Mary As Mater Dolorosa

Artistic representations of Mary in sorrowful prayer, depicted in engravings with intricate detail suggesting deep emotion and religious significance.

Amsterdam, Picart, Bernard, Saint Brigitte of Sweden, verso lower right - stamped, Saint Brigitte prays the rosary before a crucifix. Lower right she sees a vision of Christ with his cross., print, prent, prints, height 203 mm, width 145 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1713 - 1713, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), Work conception

Maria Als Mater Dolorosa, Pieter Schenk (I), After Charles Le Brun, 1670 - 1713 print Amsterdam paper engraving 'Painful Mater'

Antoinette of Jesus.

The Virgin in prayer looking down, after Reni 1650-60 Engraved by Jean Baron French After a painting by Reni.. The Virgin in prayer looking down, after Reni 668087

Seated Maria with Aureool, Cornelis Galle (I), 1586 - 1633 print Sitting Mary with her hands crossed in front of her belly. A jet wreath around her head. Under the show a Latin verse from the Song of Songs 7. This print forms a pendant with a print by Cornelis Galle with Christ as Salvator Mundi. paper engraving sitting figures of Mary (alone)

Bliżej Kultury Unknown, Drukarnia W. L. Anczyca i Sp. in Cracow

Amsterdam, Picart, Bernard, Saint Brigitte of Sweden, verso lower right - stamped, Saint Brigitte prays the rosary before a crucifix. Lower right she sees a vision of Christ with his cross., print, prent, prints, height 203 mm, width 145 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1713 - 1713, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), Work conception

Cimmerische Sibille, 1615 print The Cimmerian Sibille is at a table on which is an open book. She looks at heaven where the Christ child appears. Under the performance a caption in Latin. This print is part of an album. paper engraving sibyls (with NAME). Christ-child (with attributes)

Wszyscy Święci w MNK Hohneck, W. (fl. 1832 1835), Leopolski, Wilhelm (1828 1892)

Saint Mary Magdalen dei Pazzi. Etching by Bianchi, 1853.

Kunigunde The Holy, Roman-German Empress.

Munich, Bergia, Anna, Sadeler, Raphael (II), Raphael (I), Mary in prayer, verso lower left - stamped, The Virgin Mary is kneeling on the ground praying. In the sky the tetragrammaton., print, book illustration, prints, height 80 mm, width 53 mm, Southern Netherlands, 1560, print maker, printmaker, 1617 - 1617, paper, engraving, engraving (printing process), 1584-12-20 - 1632, Publication (Event), Publication, publisher, German, printer

Print made by Elias Nessenthaler, 1664-1714, B.V. Maria Mater Jesu, undated. Mezzotint on medium, moderately textured, cream laid paper.

Saint Barbara. Steel engraving by K. H. Merz after J. Palma.

Annunciation (Virgin Mary), Crispijn van de Passe (I), 1574 - 1637

Notburga, Saint.

Portrait of the Infanta Isabella Clara Eugenia of Spain, from the Icones Principum Virorum, Lucas Vorsterman, Flemish, 1595 - 1675, Anthony van Dyck, Netherlandish, 1599 - 1641, Engraving on paper, Dressed in Dominican habit the Infanta Isabella Clara Eugenia of Spain (1566-1633) is seen half length, standing frontally, her hands clasped before her., Netherlands, Antwerp, Netherlands, ca. 1660, Print, Print

Saint Teresa, Sheped Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving the foundress of the reformed (Discalced) Carmelites, T(h)eres(i)a of Avila; possible attributes: angel, arrow, dove, heart (flaming or pierced by an arrow)

Umbria Perugia Citta della Pieve Oratorio di S. Bartolomeo. Hutzel, Max 1960-1990 Views of the interior frescoes and wooden ceiling beams. The fresco of the Crucifixion with Saints, also known as the "Pianto degli angeli" by the Maestro degli Ordini dates to circa 1375-1400 according to the Marburg Index. Object Notes: Hutzel photo campaign date: November 8, 1982 General Notes: This oratory is either attached to or in the vicinity of the sancturary of the Madonna della Fatima. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Red chalk drawing by Nicolas Bazin depicting Saint Scholastica, showing figure, posture, and expression.

Portrait of an unknown woman, Johannes Wierix, 1568 - 1576 print Portrait of an unknown woman. She wears the habit of a nun, a book in her hands. With an empty margin. Antwerp paper engraving nun(s). book

Half-figure portrait of the Virgin Mary by Nicolas Bazin using reddish chalk with emphasis on shading and back pressure.

The Cimmerian sibyl. Engraving by C. de Passe II after C. de Passe I.

Nicolas Bazin's red chalk portrait depicts a nun, focusing on facial features, posture, and habit details.

Saint Mary (the Blessed Virgin). Line engraving by G.D. Picchianti after F. Petrucci after G. Reni.

Suffering mother and Christ bearing the cross (Mater dolorosa e Cristo portacroce), 1900-1950, 20th Century, oil on canvas, 50 x 44 cm

Johanna, Princess of France.

Maria, met scepter in de hand.The Virgin Mary, dressed in a cloak, with rosary in the hair. She holds her one hand against the chest, in her other hand she has a scepter. In the margin a three-legged bible quote from Hoogl. 7 in Latin.

Saint Mary Magdalene. Old 19th century engraved illustration from Mugeres de la Biblia by Joaquin Roca y Cornet 1862

Holy Catharina van Siena with Stigmata at Crucifix, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving St. Catherine of Siena, kneeling before a crucifix, or swooning into the arms of two nuns, receives the stigmata

Bliżej Kultury unknown

Une espée percera ta propre ame, Print made by Jacob Gole, 1660-1737, Dutch, undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 11 1/2 x 8 5/16 inches (29.2 x 21.1 cm), Plate: 10 9/16 x 7 1/2 inches (26.9 x 19 cm), and Image: 9 11/16 x 7 1/2 inches (24.6 x 19 cm), castle, crown of thorns, mourning, New Testament, praying, religious and mythological subject, robes, sandals, veil, woman

Maria with folded hands surrounded by cherub; Maria Mater Dei Regina Caeli; Vélins.

The Cumaean sibyl. Engraving by S. de Passe after C. de Passe I.

Andreasi, Osanna.

Elizabeth, was the mother of John the Baptist, descendant of Aaron, cousin of Mary and the wife of Zacharias. Old 19th century engraved illustration from Mugeres de la Biblia by Joaquin Roca y Cornet 1862

St. Theresa Kneeling in Prayer 1661 Claude Mellan French. St. Theresa Kneeling in Prayer 392634

Holy Elisabeth of Hungary Geeft Aalmus; Sancta Elisabeth Hungariae Regis filia.

Sophonias de Derichs half-length portrait of the Madonna with crossed arms, executed as a drawing.

Saint Mary Magdalen. Line engraving by R. Strange, 1753, after G. Reni.

Nun of the Order of the Visitation of Holy Mary. Religieuse de la Visitation de Sainte-Marie. Handcoloured woodblock engraving by Duverger after an illustration by Jacques Charles Bar from Abbot Tirons Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

Mater Dolorosa, Woutherus Mol, 1795 - 1857, paper, chalk, h 247 mm × w 198 mm

Mater Dolorosa / Murillo / c.1668/70

RETABLO MAYOR - SANTA ANA. Author: FRANCISCO RIZI DE GUEVERA. Location: Iglesia parroquial. FUENTE EL SAZ. MADRID. SPAIN. SANTA ANA MADRE DE LA VIRGEN MARIA.

Holy Fabiola van Rome as a recluse, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1619 print Holy Fabiola van Rome as a recluse in her hermit's cell. On the Verso is a fragment French text from the edition. print maker: Amsterdampublisher: Low Countriespublisher: Antwerp paper engraving female saints. anchorite, hermit

SANTA FILOMENA. Grabado S. XIX.

Murillo, Bartolomé Esteban, Photographic reproduction of a print after a painting, representing the Canticle of Mary, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, 'My soul doth magnify the Lord.', height 127 mm, width 98 mm, photographer, 1861 - 1871, photographic paper, photo paper, albumen print, albumine print, Spanish, 1618-01-01 - 1682-04-03, after, after a painting by, Work conception

Saint Mary (the Blessed Virgin). Engraving.

Lazio Frosinone Veroli S. Maria Salome1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, stone reliquary, frescoes, inscription fragments. According to tradition, the church (and crypt below) was built in 1209 to house the relics of the mother of the Apostles James and John. The structure was restored in the medieval period (1350) after an earthquake. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco ceiling decoration. The interior and exterior of the church were largely restored in the 18th century. Triptych of the Madonna, Child and Saints signed F. D. Hispanus and dated 1561. General Notes: 2 sets of prints for the same site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et

. Maria like Mater Dolorosa. She holds a heart-crossed heart with seven swords that refers to the seven skewers. In the cartouche a reference to the San Felipe Neri monastery in Seville. In the margin a two-legged caption in Latin.

Mater Dolorosa, Abraham Bloteling, 1652 - 1690 print Amsterdam paper 'Mater Dolorosa' - FF - 'Mater Dolorosa', head or bust

Our Lady of Ostrobramska; Przechycki, Tadeusz (Fl. Ca 1820); 1823 (1823-00-00-1823-00-00);

Lazio Latina Fondi S. Maria Assunta5. Hutzel, Max 1960-1990 Exterior views of the church facade, portals, flank, and bell tower. Interior views of the naves, altars, columns, paintings, and tabernacle. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Johanna of Aragonies.

Basilicata Matera Matera Duomo99. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Head of St. Maria, Wallerant Vaillant, After Giovanni Battista Salvi, 1658 - 1677 print paper veil

. Maria, crying and with folded hands, is standing against the bottom of the Cross of Christ. At her feet, passions of passions: a pinch, nails and the thorns. In the background a city wall. Under the show a Latin verse of twice two rules.

Portrait of a Non, Carel Christiaan Antony Last, 1834 - 1845 print The nun wears a white with black robe and is depicted head -on. She looks up. The Hague paper nun(s). historical persons (+ full face portrait). looking upwards

Mother of the Maccabees. Old 19th century engraved illustration from Mugeres de la Biblia by Joaquin Roca y Cornet 1862

Maria; Christ, Mary and Apostles caught in ovals.maria, faced in an oval.

A Young Nun. Dimensions: overall: 21 x 15.1 cm (8 1/4 x 5 15/16 in.). Medium: graphite and black and red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: CLAUDE MELLAN.

Santa Clara de Assís (1193-1253), religiosa italiana, fundadora de la orden de las Hermanas Pobres de Santa Clara, clarisas. Grabado popular pintado a la trepa en 1870.

Ste. Claire, vierge (St. Clare, Virgin), August 12th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. Ste. Claire, vierge (St. Clare, Virgin), August 12th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Southern Netherlands, Kiliaan, Cornelis, Antwerp, Galle, Philips, Prosopographia, sive virtutum, animi, corporis, bonorum externorum, vitiorum, et affectuum variorum delineatio, Ecclesia, Christian Church, verso - stamped, The Christian Church as a seated woman. As a sign of her dignity she is wearing a tiara. Above her head is the Holy Ghost in the form of a dove. In her right hand the woman holds a staff with keys crowned with a cross, in her left hand a chalice with the blood of Christ. Below the image are two lines of text in Latin. The print is part of an album., print, prent, albumblad, prints, height 152 mm, width 91 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, prentmaker, 1585 - 1580, fourth quarter 16th century, vier kwart 16e eeuw, paper, papier, engraving, engraving (printing process), 1530 - 1607-04-15, schrijver

MURILLO, BartolomŽ Esteban (1617-1682). Our Lady of Sorrows. 1650s. Bust. Detail. Baroque art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Bliżej Kultury unknown

Nun of the Benedictine order of Perpetual Adoration of the Eucharist, Benedictine de lAdoration Perpetuelle du St. Sacrement. In habit with image of monstrance. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tirons Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

Felicitas of Rome, saints.

S. Justin. The relics of this saint are in Mosarz the church of the Paris: Vilnius Dycezya , in: Vilnius album, i.e. a collection of engravings, lithography and chromolitography (), series V, published by Jan Kazimierz Wilczyński, around 1845 1885 Drouart, Wilcza Ski, Jan Kazimierz (1806 1885)

Jeanne Marie Bouvieres de la Mothe Guyon, Madame Guyon, 1648-1717 French catholic mystic.

Sibille Van Cumae, 1615 print The Sibille van Cumae is sitting at a table and reads a book. Next to her a skull and a cross. Under the performance a caption in Latin. This print is part of an album. paper engraving Cumaean sibyl

Margaret Countess of Richmond and Derby 1443 to 1509 Mother of English king Henry VII Engraved by Gerimia from the book A Catalogue of the Royal and Noble Authors published 1806

Vilnius. Picture of Our Lady of Ostra Brama without a robe, fragment - head; Bułhak, Jan (1876-1950); 1927 (1927-00-00-1927-00-00);

St. Teresa of Avila before the Cross Guido Cagnacci (1601-1681 Italian) Oil on canvas Private Collection

Blessed Mariana of Jesus, born Ana Maria Navarro Guevara and Romero (1565-1624). Spanish tertiary of the Order of Mercy. Engraving by Capuz, 1852.

Teresa of Avila (1515-1582). Religious reformer of the Carmelite Order. Illustration by Llanta. Lithograph. Cronica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Castilla-La Vieja, 1870.

Christ In His Youth by Florence Kroger, 20th century art

Standing non. Standing non, probably a member of the order of the Dominicans or the premonstraters, in an octagonal framework.

The Nun, Hayez, Francesco (1791-1882)

Margaret Beaufort aka Margaret of Lancaster, 1443-1509. Mother of Henry VII. From the book 'Lodge's British Portraits' published London 1823.

Two nuns, David van der Kellen (1827-1895), 1857 - 1864 print The nuns are in an interior and talk to each other. One of them has folded their hands together. Haarlem paper. pencil monastic orders, monastic life: Benedictines. nun(s). conversation, dialogue; conversation piece

LA ANUNCIACION - SIGLO XVII. Author: BARTOLOME ESTEBAN MURILLO. Location: SPECHVON STERUHUG. Leipzig. GERMANY. VIRGIN MARY. ESPIRITU SANTO.

CHARLOTTE of Monaco born 1719, in 1733 as a nun reading book on life of Saint Francis de Sales

Praying woman. A woman with headscarf has her eyes up, her hands folded against her shoulder.

Mary Magdalene (Greek ada) was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8: 2 [Mark 16: 9 conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection, according to both John 20 and Mark 16: 9. Mary Magdalene is considered by the Catholic, Orthodox, Anglican, and Lutheran churches to be a saint, with a feast day of July 22. The Eastern Orthodox churches also commemorate her on the Sunday of the Myrrhbearers.

Kwan yin. A picture of Guanyin, standing, with an object in her left hand. A tapestry behind the image.

BARTOLOME ESTEBAN MURILLO. PINTOR ESPAÑOL. SEVILLA 1617-1682. " VIRGEN DOLOROSA " . DETALLE. MUSEO DEL PRADO. MADRID. VIRGEN MARIA.

Saint Lucy. Colour lithograph, 1898.

. Tapestry with image of Mary Magdalene in gold plated list.

'Virgin and Child enthroned', ca. 1500, Oil on panel, 61 x 44 cm. Author: PEDRO BERRUGUETE. Location: MUSEO DE HISTORIA-PINTURAS. MADRID. SPAIN. INFANT JESUS. VIRGEN DE LA LECHE.

Saint Catherine. Reproduction of mezzotint.

Saint Elizabeth of Portugal (1271-1336). Queen consort of Portugal. Colored engraving. 19th century.

Spanish school. St Lucy. Santa Lucia. 16th century. Malaga, municipal museum. Author: MOHEDANO ANTONIO. Location: MUSEO MUNICIPAL-PAL NAJERA. ANTEQUERA. Malaga. SPAIN.

Mater Dolorosa. Dated: 1654. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Robert Nanteuil.

Portrait of a seated non with a hood and a rosary in hand. Part of photo album with 26 cartes-de-visite from Roman Catholic clergy.

RETABLO MAYOR - SANTA TERESA - REFORMADORA DE LAS CARMELITAS- S XVI. Author: FRANCISCO RIZI DE GUEVERA. Location: Iglesia parroquial. FUENTE EL SAZ. MADRID. SPAIN.

LA VENERABLE MADRE SOR MARIA DE AGREDA - AUTORA DE LAS CELEBRES CARTAS AL REY FELIPE IV. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Majel G Claflin, Bulto (Virgin), c 1939 Bulto (Virgin)

Theresia of Ávila, saints.

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