Medieval Justice and Martyrdom

Woodcuts illustrating scenes of 15th-16th century justice, including punishment and martyrdom, showcasing detailed historical imagery.

Hans Baldung Grien (German, 1484-1485-1545), Martyrdom of Saint Lawrence, 1505, woodcut

Pamphlet of the german teacher Wilhelm Boss, regarding 3 scriveners from the city of Schwaebisch Hall, Germany / Flugblatt des deutschen Schulmeisters Wilhelm Boß über drei Schreiber in Schwäbisch Hall, Deutschland, 1582, historisch, C:CC5historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

Courtly life in France at the time of Catherine de Medici, copper engraving by Johann Sadelet, 16th century

The preparation and baking of mazzot, in a woodcut from Holland. 17th century. 1663

Making bread in oven with bath next door from Olaus Magnus Historia de Gentibus Septentrionalibus 1555 (on hist Scandinavia )

The Tiber harbour with merchant ships in Rome, Italy, relief in the Torlonia Museum, c. 200 BC, Historic, digitally restored reproduction of a 19th century original, exact date unknown, Europe

trade salt weigthing and unloading of salt woodcut 15th century ship harbour trader attendant middle ages,

Historic print, woodcut from 1501 from Abraham by the Benedictine nun Roswitha or Hrotsvitha von Gandersheim, German poet, 10th Century, from the Illustrated Atlas of the History of German National Literature by Gustav Koennecke, 1887

Illustration of William III of England (1650-1702) sovereign Prince of Orange, Stadtholder of Holland, Zeeland, Utrecht, Gelderland, and Overjissel in the Dutch Republic and King of England and Queen Mary II of England (1662-1694). Dated 17th Century

Christ Carrying the Cross Albrecht Dürer (German, 1471-1528). Christ Carrying the Cross, 1509; edition of 1511. Woodcut on laid paper, Sheet: 5 3/16 x 4 in. (13.2 x 10.2 cm). European Art 1509; edition of 1511

Creatures encountered by Alexander the Great, king of Macedon, during his invasion of Asia 6 of 7 Date: circa 330 BC

Woodblock engraving depicting a railway in a mine. The engraving is thought to be the earliest depicting of a railway. Dated 16th century

La Motte-Piquet Sauve un Convoi (Motte-Piquet Saves a Convoy) (Furnishing Fabric) Made 1782-1790 Nantes. Cotton, plain weave; copperplate printed . Petitpierre et Cie. (Producer)

September; Months of the year.A Fisherman to the water are Nets. Middle Above A Scales.

From The Disasters of The Jewish People: The destruction of Ai and the stoning of Achan (Joshua 7-8) are central Old Testament stories about obedience and sin. Achan stole spoils from Jericho, which led to the defeat at Ai. After his discovery, Achan and his family were stoned to death in the Valley of Achor, whereupon Joshua completely destroyed Ai through an ambush tactic, Illustration, reproduction from a 19th century original. Authentic, file restored for optimal use, exact date of original unknown, Historical

Helios. Personification of the Sun. Depicted as a young man riding a chariot pulled by four horses and with a crown of lightning. Engraving from Astronomicon, by the Latin author Gaius Julius Hyginus (64 BC-17 AD). Incunabula 283. Published in Venice, 1485. Library of the University of Barcelona. Catalonia, Spain.

The tower of wisdom, the various virtues, and the rules of life, by whose observance the wisdom is achieved, 1470, woodcut, Italy, Europe

Hans Burgkmair, known as the old (1473-1531). Der Weisse Koenig: Meeting of the two kings (Dornik-Ege 29). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, emperor, history, illustration, serious board, triumph, 16th 16th XVI 16th 16th 16th century, xylography, engraving

Wheelwright, 16th century (1849).Artist: Jost Amman

Engraving Spring, De Lente from Pieter Bruegel the Elder by Pieter Van Der Heyden showing mediaeval peasants, gardeners working in vegetable garden.

The Triumph of Death in the Camposanto fresco by Buffalmacco, Pisa. Tuscany, Italy. Europe. Drawing by Georges Profit. Travel through Tuscany 1881 by Eugene Muntz (1845 - 1902) Le Tour du Monde 1886

Netherlands, Bray, Dirck de, Months of the year, October, verso lower left - stamped, Four women are pressing grapes in a large barrel. A fifth woman is catching the wine from a tap. In the foreground is a man with a loaded donkey. A scorpion is sitting on a wine barrel., print, prints, height 63 mm, width 112 mm, Noord-Nederlands, 1645 - 1694-05-09, print maker, printmaker, 1635 - 1694, paper, papier, houtsnede

Woodcut depicting a witch, riding a goat (the devil) through the sky, making rain fall from the clouds. From Francesco Maria Guazzo (1500-1600) Compendium Maleficarum. Dated 17th Century

Paris, France. The Provost's prison, rue de la Tannerie. Engraving after a woodcut in "Praxis Rerum Civilium", by Joost de Damhouder (1507-1581). Published Antwerp, 1596. "Moeurs, usages et costumes au moyen-ge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

Revolt of the Sea Beggars. From 1566 onwards, the inhabitants of the Netherlands who opposed the Spanish administration of Philip II are known as Geuzen. Cruelties against Catholics committed by Dutch Geuzen. Jean-Jerome von Edam and other Catholics in the town of Hoorn are tortured. Those who survive the first torments are tied up and laid on their backs, with a large cauldron placed on their bare bellies, upside down, with live dormice inside. The fire lit in the cauldrons enraged the dormice who, to save themselves, gnawed the stomachs and rummaged in the entrails of the tortured. On the left of the image, Sister Ursule Talese drowned in a river in Haarlem, and her sister killed with a rock. 19th-century facsimile after an engraving in "Theatrum Crudelitatum Haereticorum Nostri Temporis", Antwerp, 1587. "La Vie Militaire et Religieuse au Moyen Age et a l'Epoque de la Renaissance" by Paul Lacroix. Paris, 1877.

Mosaic discovery was Constantine in 1842 and should be soon transported to Paris, vintage engraving. Mosaic discovery was Constantine in 1842 and should be soon transported to Paris, vintage engraved illustration. Magasin Pittoresque 1843. Copyright: xZoonar.com/PatrickxGuenettex 10660365

LA CELESTINA - MUERTE DE PARMENO Y SEMPRONIO A LA IZQUIERDA Y MUERTE DE LA CELESTINA A LA DERECHA - SIGLO XVI. Author: FERNANDO DE ROJAS (1470-1541). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Faith. Orley, Bernart van (Netherlandish (before 1600) - Flanders, ca.1492-1542) (author of design, attr.) painter Gossaert, Jan (Netherlandish (before 1600) - North Netherlands, ca.1472-ca.1533) (author of design, attr.) painter Aelst, Pieter van (Netherlandish (before 1600) - Flanders, act.1495-1532) (workshop) weaver c. 1520-1523 Tapestry Dimensions: H 4.97 x W 10.50 m Tapestry Materials/Techniques: wool & silk (weft); metallic thread (gold, weft); metallic thread (silver, weft) Culture: Southern Netherlands Ownership History: Charles V coll., Seville. Spain, Segovia, Segovia, Palacio de San Ildefonso, accno. A. 308-9964. Inscriptions: Inscription in upper border, left banderole: EXIMIE DUCTAT SACRAM VIRTUTIS IN ARCEM / PROVIDA NON RAROS VIS GENUINA VIROS Inscriptions: Inscription in upper border, center banderole: QUOS ASTREA SUO DIGNITA EST MUNERE VIRTUS / EXCIPIT & PALMIS ORNAT AMICA DATIS Inscriptions: Inscription in upper border, right banderole: AD SUBLIME VOCAT SACRATI CULMEN

Elck (Each). Heyden, Pieter van der (ca 1530-post 1584), graphic artist, Bruegel, Pieter, I (ca 1525-1569), draughtsman, cartoonist, Cock, Hieronymus (ca 1510-1570), publisher

Copper engraving by Matthäus Zasinger (Meister MZ) from 1500 depicting a tournament scene, showing armored knights and jousting equipment.

Hans Burgkmair (1473-1531). "The triumph of Maximilien, a big wheel". Wood, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. 38103-8 Austrician archduke, Grande wheel, Roman, Holy Germanic Emperor, Triumph, Wood

Assassination of the Duke of Burgundy, John the Fearless. on Bridge of Montereau, 1419. Chronicles of Monstrelet, 15th century.

Alexander fighting dragons and other fantastic beasts, miniatures in a 13th century manuscript by the priest Lambrecht, Brussels, Belgium, Alexander t...

Constantinople. Nuremberg Chronicle, 1494. Author: Wilhelm Pleydenwurff. MICHAEL WOLGEMUT.

Aldegrever, Heinrich, Germany, Frisian with children at a well, Frisian with eight naked children at a well. On both the left and right two children are trying to throw a third into the well. Behind the well are two children with a drum and a flute., print, ornament print, prints, height 36 mm, width 92 mm, German, 1502 - 1561, print maker, printmaker, 1539 - 1539, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

One of the novel Frontispieces of Astree, old edition, vintage engraved illustration. Magasin Pittoresque 1841.

John Maundeuill eateth rizt sauory fishes. Montevilla. Joh Pruss, 1484. Black and white illustration

Portrait of Amerigo Vespucci (1454-1512) an Italian explorer, financier, navigator and cartographer. Dated 16th Century

people marriage brides ""The shy Peasant's Bride"" copper engraving by Hendrick Goltzius Netherlands circa 1600,

The Water Torture. The prisoner was tied with ropes to a sloping ladder or surface so that his head was lower than his feet. In this position, a cloth was forced down into his mouth, and water was slowly poured down his throat with a pitcher so that he swallowed it until it burst. Facsimile of an engraving from "Praxis Rerum Criminalium", by J. Damhouder". Antwerp, 1556. "Moeurs, usages et costumes au moyen-ge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

German musicians playing flute and cornetto, 16th century. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Noah's Ark. Woodcut from ''Golden Legend'', 1483, printed in London by William Caxton.

Ice skating on the frozen Seine River near Paris, France, historical woodcut, circa 1888, Europe

A woodcut engraving depicting the baths of Plombiere. Mixed public baths were a feature of city life, particularly in many of the German city-states, but were banned after syphilis and gonorrhoea reached epidemic proportions. Dated 16th century

Engraving after William Hogarth (1697 - 1764) from his series, "Hudibras", a poem by Samuel Bulter (1613-1680), satirising the Cromwellians and Presbyterian Church. Plate I: "Frontispiece" which includes a portrait of Samuel Butler.

Sorcerer Elymas (Elymes, Bar-Jesus) is struck blind by St. Paul. Raphael (Italian, 1483-1520) (cartoon creator) painter Lefebvre, Pierre (French, b.1579-d.1669) (workshop) weaver c. 1650 Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Cardinal (Jules) Mazarin (d. 1661) coll. (9 pieces). Marquis de Mancini coll. (9 pieces ). Crown of Italy, Palazzo reale (Milan) (7 pieces). Additional panel in set documented in archives in Monaco. Italy, Marches, Pesaro e Urbino, Urbino, Palazzo Ducale. Inscriptions: Inscription on podium below emperor: L. SERGIUS PAVLLUS / ASIAE PROCOS / CHRISTIANAM FIDEM / AMPLECTITVR / SAVLI PREDICATIONE Inscriptions: Inscription in cartouche in lower border: ACTA POST CAP Sergius Paulus, Roman governor, enthroned, wears laurel wreath; surrounded by citizens holding fasces; Elymas tries to prevent SS. Paul & Barnabas from speaking, & Paul then strikes him blind (UPR BRD) coat of arms flanked by putti heads & festoons te

Zerstörung von Waldsteinburg in 1523, auch Rotes Schloss genannt, auf dem Großen Waldstein im Fichtelgebirge, Oberfranken, Bayern, Deutschland, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated 1f-4903611

A woodcut engraving depicting an artist using a drawing aid to get the proportions of a portrait correct. Engraving by Albrecht Dürer (1471-1528) a German painter, printmaker, and theorist of the Renaissance. Dated 17th century

Apostles' busts. unknown c. 1500-1535 Tapestry Dimensions: H 2'6" x W 14' Tapestry Materials/Techniques: wool & silk; metallic thread Culture: Southern Netherlands Ownership History: Bacri coll., Paris. French & Co. purchased from Bacri Frères 4/24/1917; sold section with SS. John & Bartholomew to G. B. McCallum 4/29/1920 & section with SS. Peter & Andrew to Thomas J. Flannery Jr. 12/18/1963. Thomas J. Flannery Jr. coll., Chicago. Mayorcas coll., 38 Jermyn Street, London (by 2/1984) both pieces acquired & then rejoined. England, Greater London, London, Christie's, Feb. 12, 1999, lot 313. Inscriptions: Inscriptions in central field below each figure (L to R): S. Petrus, Saint andrea, S. Jehen evangelius & saint bartholomew Interspersed between arcade with pilaster divides, 4 apostles with inscriptions below identifying each; L to R, St. Peter holding key & book; St. Andrew holding cross & book; St. John the Evangelist holding chalice; St. Bartholomew holding knife & book This is just a

Vita di sancti padri, Italian woodcut 1497

Allegory of the Pacification of Ghent, a treaty between the provinces whereby they agree to set aside their differences and unite in resistance to Spanish rule. Date: 8 November 1576

Torture, ordeal, inquisition, a. convict tied to a wheel turned on iron tips, b. tied to the circumference of a wheel turned over a burning fire., illustration, reproduction from a 16th century original, authentic, file restored for optimal use, exact date of original unknown

SERT , JOSE MARIA. PINTOR ESPAÑOL. BARCELONA 1874 - 1945. " SIMBAD EL MARINO " , BOCETO PARA EL SALON DE MUSICA DE JOSHUE GORDON. COLECCION PARTICULAR Dr. PUIGVERT. BARCELONA.

Print (Germany)

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra1. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Medieval engraving titled 'Venus'. Venus was considered a female planet and those born under Venus loved clothes and ornaments. Dated 16th Century

The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books - an incunabulum (printed, not hand-written) - and one of the first to successfully integrate illustrations and text.

trade, warehouses, vaulted sales area of a merchant, woodcut, coloured, from ""Officia"", Augsburg, Germany, 1535,

Sheet 2(Blatt2). Artist: Oskar Fischer, 1892-1956

Vegetius Basel, 1535

Ixion was expelled from Olympus and blasted with a thunderbolt. Zeus ordered Hermes to bind Ixion to a winged fiery wheel that was always spinning. Plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenère, Paris, 1615. Engraving circa 1615, by Leonard Gaultier. Gaultier, or Galter, was a French engraver, born at Mainz about 1561, and died in Paris in 1641. In Greek mythology, Ixion was king of the Lapiths, the most ancient tribe of Thessaly, and a son of Ares, or Leonteus, or Antion and Perimele, or the notorious evildoer Phlegyas

Umbria Terni Narni S. Giovenale, Cathedral9. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Levantamiento del somatén de Barcelona contra el rey Juan II. Historia popular de Catalunya, de Alfons Roure. Editada en Barcelona, 1919. Dibujo de Joan Vila i Pujol (Joan d'Ivori) (Barcelona, 1890-1947).

Don Quixote fighting against windmills. Orley, Jan van (Flemish, 1665-1735) (designed after) painter Coppens, Augustin (Flemish, 1668-1740) (designed after) draughtsman c. 1710-1730 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. In landscape before large windmill, don Quixote as knight, fallen from horse is followed by Sancho on donkey (BRD) narrow scrolling foliage motif French & Co. stock sheet missing from archive, 20083 Delmarcel, Flemish Tapestry (1999), 316-319 Related Works: Panels in set: GCPA 0239211-0239213

Christ Heals One Sick Of The Palsey, Bruno Bramanti, (1897-1957 Italian)

Spanish conquest of the Aztec Empire (1519-21). Construction of the Villa Rica of La Vera Cruz, with the help of the Totonac Indians. Board 3 belonging to a set of 24 boards made with the "enconchado" technique (fragments of mother-of-pearl embedded in the wooden surface, and soft layers of paint are added to the shiny surface). Painted by Juan and Miguel Gonzalez (active in the second half of the17th century). Reign of Charles II. Oil on panel and nacre. Viceroyalty of New Spain. Mexico, 1698. Museum of the Americas. Madrid, Spain.

Seconda guerra Dacica Second Dacian War still image. 1700 - 1799. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Navigation, Lanterns, Torches, Rowing, Dacian War, 2nd, 105-106, Romans, Galleys (Ships), Bas-reliefs , Rome , To 499

Scheuchzer, 1731-33: memento mori

LouisXI playing chess. 15th cent. engraving. Plessis le Tours Cathedral.

le miroir de la rédemption. The first woodcut illustrated french book 1480

St George and the Dragon, The Princess taken to the Dragon, 1861-62 Dante Gabriel Rossetti, Drawing, Ink, Stained Glass, Pre-Raphaelite, Design, Wash drawing, Religion, Saint, Legend

Relief of the temple of Borobudur, Barabudur, in Java, one of the largest Buddhist temples in Southeast Asia, historical engraving of 1883

Jacques Callot (1592-1635). "Notre-Dame miracles of the Annunciade de Florence", "Domenico di Giusto". Twenty-third number of a suite of 42 pieces (Lieure 100, Meaume 282). Froz, 1615-1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99594-29 Burin, Gravure

Making of jugs and flasks. 16th cent. German engraving.

Europe. Renaissance era. 16th century. Peasant couple embracing. Engraving by Jost Amman, 1599.

Allegorical composition representing the different degrees of university teaching. Facsimile of a wood engraving of the Margarita Philosophica. From Science and Literature in The Middle Ages by Paul Lacroix published London 1878

Panel (Furnishing Fabric) Made 1790 England. Cotton, plain weave; copperplate printed .

A group of fairies dancing in a ring close to the doorway of their fairy mound Date: circa 1600

Umbria Terni Terni Palazzo Spada0. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century). Triple-arched portal; frescos (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Historical drawing, 1596, interior view of Swan Theatre in London, England

The jubilant Wunderhorn, cover picture of a German song collection from 1808, historical, digital reproduction of an original from the 19th century

fine arts, Rethel, Alfred (1816 - 1859), graphic, series ""Auch eine Todtentanz / aus dem Jahr 1848"", Georg Wigand publisher, Leipzig, 1848, fifth sheet, woodcut,

Roman period. Trading vessel. Engraving, 19th century.

Arrested witches being tortured, Torture, 1613, Historical, digitally restored reproduction from an 18th or 19th century original.

Terrace of the Capuchin convent in Amalfi, in the Gulf of Salerno, vintage engraved illustration. Magasin Pittoresque 1847.

Images for the lesson about the words: lean, knowing, subtle, fine, coarse, from Ars memorativa, 1475, woodcut, Germany, Europe

. Rectangular monochrome glass-in-lead diamond with allegorical representation of geometria, geometry. A female figure, Geometria personification, measures the globe lying on the ground with a passer. Two men links follow her measurement with interest. The one is dressed in contempora, while the robe of the other classic looks like.

The Bayeux Tapestry, which represents the construction of the boats for Duke Guillaume, 1070. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

PERSONAJES DE LA LOZANA ANDALUZA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

German cityscape at the beginning of the 16th century after an engraving by Albrecht Duerer, St. Anthony in the foreground, Historic, digitally restored reproduction of a 19th century original, exact date not known

Genre Scene, 1 of 4 Genre Scene, 1 of 4, 19th century. Ink and color on paper, 9 13/16 x 9 3/8 in. (25 x 23.8 cm). Asian Art 19th century

A woodcut engraving depicting a spaceship in clouds An object observed over North Africa in 1479 and interpreted as a comet. Dated 16th century

Saltcellar with scene of infant harvesters (one of a pair) ca. 1540-45 Attributed to Pierre Reymond Pierre Reymond, Colin Nouailher (active by 1539), and Léonard Limosin (ca. 1505-1575/77) were among the earliest enamelers in Limoges to decorate hollow wares. Both Reymond and Nouailher painted scenes of frolicking infants; in this case, the scenes were partly based on an engraving of 1529 by the Italian master IB. Another pair of salts, similar in form and style and signed with Reymonds initials, is now in the Musée des Beaux-Arts, Limoges.. Saltcellar with scene of infant harvesters (one of a pair). French, Limoges. ca. 1540-45. Painted enamel on copper, partly gilt. Enamels

Engraving depicting an ancient Roman galley. Dated 2nd Century BC

A woodcut engraving titled "Transmutation of Metals": the King's son (Mercury) and the five servants (lead, tin, iron, copper and silver) are all made kings (gold) by the Magistrum Nostrum. Dated 16th century

Illustration from "Liber canonis de medicinis cordialibus" by Avicenna, Anonymous

A woodcut from the book by Thomas Murner, Die Geuchmatt, with Murner's portrait as Chancellor of the Gauchmatt, digital reproduction of an original 19th century artwork

Chariot with organ, group of Maximilian I. Facsimile by Hans Burgkmair Woodcut: Maximilian's triumphal procession is a monumental work from the 16th c...

Haymaking, early 17th century, (1910). Artist: Unknown

people, professions, raftman, raftwoman on river Isar at Munich, etching by Eugen Neureuther, 19th century,

Nathan Lacy. Engraving by A. Della Via.

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