Medieval Italian Art Fragments

A collection of medieval art fragments including frescoes and engravings, depicting religious figures and historical personas, with intricate details and historical significance.

The Lapse of the Year, Winter, 1900 Photogravure from The Work of Edward Burne-Jones,, After: Sir Edward Burne-Jones (d.1898) Publisher: Berlin Photographic Company, Inscription reads: 'I am Winter that doth keep Longing safe amidst of sleep Who shall say if I were dead What should be remembered', Fine Art, Paper, Print, Photographic print, Photogravure, Female

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo49. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Margarete Maultasch, Countess of Tirol.

Lazio Latina Sermoneta S. Giuseppe. Hutzel, Max 1960-1990 Medieval: Architecture, frescoes (13th century), painting, sculpture General Notes: No documentation provided for this site German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rhetoric, plate 23 from Arts and Sciences. Master of the E-Series Tarocchi; Italian, active c. 1465. Date: 1460-1470. Dimensions: 179 x 100 mm (plate); 185 x 107 mm (sheet). Engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Pan Jezus Antokolski. unknown, graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Sardinia Sassari Castel Sardo Cathedral5. Hutzel, Max 1960-1990 Post-medieval: 16th century architecture, built in late Gothic style; architectural sculpture; choir stalls; sculpture; paintings on canvas and panel; altarpiece; fresco; pulpit; tomb monuments; baptismal font; sacred objects German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila Madonna del Soccorso1. Hutzel, Max 1960-1990 Views of exterior, cloister, and extensive coverage of interior. Objects from church stored in the Museo Nazionale are catalogued under that location. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Henry VII, 1278-1313, House of Limburg-Luxembourg, was Roman-German King from 1308 to 1313 and Roman-German Emperor from 1312, Historical, digitally r...

The Lapse of the Year, Winter, 1900 Photogravure from The Work of Edward Burne-Jones,, After: Sir Edward Burne-Jones (d.1898) Publisher: Berlin Photographic Company, Inscription reads: 'I am Winter that doth keep Longing safe amidst of sleep Who shall say if I were dead What should be remembered', Fine Art, Paper, Print, Photographic print, Photogravure, Female

Portrait of Jacoba van Bavaria, Anonymous, in Or Before 1725 print Portrait of Jacoba van Bavaria, with coat of arms on the left shoulder. Around an ornamental frame with weapon trophies and medallions with medusa head and a truncated column. Leeuwarden paper etching / engraving historical persons - BB - woman

Rosvitha Presenting the Comedies to the Emperor Otto I. illustration from the Opera Hrosvita, 1501 1501 Albrecht Dürer German. Rosvitha Presenting the Comedies to the Emperor Otto I. illustration from the Opera Hrosvita, 1501 388470

Tuscany Grosseto Roccalbegna SS. Pietro e Paolo4. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (13th century) and architectural sculpture; wooden crucifix; stoup. Post-medieval: Fresco; paintings on canvas and panel; fresco German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Veroli S. Maria Salome. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, stone reliquary, frescoes, inscription fragments. According to tradition, the church (and crypt below) was built in 1209 to house the relics of the mother of the Apostles James and John. The structure was restored in the medieval period (1350) after an earthquake. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco ceiling decoration. The interior and exterior of the church were largely restored in the 18th century. Triptych of the Madonna, Child and Saints signed F. D. Hispanus and dated 1561. General Notes: 2 sets of prints for the same site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etr

Mascarade à la Grecque: La Mariée à la Grecque (Plate 6), 1771. Benigno Bossi (Italian, 1727-1792). Etching ; sheet: 42.1 x 28 cm (16 9/16 x 11 in.).

Saint Philip. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 13/16 × 3 1/16 in. (12.2 × 7.7 cm). Date: 1523/1526. Museum: Metropolitan Museum of Art, New York, USA.

Erasmus ofRotterdam. Artist: Hans Lützelburger, German, ca.1495-1526 After: Hans Holbein the Younger, German, 1497/98-1543

Tuscany Siena Poggibonsi S. Lucchese11. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Celano Museum43. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Book Illustration with ThreeSaints. Artist: Unknown

Umbria Perugia Montefalco S. Agostino1. Hutzel, Max 1960-1990 Exterior views of the 13th century architecture of the church; interior views include frescoes dating from the 14th-16th centuries. Fresco subjects include the Madonna and Child, the Annunciation, the Coronation, the Madonna of the Misericordia, and the following saints: Pietro, Fortunato, Paolo, Severo, Agostino, Nicola da Tolentino and Caterina d'Alessandria. Object Notes: One composite view of the interior is found in the Italy Oversize box in the Medieval core collection (H-7, H-8). General Notes: Hutzel photo campaign date: October 27, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissa

Amsterdam, Visscher, Claes Jansz. (II), Merian, Matthäus (I), REX GALLIAE, Le Roy de France, Portrait of a King of France, center bottom - engraved, REX GALLIAE: King of France dressed in ermine mantle, crown on his head and scepter in his hand. Part of border around map with Paris in bird's eye view, of two plates. In the border on the left and right costume pictures with the four ranks and estates. On the left costume pictures with men's costumes; on the right the women's costumes. Costume pictures freely after Mattheus Merian. In RPK the costume pictures are present separately., costume print, prints, verso - stamped, possibly Louis XIII of France, nicknamed the Just. He is dressed in an ermine cloak, wears a crown on his head and holds a scepter in his hand., height 130 mm, width 46 mm, Noord-Nederlands, 1586 - 1652-06-19, print maker, printmaker, 1618 - 1618, paper, papier, etching, etchings, Work conception, Swiss, 1593-09-22 - 1650-06-19, after a design by, Publication (Event),

Portrait of Karol Pawłowicz Briułow; Daugull, August (1830-1899), Brosz, K. (St. Petersburg; Fl. Ca 1860-1870); 1850-1870 (1850-00-00-1870-00-00);

Depicts Saint Ursula, created anonymously around 1470 as a colored woodcut. The work shows the saint with traditional attributes, often including a palm branch or crown.

Copper engraving from around 1470 depicting the Persian Sibyl, showing a female prophetic figure in classical representation.

Frederick II (26 December 1194) (13 December 1250) from the noble family of the Hohenstaufen was King of Sicily from 1198, Roman-German King from 1212 and Emperor of the Roman-German Empire from 1220 until his death, Historical, digitally restored reproduction of a 19th century original

Umbria Perugia Foligno Monastery of S. Anna3. Hutzel, Max 1960-1990 Post-medieval: 15th and 16th century frescos Object Notes: Contains two sets of duplicate photographs General Notes: also known as monstero delle Contesse German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Croce in Gerusalemme98. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Gregorio Magno5. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site compl

Tuscany Siena Montalcino S. Agostino01. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century). Post-medieval: Frescoes (12th century) depicting saints, life of S. Agostino, the resurrection General Notes: When these negatives were sent there was confusion with identifying these prints and negatives and those of S. Antimo. Some intermingling MAY still exist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two bas reliefs decorating the facade of the oratory of St. Bernardine in Perugia, chisel agostino di duccio. Monogramist JS., A., Agostino Di Duccio (1418 post 1481)

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Tuscany Siena Montalcino S. Agostino59. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century). Post-medieval: Frescoes (12th century) depicting saints, life of S. Agostino, the resurrection General Notes: When these negatives were sent there was confusion with identifying these prints and negatives and those of S. Antimo. Some intermingling MAY still exist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rome, Duchet, Claude, Italy, Speculum Romanae Magnificentiae, Trophea Marii de bello Cymbr. putat. ad aed. D.Euseb. Rom., War trophies, verso - stamped, including a suit of armour and shields, carried by angels. In the foreground sit two putti. In the background a landscape., print, prent, prints, prenten, height 382 mm, width 268 mm, print maker, prentmaker, 1572 - 1585, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, French - 1585, publisher, uitgever

The Pope (from the Tarocchi, series E: Conditions of Man, #10), before 1467. Master of the E-Series Tarocchi (Italian, 15th century). Engraving hand-colored with gold;

Group picture.

S. Emeri, Roi de Hongrie (St. Emeric, King of Hungary), from November 4th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Emeri, Roi de Hongrie (St. Emeric, King of Hungary), from November 4th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Dahlberg, Erik Jönssen, Campion, François, Suecia Antiqua et Hodierna, Monumentum Parentum S:tae Birgittae sicut in Templo Cathedrali Ubsaliae visitur, Tombstone of the parents of Saint Bridget of Sweden in Uppsala Cathedral, The print is part of an album., print, album sheet, prints, height 305 mm, width 196 mm, print maker, printmaker, 1668 - 1668, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of Perseverance, verso - stamped, A console with the female personification of Perseverance or Diligence. It is an old woman holding an hourglass with both hands. She is sitting on a cliff overgrown with ivy. The print is part of an album., print, album page, prints, height 182 mm, width 181 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, patron

Umbria Perugia Corciano santuario della Madonna del Soccorso8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Girolamo della Carita4. Hutzel, Max 1960-1990 Founded on site where saint lived in 382, church is located on Piazza della Rota and via di Monserrato. Reconstructed 1654-60. Exterior views of baroque facade and flank, with details of portals, capitals and architectural sculpture. Extensive coverage of interior altars, ceiling, sculpture, painting, frescoes, stucco, coffers. General Notes: Exterior views from via di Monserrato sequence integrated into this one. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Valvisciolo SS. Pietro e Paolo4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Terni Palazzo Montani2. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture; frescos (17th century); tapestries after designs of Raphael school; intarsia (furniture); wooden cassone carved with the arms of the Montani Antiquities: Portrait heads in marble of Roman youths and a consul German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino Museo Diocesano42. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Allegory of January; Thoma, Hans (1839-1924); around 1901 (1896-00-00-1906-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, allegories, calendars, kings, months (allegories), winter landscapes, seasons, illustration projects, January (allegory), winter (allegory)

Lazio Rieti Rieti Museo Civico8. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ea

Emrik & Binger, Carolingian antiquities. Tombstones. Plectrude, Fredegund., Carolingian tombstones, Carolingian tombstones of Plectrude and Fredegund., print, picture, historical object representation, book illustration, prints, pictures, Frederik Muller Historieplaten, height 375 mm, width 292 mm, print maker, printmaker, 1857 - 1864, third quarter 19th century, paper, papier, toonlithografie, printer, drukker

Briar Rose (Dornröschen), 1836. Eugen Napoleon Neureuther (German, 1806-1862). Etching; Fairy tales, folklore, and legends were understood as an important aspect of national and cultural heritage in 19th-century Germany. The interest in folk tales began as a literary phenomenon, but it soon infiltrated the visual arts. In his paintings and prints, Neureuther illustrated fairy tales and ballads of the period. In Grimms fairy tale Briar Rose, a princess and her kingdom are condemned to 100 years of sleep. According to the story, around the palace grew a thick hedge of briars, which every year grew higher until the castle was hidden from view. The duration of their sleep is suggested by the decorativeborder of wild flowers and vines that encroaches upon the castle.

Manessian Relief Handwrite, Faksimile Edition

Saint John. Dated: 15th century. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Netherlandish 15th Century.

Margarete, Archdukefront of Austria.

Konrad III (1093 or 1094) (15 February 1152) from the noble family of the Hohenstaufen was duke in Franconia 1116-20, counter-king of Lothar III 1127-...

Female saint. Culture: Italian. Dimensions: L. 11 3/4 x W. 7 inches (29.8 x 17.8 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Dignitary at the Sultans court. Chlebowski, Stanisław (1835-1884), draughtsman, cartoonist

A pear wood relief by Albrecht Dürer in 1515 depicting the outer outdoor panel D' showing St. Leopold in the Honorary Gate of Emperor Maximilian I.

Jovius, Paul.

Marches Macerata Tolentino Chiesa della Carita. Hutzel, Max 1960-1990 Exterior views of this deconsecrated 13th-14th century church focus on the facade rose window and unique main portal (c. 1250). Interior views show a wooden coffered ceiling, various frescoes, altar paintings, a marble mantelpiece and a holy water stoup. Object Notes: Hutzel photo campaign dates: December 27, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Woodcut by Leonhard Beck showing Saint Heinricus from the Sipp series linked to Emperor Maximilian I, created on wooden stick in 1517.

Tuscany Grosseto Massa Marittima S. Agostino4. Hutzel, Max 1960-1990 Post-medieval: Includes views of neighboring Cappella di S. Lucia (1348) Architecture, architectural sculpture (14th century, restored 1958), sculpture, stained glass, frescoes, painting, Object Notes: Bibliographic material included and housed in the Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The cardinal virtue of Justice represented by a seated woman holding a pair of scales and a sword (possibly a modern impression) ca. 1480-1520 Anonymous. The cardinal virtue of Justice represented by a seated woman holding a pair of scales and a sword (possibly a modern impression) 692293

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche3. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Richard II', 1773. Creator: Charles Grignion.

STATUE OF PRINCE ALBERT AT CANTERBURY CATHEDRAL, 1869, UK

Allegory of Equality Waled. "Allegoria of Equality". Water and aquatint.

Umbria Perugia Spoleto Palazzo Comunale, Pinacoteca Comunale7. Hutzel, Max 1960-1990 Interior views focus on the paintings. A few frescoes and one reliquary are also included. (Negatives show artifacts displayed in exterior sections of the Palazzo Comunale, which is the structure that houses the Pinacoteca.) Among the subjects of the paintings are: the Calling of St. Matthew (after Caravaggio), portrait of a Palettoni, the Annunciation, Job, St. Sebastian, Charity, Venus, several Madonna and Childs (one after Giovanni Bellini), St. Ponziano, St. Agatha, the Dormition of the Virgin, Christ, the Crucifixion, and the Holy Family. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

Umbria Terni Collescipoli S. Nicolo3. Hutzel, Max 1960-1990 Post-medieval: Architecture (15-16th century); sculpture, choirstall (16th century); frescoes (16-17th century); painted wooden organ loft (17th century); silk altarcloth (14th century) Object Notes: Two Hutzel photo campaigns dated 1970 and 1971. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnoregio S. Agostino8. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, frescoes (15th century) General Notes: Two sets of prints made from one set of negatives have been fused into a single numerical sequence that conforms to the Hutzel guide. There is one guide for all monuments in Bagnoregio. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Allegory of October. Thoma, Hans (1839-1924), draughtsman, cartoonist

Hemelbed, Nicolas Dupin, after just Nathan François Boucher, 1772 - 1779 print An ornamented bed with roll cushions and a canopy with floral motifs. Print number 8. Paris paper etching / engraving bed with tester

Portrait of King Zygmunt III Visas sitting on the throne, according to the image of Peter Paul Rubens; Lesser, Aleksander (1814-1884), Rubens, Peter Paul (1577-1640); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Munich ( Germany), Rubens, Peter Paul (1577-1640) - reproduction, Zygmunt III Waza (Polish King - 1566-1632), Zygmunt III Waza (Polish King - 1566-1632) - iconography, gift (provenance), copies, copies with paintings, kings, painting, Dutch painting, personalities, Polish personalities, portraits, men's portraits, portraits of rulers, rulers

Bliżej Kultury Jędrzejowski, Paweł Józef (Fl. 1745 1759)

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra15. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A Vase and Classical Monuments Carved with Hooded Women Carrying Urns, Two Females Embracing Beneath a Vase and Two Nude Female Figures Supporting a Vase 1776-79 Attributed to Thomas Hardwick British. A Vase and Classical Monuments Carved with Hooded Women Carrying Urns, Two Females Embracing Beneath a Vase and Two Nude Female Figures Supporting a Vase 367204

Bliżej Kultury Piechaczek, Ludwik (Ca 1824 1878), Tegazzo, Franciszek (1829 1879), Plant lit. Adam Dzwonkowski (1859 1872)

Tuscany Grosseto Montemerano S. Giorgio8. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture; baroque additions to interior; wall and ceiling frescos; paintings on canvas and panel; polychrome wooden altar; wooden sculpture; tabernacle. Object Notes: Hutzel photo campaign date: November 29, 1984. There are two sets of notes with different numbering systems, indicating the possibility of two campaigns. However, the photos are virtually identical. The numbered series (undated) was originally matched to the negs. The "A" series (dated 1984) was renumbered, more negs. have been found and the series has been integrated into the undated series. General Notes: Apse and transept date to the 14th century, but they are not illustrated in these photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art histori

Howard, Earl of Surrey, Henry .

Imperial court, Augsburg, Wolf, heirs Jeremias, Schübler, Johann Jakob, Lichtensteger, Georg, Johann Jacob Schüblers Sechzehende Ausgabe seines vorhabenden Wercks, Worinnen vorgezeigt werken Sechs Neu-inventirte Vases, Garden vase with seated figures, verso - stamped, An ornamented garden vase with a putto with a palm branch and an angel with a trumpet. On the right sits a woman, she looks up at the angel. On the left sits a veiled figure with one foot on a globe. In the background a landscape with trees and round arches. In the bottom margin a four-line German text., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 281 mm, width 175 mm, 1700 - 1781-03-18, print maker, printmaker, 1724 - 1724, paper, papier, etching, engraving, engraving (printing process), Work conception, German, 1689 - 1741, after a design by, Publication (Event), Publication, publisher, granter of privilege

Lazio Roma Ostia Antica Scavi di Ostia Antica. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ludwig, Prince of France Duke of Orléans.

Silentium, 1860. Edouard Manet (French, 1832-1883). Etching;

The tombstone of the bachelor of the Order of the Cross from 1314 in Weisseburg, Bavaria; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Teutonic Knights, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Weißenburg (Germany), gift (provenance), tombstones, knighthood, sculpture (artist), sepulchral sculpture, clothing, men's clothing, great Teutonic masters

Meissen. Painting in the castle Albrechtsburg

Maximilian I., Roman-German Emperor.

The man of pain. (Schreiber Volume III, No. 2462) Anonymous. The man of pain. (Schreiber Volume III, No. 2462). Wood enhanced with color: Gouache. 1480.

Lothar III (in front of 9 June 1075) (3 December 1137) was Duke of Saxony since 1106 as well as King from 1125 and Emperor of the Roman-German Empire from 1133 to 1137, digitally restored reproduction of a 19th century original, original date not known

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche49. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fireback Lady Justice, hob plate cast iron, cast Rectangular arch at the top. Wide brim between frame and pearl necklace at the top decorated with acanthus leaf; on the sides with motif of strung coins. On top of pomegranate flanked by two dolphins In the middle lady Justitia with sword in the right scale in the left hand home interior heating Justitia Linker Rottekade Rotterdam Noord Oude Noorden Karnemelkshaven Originating from house on the Left Rottekade near the Karnemelkshaven.

Zuytbrouck, Neeltgen Willemsdr. of.

Marches Macerata San Severino Marche S. Maria della Pieve. Hutzel, Max 1960-1990 Interior views focus on votive frescoes of the 14th and 15th centuries. One fresco shows a female saint (perhaps the Virgin), before a desk littered with instruments, in the presence of an angel and a cat. Other frescoes depict the Virgin and Child, the crucifixion and St. Anthony Abbot. Exterior views of architectural sculpture: Roman pilasters and capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Teramo Teramo Pinacoteca9. Hutzel, Max 1960-1990 Collections include a panel painting of Pope Clement by Giovanni da Sulmona, a polyptych by Giacomo da Campli, painted Castelli ceramics, paintings of St. Sebastian and other saints, and a Last Supper, perhaps by Bernardo Rantvic or the Fiammingo School. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory15. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna, Byzantine high relief, San Marco, Venice. .

Ho Nee Yeath Taw No Row, King of the Generethgarich.. Verelst, John (b. 1648). 1657 - 1890. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Indians of North America, Indians of North America, Indians of North America , New York (State)

Abruzzo Pescara Citta Sant'Angelo Collegiata di S. Michele3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14-15th century) Post-medieval: Architecture, architectural sculpture, sculpture, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Verrière project representing Saint François de Sales Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Gloer project representing Saint Francis de Sales. Pencil, enhanced white gouache.

Luther, Martin .

Tombeau en bronze d'Evrard evêque d'Amiens, élu en 1212 et décédé en 1223.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Abruzzo Aquila Rocca di Botte S. Maria del Pianto9. Hutzel, Max 1960-1990 Two exterior views, one of facade and one of apse. One interior view of altar. Remaining views of 15th c. frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Archibald Douglas.

A brown pen drawing by Sébastien Le Clerc depicting a Venetian councilor, lavated in gray and mounted on a leaf with a pierced decorative strip, dated between 1650 and 1664.

Henry VI (1165-1197), Holy Roman Emperor (From the Codex Manesse) by Anonymous / Library of the Ruprecht Karl University, Heidelberg/ Between 1305 and 1340/ Schwitzerland/ Gouache on parchment/ Medieval art/ 35x25/ Music, Dance,History

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