Medals and Medallions

Intricately designed medal artwork, showcasing mythological scenes and historical figures in bronze and silver finishes.

stamp cutter: Daniël Koene, medal with Maasgod and city weapon Rotterdam, Toolkit penning identification carrier silver, impacted, lying Maasgod two angels with horn of plenty and Mercury staff; the sun breaks through the clouds, no heraldry Rotterdam attendance fee

stamp cutter: Daniël Koene, medal with Maasgod and city weapon Rotterdam, Toolkit penning identification carrier silver, impacted, lying Maasgod two angels with horn of plenty and Mercury staff; the sun breaks through the clouds, no heraldry Rotterdam attendance fee

Minerva and Vulcan. Dated: late 16th century. Dimensions: overall (diameter): 6.3 cm (2 1/2 in.) gross weight: 21 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century.

A Lion-Hunt. Dated: late 15th - early 16th century. Dimensions: overall (diameter): 824 cm (324 7/16 in.) gross weight: 96 gr. Medium: bronze//Light brown patina. Museum: National Gallery of Art, Washington DC. Author: MODERNO.

Master of the Orpheus Legend, Apollo and Daphne Apollo and Daphne

Master IOFF, Phaedra and Hippolytus, second half 15th century Phaedra and Hippolytus

Venetian 16th Century, The Triumph of Neptune, first half 16th century The Triumph of Neptune

Filippo Maria Visconti Riding in a Mountainous Landscape reverse. Dated: c. 1441. Dimensions: overall (diameter): 10.26 cm (4 1/16 in.) gross weight: 424.69 gr (0.936 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: PISANELLO.

Pseudo Melioli, The Death of Cyrus The Death of Cyrus

Master IOFF, Judgment of Paris, second half 15th century Judgment of Paris

Orpheus Playing to the Animals. Dated: fourth quarter 15th century. Dimensions: overall (diameter): 569 cm (224 in.) gross weight: 42 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Master of the Orpheus Legend.

Italian 16th Century, Mars Pursuing other Figures (reverse), 1513 Mars Pursuing other Figures reverse

Gianfrancesco Riding in a Rocky Landscape, with a Companion. Dated: c. 1439. Dimensions: overall (diameter): 9.99 cm (3 15/16 in.) gross weight: 387.18 gr (0.854 lb.) axis: 1:00. Medium: lead. Museum: National Gallery of Art, Washington DC. Author: PISANELLO.

Sleeping Bacchante and Satyrs. Dated: 1505 or after. Dimensions: overall (diameter): 7.3 cm (2 7/8 in.) gross weight: 106 gr. Medium: gilt bronze. Museum: National Gallery of Art, Washington DC. Author: Pseudo Antonio da Brescia.

Sperandio, Cupid Holding a Palm branch and Balance (reverse), probably 1463 1477 Cupid Holding a Palm-branch and Balance reverse

The Adoration of the Shepherds. Dated: c. 1526. Dimensions: overall (oval): 7.5 x 9.1 cm (2 15/16 x 3 9/16 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Gian Jacopo Caraglio.

Augustus and the Tiburtine Sibyl. Dated: late 15th - early 16th century. Dimensions: overall (diameter): 5.7 cm (2 1/4 in.) gross weight: 51 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: MODERNO.

Maiden seeking refuge at a shrine of Cybele mid-18th century British. Maiden seeking refuge at a shrine of Cybele. British. mid-18th century. Bronze. Medals and Plaquettes

Bliżej Kultury Lewandowski, Stanisław Roman (1859 1940)

Athena Introducing the Personification of Painting into the Circle of the Liberal Arts. Dated: c. 1600. Dimensions: overall (diameter): 15.1 cm (5 15/16 in.). Medium: cast bronze. Museum: National Gallery of Art, Washington DC. Author: Circle of Hans Jakob Bayr.

Mars and Frieze of Trophies. Dated: first quarter 16th century. Dimensions: overall (diameter): 6.7 cm (2 5/8 in.) gross weight: 70 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: North Italian 16th Century.

Susanna and the Elders. Dated: c. 1570s. Dimensions: overall: 9.2 x 7.2 cm (3 5/8 x 2 13/16 in.) gross weight: 96 gr. Medium: gilded bronze. Museum: National Gallery of Art, Washington DC. Author: French 16th Century.

Pisanello, Filippo Maria Visconti Riding in a Mountainous Landscape (reverse), c 1441 Filippo Maria Visconti Riding in a Mountainous Landscape reverse

Italian 16th Century, Allegorical Plaquette (reverse), first half 16th century Allegorical Plaquette reverse

The Continence of Scipio original sense. Dated: c. 1540. Dimensions: overall (oval): 3.7 x 4.7 cm (1 7/16 x 1 7/8 in.). Medium: lead. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BERNARDI.

Johann Christian Marmé, Minerva Encouraging the State, Dutch, active 1741 - 1757, 1747, silver

A Satyr and a Bacchante (Allegory of Reproduction). Dated: fourth quarter 19th century. Dimensions: height (with suspension loop): 17.2 cm (6 3/4 in.) without suspension loop: 17 cm (6 11/16 in.) gross weight: 341 gr. Medium: bronze//Electrotype. Museum: National Gallery of Art, Washington DC. Author: European 19th Century, after the Master of the Martelli Mirror.

Italian 16th Century, The Judgment of Paris, 16th century The Judgment of Paris

Paduan 16th Century, Two Bacchantes, early 16th century Two Bacchantes

Lorenzo de' Medici, il Magnifico, 1449-1492 (The Pazzi Conspiracy Medal) obverse. Dated: 1478. Dimensions: overall (diameter): 6.6 cm (2 5/8 in.) gross weight: 77.48 gr (0.171 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: BERTOLDO DI GIOVANNI.

Prudence Holding a Mirror and Compasses reverse. Dated: probably 1518/1525. Dimensions: overall (diameter): 5.99 cm (2 3/8 in.) gross weight: 62.93 gr (0.139 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Milanese 16th Century.

Paduan 16th Century, Venus and Cupid, early 16th century Venus and Cupid

Amsterdam obtains his weapon and the right to place the emperors crown above. Box consisting of two silver plaques that can be screwed together. Facade: Count Willem sitting on throne, surrounded by courtiers and warriors gives the weapon to a group of civilians above inscription within decorative border. Reverse: Emperor Maximilian standing in the middle of a group of courtiers and warriors, places emperor wreath above weapon that someone from group of civilians presents him above inscription within decorative edge. Box in which the medal beaten by the city of Amsterdam on the peace of Breda (NG-VG-1-1016) was awarded.

Medillon: Allegoria with marriage Renaud Jean-Martin, said Renaud de Sarreguemines (1746-1821). Medallion: Allegory relating to marriage. Terracotta, light brown color matte, with metal strapping.

Warrior and Horseman Fighting. Dated: late 15th - early 16th century. Dimensions: overall (diameter): 5 cm (1 15/16 in.) gross weight: 47 gr. Medium: bronze//Medium brown patina (raised surfaces much rubbed). Museum: National Gallery of Art, Washington DC. Author: Pseudo Melioli.

Paul Hübner, Venus and Cupid, early 17th century Venus and Cupid

Bliżej Kultury Minhemer, Jan (1808 1879), Oleszczyński, Władysław (1807 1866)

Terracotta Plaque 11th Century. Depicting the Temple at Sriranga,. Dedicated to sleeping Vishnu

Empress and Five Women Sacrificing reverse. Dimensions: overall (diameter): 3.52 cm (1 3/8 in.) gross weight: 30.2 gr (0.067 lb.) axis: 5:00. Medium: bronze//Struck. Museum: National Gallery of Art, Washington DC. Author: Giovanni da Cavino.

Fortune with Sail, on a Dolphin reverse. Dated: 1500 or after. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Style of Niccolò Fiorentino.

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Attributed to Annibale Fontana, Battle under City Walls (reverse), c 1550 Battle under City Walls reverse

Style of Niccolò Fiorentino, The Three Graces (reverse), c 1484 1485 The Three Graces reverse

Christoph Weiditz the Elder after Milanese 15th Century, Triumph (reverse), 1524 Triumph reverse

Attributed to Gianfrancesco Enzola, Saint George and the Dragon Saint George and the Dragon

Fountain Surmounted by a Nude Male Figure reverse. Dated: c. 1446. Dimensions: overall (diameter): 9.33 cm (3 11/16 in.) gross weight: 250.02 gr (0.551 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: MATTEO DE' PASTI.

Giovanni Candida, Mercury with a Female Figure (reverse), probably 1450 1503 Mercury with a Female Figure reverse

Anonymous, Tournay Tournai and Courtrai (main title), 1667. Bronze copper alloy. Red brown patina. Petit Palais, Museum of Fine Arts of the City of Paris.

Galle, André (n.1761-05-27-D.1844-12-21), entrance to Louis XVIII to Paris on May 3, 1814 (main title), 1814. Alloy at low point of merger. Petit Palais, Museum of Fine Arts of the City of Paris.

Pyramis and Thisbe 16th century Italian or French. Pyramis and Thisbe 202517

Italian 16th Century, Leda and the Swan, 16th century Leda and the Swan

Roman 15th Century, after the Antique, Diomedes, Ulysses and the Palladium, mid 15th century Diomedes, Ulysses and the Palladium

Ludwig Neufahrer, Double headed Crowned Eagle on the Pillars of Hercules (reverse), 1542 Double-headed Crowned Eagle on the Pillars of Hercules reverse

Bull-Baiting. Dated: late 15th - early 16th century. Dimensions: overall: 193.5 x 228.5 cm (76 3/16 x 89 15/16 in.) gross weight: 6 gr. Medium: bronze//Light brown patina. Museum: National Gallery of Art, Washington DC. Author: Italian 15th or 16th Century.

Plaquette met Noach die de Ark betreedt, Hans Jacob Bair (attributed to), in or after 1604 - in or before 1628 A round plaque of lead with a performance by Noah, the ark concerning. Coming from the right, a group of men and women enters, two by two. Augsburg lead (metal) A round plaque of lead with a performance by Noah, the ark concerning. Coming from the right, a group of men and women enters, two by two. Augsburg lead (metal)

Cover of a mirror case with courtiers, anonymous, c. 1425 Lid of an ivory mirror box with a performance in relief of a head of two women and two men in a landscape. One of the men plays a harp while sitting. The show is framed by a cable border. Southern Netherlands ivory cutting Lid of an ivory mirror box with a performance in relief of a head of two women and two men in a landscape. One of the men plays a harp while sitting. The show is framed by a cable border. Southern Netherlands ivory cutting

The Wedding Feast of Cupid and Psyche ca. 1570 Pierre Reymond The subject of this plate is an episode in the tale of Cupid and Psyche from Book V of The Golden Ass by the Latin author Lucius Apuleius (born 125 A.D.). The winged god of love, Cupid, is customarily depicted by Renaissance artists as either an infant or a youth, but in the scene on this plate, the child Cupid incongruously stands at the knee of his adult bride who is seated with other gods and goddesses at a long table presided over by winged personifications of the hours. Like the Sacrifice of Noah, the Wedding Feast of Cupid and Psyche is based on an original composition by the High Renaissance Italian artist Raphael. The scene appears as part of a cycle of frescoes on the ceiling of the Sala de Psiche at the Villa Farnesina in Rome, painted ca. 1518 by two of Raphael's assistants, Giulio Romano (1499-1564) abd Giovanni Francesco Penni (1496-1528), from designs by Raphael. A variant copy of the fresco was made by the Mas

Justice and Peace reverse. Dated: c. 1500/1525. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Venetian 16th Century.

Alliance Francaise Award for Kochanowska. Dupuis, Daniel (1849-1899), creator

Mutual insurance company against fire for Paris, April 1817 Albert-desired barré (1818-1878). "Mutual insurance company against fire for Paris, April 1817". Copper. 1817.

Bronze mirror cast relief: Herakles abducting Mlacuch. Dated 6th Century BC

Sperandio, King Evilmerdoch Playing Chess (reverse), c 1485 1486 King Evilmerdoch Playing Chess reverse

Oval Cosmetic Box Lid with a Man Being Entertained by a Lyrist 401 CE-600 CE Gandhara. Gray schist .

Umbria Terni Narni Palazzo Scotti2. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (16th century); frescoes (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mount; silver-plated brass

Venus and Mars reverse. Dated: probably 1490/1520. Dimensions: overall (diameter): 4.05 cm (1 5/8 in.) gross weight: 31.13 gr (0.069 lb.) axis: 7:00. Medium: bronze//Originally gilded. Museum: National Gallery of Art, Washington DC. Author: Style of Antico.

Jules Clément Chaplain, Family Values (obverse), 1891 Family Values obverse

Alfonso's Triumphal Entry into Naples reverse. Dated: 1481. Dimensions: overall (diameter): 6.1 cm (2 3/8 in.) gross weight: 108.41 gr (0.239 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Andrea Guacialoti.

Lion Being Taught by Cupid to Sing reverse. Dated: 1444. Dimensions: overall (diameter): 10.12 cm (4 in.) gross weight: 373.81 gr (0.824 lb.) axis: 12:00. Medium: lead. Museum: National Gallery of Art, Washington DC. Author: PISANELLO.

Expiatory chapel, 1826 VATORY USINA (1798-1881). Expiatory chapel. Bronze. 1826.

Personification of Painting at an Easel Portraying Sir Joshua Reynolds reverse. Dated: 1773. Dimensions: overall (diameter): 3.13 cm (1 1/4 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: John Kirk.

Lazio Latina Sezze Antiquarium Comunale26. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lavinia Fontana Painting reverse. Dated: 1611. Dimensions: overall (diameter): 6.55 cm (2 9/16 in.) gross weight: 75.12 gr (0.166 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Felice Antonio Casone.

Participant foresming of the ninth Olympiad in Amsterdam 1928, Johannes Cornelis Wienecke, 1928 history medal Bronze medal, on the front a man and a woman on a stage, together a torch -lying at the radiant Olympic fire on an altar, on the reverse the Olympic Stadium in Amsterdam in a nutshell with Victoria arising from the Olympic flame, with between two Lauwer trees sprouting a field in which the crowned Amsterdam city coat of arms, two world halves and the year, with a change. bronze (metal) striking (metalworking)

Friedrich III., Roman-German Emperor.

Mount, Silver-plated brass, Vertical rectangle with irregular lower left corner. Repoussé figure of Artemis with putto., Italy, early 19th century, metalwork, Decorative Arts, Mount

Medal: Alfonso de Brandeligi Trotti ca. 1520-30 (possibly cast in the 17th century) Italian, Ferrara On the obverse is a portrait of Alfonso de BrandeligiTrotti; the reverse is blank. Trotti was a composer froma distinguished Ferrarese family. In 1514 he sent a motet(In Te Speravi”) to Pope Leo X. Trotti’s epitaph is inSan Bernardino Church in Ferrara. This old aftercast ispossibly from the seventeenth century.. Medal: Alfonso de Brandeligi Trotti 460548

Hercules and Antaeus model ca. 1488-89 (probably cast 16th century) Moderno (Galeazzo Mondella) Italian Hercules and Antaeus are shown between four broken allantica pillars. This plaquette may have been part of the same series as the Mars and Victory plaquette in the Lehman Collection (1975.1.1345). A variant by Moderno exists with identical figures placed under a vault. The fine and crisp cast probably dates from the sixteenth century.. Hercules and Antaeus 461259

A horseman fighting two foot soldiers 1468 Medalist: Gian Francesco Enzola Italian. A horseman fighting two foot soldiers. Medalist: Gian Francesco Enzola (Italian, active 1456-78). Italian. 1468. Bronze. Medals and Plaquettes

Italian 15th Century, Francesco I of Carrara, 15th century Francesco I of Carrara

Gem with the imprisonment of Jugurtha, Ludwig Gottlieb Portman, after Jacobus Buys, 1798 print Prior to the consultation with Sulla, in which Jugurtha appears unarmed and only accompanied by a few men, his soldiers will kick him up. Amsterdam paper etching male persons from classical history (SYLLA)

Bouclier de Henri II. The magnificent apollo gallery in the Parisian Louvre holds in addition to the French Kronjuwelen some of the most precious art objects of the Grande Nation. For the publication Le Trésor Artistique de la France, which is published from 1878, the photographer Léon Vidal releases the exquisite treasures. Also in the printing process one leaves on the expertise of the learned engineer. The method developed by Vidal photochromy technique, a method presented for the first time, makes it possible to transmit the color of the collection pieces in a quality reproduction. Similar to the chromolithography, three layers are printed separately into strong, translucent colors. As a base, Vidal takes a photomechanical image, which contributes the deep black tones to the colored image result; The degree forms a fine rivis layer. In the shiny figures, not only the radiance of the art objects, the expensive produced, elaborate copies are today masters today. (Annika Sellmann)

Rembrandt-Penning, 1988. Bronze medal. Front: Rembrandt's head. Reverse: The letter R. BISQUIT of this is also present.

Boldù with the Genius of Death reverse. Dated: 1458. Dimensions: overall (diameter): 8.5 cm (3 3/8 in.) gross weight: 208.89 gr (0.461 lb.) axis: 12:00. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Giovanni Boldù.

Mars and Victory model ca. 1504-05 (possibly cast 16th century) Moderno (Galeazzo Mondella) Italian. Mars and Victory 460866

The Head of Medusa. Dated: early 16th century. Dimensions: overall (diameter): 4.4 cm (1 3/4 in.) gross weight: 26 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: North Italian 16th Century.

Lamentation Over the Dead Christ. Dated: 16th century. Dimensions: overall (silhouetted contour): 4 x 4.3 cm (1 9/16 x 1 11/16 in.) gross weight: 18 gr. Medium: gilt bronze. Museum: National Gallery of Art, Washington DC. Author: German 16th Century.

Nicolas-Marie Gatteaux (1751-1832). "The French Republic". Bronze. 1797. Paris, Carnavalet museum. To law the French Republic Standing helmeted and battleship holding a laurel wreath and a lance; On the reverse registration of four lines in a laurel wreath. Symbolic attribute, helmet, Laurel wreath, marianne, medal, pique, female representation, French republic

The Great Seal of King George IV, c1895. Artist: Unknown

Madrid, Armería. Escudo redondo grabado en relieve.

Fortitudo (Kracht), Anonymous, c. 1600 Elongated, leading, lead plaque with symbolic female figure with attribute -representing Fortitudo (strength). A woman in a loose robe runs to the left and carries a fragment of a column on the right shoulder with both hands. In the background a river landscape with rocks, trees on the right. Netherlands lead (metal) casting Elongated, leading, lead plaque with symbolic female figure with attribute -representing Fortitudo (strength). A woman in a loose robe runs to the left and carries a fragment of a column on the right shoulder with both hands. In the background a river landscape with rocks, trees on the right. Netherlands lead (metal) casting

Satyr and little Bacchus

Medallion with Caritas; Then want the love (...) / Charité Ameine Tout Bien (...).; Dishes. The edge is decorated with grotesque that have six of the seven works of mercy as theme. Middle under a show of the foot wash. Sheet from series of 4 magazines with a medallion in a wide edge of grotesken with figures, animals and leaf refrences on a dark distance. The edge around the medallion and the outer edge contain Dutch and French fresh rules.

Allegory of Virtue probably early 16th century Attributed to Andrea Briosco, called Riccio Italian. Allegory of Virtue. Attributed to Andrea Briosco, called Riccio (Italian, Trent 1470-1532 Padua). Italian, Padua. probably early 16th century. Gilt bronze. Medals and Plaquettes

Shield. Culture: Italian, probably Bologna. Dimensions: Diam. 24 5/8 in. (62.53 cm). Maker: Attributed to Girolamo da Treviso (Italian, Treviso ca. 1498-1544 Boulogne-sur-Mer). Date: ca. 1535.This is one of a small group of Renaissance pageant shields painted on both their interiors and exteriors with scenes from Roman history and Classical mythology in grisaille (tones of gray) on a ground of gold leaf. Many of the details are rendered in sgraffito (the technique or scratching through a surface to reveal a different color underneath, in this case, gold). The gold thus exposed is impressed with comma-shaped marks to heighten its light-reflecting quality. Girolamo da Treviso was one of the few sixteenth-century artists to employ the demanding sgraffito technique, which had gone out of fashion by the late fifteenth century.The battle scenes on the inside of the shield, perhaps illustrating episodes from the life of the Roman general Scipio, show a keen observation of Clas

France Special Beaux Arts AwardMedal. Mint: Paris Artist: Jacques Edouard Gatteaux, French, 1788-1881

Cundall, Joseph, Bas-reliefs of Psyche bound by putti, a feast of the gods, and friendship that soothes sorrow, photograph, photo, page, photos, photographically illustrated books, height 361 mm, width 270 mm, English, 1818-09-22 - 1895-01-10, photographer, 1868 - 1873, paper, carbon print

Alexandre Falguière (1831-1900) 1899 Medalist: Victor Peter French. Alexandre Falguière (1831-1900) 208139

Drawing, Chased Silver Medallion; Hans Holbein the Younger (1497/98 - 1543); Germany; pen and brown ink, brown wash support: white laid paper; 6.3 x 6.4 cm (2 1/2 x 2 1/2 in.) matted w/1961-18-2,3 Mat: 35.6 x 45.7 cm (14 x 18 in.)

Nicolas Brenet (1728-1792). Avers of a deputation medal of the mayors of Paris in Schoenbrünn. Metal, bronze. 2nd half of the 18th century. Museum of Fine Arts of the City of Paris, Petit Palais. 58752-15 2nd half, wing, obverse, bronze, deputation, woman, music instrument, mayor, medal, metal, numismatics, trumpet, 18th century

Willibald Pirkheimer, 1470-1530, and Albrecht Dürer, 1471-1528. Dimensions: overall (oval): 4.33 × 5.36 cm (1 11/16 × 2 1/8 in.) gross weight: 17.49 gr (0.039 lb.). Medium: silver. Museum: National Gallery of Art, Washington DC. Author: Georg Holdermann.

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