Maritime Scenes

Artworks capturing various boats and ships on serene waters, depicting fishing activities and tranquil coastal views, emphasizing the beauty of maritime life.

Silent sea with ships, draughtsman: Simon de Vlieger, 1610 - 1653, paper, pen, h 90 mm × w 197 mm

Harbor in Dordrecht, 1895/1897, pen and black ink with gray brown wash with scraping on wove paper, overall: 22.5 x 28.4 cm (8 7/8 x 11 3/16 in.), Albert Lebourg (artist) French, 1849 - 1928

The Lake of Gennesaret near the Site of Bethsaida James Tissot (French, 1836-1902). , 1886-1887 or 1889. Pen and ink on paper mounted on board, Sheet: 4 15/16 x 7 11/16 in. (12.5 x 19.5 cm). European Art 1886-1887 or 1889

Study sheet with mast of a ship, draughtsman: Willem Bastiaan Tholen, 1870 - 1931, paper, brush, h 225 mm × w 301 mm

Robert Brandard, 1805-1862, British, Tours, 1833. Line engraving, engraver's proof.

Normandy Made 1831 France. Lithograph in black on ivory China paper laid down on rosy-cream wove paper . Eugène Isabey

Etching by Eugène Boudin depicting a marine port scene from the second half of the 19th century, showing boats, dock structures, water reflections, and surrounding architecture.

Bliżej Kultury H. Kleinmann & Co Haarlem, Ruysdael, Jacob Salomonsz. van (1629/1630 1681)

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

The Hague, Royal Dutch Lithography of CW Mieling, Waldorp, Antonie, Volkom, Anthonie van, Sailing boats on a river, verso - stamped, Sailing boats and a rowing boat sailing on a river., print, prints, height 360 mm, width 523 mm, Dutch, 1821-06-06 - 1860-10-03, print maker, printmaker, 1847 - 1865, paper, papier, toonlithografie, Work conception, 1803-03-22 - 1866-10-12, after a design by, printer, drukker

Rotherhithe K. 66 III from The Thames Set”. Artist: James McNeill Whistler, American, 1834-1903

London, Way, Thomas Robert, England, Whistler, James Abbott McNeill, Railway Bridge over the Thames at Charing Cross, Charing Cross Railway Bridge, verso bottom centre - stamped, The River Thames at Charing Cross, with the railway bridge over the water., print, prints, height 202 mm, width 325 mm, American, 1834-07-10 - 1903-07-17, print maker, printmaker, 1896 - 1896, fourth quarter 19th century, vier kwart 19th century, paper, lithography (technique), English, 1861-08-13 - 1913-03-01, printer

Trekschuit, 1824; Een hollandsche trek of Jaagschuit / Une barque de tracte, servante au transport de voyageurs et marchandises en hollande.A Dutch drawing tribute in a taps, ca. 1824-1825. At the bottom right: pl. 6. Part of a sheet metal from approx. 1824-1825 with 74 (unnumbered) plates of the most important topographic faces and several morals and habits in the United Kingdom of the Netherlands.

Rotherhithe 1. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1860. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Mill along a canal. Draughtsman: Willem Roelofs (I). Dating: 1832 - 1897. Measurements: h 311 mm × w 487 mm. Museum: Rijksmuseum, Amsterdam.

Edward Lear, 1812-1888, British, Qaw el Kebir, 1867. Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, blue wove paper.

Soupe à trois sous, 1859, by James McNeill Whistler. Etching and drypoint print on cream laid paper. Plate mark dimensions are 5 15/16 x 8 7/8 inches (15.1 x 22.5 cm), with sheet dimensions of 8 3/16 x 10 13/16 inches (20.8 x 27.4 cm)

Setting Sun.

James McNeill Whistler (American, 1834 - 1903), Rotherhithe, 1860, etching

From Waterloo Bridge: Sun bursting through fog, c. 1924-27, by Christopher Nevinson. Gift of Sir John Ilott, 1964.

Ruins at Sahdaeb, opposite Hindau, Nubia, engraving from Voyage d'Egypte et de Nubie (Journey to Egypt and Nubia), Volume III, Plate CXLVIII, by Frederic-Louis Norden, 1798, Paris.

The windmill, copy, 1641, by Rembrandt van Rijn, John Smith of Chichester.

Figures in a sailboat on a turbulent sea. In the background a sailboat. Leaf 36 Recto from a sketchbook with 46 sheets.

Leaving Constantinople (from Sketchbook). Artist: Mary Newbold Sargent (1826-1906). Dimensions: 5 1/4 x 8 1/4 in. (13.3 x 21 cm). Date: 1904. Museum: Metropolitan Museum of Art, New York, USA.

Swift-Sailing Proa, Mulgrave Archipelago, Oceania. Charles Meryon; French, 1821-1868. Date: 1866. Dimensions: 145 × 80 mm (image); 145 × 80 mm (plate); 246 × 161 mm (sheet). Etching and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Landscape with two mills, 1905 Page 17 Recto from a sketchbook with 42 sheets. paper. chalk windmill in landscape

Fishermen on Kalme Zee, Henri Seghers, 1881 print paper etching / drypoint sailing-ship, sailing-boat. sea

Breaking Up of the Agamemon, No. 11, 1880 and later. Francis Seymour Haden (British, 1818-1910). Etching and mezzotint;

Fuji view from the sea route in Kazusa /Kazusa no kairo, from the series: Thirty six views of Mount Fuji /Fugaku sanju rokkei Katsushika, hokusai (1760 1849)

Dutch Fishing Boats, Verso: Sketches of Boats 1870 Johan Barthold Jongkind Dutch This Dutch seascape was painted in Nevers, France, where Jongkind lived in 1870 to 1872 during the Franco-Prussian War. The bright palette is very different from that used by Jongkind's compatriots of the Hague School and was influenced by the French Impressionists. Thus the subject of Dutch fishing boats, while reminiscent of seventeenth-century Dutch marines, has a less moody, more upbeat feeling. This is the seaside not of poor fishermen but of sunny fruitful harvests, more akin to representations of happy vacationers at Honfleur by Eugène Boudin and Claude Monet, both of whom Jongkind knew.. Dutch Fishing Boats, Verso: Sketches of Boats 335611

Study for The Terrace, Monte Carlo 1905-1906 England. Graphite over drypoint in black on tan Japanese paper . Theodore Roussel

Some figures, one with raised arms. Draughtsman: Johan Braakensiek. Dating: c. 1868 - c. 1940. Measurements: h 233 mm × w 153 mm. Museum: Rijksmuseum, Amsterdam.

unknown artist, Salisbury Cathedral, between 1800 and 1829. Black crayon on medium, smooth, blued white wove paper.

Faint pencil sketches. From: A 1907/8 sketchbook., 1907-1908, Wellington, by Petrus van der Velden. Gift of W. Fergusson Hogg, 1967.

Pisa W: Oskar Ludwig Bernhard Wolff New elegant conversation lexicon for educated from all stands Tom 3 Art Verlag Creuzbauer in Carlsruhe, Kollmann, Carl Ivanovitch (1788 1846)

Illustration by Noel Paton (1821-1901) for the narrative poem The Rhyme of the Ancient Mariner by Samuel Taylor Coleridge (1772-1834). The Pilot, the Pilots Boy and the Hermit approach the stricken ship and rescue the Ancient Mariner.

Honfleur. Artist: Robert Demachy (French, 1859-1936). Dimensions: 15.1 x 21.4 cm. (5 15/16 x 8 7/16 in.). Date: 1905. Museum: Metropolitan Museum of Art, New York, USA.

De Sconhans in Groningen, 1673, 1682 - 1684 print View of the Groningen country near the Dollard with the Schans: De Bellingwolder Schans, Booner Schans and Nieuweschans. Antwerp paper etching fortress Nieuweschans. Bellingwolde. Groningen (Province)

The Dutch warship St. Catharina. Draughtsman: Willem van de Velde (II). Dating: 1643 - 1707. Measurements: h 280 mm × w 650 mm. Museum: Rijksmuseum, Amsterdam.

An original sketch by an English officer on board one of Adml. Howe's fleet, while at anchor in the Lower Bay, previous to landing on Long Island at Graves-End. Davies, Thomas (ca. 1737-1812). 1775 - 1778. Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Moonlight , New York (State) , Long Island (N.Y.), Lower Bay (N.Y. and N.J.), Long Island (N.Y.) , History , Revolution, 1775-1783, Moon

Illustration with people on field by anonymous artist, painting, Russia, Moscow, State Tretyakov Gallery, 79x92

After Winslow Homer, Gloucester Harbor, published 1873 Gloucester Harbor

Stamboul. Alfred de Courville (d.1875). Pencil and watercolour. 22.2 x 38.7cm.

Marseilles. Date: n.d. pencil and watercolor on paper. Museum: Smithsonian American Art Museum.

Bender-Bouchir Bu¯shahr. Golfe Persique.. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities, Bushahr (Iran)

Salute Dawn. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 126 x 202 mm (primary support); 270 x 330 mm (secondary support). Etching and drypoint in dark brown on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Face under an arch bridge in Venice, Willem Witsen, 1870 - 1923 drawing cardboard. watercolor (paint) brush canals, waters (in city). landscape with bridge, viaduct or aqueduct Venice. Italy

Wijck te ineps

Juan Bautista Porcar, "Paisaje del puerto", siglo XX.

Hugo, Victor (n.1802-02-26-D.1885-05-22), the old town (dummy title), 1844. Brown feather and ink on layer paper. House of Victor Hugo - Hauteville House.

Print, Communipaw, New Jersey; Thomas Moran (American, b. Britain, 1837-1926); USA; etching on paper; 29 x 32.7 cm.

Black pen and gouache drawing by Oskar Laske from 1950 depicting Basra, originally created in 1911.

The St Martin Canal, 1905 Henri Jourdain. The Saint-Martin Canal, 1905. Gouache.

Edward John Gregory, 1850-1909, British, Drifting, undated. Watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

'New York From The Sound', c1913. Artist: William Monk.

Mill on the Water, Hendrik Spilman, 1742 - 1784 print River landscape with a mill. On the left a high -charged boat and a sailing ship on the right. Haarlem paper etching windmill. river. hay-stack

Artist: John Perry Newell, American, 1831-1898, Newport, R.I. / View from Fort Wolcott, GoatIsland, Lithograph in colors, sheet: 34.2 × 90.4 cm (13 7/16 × 35 9/16in.), Made in United States, American, 19thcentury, Works on Paper -Prints

'Westminster', 1903. Artist: Mortimer L Menpes.

The Little Putney, No. 1. Dated: 1879. Dimensions: plate: 13.18 × 20.64 cm (5 3/16 × 8 1/8 in.) sheet: 17.78 × 30.8 cm (7 × 12 1/8 in.). Medium: etching and drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The arrival of the Weesper Schuit on the Buiten Amstel (Diary, November 19), Christiaan Andriessen, 1805 - 1808 drawing paper. deck paint. watercolor (paint) brush comet. stars in the firmament Amstel (river)

London: The Thames at Westminster and Whitehall from the Terrace of Somerset House. Giovanni Antonio Canal, Il Canaletto (1697-1768). Oil on canvas, 41.3 x 71.8cm.

Neva River by Michel Francois Damam-Demartrait, Etching, watercolour, 1810s, Classicism, 1763-1827, Russia, St. Petersburg, A. Pushkin Memorial Museum, 32, 4x54, 8

Edward Lear, 1812-1888, British, Abu Seer, 1867. Watercolor, graphite, pen and black ink on medium, slightly textured, blue laid paper.

The Lookout, Winslow Homer, American, 1836-1910, Black crayon, charcoal, brush and white gouache on cardboard, Horiontal view of a sailor in sou'wester, mounting a companionway, with his right arm upraised; a sailing vessel in background., USA, 1895-96, figures, Drawing, Drawing

Alfred Wallis, St Ives, c.1928, oil paint, graphite and crayon on cardboard, Tate Britain, National Gallery of British Art, London, England.

Florio Tuna Fishery painted on ceramic tiles in the Favignana square, Aegadian Islands, Sicily, Italy.

Nocturne (Nocturne: The Thames at Battersea) 1878 James McNeill Whistler American Born in New England, Whistler studied painting in Paris and then based himself in London. There he demonstrated that making prints could be as serious an artistic pursuit as painting. Representing the river Thames, then the lagoons of Venice, Whistler developed subtle tonal variations that alluded dreamily to a triumph of water and air over substance.In this early lithograph, Whistler worked directly on the stone (rather than using transfer paper), applying washes of ink to achieve striking atmospheric effects. The artist printed this river subject in 1878, the year in which his libel case against the art critic John Ruskininvolving Ruskin's attack on one of Whistler's painted "Nocturnes"was heard. Though Whistler won the case, the court costs forced him to declare bankruptcy in the following year.. Nocturne (Nocturne: The Thames at Battersea) 337702

PUERTO DE NOCHE. Author: DARIO DE REGOYOS VALDES. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Ship and rowing boat by anonymous artist, painting, Private Collection, 30, 5x42

Deck Scene of the Great Eastern, 1857. Robert Howlett (British, 1831-1858). Albumen print from wet collodion negative; image: 28.4 x 36 cm (11 3/16 x 14 3/16 in.); matted: 50.8 x 61 cm (20 x 24 in.).

Sailboats off the coast of Domburg. Draughtsman: Jan Toorop. Dating: 1907. Measurements: h 114 mm × w 152 mm. Museum: Rijksmuseum, Amsterdam.

Bords de Riviere, or Les Oies Alfred Sisley (British, active France, 1839-1899). , 1897. Lithograph on paper, 8 3/8 x 12 5/8 in. (21.2 x 32 cm). European Art 1897

Competition for Canal Grande from the "Venice" series; Noakowski, Stanis AW (1867-1928); 4.07.1923 (1923-00-00-1923-00-00);Bronisław Krystall. Testament (Warsaw - exhibition - 2015/2016), Krystall, Bronisław (1887-1983), Krystall, Bronisław (1887-1983) - collection, Noakowski, Stanisław (1867-1928). Venice, 1923, Palace of Dożów (Venice), Venice (Italy), architecture, gift (provenance), architectural fantasies, Poland (culture), regatta, Polish drawings, Italian (culture)

Two beetles and a praying mantis (to be identified). Draughtsman: Robert Jacob Gordon (attributed to). Dating: Oct-1777 - Mar-1786. Measurements: h 660 mm × w 480 mm; h 155 mm × w 296 mm. Museum: Rijksmuseum, Amsterdam.

2010.0154.28.. A Fishing Boat, 1908. Joseph Edward Southall (d.1944)

Amsterdam, Funenkade - Mill "The thrower". .

Azulejo of The Ritz Cafe. Ceramic glazed blue tiles depicting rural scene. Around 1908. Funchal, Madeira Island.

San GiorgioMaggiore. Artist: Mortimer Menpes, British, 1855-1938

Edmond Debon. "Nogent's regattas to rowing, party". Sketch for the town hall of Nogent-sur-Marne, 1889. Aviron, fete, river, marne, regate

Howatke. Date/Period: 1867. Landscape. Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, cream wove paper mounted on moderately thick, moderately textured, beige wove paper. Height: 76 mm (2.99 in); Width: 205 mm (8.07 in). Author: Edward Lear.

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