Medieval and Renaissance Tapestries

Intricate embroidered and woven scenes depicting historical events and allegories, rich in colors and intricate designs from medieval art.

Devonshire Hunting Tapestries, 15th century. Artist: Unknown

. Back shield of a choral cover, with embroidery. On the back shield, the dispute of Alexandria Catharina with emperor Maxentius and philosophers is embroidered.

MTI1-CANTIGA STA MARIA Nº4-F-9V-UN VIDRIERO JUDIO COME EN SU CASA-HORNO DE VIDRIO-S XII. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Sitio de Rodas, Taula de Canvi, Tapiz, siglo XVI. Museu del Disseny de Barcelona.

Two Riddles of the Queen of Sheba ca. 1490-1500 Upper Rhenish Although the Bible states that the Queen of Sheba posed difficult questions to Solomon, their content, not specified in the biblical text, comes from eastern folklore. Here the queen asks Solomon how to tell the boy from the girl in a look-alike pair and the real flower from an identical artificial flower. Solomon replies that the girl will catch the apple in the lap of her dress and the bee will go only to the real flower. The figure of Solomon shows the influence of the Upper Rhenish engraver Master E.S. The unusual and extensive use of Ghiordes knot in the costumes and in the hair of Solomon is thought to be characteristic of Strasbourg workshops.Please note that this object is exhibited on a rotating basis, due to conservation requirements.. Two Riddles of the Queen of Sheba 465954

BATAILLE, Nicolas (14th c.). The beheaded lamb. 1375-1382. 7th scene of the Angers Apocalyse Tapestry, commissioned by the Duke Louis of Anjou. Gothic art. Tapestry. FRANCE. PAYS DE LA LOIRE. MAINE-ET-LOIRE. Angers. Angers Castle.

French wedding casket (detail) depicting medieval Knights on horseback and a king hunting with a falcon. Painted, wood. 12th century. From Vannes, France

Violin and Lute Players from a set of five Grotesques designed ca. 1688, woven ca. 1690-1711 Jean-Baptiste Monnoyer French Presenting musicians within a fanciful architectural setting, this tapestry is from a set known as the Berain Grotesques, in reference to the pervasive stylistic influence of Jean Berain (1640-1711), who may even have provided preliminary sketches. The Classical architecture, flora, fauna and figures against the blank ground was in emulation of the Roman wall-paintings excavated in the subterranean chambers of Nero's palace in Rome (erroneously called 'grotti', hence 'grotesques'.) The light-hearted subject matter and whimsical design contrast with the heavier, ornate style that had characterized French tapestry during the third quarter of the seventeenth century. The series enjoyed immense popularity during the late seventeenth and early eighteenth centuries, and the Beauvais workshop produced many weavings for international clients.. Violin and Lute Players from

Devonshire Hunting Tapestries, 15th century. Artist: Unknown

Counselors visit the glass exhibition of El Borne on the first day of the year. Tapestry (1929). of Aymat House (Sant Cugat del Valle´s), on a carton of Catalan modernist painter Fe´lix Borrell Mestres (1872-1933). Barcelona City Council. Catalonia. Spain.

AZULEJO. Location: PALACIO EPISCOPAL. Malaga. SPANIEN.

Oil and gold leaf triptych with scenes from the apocalypse by Master Betram (active 1367-1414) a German International Gothic painter. Dated 14th Century

MOSAICO S XII ENTRADA ANIMALES EN EL ARCA NOE. Location: BASILICA DE SAN MARCOS. Venedig. ITALIA.

Section of an Embroidered Frieze: Rebecca Meeting Isaac, Abigail Meeting David with a Present, The Judgment of Solomon, 1625-1649. England, Period of Charles I (1625-1649), 17th century. Petit-point embroidery; wool and silk; overall: 43.2 x 164.8 cm (17 x 64 7/8 in.).

Numerous themes - here a series of dynamic portraits at Bhageat haveli - are expressed on the walls of Shekhawati's celebrated painted mansions.

Wall hanging depicting episodes from Tristian and Isolde, the tale of doomed love. Dated 14th Century

Apocalypse of Angers. Fourth Trumpeter: The Eagle of Misfortune. No. 23. Nicolas Bataille (C. 1363-1400/French) Museum of Tapestries, Angers, France

Textile; cotton

The Trojan War: Achilles' Tent. ca. 1470. Right detail. Hector says goodbye to his father, the King Priam, before the fight. Sixth cloth of the series, work of the Master of Cotivy, Henry or Conrard of Vulcop (active 1454-1479). Manufacturing of Tournai. Wool and silk. 6/7 threads per cm. 467 x. Flemish art. Tapestry. SPAIN. CASTILE AND LEON. Zamora. Cathedral Museum.

Julius Caesar and Attendants (from the Nine Heroes Tapestries) ca. 1400-1410 South Netherlandish This tapestry is part of four hangings that have been reconstructed from what originally was a set of three tapestries depicting the Nine (or Ten) Worthies. The heroes depicted included King Arthur, Joshua, David, Hector of Troy, and Julius Caesar, along with various attendants. One of the reconstructed hangings (32.130.2b, 47.101.1, 47.152) shows two of the three Hebrew Worthies in their settings and with nearly all of their attendant figures. Another represents King Arthur (32.130.2a, 47.101.4), one of the three or possibly four figures that appeared in the original tapestry devoted to the Christian Worthies, together with some attendant figures. The third and fourth pieces represent respectively Hector of Troy (47.101.2) and Julius Caesar (47.101.3), with attendant, taken from a third tapestry that depicted the three Pagan Worthies. Other fragments (47.101.5 and 49.123), showing archite

Ste. Mary Song # 187. The King of Granada besieges the castle of Chincoya Asalto al castillo de Chincoya por el rey de Granada. 13th century. Madrid, Library of the Monastery of El Escorial. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

German 15th Century, The Adoration of the Magi, c. 1470-1480, metalcut, hand-colored in yellow, red-brown lake, and green

Picture Depicting the Queen of Sheba Before King Solomon Made 1650-1670 England. Linen, plain weave; embroidered with silk floss, creped silk yarns, linen yarns, silvered-metal wire, silvered-metal-strip-wrapped silk, and silvered-metal strips, wire and coils in back, bullion, Ceylon, overcast, oblique Gobelin, plaited braid, satin, split, tent, and a variety of buttonhole stitches; laid work, couching, and Turk's head knots with bullion picots; embellished with metal coils and paillettes; beaded with seed pearls, and glass and coral beads; applied braid of hammered gilt metal .

Aelius Galenus or Claudius Galenus (September AD 129 - 199/217; Greek: Ga, Galenos, from adjective a, 'calm'), better known as Galen of Pergamon (modern-day Bergama, Turkey), was a prominent Roman (of Greek ethnicity) physician, surgeon and philosopher. Arguably the most accomplished of all medical researchers of antiquity, Galen contributed greatly to the understanding of numerous scientific disciplines including anatomy, physiology, pathology, pharmacology and neurology, as well as philosophy and logic. The first major translator of Galen into Arabic was the Syrian Christian Hunayn ibn Ishaq. Hunayn translated (c. 830-870) 129 works of 'Jalinos' into Arabic. One of the Arabic translations, ‘Kitab ila Aglooqan fi Shifa al Amraz’, which is extant in the Library of Ibn Sina Academy of Medieval Medicine and Sciences, is a masterpiece of all literary works of Galen. Although they are hardly visible in the ‘Galenic corpus’ as it stands, many works that were once attributed to Ga

Procession of gypsies . unknown c. 1500-1535 Tapestry Dimensions: H 10'9" x W 15' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from "Cluny" (Georges Haardt) 2/25/1920; sold to Allen Lehman 12/20/1924 SS 22155. French & Co. purchased from Mrs. Eve Lehman 1/30/1956 SS 56645x. Procession of figures, including man wearing long brocaded robe with inscription, accompanied by several women & children carrying trunks, goods & sticks (L, UPR & R BRD) abstract foliage terminating in vases & lions' masks Lower border may be missing. Possibly woven in Tournai. French & Co. stock sheet in archive, 22155 French & Co. stock sheet in archive, 56645-x

Europe, France, Paris. One of the five Lady and the Unicorn tapestries in the Cluny Museum of the Middle Ages. It dates from about 1500 CE and concerns the sense of touch

GUADAMECI ESTAMPADO EN PIEL DE CARNERO N0 435. Location: MUSEE D'ARTS DECORATIFS. MADRID. SPAIN.

Scene with tsar and cannon shooting by Anonymous artist, Facsimile, 18th century, Private Collection

Historic illustration, Flemish ornaments, wall carpets

Portable Altarpiece (1498) in the Victoria and Albert Museum in central London in the United Kingdom.

A late Gothic Tournai Biblical tapestry, woven in wools and silks, depicting the Presentation in the Temple. In the manner of Bernard van Orley (c.1488-1541). Early 16th century, 297cm x 231cm.

MTI1-CANTIGA STA MARIA Nº21-F33V-LA VIRGEN HACE TENER UN HIJO A MUJER ESTERIL,MUERE Y LO RESUCITA. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

. Tapestry with nobleman and noble woman on horseback; Above Flora. This is a zodiac with the twelve constellations, through the planets; The characters are interspersed by women with hourglasses that depict the 24 hours. Tapestry from a series of months and planets: April, bull, Jupiter.

Cushion cover, c. 1600-1650, 21 x 22 1/8 in. (53.34 x 56.2 cm), Wool, silk, linen; tapestry weave, Germany, 16th-17th century

Ferdinand I, miniature, Spain, 11th Century.

Attributed to an unknown author identified only as Pseudo-Callisthenes, 'The Romance of Alexander' was first produced in Greek between 200-300 CE from written accounts and stories derived from the oral tradition. Although notionally a history of Alexander the Great (d. 323 BC), it is really a mixture of legend and fact that raised the already remarkable accomplishments of Alexander's thirty two years of life to mythological status. The original Greek manuscript (of which there were actually three editions) is now lost, but it was subsequently translated into the Syriac, Armenian and Pahlavi languages, -- each introducing its own variations -- contributing stories to the Qur'an, inspiring Persian poetry and giving rise to its retranslation and dissemination throughout the Middle East. An early Latin version was the basis for translation into the vernacular languages of Europe where it became established as a popular Medieval tradition.

Tapestry of Creation. 1st half 12th c. Romanesque art. Tapestry. SPAIN. CATALONIA. Gerona. Cathedral's Treasure-Capitular Museum.

IDEALIZACION DE LA CULTURA TOTONACA - FRESCOS DEL SIGLO XX. Author: DIEGO RIVERA. Location: PALACIO NACIONAL. MEXICO CITY. CIUDAD DE MEXICO.

St George and the Princess, by Antonio Pisano also known as Pisanello, 1433 - 1438, 15th Century, detached and torn fresco. Italy: Veneto: Verona: Sant'Anastasia church: Pellegrini Chapel. Detail. Episode on the right St George meets the princess horses in the background town

Calendar, Added In 1870 Below The Astronomical Clock Of The Old Town Hall, Prague, Czech Republic

A Falconer with Two Ladies and a Foot Soldier Made 1490-1510 Bruges. Two fashionably dressed women, a man in falconerís garb, another man in the less ornate costume of a foot soldier, and a dog occupy an island surrounded by a flat expanse covered in an overall pattern of small flowers and plants known as millefleur. The shallow, earthy cross section visible on the front edge of the island reveals that some attempt was made to create an impression of depth. It is unlikely that this image had any particular symbolic or narrative significance; rather, it was probably the decorative qualities of the figuresí stances and costumes and the fantastical millefleur setting that appealed to contemporary viewers. Such millefleur designs were extremely popular because of their accessibility, functional flexibility, and manageable scale. This particular example is of an appropriate size and subject to have hung in the home of a wealthy family.. Wool and silk, slit and double interlocking tapestry w

Expedition of the Argonauts, 15th century, Florentine Illustrated chest, Bargello, Florence, Tuscany, Italy, Europe

AZULEJO PROFETA ABDUL. Location: BASILICA DE NUESTRA SEÑORA DEL PRADO. TALAVERA DE LA REINA. Toledo. SPAIN.

England,London,Kensington,Victoria and Albert Museum,Spanish Altarpiece Painting of St George

Kolo v mire prevrashchaet, dobra i zla umnozhaet.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Jaume Huguet (1412-1492) , Emergence of Saint Michael in Castel Sant 'Angelo. Altarpiece of San Miguel. Tempera, stucco reliefs and gold leaf on wood Around 1455-1460

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory3. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Life at the court, 17th century Flemish tapestry.

fine arts, China, ""The Western Room"", Min Ch'i-chi (1580-1661), colour woodcut, Museum of East Asiatic Arts, Cologne, 17th century,

ZARAGOZA. ALCAÑIZ. CASTILLO DE LOS CALATRAVOS. PINTURAS EN LA SALA DE LA TORRE DEL HOMENAJE. PINTURA GOTICA , SIGLO XIV.

Frontal Altar from Durro. Anonymous. Romanesque. Mid 12th century. Tempera on wood. From Chapel of Saint Quirc of Durro, Lleida province. Detail. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

CANTIGA DE SANTA MARIA - Nº286 - F5R - CASTIGO SOBRE JUDIOS QUE SE REIAN DE UN CRISTIANO ATACADO POR UN PERRO - SIGLO XIII. Author: Alfonso X of Castile. Location: BIBLIOTECA NACIONAL COLECCIÓN. Florenz. ITALIA.

The lady and the unicorn tapestry, Cluny chapel, Paris, France PARIS, FRANCE, DECEMBER 16, 2023 : The lady and the unicorn, renaissance tapestry, Cluny chapel, Paris, France Copyright: xZoonar.com/Thexladyxandxthexunicornxtapestry,xClunyxchapel,xParis,xFrancex 22077080

Built in 1893, ceiling paintings by Adolf Quensen, St., Sankt, Saint

COMENTARIOS AL APOCALIPSIS 162V, F VUELTO, EL SILENCIO DEL ULTIMO SELLO. Author: BEATO DE LIEBANA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. JESUS.

Ceiling mosaic of a knight on horseback, Komsomolskaya metro station, Moskau, Moscow Oblast, Russia, Europe

MURAL. Author: VICENTE PAULINO. Location: CAJA DE AHORROS. Oviedo. ASTURIAS. SPAIN.

Plaza de España - detail, Seville, Region of Andalusia, Spain, Europe.

Alfonso X, called 'The Wise' (1221-1284). Cantigas de Santa Maria (Virgin Mary Songs). 13th c. MS B.R. 20. Codex of Firenze. Fol. 2r. Gothic art. Miniature Painting. ITALY. TUSCANY. Florence. National Library.

Textile, Medium: cotton Technique: printed by engraved plate on plain weave, Design of a costume party with people in fantastic clothing held in a massive hall or temple. In red on off white., England, late 18th century, printed, dyed & painted textiles, Textile

Germany/Austria: 'The Ancestors of Emperor Maximilian', from 'The Triumphal Procession of Emperor Maximilian I', Albrecht Altdorfer and workshop, c. 1512-1515

Apocalypse medieval tapestry, Angers castle, france ANGERS, FRANCE, MARCH 23, 2024 : Apocalypse medieval tapestry, by Jean Bandol and Nicholas Bataille, 14 th century, Angers castle, france Copyright: xZoonar.com/patrickxmichelettix 22206232

Battle scene by unknown painter, tempera on panel, 1640s , Yaroslavl School, Russia, Yaroslavl, State Art Museum

fine arts, middle ages, Gothic, illumination, Codex Manesse, Zurich, 1305 - 1340, Konrad von Altstetten, covering colour on vellum, University of Heidelberg Library,

fine arts, middle ages, Gothic, illumination, Codex Manesse, Zurich, 1305 - 1340, Heinrich von Morungen (+ um 1220), covering colour on vellum, University of Heidelberg Library,

Triptych with The Crucifixion, The Flagellation, and The Entombment. French; Limoges. Date: 1490-1510. Dimensions: central plaque: 18.9 × 17.2 cm (7 7/16 × 6 3/4 in.); wings: 18.9 × 7.4 cm (7 7/16 × 2 15/16 in.). Painted enamel and gold on copper. Origin: Limoges. Museum: The Chicago Art Institute, Chicago, USA.

The parable of the laborers in the vineyard: The payment of the denarius. ca. 1500. Second Series cloth. Manufacturing in Brussels, possibly in the workshops of Pieter van Aelst. Silk and wool, 6 threads per cm. Flemish art. Tapestry. SPAIN. CASTILE AND LEON. Zamora. Cathedral Museum.

Tapestry - Elymas the Sorcerer Struck with Blindness, 1600-1650. One of a set of eight depicting the acts of the Apostles, after the cartoons of Raphael.

Tapestry of Pastrana. end 15th c. Portugal. Kingdom of Afonso V the African. Conquest of Tanger.Portuguese troops disembark in 1478. Flemish art. Tapestry. SPAIN. CASTILE-LA MANCHA. GUADALAJARA. Pastrana. Cathedral.

Colored cutting depicting a standing figure in a scene of suffering by an anonymous artist.

Detail from a tapestry depicting scenes from the Trojan War. The beardless youth is the son of the Greek warrior Achilles, Pyrrhus. Dated 15th Century

AZULEJO REFERIDO AL CHOCOLATE. Location: PALACIO EPISCOPAL. Malaga. SPANIEN.

Medieval ceiling and wall painting, (1898). 'Fig 1: From a pedigree in the hospital-church at Stuttgart, 15th century. Fig 2: Portion of Fig 22: Painted flat ornament, the ground being deepened. Figs 3 and 4: From the church at Brauweiler, 14th century. Fig 5: From a chapel at Ramersdorf, 14th century. Figs 6 and 7: From a side-room in the collegiate 'church at Fritzlar, 15th century. Fig 8: From the Jacobine-church at Agen, 13th century. Figs 9 and 10: From the Ste. Chapelle at Paris, 13th century. Figs 11-19: From the upper church San Francesco at Assisi. Figs 20 and 21: From the lower churc

LIBRO DE LOS CABALLEROS DE LA ORDEN DE SANTIAGO - 1361 - FOLIO 23 V - PEREZ - GARCIA GORJAS - SANCHE. Location: ARCHIVO MUNICIPAL. BURGOS. SPAIN. PEREZ SANCHO. GARCIA DE GORJAS ALFONSO. SANCHEZ GARCIA. GARCIA DE GORJAS MIGUEL.

Panel with Biblical vignettes 1667 British This pictorial panel is unusual in that it is worked almost entirely in crewel wool thread, with only details and highlights in silk and metallic threads. Wool was commonly used for tent stitch or needlework on canvas from the sixteenth century, but this fiber is unusual in pictorial works such as this. Wool is more commonly found on bed furnishings of the late seventeenth and early eighteenth centuries on a cotton twill foundation fabric.The presence of initials and a date probably indicate that this was an amateur production in both design and execution. The composition, which is extraordinarily crowded and naive, even within the genre of seventeenth-century pictures, is a small compendium of religious imagery, each story rendered in a kind of shorthand with only the key scene in the narrative nestled within the pictorial landscape conventions of this type. Hagar and Ishmael, banished from the home of Abraham, exit the scene in the lower lef

Colored woodcut by Georg Lemberger depicting an overall view of the Stiftshütte from 2nd Moses 27, 9-21, created in 1524. The print shows architectural and biblical elements.

Embroidered sampler 1814 Catherine Cassady. Embroidered sampler 19443

Wall painting of the Black Wall House, wall painting, fresco from historic Pompeii, digitally restored

Arabesque Decorations in the Vatican Loggia. After Giovanni da Udine (1487-1564). Coloured engravings. 107.6 x 48 cm.

Sitio de Rodas, Taula de Canvi, Tapiz, siglo XVI. Museu del Disseny de Barcelona.

Ceiling painting of a 17th century love story as a comic strip, St., Sankt, Saint

India, Rajasthan, Udaipur, City Palace. Mural Detail.

Master of Cassone Adimari, possibly Giovanni di Ser Giovanni, called lo Scheggia (1406-1486), Cassone Adimari, 1440-1450, tempera on panel, 88.5x303 cm. Detail with dancing scene.

SILLA DE CADERA-DET DEL RESPALDO-D DIEGO ANAYA MALDONADO. Location: UNIVERSIDAD BIBLIOTECA. SALAMANCA. SPAIN.

Stage design for the opera The Golden Cockerel by N. Rimsky-Korsakov, Chelishchev (Tchelitchew), Pavel Fyodorovich (1898-1957)

Canon Table Page. Date/Period: 1256. Folio. Tempera and gold paint on parchment. Height: 265 mm (10.43 in); Width: 190 mm (7.48 in). Author: T'oros Roslin.

SANTIAGO MATAMOROS-PINTURA. Location: IGLESIA DE LA ASUNCION. PRIEGO DE CORDOBA. CORDOBA. SPAIN. Apóstol Santiago el Mayor. APOSTOL SANTIAGO EN CLAVIJO. APOSTOL SANTIAGO-SANTIAGO MATAMOROS.

England, Kent, Penshurst, Penshurst Place and Gardens, Baron's Hall, Tapestry depicting Medieval Life

A Dutch cushion cover made from wool, depicting a scene from the bible. Dated 17th Century

Canon Table Page; Malnazar, Armenian, active about 1630s, and Aghap'ir; Isfahan, Persia, Asia; 1637 - 1638; Tempera colors, gold paint, and gold leaf on parchment; Leaf: 25.2 x 18.3 cm (9 15/16 x 7 3/16 in.)

Asia, Iran, Shiraz. Decorative tile wall of Ghavam Orange.

Spain/Catalonia: Southern Libya (styled 'Nubia') as represented in the Catalan Atlas, by the Jewish illustrator Cresques Abraham, 1375

Coloured illustration of a game of cards. Pack edited by Charles Dubois, in Rouen.

Royal Seal folding screen. Detail. The transfer of the royal seal. The city celebrates the transfer of the Royal seal (symbolic representation of the monarch in the American territories of the Spanish Empire) with different festivities. Viceroyalty of New Spain. Mexico. 17th century. Oil on canvas and gilded and polychrome plaster. Museum of the Americas. Madrid, Spain.

Miniature of a mediaeval pharmacy from the French translation of Roger of Salerno's Chirurgia. Dated 14th Century

Europe, France, Paris. One of the six Lady and the Unicorn tapestries in the Cluny Museum of the Middle Ages. It dates from about 1500 CE and concerns the sense of smell

Fresco depicting a castle, inside the castle of Sabbionara, Avio, Lagarina Valley, Trentino-Alto Adige, Italy, 12th century.

Youth. unknown c. 1500-1510 Tapestry Dimensions: H 11'1' x W 15'6" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: Château de Chanmont (Loir-et-Cher). Duveen collection (New York) 1925. French & Co. purchased from Mr. Clarence H. Mackay 4/23/1948 SS 79769. French & Co. purchased from estate of Clarence H. Mackay 6/30/1956; sold to Cleveland Museum of ARt 4/29/1960 SS 57156. United States, Ohio, Cleveland, Cleveland Museum of Art. Inscriptions: Inscription on panel at top of central field (in French) Noblemen & ladies in landscape setting with millefleurs foreground, central seated lady gestures towards figures on either side, on L seated lady plays lute as another lady converses with 2 men, on R man holding lute converses with lady and another man reclines (), in foreground seated diminutive lady & 2 men (=children); man with donkey carrying firewood in L background; château in R background Borders missing. French & Co. stock sheet in archive, 57

Fan 1855-65 European. Fan 168778

Gothic medieval art in the National Art Museum of Catalonia,Barcelona,Spain.Master of Vallbona de les Monges,altarpiece of Corpus Christi (1335-1345).

Fresco depicting Edward IV seated upon the wheel of fortune

of 3