Medieval and Baroque Architectural Details

Black and white images capturing intricate altars, frescoes, and architectural features from various historical periods in Italy.

Lazio Roma Subiaco Monastery of S. Scolastica Monastic church9. Hutzel, Max 1960-1990 Exterior views (in Medieval core collection). Views of 18th c. renovated interior, including nave, altar, ceiling, organ, chapels, paintings, choir, sacristy, refectory. Detail views of 15th c. frescoes in the Grotte di S. Scolastica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia34. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Maria in Via Lata6. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco, stucco coffers Object Notes: Although entirely Baroque, the church is located on the site of an ancient church dating before the 11th century. Pietro da Cortona executed the facade in 1662, showing the influence of Borromini. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo42. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Lazio Roma Rome S. Susanna4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco, stucco, coffers Object Notes: Counter-reformation church. All photos were taken between 1960-70, and Hutzel notes that it is necessary to take new photography since much has been restored since then, especially the facade. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Musée de Cluny, Cheminée du XVI siècle. Louis Parnard (French, 1840 - 1893)

Lazio Viterbo Bagnaia Villa Lante078. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Nocera Umbra S. Francesco1. Hutzel, Max 1960-1990 Post-medieval: Exterior views of architecture and architectural sculpture of S. Francesco Pinacoteca: fresco fragments, panel painting, polyptych, painting, miscelaneous architectural fragments Owner: Pinacoteca Comunale German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Florence, Collection Bardini, Decorated cabinet, probably former mantel clock, recto - printed, photomechanical print, photos, Pl. 27, height 361 mm, width 261 mm, maker, manufacturer, 1875 - 1930, paper, collotype, photoprint, ornamental cupboard (+ wood and other phytogenic material)

Tuscany Grosseto Manciano SS. Annunziata. Hutzel, Max 1960-1990 Medieval: Sculpture. Post-medieval: Architecture (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Eligio dei Ferrari. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting, religious reliquaries (17-18th centuries), sculptural relief, stucco Object Notes: Constructed in first half of 16th century by confraternity of the blacksmiths. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Boville Ernica S. Pietro Ispano7. Hutzel, Max 1960-1990 Medieval: Palaeochristian sarcophagus from 4th century, with relief of Nativity and Adoration of the Magi. Mosaic by Giotto. Post-medieval: Architecture, sculpture, frescoes. Structure of romanesque origin, but renovated in the 16th-17th centuries. Statues in niches of S. Peter and S. Paul, by Andrea Bregno. Marble relief of the Holy Family in the manner of Bregno (end 15th century). Frescoes from the end of the 16th century. General Notes: There were two sets of prints now integrated into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. I

Lazio Roma Rome S. Maria in Campo Marzio1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting Object Notes: Of antique origins, probably of the 7th century, transformed by Rossi in 1685. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

"In Sure and Certain Hope." York Minster. Artist: Frederick H. Evans (British, London 1853-1943 London). Dimensions: Image: 20 x 14.8 cm (7 7/8 x 5 13/16 in.)Mount: 26.4 x 18.5 cm (10 3/8 x 7 5/16 in.), irregularly trimmed. Date: 1902. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Frascati Chiesa del Gesu4. Hutzel, Max 1960-1990 Views of facade, altars, painting and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Grottaferrata S. Maria9. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Poggibonsi S. Lucchese74. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese52. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Fossa S. Maria delle Grotte3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculpture Post-medieval: Fresco cycles German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

MAUSOLEO DE DON PEDRO CARO Y SUREDA, MARQUES DE LA ROMANA, 1813/1814. Author: FOLCH COSTA JOSE ANTONIO. Location: CATEDRAL. Palma. MALLORCA. SPAIN.

Lazio Roma Rome S. Lorenzo in Lucina6. Hutzel, Max 1960-1990 Medieval: Architectural and sculptural fragments. Post-medieval: Architecture, architectural sculpture, sculptural relief, sculpture, painting, frescoes, coffers Object Notes: Completely renovated during the centuries, especially in the 17th century, but prominent characteristic of medieval portico, architraval columns, and campanile from Pontificate of Pasquale II (1099-1118). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

, fraying at - Scholarskischers innex- vaulting, Bruno Raising Strategy -, Photographs

Installation view of 1905 Tauride Palace exhibition by Anonymous /Russian State Archive of Literature and Art, Moscow/1905/Photograph/Architecture, Interior,History

Abruzzo L'Aquila L'Aquila Collegiate complex (S. Bernardino, Oratory). Hutzel, Max 1960-1990 Several views of entire oratory (once a refectory); detailed views of the frescoes by Paolo Cardone. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

st, Stubenring - Austrian Museum of Art and Industry today MAK - Interior view - Eitelberg monument, Bruno Reiffenstein -, photographer

Lazio Roma Velletri S. Clemente, Cathedral62. Hutzel, Max 1960-1990 Medieval: Architecture (4th c., rebuilt c. 1300, reconstructed 1659-62); architectural sculpture and mosaic (13th century); Roman urn (1-2nd c. A.D.); wall painting; includes reused Roman and 8-11th century fragments). Post-medieval: Architecture, architectural sculpture, frescoes, sculpture Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign date: October 30, 1982. There was another photo campaign previous to 1982, possibly 1962. There is one set of prints and a second "A" set with the same numbers and ideally the negatives would correspond to each set; however, they are commingled to a certain extent (particularly the later numbers of those in the Medieval core collection, whose print sequence fits into the "A" set, but whose negatives are filed under the other set). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death.

Abruzzo Aquila Sulmona Chiesa dell' Annunziata5. Hutzel, Max 1960-1990 Exterior views of baroque facade and courtyard (13th-14th century), including the entrance to the Museo Civico. Interior views: ornate pilasters, baroque cupola, white plaster angels and seraphim decoration, marble intarsia altar and balustrade, niched gilt wooden saints, rococo organ, pulpit, wooden choirstalls by Balcone, 18th century altar paintings, ceiling and cupola frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Maria in Vallicella21. Hutzel, Max 1960-1990 Views of 16th church's facade by Fausto Rughesi(1605). Views of interior nave, altars, sacristy, and collection in private rooms. Extensive coverage of frescoes and paintings. Three views of an embroidery with a depiction of the Assumption of the Virgin. General Notes: Views of Oratorio dei Filippini are filed separately, but retain H-numbers within this monument's numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Girolamo degli Illirici1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco Object Notes: Constructed under Sisto V in 1588 by Longhi. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Sulmona S. Francesco della Scarpa2. Hutzel, Max 1960-1990 Views of the Baroque interior include: a baroque organ, a dome frescoed with perspectival architecture, a loggia and confessional, wooden ciborium (16th century), altar statues and architectural sculpture, altar paintings of the Visitation, Saint Anthony of Padua, and the Assumption of the Virgin, wooden crucifix, wooden statue of St. Francis, holy water font, and a marble sarcophagus with a life-size dead Christ lying on the top. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

Lazio Roma Grottaferrata Museo5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo05. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Stroobant, François (1819 1916), Litographic Plant Time (Krakow)

Campania Benevento Sant'Agata de' Goti S. Menna5. Hutzel, Max 1960-1990 First campaign: architecture and architectural sculpture (11-12th centuries); inscription; tessellated pavement; sculpture; and frescos.. Second campaign: exterior and interior architectural views, including the central nave, aisles, and central and south sanctuaries; details of the: tesselated pavement and panels; capitals; and frescoes. Object Notes: There are 2 files of photographs, one from the first campaign conducted by Max Hutzel (28 photos) and one from the second campaign conducted by Roberto Sigismondi (Hutzel's former assistant), in 1990 (32 photos). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Ro

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)83. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Cellinis Perseus, in the Loggia dei Lanzi, Florence. Artist: Giorgio Sommer, Italian, 1834-1914

Italy, Film negative with recording of Genoa, Pisa, Ravenna or Milan, negative, photograph, photo, photos, height 90 mm, width 120 mm, photographer, 1907 - 1935, cellulose nitrate, gelatin silver negative

Sardinia Sassari Castel Sardo Ancient walls; general views. Hutzel, Max 1960-1990 Post-medieval: General views Antiquities: Remains of ancient wall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Girolamo della Carita6. Hutzel, Max 1960-1990 Founded on site where saint lived in 382, church is located on Piazza della Rota and via di Monserrato. Reconstructed 1654-60. Exterior views of baroque facade and flank, with details of portals, capitals and architectural sculpture. Extensive coverage of interior altars, ceiling, sculpture, painting, frescoes, stucco, coffers. General Notes: Exterior views from via di Monserrato sequence integrated into this one. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

N. 610 Palermo Palatine Capella, Capella di S. Guiseppe, c. 1893 - c. 1903 photograph De Palatina Kapel in Het Palazzo Reale PalermoNetherlands photographic support. cardboard albumen print Palermo

Lazio Rieti Casperia S. Maria di Legarano8. Hutzel, Max 1960-1990 Medieval: Wooden crucifix dating from the 1400's or (14th century). Post-medieval: Painting, sculpture. In the lunette above the portal is a fresco of the Annunciation by Bartolomeo Torresani. A fresco of the Last Judgment, by Bartolomeo Torresani, on walls of a chapel to the left of the atrium. Painting of S. Sebastian and S. John the Baptist of the school of Antoniazzo Romano. In a niche, representation of the Wedding of the Virgin, fresco attributed to Alessandro Torresani. Nativity scene in polychromed terracotta by an Abruzzi artist from the 15th century. Behind the main altar, a polychromed wood statue of the Virgin and Child signed by Carlo dell'Aquila (1489). Antiquities: Architecture and sculpture. Remains of "opus reticulatum" walls (church built on the site of a roman villa), a "colossal god" sculpture from 1 B.C. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early

Kelmscott Manor Tapestry Details Made 1896 England. Lantern slide . Frederick H. Evans

Lazio Viterbo Bagnaia Villa Lante. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome SS. Quattro Coronati9. Hutzel, Max 1960-1990 Exterior and cloister views of 12th c. church stored in Medieval section. Interior views of nave, altar, apse fresco, ciborium, holy water font, wall paintings. Many views of 13th c. frescoes in Oratorio di S. Silvestro and several views of the adjoining chapel. General Notes: Views of Oratorio frescoes processed by Paintings section now stored with Hutzel collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Florence (Orsanmichele) - Christo and S. Thomas: Vecchio, 1483..

Campania Caserta Roccamonfina Santuario di Maria SS. dei Lattani2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (15th century). Post-medieval: Architecture, architectural sculpture, frescoes, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, Tagliacozzo, SS. Cosma e Damiano, Italy, 20th century, photo, photography, Europe

Marches Pesaro Fossombrone S. Filippo. Hutzel, Max 1960-1990 Post-medieval: Baroque architecture (c.1608-1613): unfinished exterior and very highly decorated interior; paintings on canvas; wooden sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Matelica Museo Piersanti9. Hutzel, Max 1960-1990 Views of the museum's collection of late 14th-16th century paintings, as well as the tapestry and maiolica collections. Antiquities: The photos depict roman portraiture busts. Object Notes: Hutzel photo campaign date: March 29, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Ernst Wasmuth, A. G. Berlin, unknown sculptor

Umbria Perugia Spello Palazzo Comunale9. Hutzel, Max 1960-1990 Exterior views of this Romanesque-Gothic structure (13th-14th centuries) include a courtyard with a well, a wooden loggia, and the frescoed cross-vault of a portico. Views of the interior focus on two rooms. The baroque room is decorated with a ceiling fresco (18th century) of landscapes, nude figures holding portrait-shields of eminent citizens, and a balustrade. What Hutzel calls the "Zucarri Salon" or "Pinacoteca" is filled with religious paintings, frescoes, marble busts, crucifixes, a German sculpture of the Pieta (15th century), and a diptych by Petruccioli. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesq

The astronomical clock in the cathedral of Strasbourg, France, in 1880, Historical, digital reproduction of an original from the 19th century, Europe

Marches Macerata Tolentino S. Nicola da Tolentino1. Hutzel, Max 1960-1990 Exterior views of this church focus on the portal (1435). The rest of the facade dates to the 18th century. Views of the arcaded cloister date to the 12th and 13th centuries. Most interior views are of the frescoes in the Augustinian Cappellone di S. Nicola that were executed between 1330 and 1348. These frescoes are of scenes from the life of Christ and S. Nicola. On the ceiling, the Evangelists are paired with various saints. Object Notes: Hutzel photo campaign date: December 27, 1984. See xeroxes attached to Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and

Lazio Roma Rome S. Paolo44. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo Museo Civico14. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Lazio Viterbo Tuscania Cathedral1. Hutzel, Max 1960-1990 Post-medieval: Architecture, 16th century (largely restored in the 18th century); paintings on canvas and panel; fresco; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Paris (1st arr.), France La Salle de Michel-Ange, Louvre museum , (French - Paris ( Ier arr. ) , France La Salle de Michel-Ange , musée du Louvre). Museum, interior view, sculpture, bas-relief, basin, Habitat , Architecture , Art, France, Paris, Louvre museum: Salle Michel Ange

Lazio Roma Rome S. Brigida2. Hutzel, Max 1960-1990 Exterior views of 18th c. church on Piazza Farnese. Interior views of altar, celing frescoes, sculpture, sculptural relief, paintings, mosaics, stained glass. General Notes: Exterior views taken from via di Monserrato sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

st, Maria-Theresien-Platz-Maria-Theresien-Themmal-Detail view, Joseph Wenzel Fürst Liechtenstein free-standing still image, Bruno Reiffenstein -, photographer

Marches Macerata San Severino Marche Chiesa delle Clarisse4. Hutzel, Max 1960-1990 Exterior views of the 15th-century church with its 17th century baroque facade. Interior views of the main altar, four side chapels, two transept chapels, 19th century dome frescoes and a conch fresco of Saul's Conversion on the way to Damascus. The altar (17th century), of marble intarsia is held up by four putti. The Rococo altarpiece bears the inscription Altare Gregorianum Perpetuum. Views also of a gilt organ (17th century), pulpit, and marble holy water font (1598). Object Notes: There are two prints for almost every negative; one set of prints was previously identified as S. Maria del Glorioso. General Notes: Hutzel photo campaign date: April 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in I

Pisa, Interior, Santo Campo. Enrico Van Lint (Italian, active Pisa, Italy 1850s - 1870s)

France, Paris. Universal Exhibition of 1878. It was held from May 1 to November 10, 1878). Mihrab of the Mosque-Cathedral of Cordoba. Copy reproduced with pieces of mother-of-pearl and shells. An initiative of Bruno Zaldo together with José Botana, Guillermo Zuloaga and Francisco Contreras, with the latter directing the project. Drawing from life by Daniel Zuloaga. Engraving by Carlos Penoso. La Ilustración Española y Americana (The Spanish and American Illustration), 1878. Author: Daniel Zuloaga (1852-1921). Spanish artist. Carlos Penoso. 19th-century Spanish engraver.

Lazio Roma Rome S. Sebastiano and Catacumbas2. Hutzel, Max 1960-1990 Medieval: Fresco paintings from chapel of Onorio III, "Sebastiano ad Catacumbas" (13th century, c. 1216-1227). Post-medieval: 17th century architecture (1609, architectural sculpture, sculpture, painting, fresco painting, stucco. On via Appia. General Notes: Missing 15-17, and 38-41. 94 prints total according to H. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Balbina0. Hutzel, Max 1960-1990 Medieval: Architectural plans, architecture, cosmati tiling, sculpture, fresco painting, sculptural fragments. Post-medieval: Sculptural relief, architectural sculpture, architecture, painting, fresco painting, sculpture. On viale Baccelli. General Notes: Hutzel accounts for 65 prints; however, #9, #10, #39, #59, #61 and #62 are not included in the group of photos. (Perhaps they are with wall painting or mosaics). There is also a note (from Emily) that unmatched negatives are in mylar sleeves at the front of the group - but these are also not located. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance a

Lazio Roma Velletri S. Clemente, Cathedral35. Hutzel, Max 1960-1990 Medieval: Architecture (4th c., rebuilt c. 1300, reconstructed 1659-62); architectural sculpture and mosaic (13th century); Roman urn (1-2nd c. A.D.); wall painting; includes reused Roman and 8-11th century fragments). Post-medieval: Architecture, architectural sculpture, frescoes, sculpture Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign date: October 30, 1982. There was another photo campaign previous to 1982, possibly 1962. There is one set of prints and a second "A" set with the same numbers and ideally the negatives would correspond to each set; however, they are commingled to a certain extent (particularly the later numbers of those in the Medieval core collection, whose print sequence fits into the "A" set, but whose negatives are filed under the other set). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death.

Entrance of Sancho on the island of Barataria. Coypel, Charles-Antoine (French, 1694-1752) (author of design) painter Valade, Jean (French, 1709-1787) (author of design, alentour) painter Audran, Michel (French, b.1701-d.1771) (workshop) weaver 1774 Tapestry Materials/Techniques: wool & silk Culture: French Weaving Center: Paris Ownership History: Given to Grand Duke Paul of Russia by Louis XVI (1782). Palais Anitchoff, St. Petersburg (ca.1900). Russia, Saint Petersburg, Hermitage. Sancho, wearing turban, is carried on shoulders of 2 men & surrounded by onlookers; scene enclosed by picture-frame cartouche (ALENTOUR) patterned background with floral garlands & peacock; at bottom, console decorated with garlands, trophies, dog & sheep 8th weaving, 5th alentour. Fénaille, Gobelins 3 (1903-1923), 157-282 Göbel, Wandteppiche II:1 (1928), 117, 159-64 Related Works: Panels in set: GCPA 0242014-0242016, 0242023; compositionally similar sets: GCPA 0242043-0242046 (Louvre set), GCPA 0184492-0844

Lazio Roma Frascati Chiesa del Gesu7. Hutzel, Max 1960-1990 Views of facade, altars, painting and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Tolentino S. Nicola da Tolentino0. Hutzel, Max 1960-1990 Exterior views of this church focus on the portal (1435). The rest of the facade dates to the 18th century. Views of the arcaded cloister date to the 12th and 13th centuries. Most interior views are of the frescoes in the Augustinian Cappellone di S. Nicola that were executed between 1330 and 1348. These frescoes are of scenes from the life of Christ and S. Nicola. On the ceiling, the Evangelists are paired with various saints. Object Notes: Hutzel photo campaign date: December 27, 1984. See xeroxes attached to Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and

Lazio Roma Gallicano nel Lazio S. Maria5. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, frescoes, coffers Object Notes: Completed over a term of some centuries, already built in the 15th century as evidenced by the tower. Facade is example of late Baroque. Interior in Renaissance style. Altar screens attributed to Sebastiano Conca. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Puglia Bari Monopoli S. Domenico. Hutzel, Max 1960-1990 Medieval: Sculpture. Post-medieval: Renaissance architecture and architectural sculpture; ceiling paintings; paintings on canvas; grave monuments and other sculptural fragments; stoup German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Agostino6. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting Object Notes: Erected between 1479 and 1483 by Pietrasanta and Fiorentino. Stylistically homogenous, with minor restorations of 18th and 19th centuries. Facade as style of early Roman Renaissance. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Teano Cathedral8. Hutzel, Max 1960-1990 Medieval: Built 1116, remodelled by Andrea Vaccaro in 1630, restored in years following damage in second world war. Includes re-used Roman capitals. Architecture, architectural sculpture; sculpture including painted wooded crucifix (c.1330-31) and pulpit (13th century) with mosaic and relief. The Cripta di S. Paride acts as a small museum containing roman, medieval, and modern marble. Post-medieval: Choir stall (MCMLVII); paintings by Francesco de Mura in the Cappella di S. Paride; marble fragments from the Cripta di S. Paride Antiquities: spolia Object Notes: Originally dedicated to S. Terenziano, now dedicated to S. Clemente German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etr

The Witch, under the grand staircase, vintage engraving. The Witch, under the grand staircase, vintage engraved illustration. Paris - Auguste VITU 1890. Copyright: xZoonar.com/PatrickxGuenettex 10648536

'St. Mary-le-Bow after the first blitz. It is now destroyed', 1941. Artist: Cecil Beaton.

Lazio Roma Rome S. Maria in Vescovio8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fontana di Trevi; Stefano Lecchi (Italian, 1805 - about 1859,1863); Rome, Italy; 1851; Salted paper print; 22.2 x 16.5 cm (8 3,4 x 6 1,2 in.)

Anefo photo collection. Unveiling of Gijsbreght Mosaik van Molkenboer. December 30, 1953

Lazio Roma Rome SS. Quattro Coronati1. Hutzel, Max 1960-1990 Exterior and cloister views of 12th c. church stored in Medieval section. Interior views of nave, altar, apse fresco, ciborium, holy water font, wall paintings. Many views of 13th c. frescoes in Oratorio di S. Silvestro and several views of the adjoining chapel. General Notes: Views of Oratorio frescoes processed by Paintings section now stored with Hutzel collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore2. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches o

Antwerp, Maes, Joseph, Médaillon de Balt. Moretus, Bust of Balthasar (II) Moretus, photomechanical print, page, photographs, photographically illustrated books, height 164 mm, width 118 mm, Belgian, 1838 - 1908, maker, producer, 1873 - 1878, paper, papier, Woodburytypie

Au Petit Bacchus, rue St. Louis en l'Ile, 61 (Shop Sign, rue St. St. Louis en l'Ile). Eugène Atget (French, 1857 - 1927)

Sculpture in the Musée du Louvre in Paris, representing Perseus frees Andromeda, Neue Photographic Gesellschaft, 1904 stereograph Louvre Museum cardboard. photographic support gelatin silver print Perseus frees Andromeda of her chains. permanent exhibition, museum. sculpture

14 rue de l'ancient comedy / low relief / 16/8/17 14 rue de l'ancient comedy, low relief. 1917. Photograph of Charles Lansiaux (1855-1939).

of 3