Maritime Scenes and Landscapes

Impressionistic paintings of waterfronts, featuring boats, trees, and reflections in water, evoking calm and serene environments.

The Harbour, Southampton. E. Aubrey Hunt (1855-1922). Oil on canvas. 19 x 24in.

Folding screen valve, by Giacomo Favretto (1849-1887).

The Harbour, Southampton. E. Aubrey Hunt (1855-1922). Oil on canvas. 19 x 24in.

Return Of The Fisherman Troyon, Constant(1810-1865 French) Oil On Canvas Cummer Museum of Art & Gardens, Jacksonville, FL

Boat Building near Dinan, Brittany, Francis Danby, 1793-1861, British

The Schreierstoren in Amsterdam, The Netherlands, Jacob Maris, 1879 - 1881

Boat Building near Dinan, Brittany. Date/Period: Ca. 1838. Painting. Oil on paper laid on panel. Height: 235 mm (9.25 in); Width: 298 mm (11.73 in). Author: Francis Danby.

RIA DE BILBAO. Author: DARIO DE REGOYOS VALDES. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Félix Ziem, Le Pont Royal, Paris, c. 1859, oil on panel.

Dock in Viareggio, 1885-1890, by Federico Andreotti (1847-1930), oil on wood, 9x15 cm.

Eugène Tricoulet. The Seine seen from the Quai d'Orsay, Paris (7th arr.). Oil on wood. 1899. Paris, Carnavalet museum. 76098-4

Landscape, c. 1880, Jean-Charles Cazin, French, 1841 - 1901, 22 1/4 x 18 3/8 x 5/8 in. (56.52 x 46.67 x 1.59 cm) (canvas), Oil on canvas, France, 19th century

Harbor View, by Jacob Maris, c. 1887, Dutch painting, oil on canvas. Gulls fly over the masts of moored boats (BSLOC_2016_2_44)

Volendam, William Alfred Gibson (Glasgow, Scotland, 1866 - 1931) c. 1906

Getting Ready. William Lee Hankey (1869-1952). Oil on canvas. 25 x 29in

Grey and Silver: Old Battersea Reach. Date/Period: 1863. Painting. Oil on canvas Oil on canvas. Height: 508 mm (20 in); Width: 686 mm (27 in). Author: JAMES ABBOTT MCNEILL WHISTLER.

Chioggia under Snow, 1880-85, by Mose Bianchi (1840-1904), oil on canvas, 59x100 cm.

'Stonehaven', c1911. Artist: Sir Ernest Albert Waterlow.

On the Bosphorus; Cie Ski, Jan (1858-1913); 1899 (1899-00-00-1899-00-00);Partage Plus, State Art collections (Warsaw - 1922-1939) - collections, modernism (style), message (provenance)

Low Tide; Riverside Yacht Club 1894 Oil on canvas Theodore Robinson; American (1852-1896)

Venice, the GiDIDCACo a crient cha d. F�lix Ziem (1821-1911). Venice, the Giudecca at dusk. Oil on canvas.

(BARCAS VARADAS) - S XIX - IMPRESIONISMO ESPAÑOL. Author: JOAQUIN SOROLLA Y BASTIDA. Location: PRIVATE COLLECTION. VIGO. Pontevedra. SPAIN.

Venetian landscape or The fishing district in Venice, 1908, by Odilon Redon (1840-1916), oil on canvas, 52x67 cm.

The Bridge, by Jacob Maris, c. 1879, Dutch painting, oil on canvas. Peasant Woman carries two pails of milk with a yoke, while a man in small sand barge lights his pipe. Scene near The Hague was begun as a plein air sketch and then worked up in the studio. (BSLOC_2016_1_105)

People in park during rain by Alexander Nikolayevich Benois, gouache, pastel on cardboard , 1896-1898, 1870-1960, Russia, Moscow , Museum of Private Collections in A. Pushkin Museum of Fine Arts, 56, 8x46, 3

Seaside, Port of Honfleur 1854-1860 France. Boudin was a native of Honfleur, one of the most picturesque harbor communes in the French region of Normandy. Self-taught, he started experimenting with pastel in the 1850s. This sort of landscape, likely made en plein air, would prove extremely influential to the young Claude Monet.. Pastel on blue wove paper . Eugène Louis Boudin

Impression of Venice, by Boccioni Umberto, 1907, 20th Century, oil on canvas. Private collection. Whole artwork. Boats sails vessels: boats sea lagoon urban skyline Venice blue gray white light blue: azure.

In Front of the Port of Dieppe; Avant Porte de Dieppe. Gustave Loiseau (1865-1935). Oil on canvas. Painted in 1918-1920. 50.3 x 61.6cm.

Joaquin Sorolla y Bastida (1863-1923). Spanish painter. Fisherwomen (Pescadoras), 1907. Sorolla Museum. Madrid. Spain.

Cumulus Clouds, East River. oil on canvas. Date: 1901-1902. Museum: Smithsonian American Art Museum.

Saint Loup (Finistere), 1869. Oil on wood. Emmanuel Lansyer (1835-1893) French landscape painter. France Brittany Sky Blue Sun Shadow Villa House Bourgeois Tree

Enric Galwey, Paisatge nocturn, oil on wood, pollensa museum, Majorca, Balearic Islands, Spain.

Trouville. General View of the Beach; Trouville. Vue Generale de la Plage. Eugene Boudin (1824-1898). Oil on canvas. Painted in 1890. 55.5 x 90cm.

fine arts, Struetzel, Otto (1885 - 1930), painting, Ludwig Bridge with Maximilianeum, oil on canvas, 1889, Deutsches Museum, Munich,

Seine at Asnieres, Monet, Claude, 1873

William Alfred Delamotte, 1775-1863, British, On the Isis, Waterperry, Oxfordshire, 1806. Oil on artist's board mounted to panel.

The Carrousel Bridge, current 1st arrondissement. Frank Milton Armington (1876-1941). The Carrousel Bridge. Paris (IER ARR.). Oil on canvas. 1914.

The Mill; Le Moulin. Piet Mondrian (1872-1944). Oil on canvas. Painted 1905-06. 74.6 x 96.5cm.

Market day, Rome, Girolamo Nerli, circa 1880

Bathing Time at Deauville, by Eugene Boudin, 1865, French impressionist painting, oil on wood panel. Boudin's beach scenes, though crowded, lacking narrative or anecdote, but showed the bourgeoisie in their fashions and with their comforts. His subjects w (BSLOC_2016_5_203)

Vetheuil in the Fog, Monet, Claude, 1879.

Barges at Pontoise. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 18 1/8 x 21 5/8 in. (46 x 54.9 cm). Date: 1876.In 1876 Pissarro undertook several views of the barges that transported goods along the Oise River to the bustling port of Pontoise, the town where he lived for many years. This canvas is the only one to show the boats up close, vividly accented with bold strokes of orange and green. So free is the handling that it is difficult to discern the figure on the prow of the barge at the left. Pissarro would return to this subject two decades later, in his scenes of the port traffic in Rouen and Paris (58.133, 1980.21.1). Museum: Metropolitan Museum of Art, New York, USA.

Keelmen Heaving in Coals by Moonlight, JMW Turner, 1835, National Gallery of Art, Washington DC, USA, North America

EL CANAL DE SAN MARTIN - 1872 - OLEO/LIENZO - IMPRESIONISMO FRANCES. Author: ALFRED SISLEY. Location: MUSEE D'ORSAY. France.

Jan Hendrik Weissenbruch, Washing Clothes, c. 1850-80, oil on canvas, mounted on panel.

LA TEMPESTAD-DET PESCADORES SUJETANDO BARCA-PINTADO EN 1852. Author: EUGENIO LUCAS VELAZQUEZ. Location: MUSEO NACIONAL DE BELLAS ARTES. LA HABANA. CUBA.

Ricard Martí Aguiló / 'Parc de la Ciutadella', siglo XIX. Museum: COLECCION PRIVADA.

North Sea, beach scene near Wierum, village in the municipality of Noardeast-Fryslân in the Dutch province of Friesland, Holland, authentic reproduction of a school mural, historical, around 1900

The Beach at Sainte-Adresse 1867 France. In the summer of 1867 Claude Monet stayed with his aunt in Sainte-Adresse, an affluent suburb of the port city of Le Havre in Normandy, where the artist grew up. Monet began the painting outdoors on an overcast day but likely revised the composition in his studio in view of other related canvases, especially the Metropolitan Museum of Artís Regatta at Sainte-Adresse (51.30.4). Technical analysis revealed that what started as a scene of yachts and tourists at the beach ultimately became a view of sailboats and local fishermen. Monet first exhibited this painting at the Impressionist exhibition of 1876, the second of eight independent exhibitions he mounted with a group of like-minded avant-garde artists who sought to present their work outside of Franceís traditional, state-sponsored Salon system.. Oil on canvas . Claude Monet

Houses on the Achterzaan. Artist: Claude Monet (French, Paris 1840-1926 Giverny). Dimensions: 18 x 26 3/8 in. (45.7 x 67 cm). Date: 1871.On the advice of the French painter Charles-François Daubigny, Claude Monet traveled to the Netherlands in 1871, where he painted this landscape of limpid waters and azure skies along the Achterzaan River in Zaandam. Writing to fellow Impressionist Camille Pissarro, Monet noted the pleasures of painting the picturesque Dutch landscape: "This is a superb place for painting. There are the most amusing things everywhere: hundreds of windmills and enchanting boats, extremely friendly Dutchmen..." Using a limited palette of varying shades of green, Monet has captured the hazy atmosphere and light-dappled water of this picturesque Dutch port. Monet's Dutch landscapes were widely admired by other contemporary artists, especially Daubigny, whose own studies of light and water share an affinity. Museum: Metropolitan Museum of Art, New York, USA.

The Brouwersgracht in Amsterdam. Dating: 1750 - 1799. Place: Amsterdam. Measurements: h 19.4 cm × w 30.2 cm × t 0.8 cm; d 3.5 cm. Museum: Rijksmuseum, Amsterdam.

Quai au Sable, Chartèves, 1904. Léon Augustin Lhermitte (French, 1844-1925). Pastel; framed: 94.3 x 124.2 x 8 cm (37 1/8 x 48 7/8 x 3 1/8 in.); overall: 69 x 99 cm (27 3/16 x 39 in.). Lhermitte began making pastels in 1885, the year of the first exhibition of the Société des Pastellistes de France. He rapidly assumed an important position within the group, and his frequent contributions to their exhibitions were regularly praised. Pastels such as this one combine two different ways of handling the medium: a vigorous approach suitable for a sketchas in the skyand a precisely rendered styleas in the view of the autumnal trees and the village across the Marne River. His luminescent, atmospheric effects owe a debt to Impressionism.

View from the ship. From travel to India; Cie Ski, Jan (1858-1913); 1907 (1907-00-00-1907-00-00);Young Poland (style), State Art Collections (Warsaw - 1922-1939) - collections

Leaving the Port of Mareseille' 1906: Paul Signac (1863-1935) French painter. Oil on canvas.

'Embankment in Le Havre'. France, 1874. Dimensions: 61x78 cm. Museum: State Hermitage, St. Petersburg. Author: CLAUDE MONET.

From the journey to Constantinople. Ciągliński, Jan (1858-1913), painter

Washerwomen at la Torque; Les Lavandieres a la Touque. Eugene Boudin (1824-1898). Oil on panel. 23.7 x 32.5cm

Houses of Parliament, Early Evening 1898 Frederick Childe Hassam (1859-1935 American) Oil on canvas

San Giorgio Maggiore, Claude Monet, 1908,

The Lone Tenement, George Bellows, 1909, National Gallery of Art, Washington DC, USA, North America

New York City. View of the East River and New York Harbor at sunset. Statue of Liberty in distance. Watercolor and guache by Joseph Pennell, ca. 1921-1926

Sunset at the Castle of Baia (Tramonto sul Castello di Baja), by Anton Sminck Pitloo, 1833, XIX secolo, oil on cardboard, 22 x 32 cm

The Windmill, before 1932. Frank E. Case (American, 1849-1932). Oil on canvas;

Boats on the Beach at Étretat 1885 France. Forced indoors by inclement fall weather, Claude Monet painted Boats on the Beach at tretat and The Departure of the Boats, tretat while looking out the window of his room at the HÙtel Blanquet. The two form a pair that share a palette, subject, and vantage point. In one of his daily letters to his companion and future wife, Alice HoschedÈ, dated November 24, 1885, Monet he described first Boats on the Beach and then Departure of the Boats ìIn the afternoon, I worked in my room on my caloges [retired fishing boats covered with tarred planks and used for storage in the rain, then I attempted to do, always through the window, a picture of the boats departing.îMonet centered each composition on the boats, combining pastel blues, pinks, purples, and greens to render wet surfaces. The brightly colored hulls of beached crafts lend relative scale to the structures in Boats on the Beach, and the groups of figures at the waterís edge, composed of qu

The Beach at Pornic 1892 Pierre Auguste Renoir (1841-1919/French) Oil on Canvas Private Collection

The Lock at Pontoise, 1872. Camille Pissarro (French, 1830-1903). Oil on fabric; framed: 76.8 x 105.7 x 11.4 cm (30 1/4 x 41 5/8 x 4 1/2 in.); unframed: 53 x 83 cm (20 7/8 x 32 11/16 in.). Pissarro was instrumental in developing the radically new Impressionist technique of painting quickly outdoors to capture fleeting effects of light and atmosphere. The rushing water and overcast sky in this view of a river lock near the artists home at Pontoise, a rural commune about 17 miles northwest of Paris, are rendered with rapid, broken brushstrokes of pure color. Painting directly on canvas without preliminary drawing, Pissarro may have executed this work in a single session. The shimmering surface of broken color conveys the sensation of natural, outdoor light.

Port of Ostend; Le Port d'Ostend. Leon de Smet (1881-1966). Oil on canvas. Signed and dated 1924. 81.9 x 100.4cm.

'Venice'. Great Britain, late 19th century. Dimensions: 31x46 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist, late 19th century.

Watering Place at Marly 1875 France. In 1875 Alfred Sisley moved to the village of Marly-le-Roi, so named because Louis XIV built an elegant country retreat there. The artist lived on the rue de líAbreuvoir, which flanked the pool featured on the left of this canvas. The pool was all that remained of the water gardens that had been part of the kingís park. Of the original Impressionist group, Sisley remained most faithful to his early landscape subjects, spending most of his life painting in the villages along the Seine River, in the region referred to as the cradle of Impressionism.. Oil on canvas . Alfred Sisley

Rowing Home. Date/Period: 1890. Works on Paper. Watercolor on paper. Height: 13.7 in (34.9 cm); Width: 19.8 in (50.4 cm). Author: Winslow Homer.

Bord de Riviere Henri Baptiste Lebasque (1865-1937 French) Oil on canvas Christie's Images, London, England

ARTE S. XIX. ESPAÑA. ROIG SOLER, Juan (Barcelona,1852-Barcelona,1909). Pintor catalán, discípulo de Modesto Urgell. "PORT DE VILANOVA". Oleo sobre tela (60 x 94 cm). Museo Diocesano de Barcelona. Cataluña.

Grandcamp; Evening 1885; painted border c. 1888-89 Oil on canvas Georges-Pierre Seurat; French; 1859 1891

The Port at Marseille', c1920. Artist: Marcel Leprin. Marcel Francois Leprin (1891-1933) was a French painter who produced landscapes of the French countryside.

(The Grove) 1821-1822 The Grove; or the Admirals House; Hampstead. (John Constable; 1776-1837 )

VENECIA - 35x23. Author: ANTONIO MARIA REYNA MANESCAU (1859-1937). Location: PRIVATE COLLECTION.

COSTA BRETONA ESCUELA FRANCESA S XIX. Author: KUWASSEG C E. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Chioggia, by Mose Bianchi (1840-1904), oil on panel, 30x40 cm.

Woman by the Seaside. Dated: 19th century. Dimensions: overall: 21.6 x 28.2 cm (8 1/2 x 11 1/8 in.) framed: 31.7 x 38.1 x 2.5 cm (12 1/2 x 15 x 1 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Possibly French 19th Century.

Evening, Factories on the River. Aaron Harry Gorson (1872-1933). Oil on canvas laid on masonite. Signed and dated 1923. 86.5 x 112cm

Regatta at Sainte-Adresse. Artist: Claude Monet (French, Paris 1840-1926 Giverny). Dimensions: 29 5/8 x 40 in. (75.2 x 101.6 cm). Date: 1867.Monet spent the summer of 1867 at Sainte-Adresse, a well-to-do suburb of Le Havre on the Normandy coast. On June 25, he reported that he had about twenty pictures under way, noting, "Among the seascapes, I am doing the regattas of Le Havre with many figures on the beach and the outer harbor covered with small sails." This sunny regatta, watched at high tide by well-dressed bourgeois, seems to have been conceived as a pair with <i>The Beach at Sainte-Adresse</i> (Art Institute of Chicago), an overcast scene at low tide, showing fishing boats hauled onto the beach, peopled with sailors and workers. Museum: Metropolitan Museum of Art, New York, USA.

Hauling in the Catch. William Henry Bartlett (1858-1932). Oil on canvas. Signed and dated 1884. 19 1/4 x 29 1/2in

Coal Barges, Van Gogh, Vincent Willem, 1888.

Drawing, Study of clouds, Rome, Italy; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and watercolor, gouache, graphite on paper; 16 × 23.9 cm (6 5/16 × 9 7/16 in.); 1914-38-20

View from the bank across the full width of a river. Draughtsman: Carel Nicolaas Storm van 's-Gravesande. Dating: 1851 - 1924. Measurements: h 119 mm × w 198 mm. Museum: Rijksmuseum, Amsterdam.

The Defrost', c20th Century. Artist: Claude Monet. Monet was a French painter, a founder of French Impressionist painting and the most consistent and prolific practitioner of the movements philosophy.

All on a summer's day. Date/Period: 1888. Painting. Oil on wood panel. Height: 40.60 mm (1.59 in); Width: 28.80 mm (1.13 in). Author: CHARLES CONDER.

'View of Venice from the Sea', c1896. Artist: Charles Cottet

La Grenouillere by Renoir, Pierre Auguste (1841-1919) Nationalmuseum Stockholm 1869 Oil on canvas 66,5x81 France Impressionism Landscape,Genre Painting

Lunchtime at the Building Site on the Van Diemenstraat in Amsterdam. Midday Break at the Building Site on the Van Diemenstraat, Amsterdam. Dating: 1897. Place: Amsterdam. Measurements: h 78 cm × w 115 cm; d 12 cm. Museum: Rijksmuseum, Amsterdam. Author: George Hendrik Breitner (mentioned on object).

Winter on the IJ for Amsterdam. Dating: 1850. Measurements: h 81 cm × w 114 cm; d 10 cm. Museum: Rijksmuseum, Amsterdam. Author: Charles Leickert.

BONNARD , PIERRE. PINTOR FRANCES. 1867 - 1947. " LES PONTS DES ARTS " , OLEO AÑO 1905. COLECCION PARTICULAR.

Eugene Boudin (1824-1898). French painter. Beach at Trouville, 1893. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.

Eugène Boudin, French (1824-1898), Beach Scene at Trouville, 1863, oil on wood

PAISAJE DE GUIPUZCOA 1927. Author: LEZCANO CARLOS. Location: MUSEO REINA SOFIA-PINTURA, MADRID, SPAIN.

Ibiza Ibiza, oil on canvas, Francisco Maireles, Gilena Museum Collection, Ecomuseum/Arqueodromo Molino de La Casería, province of Seville, Spain Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 21737679

Nesterov, Mikhail Vasilyevich (1862-1942) Regional Art Museum, Lugansk 1917 78x120,5 Oil on canvas Symbolism Russia

Hadleigh Castle Sketch of Hadleigh Castle Verso: Study of Five Horned Cattle, John Constable, 1776-1837, British

Jetty And Beach At Ste. Valery-En-Caux, Normandie. Morning, August (Detail) Charles Neal (b.1951 British) Oil On Canvas

David Cox, 1783-1859, British, Dover, 1832. Watercolor, gouache and graphite on medium, slightly textured, cream wove paper mounted to moderately thick, cream wove paper.

Palace Garden of Prince Albrecht 1846 / reworked 1876. (Adolph Menzel; Breslau 1815-1905 Berlin)

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