Masked Figures and Costume Prints

Artistic prints featuring masked and costumed individuals, often conveying themes of celebration and societal roles during historical masquerades.

De Verlijkige Jeugd, Cornelis Anthonisz., 1542 - 1546 print Fourth block, part of a Frisian of four blocks. Young man chained by "Unpeel", and "Quade Fortuin" is being blew him. In addition to him, a counselor as a representative of earthly justice. paper Adversity, Misfortune, Bad Luck; 'Fortuna infelice', 'Infortunio' (Ripa). Frivolity. youth, adolescent. (person) in fetters, not imprisoned

A veiled woman and two masked men, one with a rooster at his belt; The masquerades. Two masked and dressed men - one on the back seen with a rooster on his belt, one in oriental clothing - standing for a veiled lady with a ricky pot in the hands. This print is part of a series of ten numbered prints: a title print and nine prints on which two or three masked and / or declared figures are displayed for feet.

Kussend jong paar, een man in de kracht van zijn leven, een grijsaard en een stokoude man.Four men in different ages in a row side by side. On the left a young man who embraces a lady. In addition, an adult man with raised arm. As a third in line a man at age, dressed in short cape, hat on the head, counting on his fingers. Entirely right an old man, crooked walking, leaning on a stick. References to the sexual capacities of the man in different stages of life.

De Verlijkige Jeugd, Cornelis Anthonisz., 1542 - 1546 print Fourth block, part of a Frisian of four blocks. Young man chained by "Unpeel", and "Quade Fortuin" is being blew him. In addition to him, a counselor as a representative of earthly justice. paper Adversity, Misfortune, Bad Luck; 'Fortuna infelice', 'Infortunio' (Ripa). Frivolity. youth, adolescent. (person) in fetters, not imprisoned

Reverse Copy of Dancing Couple, from The Small Wedding Dancers 1552 Anonymous, German, 16th century German. Reverse Copy of Dancing Couple, from The Small Wedding Dancers 428736

Small wedding dancers: couple of dancers (Hollstein 149) Heinrich ALDEGREVER (or ALDEGREVER - 1502-V.1555 / 1561). The small wedding dancers: couple of dancers (Hollstein 149). Burin, 1538. Museum of Fine Arts in the city of Paris, small palace.

The Year's End from The Peasants' Feast or the Twelve Months. Artist: Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). Dimensions: sheet: 1 15/16 x 2 13/16 in. (5 x 7.2 cm). Series/Portfolio: The Peasants' Feast or the Twelve Months. Date: 1546.At left, a male figure leads a female to the left. At right, two figures playing bagpipes. From a series of ten prints. Museum: Metropolitan Museum of Art, New York, USA.

Three soldiers and a dog. Beham, Sebald (1500-1550), graphic artist

Dancing Couple, from The Small Wedding Dancers 1538 Heinrich Aldegrever German. Dancing Couple, from The Small Wedding Dancers 428732

Two men in conversation, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing meeting. quarrel, argument

Allaert Claesz, Dance of Death VI, 1562 Dance of Death VI

Beggar and beggar, Salomon Savery, After Pieter Jansz Quast, 1652 - 1654 print Beggar and begging. Man with a stick and woman in hovers, seen from behind. Soldiers and riders in the background. The print is part of a ten-part series with performances by beggars and farmers in which various unfortunate figures from the first English war are also included, ca. 1652-1654. Amsterdam paper engraving / etching Begin

Couple Walking to the Left (VI), from The Wedding Dancers (restrike). Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Dimensions: Sheet: 9 3/4 × 17 13/16 in. (24.8 × 45.2 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Schäufelein.

Walking Boerpaar, Adriaen van Ostade, 1646 - 1649 print paper etching farmers

Face, anonymous, 1640 - 1670 print An old woman examines the hair of a man on lice. Under the show a two -way verse in Dutch. The print is part of a series of five prints with the five senses. Amsterdam paper etching sight, looking (one of the five senses). 'motherly care', delousing. owls. old woman

Original Anecdotes of Peter the Great. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1789. Prints; etchings. Etching

Sino. Dated: 1619. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques Callot after Antonio Tempesta.

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, Christ Healing Two Blind Men and a Deaf-Mute, Christ with Two Blind Men and a Possessed Deaf-Mute Man, Who is Held by Two Other Men., print, engraving, book illustration, prints, engravings, height 99 mm, width 141 mm, Northern Netherlandish, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, papier, woodcut, Southern Netherlandish

Three Soldiers and a Dog Artist's working dates 1520-1550 Germany. Engraving in black on ivory laid paper . Hans Sebald Beham

Woodcut by Hans Burgkmair the Elder from 1516-1519 depicting three pagan figures, showing detailed clothing, postures, and decorative composition.

Depicts a group of musicians created by Sebald Beham as a copper engraving, showing figures playing instruments in period attire.

A masked couple and a torch racker; The masquerades. A man with a turban on a woman with a crown of peacock feathers leads to hand; A torch welding carrier is leaving behind them. This print is part of a series of ten numbered prints: a title print and nine prints on which two or three masked and / or declared figures are displayed for feet.

Gentleman and His Page. Dated: 1621. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Edouard Eckman after Jacques Callot.

The Advocate and Death, from the Dance of Death. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 2 15/16 × 2 3/16 in. (7.5 × 5.5 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: Dance of Death, after Holbein. Date: 1651.A man in the street is handing money to a man with a staff on the left, Death stands between them ; there is another man approaching from the right. Museum: Metropolitan Museum of Art, New York, USA.

It is necessary virtue Jacques Lagniet (1620-1672). "It is necessary for virtue". Engraving.

Tartars of Koko-nor, 1745-1747, by Thomas Astley, printed in London by T. Astley. Engravings

Masquerades. Dated: 1597. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Robert Boissard after Jean-Jacques Boissard.

Gherardo. Dated: 1619. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques Callot after Matteo Rosselli.

A masked couple - she dressed in a suit of feathers, he in a suit of leaves, a broom with candles in one hand, a stick fair () in the other - talking to a masked figure in a long coat. This print is part of a series of nine numbered prints, on which two or three masked and/or dressed figures are depicted in full, Three masked figures, one of them with a broom in which candles are inserted The masquerades (series title), print maker: anonymous, Jacob de Gheyn (II), publisher: Assuerus van Londerseel, (mentioned on object), Netherlands, 1596 - 1635, paper, engraving, h 236 mm × w 170 mm

Jozef is sold to merchants on their way to Egypt, Anonymous, After Georg Pencz, 1546 - 1599 print The brothers of Jozef sell him for twenty silver pieces to passing Ismaelite merchants who take him to Egypt. There are camels behind the men. paper engraving Joseph is sold for twenty pieces of silver

Engraving titled 'Unequal Love'. By Andries Stock (1580-1648) Baroque engraver, printmaker and illustrator. Dated 17th Century

Copper engraving by Cornelis Massys from 1538 depicting bedding and lame, showing figures, fabrics, textures, and interior arrangement.

Barneveld, is led to the scaffold, 1619, Hendrik Bary, 1668 - 1670.

Three actors performing a comic play (top) and four masks (bottom), Herculaneum, Campania, Italy, engraving by Nicola Billi from a drawing by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume IV, plate 34, 1757-1787, Naples.

Saint Felicula tied to a pole and burnt, and later being drowned. Etching by A. Tempesta, 15--.

The Departure of the Prodigal Son. 1540. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Intema, LE FRANCQ VAN BERKHEY, J. Natuurlyke history of Holland, old-print book information form paper cardboard leather, printed Nature-lick history of Holland By J. le Francq van Berkhey M.D. Third part. With necessary images.

Charles-Nicolas Cochin (1715-1790). "The misunderstanding, illustration for the tales of the fountain, volume 2, page 242, around 1743". Drawing. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, discussion, storytelling illustration, young woman, young man, page 242, character, misunderstanding, volume 2, scene

Dancing couple, the woman with hands on her hips, Cornelis Bos, Anonymous, c. 1537 - c. 1555

A lame couple dancing, next to them two musicians, one of them holding a hurdy-gurdy. Print from a series of three prints after the series of twelve prints by Cornelis Massys, Crippled dancers and two musicians Crippled dancers (series title), print maker: Dirk van Hoogstraten, (mentioned on object), Cornelis Massijs, (mentioned on object), Northern Netherlands, 1606 - 1640, paper, engraving, h 53 mm × w 91 mm

Nuremberg, Solis, Virgil, Figures playing, dancing, playing and drinking, Dancing couple, verso - handwritten in brown ink, Numbered top right: 5., print, prints, verso - stamped, 140, height 58 mm, width 46 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1545 - 1545, second quarter 16th century, paper, papier, etching, etchings

Gaius Marius in De Gevangenis, Giorgio Ghisi, after Polidoro give Caravaggio, 1530 - 1582 print The Roman general Gaius Marius in conversation with two prison guards, in prison in Minturno. A landscape with ruins is visible through a window. Italy paper engraving / counterproof prison, jail. commander-in-chief, general, marshal

Comedian, Caspar Luyken, 1711 print Print to the left of the fresh numbered: 12. paper etching comedy

unknown, Terzio, Francesco, Italy, Oselli, Gaspare, Austriacae gentis imaginum, Portraits of members of the Austrian House, Double portrait of Albert and Otto of Habsburg, verso - stamped, print, prints, height 520 mm, width 385 mm, Italian, 1536, print maker, printmaker, 1569 - 1569, paper, engraving, engraving (printing process), 1523 - 1591, intermediary draughtsman, after a drawing by, after an image of, granter of privilege

Depicts a couple dancing to the left by Sebald Beham, created as a copper engraving, showing attire and movement details.

Two men in Venetian fashion from around 1610-1620, 1617 print print maker: Low Countriespublisher: Amsterdam paper etching clothes, costume. Europeans (with NAME) (+ costume) Venice

Pilate Washing His Hands, from The Passion 1512 Albrecht Dürer German. Pilate Washing His Hands, from The Passion 391164

King Artaxerxes I and King Darius II, Anonymous, After Pieter de Jode (I), c. 1643 print Left King Artaxerxes I of Persia, son of Xerxes, standing with a scepter in his hand. In the background you can see how the city of Jerusalem was rebuilt under his reign. On the right King Darius II of Persia standing with a stick in his hand. In the background a landscape in which Darius drives on horseback and hunts for a deer. Texts in Latin under the performance. Amsterdam paper engraving (story of) Darius, king of Persia. hunting horn. male persons from classical history. ruler, sovereign

The lender and citizen. Printed at the top left of leaves with three other performances. Two men, left the lender with a fox with a bird in the mouth and on the right the citizen with a dog.

Design for illustration theater group: two standing figures and a seated figure. Possibly a design for a print.

Design for a print, Courchemin with Himmelsturm and jailer Designs for illustrations for Le Deserteur by Jean-Michel Sedaine (series title), draughtsman: Daniel Nikolaus Chodowiecki, 1770 - 1775, paper, pen, brush, h 90 mm × w 52 mm

Hearing, Pieter Jansz Quast, 1638 print A man and a woman sit by a crackling fire while on the left a dog is barking to a man in a doorway. The print is part of a series of six prints with the five senses. The Hague paper etching / engraving hearing, listening (one of the five senses). dog (+ audible means of communication of animal(s): roaring, crying, singing, barking, mewing, neighing, chirping, etc.). camp-fire; watch-fire

Buys, Cornelis, Francq van Berkhey, Johannes le, Netherlands, Brouwer, Three landscapes with men and women in Dutch costumes, ca. 1775, verso bottom center - stamped, book illustration, costume print, prints, Frederik Muller History plates, height 198 mm, width 119 mm, Northern Netherlands, 1735 - 1803-03-31, print maker, printmaker, 1776 - 1776, paper, papier, etching, etchings, Work conception, 1729-01-23 - 1812-03-13, after a design by, 1746-03-20 - 1826-10-15, intermediary draughtsman

17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620 - 1675); French engraver. From him many socially critical engravings and mockery pictures such as his sometimes grotesque and fantastic illustrations for a collection of well-known proverbs from the year 1657 come.

Quack and a farmer and a farmer; Three grotesque figures. Although the old title describes the figures as three grotesken, another interpretation of the performance can still be made on the basis of the clothing. The man with the striking folding college is a quack. He speaks a man and woman who wearing farmers clothing that also appears elsewhere in the artist's oeuvre. Especially the hood that bears the woman is characteristic.

Wenceslaus I, Duke of Luxembourg and Joanna, Duchess of Brabant by Galle, Philipp (1537-1612) / Museum Boijmans Van Beuningen, Rotterdam / ca. 1600 / The Netherlands / Etching / Portrait /

Funeral procession of Willem van Oranje, magazine 4; The funeral procession of Willem van Oranje, 3 August 1584; Haec Pompa Funebris Spectata Fuit Batavorum Delphis, Tertio Die Augusti; Ao. 1584.Corpse with Messrs Floris Serolais, Pierre de Rhosne, Baljuw van Putte, Jaspar van Poelgeest, Jacob van Almonde, Raephorst and Gerard van der Aa with Two Horses with the Weapons and Banners of Dietz and Vianden. Leaf 4 in The Funeral Procession of Willem van Oranje, Delft 3 August 1584.

Edouard Eckman after Jacques Callot, Peasant with Hat in Hand, 1621 Peasant with Hat in Hand

Three Peasants in Conversation. Albrecht Dürer; German, 1471-1528. Date: 1492-1502. Dimensions: 108 x 78 mm (image/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Venice, Sadeler, Johann (I), Miracles of Saint Hyacinth of Poland, Miraculous healing of a dumb woman by Saint Hyacinth of Poland, verso bottom center - stamped, Saint Hyacinth of Poland healing a woman from dumbness. The print is part of an eighteen-part series that forms a frame around an image of Saint Hyacinth of Poland., print, prints, height 46 mm, width 38 mm, Work conception, Southern Netherlands, 1550 - 1600-08, after print by, 1595 - 1600, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Germans, from a set of costume plates of different nations ca. 1600-40 Johann Wilhelm Baur. Germans, from a set of costume plates of different nations. Johann Wilhelm Baur (German, Strasbourg 1607-1642 Vienna) . ca. 1600-40. Etching. Prints

The Tapestry at Michelfeld. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 5 1/4 x 10 3/16 in. (13.3 x 25.9 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Luyken, Jan, Elisa's performance in the war against Aram, verso - stamped, print, prints, height 76 mm, width 85 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchings

Two pilgrims. Etching with engraving by Jacques Callot, ca. 1622.

Two Peasants. Giovanni Antonio da Brescia; Italian, c. 1460-c. 1520. Date: 1480-1500. Dimensions: 146 × 115 mm. Engraving on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Cesia Orsina, 1581, Etchings., 1581

Villanella Balletto D'Incerto. Prints. 1581. Spencer Collection

French early 16th century, A Dialogue on Human Favor fol. 15 verso - 16 recto, 1512-1514, pen and brown and black ink, heightened with gold on two joined sheets of laid paper

Part of the procession, no. 28; Funeral procession of Emperor Charles V, 1558; La Magnifique, et sumptuous Pompe funebre, Faite Aus Obseques & Funerailles du Tres-Grand & Tres-Victory Empereur Charles Cinquième, Celebrées and La Vile de Bruxelles Le XXIX. Iour du mois de decembre m.d.lviii. Par Philippes Roy Catholique d'Espaignes Son Fils .. Two participants in the procession, constructing the Rijkeappel and the emperors. Part of the printer of the funeral procession of Emperor Charles V on December 29, 1558 in Brussels.

Portraits of the Courtisanes called Fine Jenne van Arras and Marotte van Nancy, 1635 Two performances on an album magazine. On the left the Courtisane called Schone Jenne van Arras and on the right Marotte van Nancy. Among them two quatrains in English. The magazine is part of an album. Utrecht paper engraving / letterpress printing Two performances on an album magazine. On the left the Courtisane called Schone Jenne van Arras and on the right Marotte van Nancy. Among them two quatrains in English. The magazine is part of an album. Utrecht paper engraving / letterpress printing

The Great Wedding Dancers: Couple Dancing (Hollstein 162) Heinrich ALDEGREVER (or ALDEGREVER - 1502-V.1555 / 1561). The great wedding dancers: couple dancing (Hollstein 162). Burin, 1538. Museum of Fine Arts in the city of Paris, small palace.

MOLIERE, Jean Baptiste Poquelin, llamado (París, 1622-París, 1673). Dramaturgo y actor francés. "PRIMERA REPRESENTACION DE LA OBRA EL TARTUFO" (Agosto de 1667). Grabado.

Otto I, the child, Duke of Braunschweig and Lüneburg.

Portrait of Albert and Isabella of Austria, c. 1600 print Double portrait, standing next to each other for a drapery, back, dressed according to the Spanish courtmode of around 1600. In addition to their heads, their family crest. With 8 lines of caption in Latin. paper engraving

Man pays wife, Pieter de Mare, 1768 - 1796 print A man on the back of a woman pays coins in her hand, in her other hand she has a jug. Leiden paper etching paying (~ commerce) (here also repayment of debt, etc.). coin. container of ceramics: jar, jug, pot, vase

Novation of six prominent Amsterdammers, July 1566. Consultation between six major Amsterdammers, 1566, outside the city, probably to talk about freedom of religion. Design for a print.

De Rommelot player, Pieter de Mare, after Frans Hals, 1768 - 1796 print Leiden paper etching / engraving one person playing wind instrument.

Pope Leo III and the Emperor Charlemagne from an 8th century mosaic in the Church of Saint Susanna at the Baths of Diocletian, Rome, destroyed in the 12th century by an earthquake. Mosaique de Ste. Suzanne. Tinted lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1827.

Primary Master of the Strassburg Chronicle (German, active 1480s and 1490s), Joshua, King David and Judas Maccabeus, 1492, pen and black ink over traces of black chalk

Standing couple in costume, talking to each other. Draughtsman: Harmen ter Borch. Dating: c. 1654. Place: Zwolle. Measurements: h 110 mm × w 65 mm. Museum: Rijksmuseum, Amsterdam.

Quast, Pieter Jansz., Amsterdam, Savery, Salomon, Beggars and Peasants, Jan Admerael, Werme Puedei, Man with Wooden Leg and an Old Woman, verso - stamped, Seated man with wooden leg cuts bread with a knife, on the ground lie two stools, a hurdy-gurdy and a jug. Behind him stands a woman, in the distance an inn. The print is part of a ten-part series with representations of beggars and peasants which also includes various unfortunate figures from the First English War, ca. 1652-1654., print, prent, cartoon, prints, prenten, height 135 mm, width 90 mm, Noord-Nederlands, 1594 - 1683-10-16, print maker, printmaker, 1638 - 1665, paper, papier, engraving, engraving (printing process), etching, Work conception, 1606 - 1647-06, after print by, 1652 - 1654

An Italian farmer, a woman from Vicenza and one from Mantua, dressed according to Italian fashion around 1580; Rustica Longobarda / Nobilissima Vicentina / Nobilissima Mantuana. On the left a farmer's coat with two baskets with fruits like a yoke over the shoulders. In the middle a noble woman from Vicenza, a feather range in the left hand. On the right a noble woman from Mantua, a cloth in the right hand. PRENT # 8 From Album 'Dei Veri Ritratti Degl'habiti di TVtte Le Parti del Mondo Intagliati in Rame per Opra di Bartolomeo Grassi', 1585.

Jacques Callot, Officer, with Arm Extended, Front View, 1617 and 1621 Officer, with Arm Extended, Front View

The Marriage of Ferdinando and Christine of Lorraine. Dated: c. 1614. Medium: engraving on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Boer pair dressed according to Sicilian fashion, Pieter Lastman, 1720 - 1772 print A farmer's couple dressed in fashion from Sicily, Italy. The pair is shown out. The sitting man plays the lute, his head is adorned with a beret. He accompanies the singing woman standing next to him. The woman wears a dress with belt, her head is partially covered with a small head cover to which a veil is attached. The print is part of a twelve -part series of prints with Italian costumes. Amsterdam paper etching Europeans (with NAME) (+ costume). musician(s) accompanying singer(s)

Three grotesque figures (Bartsch 28) Adriaen van Ostade (1610-1685). Three Grotesque Figures (Bartsch 28). Forte, circa 1647

Two beggars tramping towards the right, anonymous, after Rembrandt van Rijn, 1629 - 1633 drawing Mirror -image copy to Rembrandt's print of the same name. paper. ink pen

Print marked top left and right: 2 Part - Page 48., Mirandor and Belindor receive visit from a man, who performs dance steps, print maker: Caspar Luyken, publisher: Pieter van Rijschooten, Amsterdam, 1695, paper, etching, h 141 mm × w 86 mm

Heren van Brederode, from Zyphridus to Reinout III (left center leaf), Cornelis Anthonisz., 1550 - 1551 print Left center leaf of a Frisian on four separate sheets with twenty gentlemen from Brederode, from Zyphridus to Reinout III. Five portraits of different gentlemen from Brederode in armor. In the upper margin their weapons and the weapons of their wives. In the lower margin their names and five columns with Dutch text in book printing about their lives. Amsterdam paper letterpress printing historical persons

Print, Charles V and his brother Ferdinand I

Double portrait of the MaximilianV I Rome. Imper. And Maria Valesia Uxor Maximil.

Netherlands, Robbrecht die Vriese. Gheertrude, Robrecht I the Frisian and Geertruida of Saxony, verso lower left - stamped, Robrecht full-length seen from the front. In front of him Geertruida, seen from behind., print, book illustration, prints, height 138 mm, width 88 mm, print maker, printmaker, 1517 - 1517, first quarter 16th century, second quarter 16th century, paper, papier, woodcut

Consultation between Jozef I and Louis XIV, 1706; 14. The HUNY, or consultation between Josef and Louis; Bycup to the Koninglyke Almanach, called the Gulde-Year of Allies, 1706 / 't Lusthof by MoMus. Cartoon with a consultation between Emperor Jozef I and King Louis XIV, 1706. In the album All verses and inscriptions in Dutch. Leaf no. 14 (numbered at the top right) in the series of 25 blades entitled: Bycess to the Koninglyke Almanach, called the Gulden-Year of Allies, 1706. Part of the print work issued under the collective title: 't Lust-Hof van Momus, with The bundled Series of spot prints during the 1901-1713 of the Spanish Succession War.

Breda, Sande, WG van de, Regional costumes, verso - stamped, Sheet with 4 representations of couples in various Dutch costumes. Below each image a caption in Dutch and French. Numbered lower right: No. 16., print, prent, volksprent, prints, prenten, volksprenten, height 385 mm, width 305 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1806 - 1814, paper, papier, houtcut, kleuren, letterpress printing, boekdruk, print maker, prentmaker

Countess Geertruida VII and Graven Robrecht VIII, Godfried IX, Dirk X and Floris XI, Hendrick Goltzius, after Willem Thibaut, 1596 - 1652 print Presentation of one woman with shield and four men with sword and shield. According to the accompanying caption, this concerns countess of Holland Geertruida VII and graves of Holland Robrecht VIII, Godfried IX, Dirk X and Floris XI (intended are Geertruida van Saxony, Robrecht I de Fries, Godfried III with the Bult, Dirk V and Floris II ). This print is part of a series of eight numbered prints of the graves and engravings of Holland with accompanying explanatory Dutch texts in book print. Print and text are always attached to one leaf. Incidentally, there seems to be little of the dates mentioned in the captions. Print Maker: Haarlem Publisher: Amsterdam Print: Paper. Text: Paper engraving / letterpress printing

Het Boerenpaar, Albrecht Dürer, 1495 - 1499 print A woman with the hair in braids around her head next to a wildly sticulating man with peak hair. Nuremberg paper engraving farmers

Quaker tobacco planters in the Bahamas Date: circa 1700

Stamvaders Levi and Judah, Johann Sadeler (I), After Chrispijn van den Broeck, 1639 print On the left the ancestor Levi, the third son of Jakob, in armor. In the background the siege of the city of Sichem, which Levi, together with Simeon, destroyed as revenge for the onteren of their sister Dina. On the right the ancestor Judah, the fourth son of Jakob, in armor. By his side a lion, a reference to Judah's nickname 'Leeuwenwelp', or to Christ 'De Leeuw van Judah'. Each image has a Latin caption and the magazine contains the third and fourth print from a series with the twelve tribal fathers of Israel. print maker: Antwerppublisher: Amsterdam paper engraving .

Study before the departure of William V to England, January 18, 1795. Draughtsman: Dirk Langendijk. Dating: 1795. Place: Netherlands. Measurements: h 218 mm × w 156 mm. Museum: Rijksmuseum, Amsterdam.

Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Kings of Judah, Jehoshaphat, Joram and Ahaziah, The kings Josefat, Joram and Ahaziah. In the background some important events from their lives. In the middle of the background two men beat three children with sticks. On the right in the background the death of Ahaziah. Below the representation references to the Bible texts in Latin. This print is part of an album., print, album sheet, prints, height 220 mm, width 282 mm, Work conception, Southern Netherlands, 1544 - 1638-10-01, after a design by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Men play dice game, monkey with playing cards on the ground; Title page for: The Alea Libri Duo, Amsterdam 1642; The Alea Libri Duo ..

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