Maritime Scenes and Ships

Etchings and prints showcasing boats, harbors, and maritime life, capturing the mood of the sea through various artistic styles and techniques.

Rhine, Rembrandt van, Six's Bridge, Small bridge at the Klein-Kostverloren country estate with a view of Ouderkerk aan de Amstel, verso lower left - stamped, print, prints, Rembrandt f 1645, lower right, height 125 mm, width 223 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1645 - 1645, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Battersea Reach. James McNeill Whistler; American, 1834-1903. Date: 1852-1853. Dimensions: 133 x 208 mm (plate); 235 x 382 mm (sheet, sight, bound). Etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Schlepper(Tugboat). Artist: Emil Nolde, German, 1867-1956

View of a Haven during Storm, Louis Artan de St.Martin (Attributed to), 1847 - 1890 print paper etching / drypoint storm at sea. harbour

Canal auxMartigues. Artist: Adolphe Appian, French, 1819-1898

Boats on the beach. Draughtsman: Anton Mauve. Dating: 1848 - 1888. Measurements: h 155 mm × w 230 mm. Museum: Rijksmuseum, Amsterdam.

Rhine, Rembrandt van, Six's Bridge, Small bridge at the Klein-Kostverloren country estate with a view of Ouderkerk aan de Amstel, verso lower left - stamped, print, prints, Rembrandt f 1645, lower right, height 125 mm, width 223 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1645 - 1645, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Punt and three men , Boats. Charles H. Woodbury (1864-1940). Prints

Fishermen Beaching a Boat, Cullercoats, England, Winslow Homer, American, 1836-1910, Charcoal, brush and white gouache on cream wove paper, Horizontal view of a group of fishermen beaching a boat on a carriage, at left center., USA, 1881, seascapes, Drawing, Drawing

Landscape with a watermill, David Lucas, 1812 - 1830 print paper watermill in landscape (+ city(-scape) with figures, staffage)

The Old Castle of Collioure. Artist: Adolphe Appian (French, Lyon 1818-1898 Lyon). Dimensions: Plate: 6 3/8 × 9 3/4 in. (16.2 × 24.7 cm)Sheet: 8 3/4 × 12 1/8 in. (22.3 × 30.8 cm). Date: 1878. Museum: Metropolitan Museum of Art, New York, USA.

Two boats in the water, Janus de Winter, 1892 - 1951 print Japanese paper (handmade paper) rowing-boat, canoe, etc.

Troop ships , Bodies of water, Boats, Ships. James McNeill Whistler (1834-1903). Lithographs

Landscape with ox wagon, Theodoor Verstraete, c. 1880 print paper etching / drypoint (farm) wagon, freight wagon, cart. landscapes. ox

An Ivry crane Armand Guillaumin (1841-1927). "A crane to Ivry". Pencil on paper, circa 1880-1882. Museum of Fine Arts of the city of Paris, small palace.

Boats, Dordrecht. Dated: 1884. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Wright, Wilhelm von, work, Peacock, 1828 - 1838, lithography, painted with water colors, graphics, sheet width 27.5 cm, sheet height 22, 2 cm, image width 11.1 cm, image height 8.3 cm, Wilhelm von Wright 1810 - 1887, Swedish-Finnish painter and amateur naturalist.

James McNeill Whistler, Sketching, NoI, 1861 Sketching, No.I

Wolkenlucht, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. chalk firmament, sky. clouds

Pencil and black pen drawing by Vincent Van Gogh from late autumn 1886 in Paris depicting a cemetery scene in the rain, showing graves, trees, and pathways.

Haven in Dordrecht at Maanlicht, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1887 print Netherlands paper etching / drypoint harbour. moonlight Dordrecht

Riverbank with boats and a harmonica playing boy, Conrad Ahrendts, 1889 print Weimar paper etching accordion - CC - out of doors. river bank. sailing-ship, sailing-boat. moonlight

Winter landscape near Rotterdam, Johan Barthold Jongkind, 1875 print Skaters on a canal near Rotterdam, with a mill. A number of mills in the background. print maker: Netherlands (possibly)printer: London cartridge paper. paper etching landscapes in the temperate zone. windmill in landscape. skates (winter sports) Rotterdam

La ferme de Brieux (effet d'orage) , Farms, Storms, Alphonse Legros (1837-1911)

Two moored ships on a beach, Lodewijk Schelfhout, 1929 print The beach is bordered by a cliff and rocks. A rock stands out of the sea. In the background a headland with a cliff. paper drypoint ships (in general). rocky coast

Print made by Francis Seymour Haden, 1818-1910, British, On the Test, 1859. Etching.

People gather seaweed at the Dunkirk, Félix Cogen, 1875 print paper etching algae, seaweed. dune coast. three-wheeled, animal drawn vehicle. cow

Lovis Corinth, Bathing Place (Badeanstalt), 1919 Bathing Place (Badeanstalt)

On the Beach at Berneval, c. 1892. Pierre-Auguste Renoir (French, 1841-1919). Etching;

Mill on the Water, Adolf Le Comte, 1860 - 1921 drawing paper. chalk brush windmill

View of Paris, Alexis Forel, 1885 print paper etching / drypoint city-view in general; 'veduta' Paris

Le pêcheur à la ligne , Fishing, Boats, Bodies of water, Alphonse Legros (1837-1911)

Night scene with fishermen standing by a fire, Anonymous, After Reinier Nooms, 1650 - 1738 print Fishermen on the quay all around a fire. A rowing boat and a number of sailing ships in the water in the water. paper etching night. camp-fire; watch-fire. fisherman

Boat on a Beach, Le Tréport, 1854. François Bonvin (French, 1817-1887). Watercolor and gouache over traces of graphite; sheet: 21.8 x 31.9 cm (8 9/16 x 12 9/16 in.).

From pickle-herring stairs , Sailing ships, Boats, Waterfronts, Warehouses. James McNeill Whistler (1834-1903). Lithographs

Print made by Joseph Mallord William Turner, 1775-1851, British, The Evening Gun, ca. 1825. Mezzotint; touched; engraver's proof c.

Baiting the line II , Fishermen, Boats, Fishing. Charles H. Woodbury (1864-1940). Prints

Rainy night, Charing Cross Station , Rain, Railroad stations, Night. Joseph Pennell (1857-1926). Prints and Drawings

Emile Bernard (1868-1941). Continuation of original etchings, in 1st state on Japan, for "the end of Satan. First state of etchings. N ° 14." War, standing as a woken pastre ". Etching and aquatinte. 1935 . Paris, house of Victor Hugo. 101108-25 Annies thirty 1930 30, aquatinte, army, helmet, battlefield, drawing, etching, sword, war, illustration, litterian work, bone, silhouette, skeleton, trompe

Hurlingham 1879 James McNeill Whistler American. Hurlingham 348567

Cityscape seen from a river with three boats, Theodor Hagen, 1886 print Weimar paper. etching city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage). ships (in general)

Print made by Joseph Mallord William Turner, 1775-1851, British, Catania, Sicily, ca. 1825. Mezzotint; 1872 impression.

Before the dive , Wading. Charles H. Woodbury (1864-1940). Prints

Thames Fishermen, no. 2, Francis Seymour Haden, 1818-1910, British, 1878, Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper, Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm), Plate: 5 7/8 x 8 7/8 inches (15 x 22.6 cm), and Image: 5 7/8 x 8 7/8 inches (15 x 22.6 cm), banks, birds, boats, dinghies, fishermen, fishing, genre subject, landscape, punts, reeds, reflections, river, sporting art, trees, England, Europe, Thames, United Kingdom

Woman on the Road (La femme sur la route). Dated: 1879. Dimensions: plate: 15.6 x 21 cm (6 1/8 x 8 1/4 in.) sheet: 22.6 x 27.5 cm (8 7/8 x 10 13/16 in.). Medium: etching and aquatint with drypoint posthumous impression. Museum: National Gallery of Art, Washington DC. Author: CAMILLE PISSARRO.

Landmark. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 97 mm × w 160 mm. Museum: Rijksmuseum, Amsterdam.

Rotterdam, Willem Adrianus Grondhout, 1888 - 1934 print Left cranes and figures on a harbor quay. Moored ships. paper etching quay. dock crane Rotterdam

View of Waterloo Bridge in the fog in London, Willem Witsen, c. 1890 print London paper etching bridge in city across river, canal, etc.. rowing-boat, canoe, etc. Waterloo Bridge

Francis Seymour Haden, 1818-1910, British, Egham, 1859. Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper.

Tjalk in the Baarsjes in Amsterdam, Pieter Dupont, c. 1895 print In the foreground a rowing boat. Three mills in the background. Amsterdam paper ships (in general). windmill in landscape Baarsjes

Bercy Wharf, plate two from Le Long de la Seine et des Boulevards. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1890. Dimensions: 46 × 119 mm (image); 115 × 204 mm (sheet). Wood engraving in black on cream Japanese tissue. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Temptation of Saint Anthony: Ballerinas with Saint Anthony: The Sea (page 31), c. 1898. Henri Rivière (French, 1864-1951). Book with 47 line blocks (some photo mechanical), hand-colored with stencils; overall: 25 x 32.8 x 1.5 cm (9 13/16 x 12 15/16 x 9/16 in.).

Gezicht op Concarneau, Maxime François Antoine Lalanne, 1874 print Numbered at the top right: 244. print maker: Francepublisher: Paris paper etching / drypoint city-view, and landscape with man-made constructions - II - ideal landscapes. harbour Concarneau

Ship enters the port of London, Leo Gestel, 1934 - 1936 drawing paper. India ink (ink) pen / brush (COHEN, Van Anarchist tot Monarchist) specific works of literature (with AUTHOR, Title). harbour. ships (in general) (+ arrival, coming to anchor, at anchor) London

Drawing, Storm Coming; Winslow Homer (American, 1836-1910); USA; black chalk on off-white laid paper; 39.5 x 56.5 cm (15 9/16 x 22 1/4 in.)

The Sea, plate 7 from Le Fleuve 1874 France. Etching and drypoint in black on ivory laid paper . Édouard Manet

Face in the port of Hamburg. Draughtsman: Carel Nicolaas Storm van 's-Gravesande. Dating: 1851 - 1924. Measurements: h 137 mm × w 218 mm. Museum: Rijksmuseum, Amsterdam.

Woeste Zee in Vlissingen, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1924 print The sea hits a pier in Vlissingen. Netherlands paper sea. pier, quay, wharf Flushing

Trout Pond, 1890-91. Franz von Stuck (German, 1863-1928). Etching; sheet: 51 x 36.5 cm (20 1/16 x 14 3/8 in.); platemark: 27.9 x 23.1 cm (11 x 9 1/8 in.).

Drawing by Ferdinand Boberg. Trollhättan Nordic

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Sketch of an old dock, with weeds growing up aroundit, Graphite, Brown wove, 32.7 × 30.2 cm (12 7/8 × 11 7/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Knotwilgen along the water, Egbert Rubertus Derk Schaap, 1872 - 1939 drawing cardboard. chalk

Remorqueur aHambourg. Artist: Albert Marquet, French, 1875-1947

. .

Lovis Corinth, On Walchen Lake (Am Walchensee), 1923 On Walchen Lake (Am Walchensee)

Little Putney, No. 2 (The Little Putney). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: plate: 4 7/8 x 7 7/8 in. (12.4 x 20 cm)sheet: 6 3/8 x 9 9/16 in. (16.2 x 24.3 cm). Date: 1879. Museum: Metropolitan Museum of Art, New York, USA.

A chalk draft by Otto Lendecke titled 'Draft for Enthusiasm,' created in 1916, showing figure sketches and compositional arrangements with wiped technique.

Félix Hilaire Buhot, Une Jetée en Angleterre (A Pier in England), 1879 Une Jetée en Angleterre (A Pier in England)

VauxhallBridge. Artist: James McNeill Whistler, American, 1834-1903

James McNeill Whistler, Little Wapping, 1861 Little Wapping

Camille Pissarro (French, 1830 - 1903), Bather, 1894, monotype

The Submersion of Pharaoh's Army in the Red Sea 1510-1520 Italy. The grand scale of Titianís twelve-sheet woodcut (see 1957.12.1ñ12) mimics history paintings and large wall hangings. The assembled composition would fit only on a massive wall, a use confirmed by the total lack of early impressions. Only this 1549 state is known, printed from woodblocks studded with wormholes, which appear in the image as tiny white dots. The inscription at lower center of The Submersion describes the Israelitesí persecution under the Egyptian pharaoh and his armyís fate when they followed Moses into the Red Sea. The publisher opportunistically refers to the ìgreat and immortal handî of Titian in this legend, though the artist was still very much alive.. Woodcut in black on ivory laid paper . Titian

Drawing is part of an album, Ships at sea in stormy weather, draughtsman: Louis Meijer, 1849, paper, pen, brush, h 103 mm × w 189 mm

A sketch from Billingsgate , Sailing ships, Boats, Piers & wharves, Waterfronts. James McNeill Whistler (1834-1903). Lithographs

Les remparts du nord de Paris (3rd state). Raffaëlli, Jean François (1850-1924). 1880. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Eating & drinking, Bìevre River (France), Chestnuts, Paris (France)

Follower of James McNeill Whistler, Venice, late 19th century Venice

Willy, pl. XVIII Z Teki: Heads and Thoughts by Henry Bataille, Paris: Société d'éditions Literary and Artitique Libraire Ollendorff, 1901 Clot, Auguste (1858 1936), Bataille, Henry (1872 1922)

The Thames Made 1896 United States. Lithotint in black with scraping, on ivory chine, laid down on off-white plate paper . James McNeill Whistler

Félix Hilaire Buhot, The Storm, after Constable (Lorage), 1879, Drypoint, etching, aquatint, and roulette in brown on thin laid paper.

Poissy Made 1908 France. Etching on cream wove paper . Louis Auguste Lepère

Lovis Corinth, On the Walchen Sea (Am Walchensee), German, 1858-1925, 1920, drypoint

Road along a river, Joseph Hartogensis, 1850 print Düsseldorf paper. etching windmill in landscape (+ city(-scape) with figures, staffage). landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)

Maurice de Vlaminck, House in Beaune, 1886-1958, lithograph on paper.

Le Chamineau. Jean-François Raffaëlli (French, 1850-1924). Drypoint;

Shipyard in Vlissingen at Evening, Carel Nicolaas Storm of 's -Gravesande, 1889 - 1902 print Left shines light from the yard. On the right are boats in the water. Netherlands paper etching / drypoint pier, quay, wharf. evening Flushing

A Column of Oriental Travelers Scattered by a Dust Storm (The Israelites Passing through the Wilderness Preceded by the Pillar of Clouds) 1820-40 William West British West settled in Bristol in the 1820s and was quickly recognized as a leader by local artists. This work belongs to a group of monochrome drawings he made while associated with the Bristol Sketching Society before 1840. Members met at one another's houses, and a contemporary recorded West as having made "sketches at the drawing parties which delight all who see them.. chiefly Eastern scenes.. illuminated by.. all kinds of natural and preternatural light." Here, he laid in the primary elements using brown wash, then turned to pen and ink for details, and scratched into the pigment to create highlights. Two swirling pillars of cloud recall the Old Testament subject of the Israelites crossing the Sinai desert, but close inspection indicates that West likely intended to represent an oriental camel train threatened by huge dust

Etching with roulette by Eugène Delacroix depicting a tiger lying at the entrance to his lair, created around 1830, illustrating a naturalistic scene.

Two figures on rock , Cliffs, Sitting. Charles H. Woodbury (1864-1940). Prints

John Constable, Sheet of Sketches with Verses from Burns, 23 Oct. 1832, pen and brown ink and brush and brown wash wash on white laid paper.

People on the edge of the river observing ice grotts (proof of illustration) Ivanec ', Ivan (1893 1946)

L'Estacade Made 1899 United States. Etching in black on off-white wove paper . Donald Shaw MacLaughlan

View of the Maas, Carel Nicolaas Storm van 's-Gravesande, 1884 print Bottom left the text: 'Sketches in Holland by Storm van' s Gravesande ". Netherlands paper drypoint river Maas

Girl in a wave , Seas, Swimmers, Swimming. Charles H. Woodbury (1864-1940). Prints

Sluis, Lambertus Hardenberg (1822-1900), c. 1837 - 1900 print The Hague paper. etching sluice, weir (+ landscape with figures, staffage)

Little Wapping (The Little Rotherhithe). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 4 7/8 x 4 in. (12.4 x 10.2 cm)Sheet: 6 3/8 × 5 1/4 in. (16.2 × 13.4 cm). Date: 1861. Museum: Metropolitan Museum of Art, New York, USA.

Boat on a Breton beach, Lodewijk Schelfhout, 1928 print A moored boat on a beach in Brittany. paper drypoint beach. ships (in general). rocky coast Brittany

At the laundry area, At the laundry area, Illustration template for the publication Wienerstadt, Life pictures from the present, Vienna u, Tempsky ,

Aspect de la Seine de Paris a chatou. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

River Song, No. 8. Dated: 1918. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Donald Shaw MacLaughlan.

Sower in the Rain. Date: March-April 1890, Saint-Rémy-de-Provence. Dimensions: 23.9 cm x 27.3 cm. Museum: Van Gogh Museum, Amsterdam.

Three Men in a Canoe, Il Manigne, Quebec, Winslow Homer, American, 1836-1910, Graphite on paper, Sketch of a canoe, paddled by two male figures, with a third sititng in center; indication of trees and clouds in background., Quebec, Canada, August 26, 1897, landscapes, Drawing, Drawing

of 2