Medieval Religious Art

Depictions of saints and biblical scenes in a medieval style. Features rich colors and detailed figures in ornate settings, reflective of early religious narratives.

Altarpiece of the Virgin by Jaime Serra (1358-1395) Catalonian painter. Dated 14th Century

Saint Catherine of Alexandria (287-305) and Saint Agnes of Rome (ca. 291-ca. 304). Chromolithography by Franz Kellerhoven after a portrait attributed to Marguerite Van Eyck. "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877.

Retable of Saint Nicholas, by Master of the Legend of St Lucy, 15th century, Groeningemuseum, Bruges, West Flanders, Belgium, Europe

At his court, Philippe le Bon, duc de Bourgogne, receives the homage of his subjects but doesn't seem very excited by them Date: circa 1450

Polyptych of St. Ives, by Ferrari Defendente, 16th Century, 1518, tempera, cm 345 x 270

Tarquinius Priscus. ca. 1475. History of the founder and fifth king of Rome according to the account of Livy. Possible manufacturing in Brussels. Silk and wool. 6 threads per cm. Flemish art. Tapestry. SPAIN. CASTILE AND LEON. Zamora. Cathedral Museum.

Saint Apollonia. Gouache painting, 19--.

Portrait of Nicholas Gaze and His Son and St Nicholas, 1500-1525. Artist unknown - Flemish School

Abruzzo, L'Aquila, Tagliacozzo, Palazzo Ducale, Italy, 20th century, photo, photography, Europe

Scene in a French court room Date: late 15th century

Horae Beatae Mariae Virginis Flemish. Horae Beatae Mariae Virginis, 16th century. Manuscript in opaque watercolor and ink with gold, 3 3/4 × 2 7/8 × 1 1/8 in. (9.5 × 7.3 × 2.9 cm). European Art 16th century

Resurrection of a man who died from his wounds, detail from the left-side panel of the St Bernand Altarpiece, 1455, by Rafael Tomas (active 1455-1479), predella by Joan Figuera (active from the 1454-died 1477 or 1479), tempera on panel, 398.9x253 cm.

King Francis I of France (1494-1547) and his wife Eleanor of Austria (1498-1558) prayerfully. Chromolithograph by Franz Kellerhoven after a detail of a stained glass window in the church of St. Gudula, Brussels. "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877.

'A Man and Woman of The Time of Edward I', 1907. Artist: Dion Clayton Calthrop.

Heraldic Panel with the Arms of the Eberler Family; Unknown maker, Swiss; Basel (), Switzerland, Europe; about 1490; Pot-metal, flashed, and colorless glass, oxide paint, and silver stain; lead came; Object: H: 44 x W: 31 x D: 1 cm (H: 17 5/16 x W: 12 3/16 x D: 3/8 in.)

Paris, Lemercier, Joseph-Rosé, Noël, Alexis Nicolas, Thurvanger, Berthier, Email peint, Triptique, l'Annonciation, Reproduction of a triptych of the Annunciation, recto - printed, photomechanical print, page, reproduction, photographs, photographically illustrated books, Phot. col G. Noël., Thurvanger lith., height 184 mm, width 207 mm, photographer, 1859 - 1864, paper, papier, photolithography, fotolithografie, clichémaker, Work conception, 1792-09-02 - 1871, after a design by, French, 1803-06-29 - 1887-01-01, printer

A tile mosaic in San Vitale in Ravenna shows Theodora (third from left), wife of Byzantine emperor Justinian, and attendants.

Saint Vincent at the Stake. Date/Period: Ca. 1455-1460. Painting. Tempera, stucco reliefs and gold leaf on wood. Height: 1,658 mm (65.27 in); Width: 970 mm (38.18 in). Author: JAUME HUGUET.

L'Annonciation, miniature tirée des Heures d'Étienne Chevalier. Office du Saint-Esprit, matines. Date/Period: Between ca. 1452 and ca. 1460. Illumination. Illumination on parchment. Height: 16.5 cm (6.4 in); Width: 12 cm (4.7 in). Author: JEAN FOUQUET.

The Siege of Jerusalem took place from June 7 to July 15, 1099 during the First Crusade. The Crusaders stormed and captured the city from Fatimid Egypt. Throughout the siege, attacks were made on the walls, but each one was repulsed. The Genoese troops, led by commander Guglielmo Embriaco, had previously dismantled the ships in which the Genoeses came to the Holy Land; Embriaco, using the ship's wood, made some siege towers. These were rolled up to the walls on the night of July 14 much to the surprise and concern of the garrison. On the morning of July 15, Godfrey's tower reached his section of the walls near the northeast corner gate, and according to the Gesta two Flemish knights from Tournai named Lethalde and Engelbert were the first to cross into the city, followed by Godfrey, his brother Eustace, Tancred, and their men. Raymond's tower was at first stopped by a ditch, but as the other crusaders had already entered, the Muslim guarding the gate surrendered to Raymond of Toulouse.

Doctors at the Université de Paris, 1849.Artist: Edward May

Life of Saint Bernard of Clairvaux: Saint Bernard mediates a dispute between Bishop Stephan von Bar and Duke Matthew von Lothringen in Metz (one of two). Culture: German, Cologne. Dimensions: Overall (confirmed, with brass framing): 28 5/8 x 33 3/8 in. (72.7 x 84.8 cm);Other (brass support extends behind panel): 3/8 in. (1 cm);Other (thickness of brass framing): 3/8 in. (1 cm). Date: after 1535.From a set of twenty-two windows, each with six scenes devoted to the Life of Saint Bernard, made for the glazed cloister at Altenberg, near Cologne.Saint Bernard and companion stand in white habits, surrounded by six soldiers on an island. In the yellow background is the town of Metz at left, cavalry and infantry in battle at right. The whole is framed by arch on columns. Museum: Metropolitan Museum of Art, New York, USA.

Stories of San Bernardino, 15th-16th Century, from the School of Perugino, tempera on wood. Detail.

An Allegory of the Tudor Succession: The Family of Henry VIII Allegory of the Tudor Succession (The Family of Henry VIII), unknown artist, 16th century, British

Jaume Huguet / Detail of the central panel of an altarpiece of the Virgin. From the former parish church of Vallmoll. Tempera, stucco reliefs and gold leaf on wood, ca. 1450. Museum: Museu Nacional d'Art de Catalunya, Barcelona.

Tapestry Series Honors and Virtues. Detail. Wounded knight. Made in Brussels in mid-sixteenth century. Wool, silk and silver. Tapestry Museum. Royal Palace of La Granja de San Ildefonso. Castile and Leon. Spain. National Heritage.

Saints Genevieve and Appollonia, by Lucas Cranach the Elder, 1506, National Gallery, London, England, UK, GB, Europe

Master of the Legend of Saint George (active in Cologne, ca.1460-1490). Altarpiece of Saint George, ca.1460. Detail. Wallraf-Richartz Museum. Cologne. Germany.

fine arts, Master of the Jarves Cassone, painting, story of Alatiel, detail, banquet, Correr museum,

Roses d'Antan, Lucien Pissarro (Paris, France, 1863 - 1944)

Sepulcro de san Daniel (detalle). Aloi de Montbrai (Mestre Aloi), 1345. Museum: Monasterio de Sant Daniel, Girona.

Odysseus coming home by Bernardino Pinturicchio, fresco, circa 1510, 1454-1513, School of Umbria, England, London, National Gallery, 125,5x152

SALON DE CORTES - EL BRAZO ECLESIASTICO DE LAS CORTES DE VALENCIA - PINTURA MURAL - 1593 - SIGLO XVI. Author: VICENT REQUENA (1556-1606) EL JOVEN. Location: PALACIO DE LA GENERALITAT. Valencia. SPAIN.

Detail from the painting titled 'The Courtyard of a Renaissance Palace' by Hendrik van Steenwijk II (1580-1649) a Dutch Baroque painter of predominantly architectural interiors. Dated 18th Century

L.Cranach the Elder/8th Commandment/1516

Saint Donatian; Saint Victor Presenting a Donor. Artist: Netherlandish (Bruges) Painter (ca. 1490). Dimensions: (18) 9 1/2 x 3 7/8 in. (24.1 x 9.8 cm); (19) 9 1/2 x 4 in. (24.1 x 10.2 cm). Museum: Metropolitan Museum of Art, New York, USA.

SAN PEDRO EN CATEDRA - HACIA 1500. Author: ESCUELA HISPANO-FLAMENCA (S XVI). Location: MUSEO MARES-COLECCION. Barcelona. SPAIN. APOSTLE PETER.

Arithmetic (Aritmetica), by a collaborator of Gentile di Niccol÷ known as Gentile da Fabriano, 1407-1410, 15th Century, fresco

The grape harvest, from 16th century manuscript of Pliny's Natural History

Louis X the Mischievous emancipates the serfs in 1315 by Alaux, Jean (1786-1864) / Musee de l'Histoire de France, Chateau de Versailles /France / Oil on canvas / History / 91x83 / History painting

Przeszo Przyszoci unknown

Spain, Castile-Leon region, Burgos. Burgos Cathedral (aka Catedral de Burgos) museum. UNESCO. Cathedral museum, historic artwork collection.

Jesus Christ before way to Calvary by Piero della Francesca, Tempera and oil on wood, circa 1455, circa 1415-1492, Italy, Urbino, Galleria nazionale delle Marche, 67,5x91

Christ Bearing the Cross. Artist: Northern French Painter (ca. 1480). Dimensions: 14 3/4 x 10 5/8 in. (37.5 x 27 cm).This painting is one of a number that formerly were attributed to the Valenciennes artist Simon Marmion (active by 1449, died 1489). Although numerous manuscipt illuminations by Marmion are known, there are no documented paintings. The Saint Bertin Altarpiece (Gemldegalerie, Berlin) has been assigned to Marmion on little more than circumstantial evidence. Among the finest of the paintings grouped around it are a Crucifixion in the John G. Johnson Collection, Philadelphia Museum of Art, and a Lamentation in the Robert Lehman Collection (1975.1.128) at the Metropolitan Museum. The present picture is markedly inferior to these in quality. It is closely related stylistically to a Christ before Caiaphas in the Johnson Collection and may be by the same hand. Museum: Metropolitan Museum of Art, New York, USA.

Archduke Charles, the later Holy Roman Emperor Charles V., with his sisters Eleanor and Isabella at the age of 2 years by Master of St.Georgsgilde (active ca 1500) / Art History Museum, Vienne / 1502 / The Netherlands / Oil on wood / Portrait / 31,5x42

Hans Pleydenwurff (active in Nuremberg, ca.1457-1472). German painter. Presentation in the Temple, Fragment of panel of an altarpiece, 1462. From Saint Elizabeth Church, Wroclaw (Breslau). National Museum. Warsaw. Poland.

PINTURA DEL CENOTAFIO O GRUPO ESCULTORICO DE CARLOS V - 200x200 cm- AÑO 1699. Author: JUAN PANTOJA DE LA CRUZ. Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. Charles I (V of the Holly Roman Empire). CARLOS V ALEMANIA-CARLOS I DE ESPAÑA (1500-1558).

Two DeaconSaints. Artist, attributed to: Giuliano di Simone da Lucca, Italian, active 1383-97

Henry Cros (1840-1907). "Bas-relief in wax: The Ladies of Thélème (after catering), 1880". Museum of Fine Arts of the City of Paris, Petit Palais. After restoration, wax, consult book, lady theleme, young woman, reading, medium-aged, medieval

An American satirical cartoon of the 1905 Reforms: terrified by spectral figures, including one at top right wearing the liberty cap of the French Revolution, Nicholas II opens his gloomy palace to the light of progress. Dated 20th Century

Charles V and his two sisters Leonor and Isabel, copista de la cofradia del maestro de San Jorge, Nins, portraits of children s. XVI-XIX, Sa Bassa Blanca Museum (msbb). Yannick Vu and Ben Jakober , Alcudia, Majorca, Spain.

Saint Lucy. Vergós workshop; Spanish, documented 1439-1503. Date: 1492-1505. Dimensions: Panel: 175.8 × 93.7 cm (69 1/4 × 36 7/8 in.); Painted Surface: 168.6 × 84.6 cm (65 7/8 × 33 3/8 in.). Oil and gold on panel. Origin: Spain. Museum: The Chicago Art Institute, USA. Author: Raphael Vergos.

The lady and the unicorn tapestry, Cluny chapel, Paris, France PARIS, FRANCE, DECEMBER 16, 2023 : The lady and the unicorn, renaissance tapestry, Cluny chapel, Paris, France Copyright: xZoonar.com/Thexladyxandxthexunicornxtapestry,xClunyxchapel,xParis,xFrancex 22077052

'Joan of Arc at the Coronation of Charles VII', 1854, Oil on canvas, 240 x 178 cm. Author: JEAN AUGUSTE DOMINIQUE INGRES. Location: LOUVRE MUSEUM-PAINTINGS. France. JOAN OF ARC. ORLEANS DONCELLA DE. JUANA DE ARCO.

fine arts, Abadia, Juan de la, (active 1470 - 1490), ""archangel Michael"", circa 1490, oil on panel, 127 cm x 78 cm, National Art Museum of Catalonia, Barcelona, Spain, Europe, 15th century, middle ages, religious art, religion, christianity, angel, holding, scales, weighing, soul, souls, devil, Last Judgement,

King Solomon and The Queen of Sheba Piero Della Francesca (1410/20-1492/Italian)

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 17v, The Trinity, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

MANUSCRITO ROTHSCHILD 24 F 121-VIUDA JUDIA (ITALIA 1470). Location: MUSEO ISRAEL. JERUSALEM. ISRAEL.

ARTE RENACIMIENTO-QUATTROCENTO. ITALIA. ANGELICO, Fra (Vicchio di Mugello, h.1387-Roma, 1455). Pintor toscano del primer renacimiento, perteneciente a la escuela florentina. Detalle de la Pradela perteneciente al Altar de San Marcos. Representación de la sepultura de los santos COSME y DAMIAN. Tempera sobre tabla. 1438-40. Museo de San Marcos. Florencia. Italia.

The Baptism of Clovis. Dated: c. 1500. Dimensions: painted surface: 61.5 x 45.5 cm (24 3/16 x 17 15/16 in.) overall (panel): 63.3 x 46.7 cm (24 15/16 x 18 3/8 in.) framed: 82.07 × 66.36 × 9.21 cm (32 5/16 × 26 1/8 × 3 5/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Master of Saint Giles.

Joan of Arc and the Siege of Paris

The blue studio, 1857, by Dante Gabriel Rossetti (1828-1882).

Felipe Bigarny (1475-1543). Spanish architect and sculptor of Burgundian origin. Relief depicting the Catholic Monarchs, Isabella and Ferdinand. Polychromed wood. Main altarpiece, 1520-1522. Royal Chapel. Cathedral of Granada. Spain.

Design for window in the town hall in Amsterdam, 1930 drawing Commerce; Jurisdiction. cardboard. chalk brush

Annunciation Jan van Eyck 1434 NG Wash DC Painting; oil on canvas transferred from panel; painted surface: 90.2 x 34.1 cm (35 1/2 x 13 7/16 in.) support: 92.7 x 36.7 cm (36 1/2 x 14 7/16 in.) framed: 102.2 x 55.9 x 8.9 cm (40 1/4 x 22 x 3 1/2 in.);

Redeption of prisoners (16th c.). Aragonese school. Sculpture. SPAIN. CASTILE AND LEON. Valladolid. National Museum of Sculpture.

A Farmer with His Wife and Their Four Daughters. Eastern Switzerland, first half of 17th century. Architecture; Architectural Elements. Pot metal; white glass with silver stain and enamel; flashed and abraded glass

Asia, Iran, Isfahan. Miniature painting from Omar Khayyam story.

Pygmalion / Book illumination / c.1460

EL CONVITE DE ALATIEL Y PERICONE - DETALLE DEL DECAMERON - SIGLO XIV. Author: GIOVANNI BOCCACCIO (1313-1375). Location: MUSEO CORRER. Venedig. ITALIA.

Horatio Nelson's death at Trafalgar, 1805, painting on glass. Napoleonic Wars, 19th century.

Habitus Variarum Orbis Gentium (Costume of the Various Peoples of the World). Jean Jacques Boissard (France, 1533-1598). France, 1581. Books. Ink on paper with gouache, watercolor, and gold

Overseas Guests 1901 Nikolai Konstantinovich Rerikh (1874-1947/Russian) Oil on canvas Odessa Fine Arts Museum, Ukraine

William Shakespeare's journey through London. Shakespeare (1564 1616) was an English poet, playwright and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.

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