoint sea (seascape). sunset

Drawing by Ferdinand Boberg. Värmland, Kils hd., Nedre Ulleruds sn., Deje Nordic

Sunset on the Thames 1860-1870 England. Etching and drypoint on ivory laid paper . Francis Seymour Haden

The Fleet: Monitors, from the JubileeSet. Artist: James McNeill Whistler, American, 1834-1903

Ships, George Hendrik Breitner, 1867 - 1923 drawing paper. chalk ships (in general)

Print, The Windmill; Rembrandt Harmensz van Rijn (Dutch, 1606-1669); Netherlands; etching on laid paper; 14.7 × 21.2 cm (5 13/16 × 8 3/8 in.); Bequest of George Campbell Cooper; 1896-3-194

Skating driver at a mill, Joseph Hartogensis, 1858 print The Hague paper. etching windmill in landscape (+ city(-scape) with figures, staffage). skates (winter sports)

Early Morning: The Thames at Battersea, 1878. James McNeill Whistler (American, 1834-1903). Lithograph;

Black Lion Wharf in Londen, James Abbott McNeill Whistler, 1859 print Black Lion Wharf on the Thames in London, with a row of warehouses on the quay. In the foreground a man sitting on the quay. Printed on Old Dutch paper with wide margins, supplied by Carel Vosmaer. paper etching / drypoint pier, quay, wharf London

Dry Docks, Southampton. James McNeill Whistler; American, 1834-1903. Date: 1886-1887. Dimensions: 65 x 176 mm (image, trimmed within plate mark); 68 x 176 mm (sheet). Etching and drypoint with foul biting in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

View of a canal in a city, Coen Metzelaar, 1855 - 1881 drawing paper. ink pen / brush canals, waters (in city)

agricultural implements such as a cart and wheelbarrow stand. In the foreground a jetty. Sheet 33 recto from a sketchbook with 39 sheets., sketchbook sheet, drawings, 1606 - 1686, draughtsman, draftsman, 1645 - 1646, second quarter 17th century, paper, papier, chalk, schokkat

Harbor with crowd on the quay, Stefano della Bella, 1620 - 1664 print A harbor face with a wall with a viewpoint on the left. On the quay there is a crowd of people, including two men on horseback and port workers. On the right a sloop is loaded that has to bring the freight to one of the two large sailing ships. print maker: Italyafter own design by: Italypublisher: Rome paper etching ships (in general). harbour. ship bound for the harbour. riding a horse, ass, or mule; rider, horseman. dock labourer

Fondamenta della Zattere, 1880. Otto H. Bacher (American, 1856-1909). Etching on chine collé; sheet: 35.8 x 45.6 cm (14 1/8 x 17 15/16 in.); platemark: 7.7 x 25.5 cm (3 1/16 x 10 1/16 in.).

Bohuslän, Grundsund. Break with drying mistakes. Drawing of Ferdinand Boberg Nordic

Land with a farm. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 137 mm × w 318 mm. Museum: Rijksmuseum, Amsterdam.

Little Dordrecht 1885-86 James McNeill Whistler American. Little Dordrecht 372603

Frank Duveneck, Riva degli Schiavoni (2), American, 1848-1919, c. 1880, drypoint on chine applique paper

Francis Seymour Haden, Old Chelsea, Out of Whistler's Window (Battersea Reach), 1863 Old Chelsea, Out of Whistler's Window (Battersea Reach)

Arles: View from the Wheatfields; Vincent van Gogh, Dutch, 1853 - 1890; Arles, France, Europe; 1888; Reed and quill pens and brown ink; 31.2 x 24.1 cm (12 5/16 x 9 1/2 in.)

Sailing ship with coastline in the background, Frans Hens, 1866 - 1910 print paper etching sailing-ship, sailing-boat. landscapes with waters, waterscapes, seascapes (in the temperate zone)

The little mast. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1879 - 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

View of the Elbe near Altona, with fishing vessels and bathers, Carel Nicolaas Storm van 's-Gravesande, 1907 drawing paper. chalk landscapes Elbe. Altona. Hamburg. Germany

Land with a farm, Gerrit Willem Dijsselhof, 1876 - 1924 drawing Brazing sunlight above flat land with a farm, with color notes. paper. chalk farm or solitary house in landscape

Pontveer at Rhenen, Johannes Abraham Mindt, after George Henry Boughton, 1869 - 1941 drawing paper. pencil. chalk river. ferry Rhenen

Black Lion Wharf 2. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1859. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Bouwstelling aan Water, Adolf Le Comte, 1860 - 1921 drawing paper. chalk

Sailing Boats, Winslow Homer, American, 1836-1910, Charcoal on paper, Horizontal view of two small fishermens' sailing boats, in the nearer boat fishermen are drawing in a line., USA, 1895-96, seascapes, Drawing, Drawing

The Little Putney 1879 United States. Etching and drypoint with foul biting in black ink on cream laid paper . James McNeill Whistler

Rowing boat on the water, Charles-François Daubigny, 1867 print print maker: Franceprinter: Parispublisher: Paris paper. etching / drypoint / engraving rowing-boat, canoe, etc.. sea

Edelfelt, Albert, work, Sketch book, drawing, 21 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Thames Warehouses 1859 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

Artist: William Unger, German, 1837-1937, Amsterdam, Etching, 4 5/16 × 7 1/4 in. (11 × 18.4 cm), Made in Germany, German, 19thcentury, Works on Paper -Prints

Seascape with boats and a quay, Frans Hens, 1884 print paper etching / drypoint sailing-ship, sailing-boat. landscapes with waters, waterscapes, seascapes (in the temperate zone). pier, quay, wharf

James McNeill Whistler, Limehouse, 1859 Limehouse

Bridge Study Camille Pissarro (1830-1903 French) Pencil David David Gallery, Philadelphia, Pennsylvania, USA

Robert Wallis, 1794-1878, British, Coteaux de Mauves, 1833. Line engraving.

Untitled (Statue of Liberty) , Monuments & memorials, Harbors, Statue of Liberty National Monument Agency : U.S.. Joseph Pennell (1857-1926). Prints and Drawings

Eagle Wharf. (Tyzac, Whiteley & Co.) , Boats, Piers & wharves. James McNeill Whistler (1834-1903). Lithographs

James McNeill Whistler, The Riva, NoI, 1879 1880 The Riva, No.I

San Giorgio. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 206 x 305 mm (plate); 224 x 323 mm (sheet). Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Koster, Cornelis, Amsterdam, Springer, Flooded landscape between Oss and Lith, verso - stamped, The road between Oss and Lith in a flooded landscape during the flood in March 1855., print, prints, height 125 mm, width 214 mm, Dutch, 1817-05-25 - 1891-02-20, print maker, printmaker, 1855 - 1855, paper, papier, etching, etchings, intermediary draughtsman

Steamboats off the tower 1. Whistler, James McNeill (1834-1903). 1875. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Savoy pigeons , Pigeons, Bridges. James McNeill Whistler (1834-1903). Lithographs

View of Haven in Amsterdam, Marie Louveau -Rouveeyre, After Jacob van Ruysdael, 1868 - 1904 print paper etching harbour. city-view, and landscape with man-made constructions Rock

TheWindmill. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Shipping at Liverpool. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1867. Prints; etchings. Etching and drypoint, with drypoint cancellation

Harbor , Harbors, Boats. Frank W. Benson (1862-1951). Prints and Drawings

Havenhoofd in Scheveningen, 1908 In the background the lighthouse and the village. Page 3 Recto from a sketchbook with 30 sheets. Scheveningen paper. chalk pier, quay, wharf. village. lighthouse, lightship Scheveningen

The 'Adam and Eve,' old Chelsea , Boats, Rivers, Houses, Embankments, Piers & wharves. James McNeill Whistler (1834-1903). Lithographs

The Riva, No. 1 (The Riva) 1879-80 James McNeill Whistler American The artist etched the Riva degli Schiavone from his room in the Casa Jankowitz in Venice. Traditional visual hierarchy is overturned and the foreground filled with a triangular expanse of open plaza. Paving stones are suggested with a few etched lines and the edges enlivened with pedestrians, moored boats, and gondolas. An arched bridge leads across a canal toward a curved bank lined with buildings, concluding in the tiny exclamation point of the Campanile. Whistler arrived in Venice in September 1879, commissioned by the Fine Art Society to prepare twelve etchings in three months, but returned to London in November 1880 with many more plates. This print was published in Venice, a Series of Twelve Etchings (the "First Venice Set") in December.. The Riva, No. 1 (The Riva) 372572

Rotherhithe , Sailing ships, Conversation. James McNeill Whistler (1834-1903). Lithographs

Fulham (Chelsea) 1879 James McNeill Whistler American. Fulham (Chelsea) 372565

Three Zeegesichten, Johannes Arnoldus Boland, after Reinier Nooms, c. 1860 - c. 1900 print Amsterdam paper etching sea (seascape)

The poor condition of the Zeedijk from Diemen to Jaap Hannes (first part), 1705. The poor condition of the Diemerdijk from Diemen to Jaap Hannes; First part of the show from Diemen. Following the storm and flooding of the dike in June 1705. With top and caption through both plates. Signature at the top right: to be added between p. 20 AND PAG. 21.

Landscape with mill, Johannes Franciscus Hoppenbrouwers, 1829 - 1866 print The Hague paper etching windmill in landscape

Seymour-Haden, Francis (Sir), England, Battersea Bridge, Bridge over the Thames, verso top left - stamped, The River Thames at full moon. On the horizon Battersea Bridge over the water, and the church and houses of Chelsea., print, prints, Seymour Haden, recto bottom right - pencil, Zinc. A monsieur Victor Schoelcher 1868, recto lower left - drypoint, verso lower middle - stamped, height 176 mm, width 251 mm, English, 1818-09-16 - 1910-06-01, print maker, printmaker, 1868 - 1868, third quarter 19th century, paper, papier, etching, etchings, drypoint, Work conception, after own design by

Embarcadère à Trouville (Pier at Trouville), published in lIllustration Nouvelle. Artist: Félix Hilaire Buhot, French, 1847-1898

James McNeill Whistler, Nocturne, 1878 1887 Nocturne

Figures on the beach, Charles Leickert, 1826 - 1907 print Beach face with walking figures, there are two sailing ships in the water. paper. etching beach. sailing-ship, sailing-boat

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