Medieval Frescoes and Architectural Fragments

A collection of historical frescoes and architectural details from ancient sites, showcasing the artistry of past centuries in monochrome tones.

Campania Caserta Santa Maria Capua Vetere Mitreo7. Hutzel, Max 1960-1990 Antiquities: Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Object Notes: Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound. No information provided by Hutzel. See TCI, Campania, p.184 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic regi

Lazio Roma Rome S. Pietro in Vincoli. Hutzel, Max 1960-1990 Views of central nave, apse fresco, throne. Detail views of Michelangelo's Moses. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra87. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Stimigliano Palazzo Baronale2. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting. This structure, dating to the 16th century, was built by Enrico Orsini and was decorated with frescoes by the Zuccaris. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jean-Emile Laboureur, Fishermen on the Loire, 1899, etching on laid paper.

Copper engraving and etching by Jean Joseph Balechou from 1735-1764 depicting Bavarian women standing at the entrance of a cave.

Fragment. Dimensions: 58.5 in. high 34.25 in. wide (148.6 cm high 87 cm wide). Date: 4th-6th century. Museum: Metropolitan Museum of Art, New York, USA.

Earth under protection of Jupiter (Zeus) and Juno (Hera). Orley, Bernart van (Netherlandish (before 1600) - Flanders, ca.1492-1542) (designed after, attr.) painter Wezeler, Georg (Flemish, act.1548) (workshop) weaver c. 1530 Tapestry Dimensions: H 11'3" x W 10'3" Tapestry Materials/Techniques: wool & silk; metallic thread (gold & silver) Culture: Flemish Weaving Center: Brussels Ownership History: Made for King John III of Portugal, possibly before 1543. Inventory of Carlos II (1701-1703). Inventory of Carlos III (1788). Inventario of Fernando VII (1834). Inventory of "Las Tapicerías de la Corona" (1880). Spain, Madrid, Palacio Real de Madrid, accno. A.260-7597 (or, PN. S.15/3). Inscriptions: Weaver mark on right guard, bottom Inscriptions: Inscription in upper border banderole: GLORIA SVMMA / NAM SVA IPSIVS SOLA Terrestrial sphere flanked by Jupiter with scepter standing over Jupiter with wings & Juno with scepter stands over Juno with wings; sun flanked by Abundance & Wisdom & Fame &

Lazio Viterbo Caprarola Palazzo Farnese85. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Albano Laziale Santa Maria della Rotonda02. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Bassiano S. Nicola3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tunic. Dimensions: 50 in. high 30 1/2 in. wide (127 cm high 77.5 cm wide). Date: 4th century. Museum: Metropolitan Museum of Art, New York, USA.

Woman in Manteau Robert Henri (American, 1865-1929). Woman in Manteau, 1898. Oil on canvas, 58 1/16 x 38 11/16 in. (147.5 x 98.3 cm). Painted in Paris at a time when Robert Henri was determined to make his professional mark as a young artist, this workin a dark, smoky palette deliberately recalling European Old Mastersfeatures his favorite model, Berthe Terrier. Although he intentionally allied his art with revered tradition, Henri also added a contemporary mood by portraying Terrier with a bold, almost defiant expression. X-radiographs reveal that Henri repainted this work extensively as he struggled to capture his model’s anatomy. At an earlier stage (see illustration), the placement of the shawl exposed much more of her shoulders and bust. Such focus on the nude reflects the artist’s early academic training at the Pennsylvania Academy of the Fine Arts, where Thomas Eakins’s Realist tradition was still strongly felt. American Art 1898

Lazio Viterbo Bolsena Palazzo del Drago04. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

1928 etching by Paul Klee titled 'Girl's Head,' depicting a stylized portrait of a female figure in modernist style.

Campania Caserta Carditello Plazzo Reale72. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of a Man with Brown Beard Corneille de Lyon (Dutch,1500/10-1575, active in France). Portrait of a Man with Brown Beard, ca. 1545-1555. Tempera on panel, 7 3/4 x 6 3/8 in. (19.7 x 16.2 cm). European Art ca. 1545-1555

Witch; Gory, Wiktoria (1902-1945); 1929 (1929-00-00-1929-00-00);

Lazio Roma Rome S. Paolo92. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spoleto S. Nicolo2. Hutzel, Max 1960-1990 Medieval: Architecture. 4 views of the facade and portal are found in the Medieval core colletion. Other exterior views of the arcade. Interior views focus on the polygonal apse which is perforated by a series of high double windows.. Post-medieval: Fresco painting and a detail of the portal lunette fresco. Object Notes: Included in part of a zone of late medieval urban expansion. Church has plan of simple rectangle with the four angles reinforced by robust buttresses. See xerox copy of descriptive information provided by Hutzel. General Notes: The apse of S. Nicolo sits directly above the church, Santa Maria della Misericordia German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et

Coffee Cup Pop

Lazio Viterbo Castel Sant'Elia S. Elia40. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Ausonia Santuario di S. Maria del Piano29. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Mlle Fiocre in the Ballet "La Source" (Portrait de Mlle...Eugénie Fiocre: à propos du ballet "La Source") Edgar Degas (French, 1834-1917). Portrait of Mlle Fiocre in the Ballet "La Source" (Portrait de Mlle...Eugénie Fiocre: à propos du ballet "La Source"), ca. 1867-1868. Oil on canvas, 51 1/2 x 57 1/8 in., 166 lb. (130.8 x 145.1 cm, 75.3kg). The first of Edgar Degas’s many works to focus on the ballet, this painting depicts Eugénie Fiocre, a celebrated ballerina, in her role as princess Nourreda in the ballet La Source. The production presented a fantasy of an exotic “Orient,” featuring Mlle Fiocre as (in the words of one writer) “the prettiest blonde houri who ever wore the bonnet and the corset of pearls in the paradise of Muhammad.” The 1866 production at the Paris Opéra—with its elaborate costumes and sets, including the hydraulic-powered running stream and live horse seen in Degas’s painting—astonished audiences and provided fodder for caricaturists, who comp

NAIPE DECORADO EN COLOR ROJO - CUERO Y PIGMENTO - SIGLO XVIII - PROCEDENTE DE CHILE - ESTILO MAPUCHE - 10,7x7,8 CM. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPANIEN.

A sketch sheet by Stefano della Bella featuring multiple studies and practice drawings, illustrating his exploration of forms and figures on paper.

Marmolata: "Archduke Eugen column" in "32er" tunnels. .

Lazio Viterbo Vitorchiano Madonna di S. Nicola5. Hutzel, Max 1960-1990 Three exterior views of 16th c. church; comprehensive coverage of church interior, including altars, nave and numerous frescoes of the viterbese school. General Notes: Two sets of prints integrated into single numerical sequence that comprises all views of Vitorchiano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Roccamonfina Santuario di Maria SS. dei Lattani6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (15th century). Post-medieval: Architecture, architectural sculpture, frescoes, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Palombara Sabina S. Giovanni in Argentella. Hutzel, Max 1960-1990 Medieval: Architecture (12-14th centuries); iconostasis with Cosmati style mosaic inlay (c. 1200); ciborium; frescos (13th century) Antiquities: Fragments of moldings and vase; Roman sarcophagi Object Notes: All photographs, other than those of frescos, are filed with Medieval architecture and architectural sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Montefiascone S. Flaviano8. Hutzel, Max 1960-1990 Exterior views of the 13th century romanesque church built on top of an older structure: the three gothic arches of the facade are surmounted by a loggia (c. 1500), and a small bell-tower on the left. General views of the two-story interior show the three naves, main altar, frescoes and an architectural structure--vaulting and columns--that date from different periods. Included in the Medieval core collection are details of capitals (11th century), the tombstone of Giovanni Fugger (Defuk or Johannes De Fuk), and 14th century frescoes. All prints in the Hutzel collection are details of frescoes (14th and 15th centuries), including: the Saint Nicholas cycle; various Crucifixions; the Madonna Enthroned; the Annunciation; the Nativity; Pope Urbanus IV; Saints Catherine of Alexandria, Scholastica, Paul, Peter, Bernard, Lucy, Flaviano and others; and the archangel Michael. Antiquities: In the Medieval core collection are views o

Abruzzo Ioanella S. Pietro d'Azzano. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, baptismal font, stoup Post-medieval: Fresco, painting (Pietro di Azzano with Saints) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Brussels, Deman, Edmond, Paris, Becquet, France, Redon, Odilon, Temptation of Saint Anthony, Tentation de Saint-Antoine (1), C'est le diable, portant sous ses deux ailes les sept péchés capitaux..., It is the devil, carrying the seven deadly sins on his wings, verso bottom center - stamped, The devil as a monstrous creature. In his arms he carries small heads. Second print of ten in the first series of illustrations for Gustave Flaubert's The Temptation of Saint Anthony., print, prints, height 256 mm, width 200 mm, height 442 mm, width 311 mm, French, 1840-04-22 - 1916-07-06, print maker, printmaker, 1888 - 1888, fourth quarter 19th century, chine collé, lithography (technique), printer, Publication (Event), Publication, publisher

Lazio Roma Rome Sedia del Diavolo1. Hutzel, Max 1960-1990 Antiquities: Roman architecture, sepulchral monument, stucco work German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Borgo Velino S. Giovanni, Baptistery. Hutzel, Max 1960-1990 Medieval: Architecture (9th century), baptismal font. Post-medieval: Frescos (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Alanno Madonna delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, frescos (16-17th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Piedimonte Matese S. Biagio. Hutzel, Max 1960-1990 Post-medieval: Architecture (15th century); frescos (15th century), restored German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo Museo Civico08. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Lazio Viterbo Castel Sant'Elia S. Elia5. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Grottaferrata Museo84. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Velletri Museo Civico di Velletri26. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Judit and Dienstmeid with the head of Holofernes, 1881 - 1934 zinc etching

Elderly Gentleman After Doménikos Theotokópoulos, called El Greco (Greek, born Crete, active in Spain, 1541-1614). Elderly Gentleman, n.d. Oil on canvas, 20 x 17 1/2 in. (50.8 x 44.5 cm). European Art n.d.

Abruzzo L'Aquila Caporciano S. Pietro in Valle4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (12th century) Ciborium, sarcofagus, altar with frescos, stoup (12th cent.) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Vittorito S. Michele Arcangelo8. Hutzel, Max 1960-1990 Medieval: Fragments of relief sculpture Post-medieval: 15th century architecture and architectural sculpture; frescos; ciborium German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Ascoli Piceno Offida S. Maria della Rocca6. Hutzel, Max 1960-1990 Medieval: Architecture and architectural sculpture; frescos (13th and 14th century). Post-medieval: Frescos (15th century); painted ceramic sculpture. Several views of the imposing Romanesque exterior, and extensive coverage of the frescoes located in the crypt and the main altar. General Notes: Prints 20, 22, and 56 have no matching negatives. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Virgin with a Bird on a Grassy Bank mid-15th century Master ES German. Virgin with a Bird on a Grassy Bank. Master ES (German, active ca. 1450-67). mid-15th century. Engraving, printed with white ink on black prepared paper, heightened with white. Prints

Lazio Viterbo Corchiano S. Biagio5. Hutzel, Max 1960-1990 Medieval: Early Romanesque architecture (12th century); facade renovated in the 15th century. Post-medieval: Renaissance portal; frescos Object Notes: Unable to locate negatives for this site German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Nocera Umbra S. Francesco. Hutzel, Max 1960-1990 Post-medieval: Exterior views of architecture and architectural sculpture of S. Francesco Pinacoteca: fresco fragments, panel painting, polyptych, painting, miscelaneous architectural fragments Owner: Pinacoteca Comunale German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Tomb of the Pancratii. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Arpino Palazzo Quadrini. Hutzel, Max 1960-1990 Post-medieval: Architecture, exterior wall painting, iron work German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Celano Museum1. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Embarkation Ralph Albert Blakelock (American, 1847-1919). Embarkation, ca. 1880-1895. Oil on canvas, 12 1/16 x 10 1/16 in. (30.6 x 25.5 cm). American Art ca. 1880-1895

Lazio Roma Rome SS. Giovanni e Paolo, Museum09. Hutzel, Max 1960-1990 Medieval: Ceramic fragments, sculptural fragments, fresco fragments, inscribed tomb markers. Houses one of the best collections of Malagan medieval ceramics for casting wall monuments, copies of which are housed in campanile. Specific Location: Museum Antiquities: Ceramic fragments, sculptural fragments, architectural fragments Object Notes: Basilica has separate record and is filed separately. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mrs. Sylvester (Abigail Pickman) Gardiner John Singleton Copley (American, 1738-1815). Mrs. Sylvester (Abigail Pickman) Gardiner, ca. 1772. Oil on canvas, 50 3/8 x 40 in. (128 x 101.6 cm). In these two paintings, Abigail Pickman and Elizabeth Goldthwaite sat for their marriage portraits. As was typical of upper-class white women in the colonial United States, they likely did not control how they were represented in these images, which were intended to project the familys stability and wealth. Before the American Revolution, the Boston painter John Singleton Copley was the most sought-after artist in the country. Copleys portraits, highly regarded for their skillful rendering of luxurious items such as silks and pearls, were synonymous with the tastes of the eighteenth-century social elite, both in the United States and England. American Art ca. 1772

Lazio Roma Rome S. Cesareo4. Hutzel, Max 1960-1990 Interior views of 16th c. church, including pergamo, ceiling, crypt and details of 2nd c. crypt floor mosaic. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cambodia Angkor Preah Khan Unpublished image 2. Swaan, Wim. 1966 or earlier Photographic production materials for Lost Cities of Asia: Ceylon, Pagan, Angkor Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Lost Cities of Asia: Ceylon, Pag

Textile Design for Stencil 17th century Japan. Textile Design for Stencil 68423

Lazio Viterbo Tuscania S. Francesco1. Hutzel, Max 1960-1990 Medieval: 14th century architecture. Post-medieval: Fresco Object Notes: Two sets of prints, mostly duplicates German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Christ Wawel; Wyczóżó Kowski, Leon (1852-1936); 1924 (1924-00-00-1924-00-00);Jesus Christ (iconogr.), Kraków (Lesser Poland Voivodeship), Wawel (Kraków), Wellsz, Leopold (1882-1972)-dedication for, Wellsz, Leopold (1882-1972)-collection, Wyczółkowski, Leon (1852-1936) - dedication from, Polish graphics, crucifixes, Poland (culture), purchase (provenance)

Campania Caserta San Prisco S. Prisco9. Hutzel, Max 1960-1990 Medieval: 6th century mosaics. Post-medieval: 18th century architecture, architectural sculpture and decoration; baldacchino; wooden organ; paintings on canvas; frescos German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Ronciglione S. Eusebio9. Hutzel, Max 1960-1990 Medieval: Architecture, painting, architectural sculpture, inscription fragments. This church was built by monks fleeing Palestine in the 7th to 8th centuries. The walls are covered with frescoes, some (The Tree of Jesse, The Last Supper, and Christ with Four Saints) date from the 12th century, others (The Madonna enthroned with S. Stephen, and S. Eusebio) date from the 13th century. Post-medieval: Architecture, painting. The portal of the church dates from the 15th century, and in the apse is a fresco of the Madonna and Child from the 15th century as well. Antiquities: Sculpture. Roman sarcophagus placed next to the main portal outside the church. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, in

Abruzzo L'Aquila Celano Museum3. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Poggio Mirteto S. Paolo5. Hutzel, Max 1960-1990 Medieval: Architecture, post-restoration (12th century) Post-medieval: Interior: nave and chapels; votive frescoes (13-14th century); apse frescoes depicting Coronation of the Virgin, prophets, saints, and Conversion of St. Paul, by Lorenzo Torresani (1521) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Italian Shepherd Boy Washington Allston (American, 1799-1843). Italian Shepherd Boy, ca. 1821-1823. Oil on canvas, 46 7/8 x 33 9/16 in. (119 x 85.3 cm). American Art ca. 1821-1823

Doña Mariana Belsunse y Salasar José Joaquín Bermejo (Peruvian, active ca. 1760-1792). Doña Mariana Belsunse y Salasar, ca. 1780. Oil on canvas, Canvas: 78 1/8 x 50 1/16 in. (198.4 x 127.2 cm). The sitter for this portrait has been depicted with the conspicuous luxury that befitted her high social status in Spanish colonial Peru. She wears an ankle-length gown called a tobajilla, intricately embroidered in silver and gold over a costly blue and white striped satin or silk fabric. Her buckled shoes are in a matching blue, and she is further adorned with a bejeweled tiara, a silver chandelier earring with large teardrop pearls, matching bracelets, and a choker and a necklace. In her hand is a small but extravagant watch with a silver and pearl pendant. Doña Mariana was a central figure in one of Limas most notorious scandals: she entered a convent to avoid marrying an older man and, when he died, emerged from the cloister to marry the mans nephew, the wealthy mayor of Lima. The fashio

Bliżej Kultury unknown

Woman in Manteau Robert Henri (American, 1865-1929). Woman in Manteau, 1898. Oil on canvas, 58 1/16 x 38 11/16 in. (147.5 x 98.3 cm). Painted in Paris at a time when Robert Henri was determined to make his professional mark as a young artist, this workin a dark, smoky palette deliberately recalling European Old Mastersfeatures his favorite model, Berthe Terrier. Although he intentionally allied his art with revered tradition, Henri also added a contemporary mood by portraying Terrier with a bold, almost defiant expression. X-radiographs reveal that Henri repainted this work extensively as he struggled to capture his model’s anatomy. At an earlier stage (see illustration), the placement of the shawl exposed much more of her shoulders and bust. Such focus on the nude reflects the artist’s early academic training at the Pennsylvania Academy of the Fine Arts, where Thomas Eakins’s Realist tradition was still strongly felt. American Art 1898

Lazio Roma Formello S. Angelo. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting, 16th and 17th portals, frescoes Specific Location: Via XX Settembre German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

DETALLE DE UNA SIRVIENTE DE LA ESCENA DEL BAÑO - FRESCOS OMEYAS DEL CASTILLO DE QUSEIR AMRA - SIGLO VIII. Location: CASTILLO. QUSEIR AMRA.

Umbria Terni Taizzano S. Martino7. Hutzel, Max 1960-1990 Architecture and architectural sculpture, (11-12th century), in ruins among olive trees: early romanesque arcade and capitals, Roman columns and mosaic floor, remanants of a bell tower and marble crossbeam. Also, views of damaged frescoes and preserved altarpieces. Object Notes: 12th century marble altar (1108) now in Pinacoteca at Narni General Notes: Hutzel made two photo campaigns of this site. His campaign of 11/11/82 shows remanants of the interior frescoes and altarpieces, as well as exterior views which are found in the Medieval core collection. Hutzel's photos of the 1985 campaign are all found in the Huztel collection, and have been renumbered. They start with the number H-20. This monument was previously catalogued as located in Narni. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Mino

The Sisters Abbott H. Thayer (American, 1849-1921). The Sisters, 1884. Oil on canvas, 54 5/16 x 36 1/4 in. (138 x 92.1 cm). The women in this portrait were Bessie (left) and Clara Stillman, the sisters of the powerful financier James Stillman. Abbott Handerson Thayers biographer, Nelson C. White, recorded an anecdote about his own experience of viewing this painting at an exhibition in 1922: “I was looking at the picture when two elderly women came and stood before it. As I glanced from the canvas to their faces I suddenly realized that they were the subjects of the portrait. Thayer had rendered their character in their youth with such insight and feeling that the likenesses survived the modulations of age and easily identified them.” American Art 1884

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo47. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Abruzzo Pescara Citta Sant'Angelo Collegiata di S. Michele2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14-15th century) Post-medieval: Architecture, architectural sculpture, sculpture, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo63. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Padula Museo Archeologico della Lucania Occidentale0. Hutzel, Max 1960-1990 Antiquities: There are views of Ardean artifacts, including artefixes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Stimigliano S. Maria in Vescovio1. Hutzel, Max 1960-1990 Comprehensive coverage of Romanesque church exterior, including portal, flanks, apse, bell tower. Interior views of nave, altar, 14th c. frescoes, baptismal font, crypt and remains of 11th c. frescoes. Antiquities: Roman sarcophagus, statue German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'IN MUSIC'S ECSTASY'

Jacopo de' Barbari, View of Venice (upper right block), 1500 View of Venice upper right block

Tuscany Siena Montalcino (environs) Abbey of S. Antimo Abbey church92. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (9th century, 1118, c. 1250), wooden crucifix, painting, frescoes. Post-medieval: Fresco depicting the Resurrection Object Notes: Two photocampaigns were made of this site, one of which occurred in 1983. Hutzel's notes document only the 1983 campaign; these prints are all found in the Medieval core collection. General Notes: When these photos were sent, mislabelling of prints and negatives had occurred. Intermingling with prints and negatives of S. Agostino may have occurred. Please note that negative sleeves have been labeled Abbazia di S. Antimo. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the

Anefo photo collection. Commonder Volkskrant: paintings by Hollandse Aquaarlistenkring in Stedelijk Museum Amsterdam. September 30, 1971. Amsterdam, Noord-Holland

Campania Caserta Santa Maria Capua Vetere Cathedral02. Hutzel, Max 1960-1990 Medieval: Architectural sculpture--capitals. Post-medieval: Built c. 432 by San Simmaco on site of grotto of S. Prisco. Enlarged 787 by Arechi II, an 1666 by Decio del Balzo. Renovated in 1700's and 1884. Architecture, architectural sculpture, Baroque interior, ceiling painting, painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Gesu2. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a dress ..

Abruzzo L'Aquila Sulmona S. Francesco della Scarpa4. Hutzel, Max 1960-1990 Views of the Baroque interior include: a baroque organ, a dome frescoed with perspectival architecture, a loggia and confessional, wooden ciborium (16th century), altar statues and architectural sculpture, altar paintings of the Visitation, Saint Anthony of Padua, and the Assumption of the Virgin, wooden crucifix, wooden statue of St. Francis, holy water font, and a marble sarcophagus with a life-size dead Christ lying on the top. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

st, Michaelerplatz - Michaelerkirche - Interior view - Stucco ceiling, Josef Wlha -, photographer

Tile. Culture: Japan. Dimensions: H. 8 1/2 in. (21.6 cm); W. 9 1/4 in. (23.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

The Flight into Egypt José Rafael Aragón (ca. 1795-1862). The Flight into Egypt, 19th century. Pine, gesso, water-based paints, 15 x 12in. (38.1 x 30.5cm). European Art 19th century

Lazio Roma Anzio Villa Spigarelli6. Hutzel, Max 1960-1990 Post-medieval: A 19th century neoclassical villa built on the imperial villa said to be of Nero which was in ancient Antium (modern Anzio). The park and villa incorporate antiquities such as architectural fragments, sarcophagi, urns, and statuary found on the site. Antiquities: possible nymphaeum, urns, sarcophagi, sculpture, architectural framents, mosaics, portrait busts, terracottta sculpture fragments, Pompeian third style wall paintings, portrait bust in Julio-Claudian family style Object Notes: Hutzel gives a short history of the villa and park, commenting that no proper history has been written on the site German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and th

Lazio Viterbo Bagnaia Villa Lante172. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Vallo di Nera S. Maria09. Hutzel, Max 1960-1990 Medieval: Exterior, architecture and architectural sculpture (12th-13th centuries). Post-medieval: Fresco painting, partially destroyed after 1973 earthquake (12th-17th centuries) General Notes: Hutzel sent sheet from earlier photo campaign of same site, comprising 92 prints. Sheet indicates mainly painting material. Able to locate only 3 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta San Prisco S. Prisco7. Hutzel, Max 1960-1990 Medieval: 6th century mosaics. Post-medieval: 18th century architecture, architectural sculpture and decoration; baldacchino; wooden organ; paintings on canvas; frescos German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa5. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

Abruzzo Pescara Penne S. Domenico6. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (13-17th century), sculpture. Also views of Piazza Luca da Penne German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Textile Fragment 3rd-4th century. Textile Fragment 443483

Portrait of a Woman. Jacob Byerly (American, 1807 - 1883)

Château. Le Brun, Charles (French, 1619-1690) (designed after) painter c. 1680 Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: France, Pyrénées-Atlantiques, Pau, Musée national du château de Pau. View of unidentified château in wooded landscape, with hunters on horseback; in foreground, balustrade with hawk & eagle (L & R BRD) floral garland centered by cartouche with interlaced "L"s Fénaille, Gobelins 2 (1903-1923), 128-65 Göbel, Wandteppiche II:1 (1928), 130-32 Related Works: Panels in set: GCPA 0139264-0139287, 0139307-0139311; compositionally similar set: GCPA 0243866-0243869 (Mobilier National set)

Nakhon Thom Angkor Wat, Cambodia. Photograph, 1981, from a negative by John Thomson, 1866.

Pile Cinq Mars in Touraine, vintage engraving. Pile Cinq Mars in Touraine, vintage engraved illustration. Magasin Pittoresque 1845. Copyright: xZoonar.com/PatrickxGuenettex 10660526

Bliżej Kultury unknown

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