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Medieval Religious Art

Images of religious figures and scenes, including biblical moments and architectural decoration from the 12th to 16th centuries, depicted in dark tones.

Daniel's Vision of the Four Beasts, Rembrandt van Rijn, 1655 print paper etching / drypoint Daniel's visions (Daniel may be shown having his visions explained, e.g. by the archangel Gabriel)
Daniel's Vision of the Four Beasts, Rembrandt van Rijn, 1655 print paper etching / drypoint Daniel's visions (Daniel may be shown having his visions explained, e.g. by the archangel Gabriel)
224 assets in this story
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Willem Carel Dierkens klimt op de tempel om de ruïne op te meten. Mr. Dierquens descendant du haut du temple antique. Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 221 mm × w 183 mm. Museum: Rijksmuseum, Amsterdam.
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Abruzzo L'Aquila Pescocostanzo Basilica18. Hutzel, Max 1960-1990 Medieval: Wood statues (2) (9-10, 12th century); stone bust (10th century Post-medieval: Architecture, architectural sculpture, painting, sculpture, objects in the museum German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Rudolph Rare; Underlife Haro Angri Domitore; SECURES HIRSERS.
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He Stops at the Sign of the Weathervane, drawing of the illustration for the poem Tilghman’s Ride From Yorktown to Pennsylvania,” by Howard Pyle. Artist: Howard Pyle, American, 1853-1911
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Station of William IV, 1752, plate 27, Jan Punt, 1754
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Ein Mord (A Murder). Dated: 1883. Dimensions: image: 42 x 29.6 cm (16 9/16 x 11 5/8 in.) plate: 45.4 x 31.4 cm (17 7/8 x 12 3/8 in.). Medium: etching with drypoint and aquatint on wove paper. Museum: National Gallery of Art, Washington DC. Author: Max Klinger.
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Hishikawa Moronobu (1618-1694); japanese Woodcut 1690
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Group of wooden statues in the open air in the Dutch East Indies, Anonymous, c. 1895 - c. 1905 photograph Part of Reisalbum with photos of sights in Italy, Switzerland and the Dutch East Indies. Dutch East Indies, The paper. photographic support piece of sculpture, reproduction of a piece of sculpture (+ sculpture) Dutch East Indies, The
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The Procession in the Temple (Le cortège dans le Temple) James Tissot (French, 1836-1902). The Procession in the Temple (Le cortège dans le Temple), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 7 7/8 x 11 3/16 in. (20 x 28.4 cm). European Art 1886-1894
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At a bar in Paris. Podkowiński, Władysław (1866-1895), painter
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Statue of Liberty torch, New York, United States of America, illustration by Tilly from L'Illustration, Journal Universel, No 2210, Volume LXXXVI, July 4, 1885.
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Millefleurs ground with curly-maned horse, leopard, fox, ram , deer rabbits and birds. unknown c. 1500-1525 Tapestry Dimensions: H 8'3" x W 5'10" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. received from Mrs. Louis W. Tripp, 9/22/1941; returned 12/8/1943. Related Works: Stylistically similar tapestries: GCPA 0240120 & 0183920; Angers, Château d'Angers (from Church of Nôtre-Dame des Ardilliers, Saumur, see Göbel); Paris, private coll. (see Boccara); Zurich, Galerie Köller (see Delmarcel); Monza, "Millefleurs with St. John the Baptist"; Amsterdam, Rijksmuseum, "Millefleurs with a leopard"; Paris, Perpitch coll., "Millefleurs with animals"; London, Victoria & Albert, "Millefleurs tapestry cushion cover", ref. 1342-1864 & "Verdure with Arms of Giovio of Como", ref. 256-1895
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Photo Production of the Night Warrant from Rembrandt van Rijn; Rembrandt van Rijn .-- La Ronde de Nuit .. Part of Leporellolatbum with 28 photos of Amsterdam and surroundings.
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Between Rounds, large, first stone. Dated: 1916. Dimensions: image: 51.44 × 41.28 cm (20 1/4 × 16 1/4 in.). Medium: lithograph in black. Museum: National Gallery of Art, Washington DC. Author: George Bellows.
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A Seat in St. James's Park 1870 After George John Pinwell British Londoners from different walks of life are here brought close to one another on a park bench-a soldier, a nursemaid, a well-dressed gentleman, and a poor violin player. This large print, possibly intended for the weekly periodical "The Graphic" as a double-page supplement, was never published because the woodblock (now Victoria and Albert Museum) developed a crack. Just a few proofs on special paper, as here, appear to have been printed. It is a larger and more elaborate version of the subject Pinwell had designed in 1869 as a wood engraving for "Once a Week". That year he also exhibited a watercolour of the composition (Art Gallery of New South Wales, Sydney) to great acclaim. In fact this print might have been a commission from "The Graphic" to disseminate the watercolour to a wider audience and capitalize on the artist's growing reputation. In April 1869 he was elected an associate member of the Royal Watercolour Soci
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Bliżej Kultury unknown
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EL MONUMENTO - 1985 - GRABADO AGUAFUERTE - 56x76 cm. Author: JUAN GENOVES (1930-2020). Location: PRIVATE COLLECTION.
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Introducing John L. Sullivan. Dated: 1916. Dimensions: image: 52.39 × 52.07 cm (20 5/8 × 20 1/2 in.). Medium: lithograph in black. Museum: National Gallery of Art, Washington DC. Author: George Bellows.
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"The road to the crematorium". Drawing by Mieczyslaw Watorski 1903 - 1979. Holocaust art. Mieczyslaw Watorski was a creative visual artist
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Lazio Rome Palazzo Mattei di Giove8. Hutzel, Max 1960-1990 Post-medieval: Painting, fresco painting, stucco, architecture. Antiquities: Roman sculptural and architectural fragments. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Engraving depicting an Inuit ice-fishing. Dated 19th Century
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Reproduction of a painting: Henryk Siemiradzki (1843-1902), Rzeźbiarz showing nowe swoje dzieło Sculptor presenting his new work; sheet from the series Album of 'Kraj', `Kraj` 1899, no. 21 of June 2nd (May 21st). Trenke & Fusnot (Petersburg ; drukarnia ; fl. XIX/XX sec.), printing house, unknown, photographer, Jabłoński, T. i Spółka (Kraków ; zakład reprodukcyjny ; 1890-1926), reproduction atelier, Kraj (Petersburg ; czasopismo ; 1882-1909), publisher
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George Bellows, Counted Out, first stone, 1921 Counted Out, first stone
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The dying bubble lord John Law, 1720, 1720 print The dying wind trader or bubble lord John Law leaning back in the lap of Madame Compagnie is comforted by a nun and a confessor. With a fresh on either side of the plate. Print 72 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. print maker: Northern Netherlandsprint maker: Southern Netherlands paper etching / letterpress printing patient, sick person