Medieval Religious Sculptures

A series of alabaster and marble statues depicting the Virgin Mary and child, showcasing religious themes and craftsmanship from the 14th to 2nd century.

Image of the Blessed Virgin with the Christ child, Anonymous, in Or Before 1888 Image of the Blessed Virgin with the Christ child. Only the front. Plaster cast. The form is located in the municipal collection in Utrecht. Utrecht (possibly) gypsum Image of the Blessed Virgin with the Christ child. Only the front. Plaster cast. The form is located in the municipal collection in Utrecht. Utrecht (possibly) gypsum

Standing Virgin and Child with Pedestal 14th century French. Standing Virgin and Child with Pedestal. French. 14th century. Alabaster. Sculpture-Stone

Image of the Blessed Virgin with the Christ child, Anonymous, in Or Before 1888 Image of the Blessed Virgin with the Christ child. Only the front. Plaster cast. The form is located in the municipal collection in Utrecht. Utrecht (possibly) gypsum Image of the Blessed Virgin with the Christ child. Only the front. Plaster cast. The form is located in the municipal collection in Utrecht. Utrecht (possibly) gypsum

Plaster cast of the Townley Caryatid which was a high Pentelic marble caryatid, depicting a female figure. Dated 20th Century

'Isis'. Rome, 2nd century. Museum: State Hermitage, St. Petersburg.

Virgin and Child 14th century French. Virgin and Child 463961 French, Virgin and Child, 14th century, Limestone with traces of polychromy, Overall: 26 x 9 5/16 x 7 1/16 in. (66.1 x 23.7 x 17.9 cm) sleeved hole for pin in bottom: 9/16 x 3 1/4 in. (1.5 x 8.2 cm). The Metropolitan Museum of Art, New York. Mr. and Mrs. Isaac D. Fletcher Collection, Bequest of Isaac D. Fletcher, 1917 (17.120.1)

Standing Female. Greece, early 3rd century B.C.. Sculpture. Terracotta

John Matulis, Circus Wagon Figure Muse, c 1938 Circus Wagon Figure: Muse

Statue of a young man carrying an offering (a bird). Dated around the 2nd century AD. From the Roman temple of Endovelicus at Sao Miguel da Mota. Terena, Alandroal, Evora. Portugal. National Archaeology Museum. Lisbon, Portugal.

One of the Set of the Four Evangelists John 1575-1585 Italy. Terracotta . Alessandro Vittoria

Estatua en mármol que representa a un personaje masculino romano vistiendo toga y calceus.Siglo II d.C. Museum: MUSEO ARQUEOLOGICO, MADRID, SPAIN.

The Hope Athena. Italy, Ostia or Rome, Roman, 2nd century A.D. Roman copy after a Greek Original of the 5th century B.C.. Sculpture. Marble

Piraeus Athena. Greek bronze statue. Dated to the 4th century BC. Archaeological Museum of Piraeus. Greece.

Statuette of a Kore. Unknown

Mary Magdalen at the Foot of the Cross. Artist: Follower of the Master of Rimini. Culture: South Netherlandish. Dimensions: 8 7/16 × 3 11/16 × 4 1/16 in. (21.5 × 9.3 × 10.3 cm). Date: ca. 1420-30.The penitent Magdalen at the base of a now-lost crucifix was the focus of a carved altarpiece. Depictions of Mary Magdalen as a solitary figure before the cross first appeared in Italian painting of the twelfth century. Museum: Metropolitan Museum of Art, New York, USA.

Statue of a Seated Cybele with the Portrait Head of her Priestess. Unknown

Bracket with Two Musicians, AD 100s. Pakistan, Gandhara, probably Butkara in Swat, Kushan Period (1st century-320). Schist; overall: 37.5 cm (14 3/4 in.).

Statue titled 'Faith' by Innocenzo Spinazzi (1726-1798) an Italian sculptor of the Rococo period. Dated 18th Century

Christ Enthroned ca. 1230 French Christ appears in majesty holding a book, signifying his identity as the Word of God incarnate. His right hand was probably raised in blessing. The hole in the center of his body indicates that the figure was originally mounted to a larger object.. Christ Enthroned 464225 French, Christ Enthroned, ca. 1230, Ivory, Overall: 4 15/16 x 1 7/8 x 1 1/4 in. (12.5 x 4.7 x 3.2 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.222)

Saint Christopher Supporting the Christ Child 1680-1700 Germany. Ivory .

San Juan Bautista, (Iglesia de San Juan de Malta, Palma)(s.XV) Piedra esculpida.Museo diocesano (Museu diocesà).Centro historico.Palma.Mallorca.Baleares.España.

Statue representing the goddess Isis-Fortuna, marble

Bishop Saint (from the church of Saint Martin ofAngers), ca.1185-95, Polychrome limestone, 165.1 × 38.1 × 43.8 cm, 725.76 kg (65 × 15 × 17 1/4 in., 1600lb.), Onview, French,Angers, 12thcentury, Sculpture

Sculpture of the Virgin Mary. Second half of 14th century. Gothic. Alabaster. Probably from Sallent de Sanauja, Catalonia. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Virgin and Child. Culture: East French or German. Dimensions: Overall: 20 3/8 x 9 15/16 x 9 9/16 in. (51.8 x 25.2 x 24.3 cm). Date: ca. 1275-1325. Museum: Metropolitan Museum of Art, New York, USA.

Mary Magdalene ca. 1500-1550 French. Mary Magdalene. French. ca. 1500-1550. Limestone. Made in possibly Champagne, France. Sculpture

Saint Catherine of Alexandria, Master of Koudewater, c. 1470 Catharina is standing on her attribute Keizer Maxentius, has the gaze diagonally down, keeps the left -hand underly ahead and the right slightly down. On the wavy hair, which falls over the shoulders, a diadem, consisting of a band with 'precious stones' and some rosettes. The robe, pleated from the front with fur, which is deposited at the neck, as well as on the hem and sleeves with an edge of fur, is absorbed under the left arm, so that a second rug and the left shoe point become visible. Around the agent a sloping belt with 'metal' final pieces, to which a prayer cord with a brush is tied up; There is a wounded pearl band with tau and clock of the Henaut St. Antonius Order over the chest. The cloak, which is included under the poor, falls from the shoulders. The over -lying frost supports his head with the right hand. He is wearing a emperor crown, a fur -fooled Paltrok, huzen and pointed shoes. The groove around her skul

Crown of gilded silver, c. 1800 - c. 1899 Kroon at the statue of Maria with child (BK-19953-20-1). Not originally. Belgium silver (metal) gilding Kroon at the statue of Maria with child (BK-19953-20-1). Not originally. Belgium silver (metal) gilding

Fragment of the Oranjeboom, 1874 Leaving women's figure. Her feet rest on a lion's head. She holds a shield in her right hand. Part of a model in plaster of a non -executed environment De Table for William III. gypsum Leaving women's figure. Her feet rest on a lion's head. She holds a shield in her right hand. Part of a model in plaster of a non -executed environment De Table for William III. gypsum

Bronze depicting a woman wearing a toga, front view. Etruscan civilization, 7th Century BC.

TERRACOTA DE TANAGRA - MUJER CON VESTIDO DE CALLE Y THOLIA (SOMBRERO PUNTIAGUDO) - SIGLO III AC. Location: BRITISH MUSEUM. LONDON. ENGLAND.

Galvanoplastic reproduction of an angel in the treasure of the St. Servaas in Maastricht, F. Stoltzenberg, c. 1838 - c. 1881 Galvanoplastic reproduction of an angel in the treasure of the St. Servaas in Maastricht. Roermond copper (metal). silver (metal) gilding Galvanoplastic reproduction of an angel in the treasure of the St. Servaas in Maastricht. Roermond copper (metal). silver (metal) gilding

Statue of PalmyreneChild

Saint Barbara, Master of Koudewater, c. 1470 Barbara is on her attribute with her pointed shoes, probably her father, Dioscurus. She has directed the gaze diagonally downwards, keeps the right lower arm slightly up and the left slightly down. On the wavy hair that hangs down along the shoulders, she wears a wounded pearl band with a few rosettes decorated. The robe, which is fed with fur from the front, is included under the left arm, so that a second rug and below the left shoe point becomes visible. Around the agent a sloping belt with 'metal' final pieces, to which a prayer cord ends in a brush is tied; Around the neck a necklace, formed from a wounded pearl band, three rows of pearls, a toothed edge on which a unicorn. The cloak hangs from the shoulders, which is included under the arms. The king is leaning forward on the octagonal, all sides and pulls his sword out of the sheath. He is wearing a crown, a fur -fooled Paltrok, hoses and pointed shoes. The groove around her skull pre

American 20th Century, Figurehead, 1935 1942 Figurehead

Saint Francis Xavier mid-17th century Spanish. Saint Francis Xavier. Spanish. mid-17th century. Alabaster; base: white marble. Sculpture

St John the Evangelist, by Donato di Niccolo di Betto Bardi known as Donatello, 1408 - 1415, 15th Century, full relief marble. Italy: Tuscany: Florence: Opera di Santa Maria del Fiore Museum. Whole artwork. St John the Evangelist book Gospel robe/dress drapery beard statue

Draped Herm representing Harpocrate in Archaeological Museum of Delos, Delos, Mykonos, Greece

Sculpture of Asclepius (detail). Els Munts, Tarragona.

Greek Sculptor / 'Muse'. 150 a.C. - 125 a.C.. Marble. Museum: Museo del Prado, Madrid, España. Author: TALLER JÓNICO.

Statue of man Vetu has ancient, by Georges Diebolt (1816-1861) Statue of man dressed in ancient, by Georges Diébolt (1816-1861). 1845-1855. Anonymous photography.

Statue of Dionysus from the Temple of Apollo, Delphi Museum, Delphi, Greece

Portrait of Faustina the Elder. Unknown

Tony-Noël, Paul (Edme-Anthony-Paul Noël, dit) (n.1845-01-27-D.1909-10-03), woman wearing a cross (main title), 1865. Patinated plaster. Petit Palais, Museum of Fine Arts of the City of Paris.

Urania, muse of Astronomy. Hadrian's Villa, Tivoli, Italy.130-150. Marble. Roman copy of an original of the 2nd centory BC. Queen Christina of Sweden Collection. Prado Museum. Madrid. Spain.

Classical mythology. Erato. Muse of lyric poetry. Roman statue. 2nd century AD. The muse is depicted playing the zither or lyre. From Monte Calvo, Italy. Ny Carlsberg Glyptotek. Copenhagen, Denmark.

Female Saint, Master of Koudewater, c. 1460 She stands on a layer of ground with the right knee slightly forward and with the arms next to the body. The robe with V-shaped necklace and long sleeves is stopped under the left arm, so that two skirts are visible at the left shoe point, one of which is trimmed with a bontrand. With the same arm she also holds the cloak, which falls down from the shoulders and over the arms. On the robe, which shows three slit folds at the neck, is a three-part pearl collier with a toothed edge, on which a diamond-shaped pendant; Above the V-shaped neck cutting a blared front, bordered by a pearl edge. The groove around the skull indicates a now missing crown. Northern Brabant walnut (hardwood) She stands on a layer of ground with the right knee slightly forward and with the arms next to the body. The robe with V-shaped necklace and long sleeves is stopped under the left arm, so that two skirts are visible at the left shoe point, one of which is trimmed wit

Headless statue of goddess Hygieia from Epidaurus, Greece

Image of St. Barbara on pedestal. Image of St. Barbara on pedestal. Standing figure. Casting in plaster. The forms are located in the municipal collection in Utrecht.

Faustina the Elder; Roman Empire; 140 - 160 A.D; Marble; 209 × 78 × 55 cm (82 5,16 × 30 11,16 × 21 5,8 in.)

Kneeling barbarian, from the Palatine Hill. Paonazzetto marble and nero-antico, Naples. Early 1st century AD. National Archaeological Museum. Naples. Italy.. National Archaeological Museum. Naples. Italy.

Jean-Baptiste Carpeaux (1827-1875). La Palombella in cariatide. 1861. Museum of Fine Arts of the City of Paris, Petit Palais. 79393-4 Allegorie, Ciaiatide, Woman, Allegorical Figure, Model, Palombella, Allegorical Character, Platre, XIXth XIX 19th 19th 19th 19th century

Hope ca. 1464-66 Niccolò Fiorentino (Niccolò di Forzore Spinelli) Italian This figure is one of the statuettes of Virtues which once adorned the tomb of Orsato Giustiniani, a prominent Venetian sea captain who died in 1464. The tomb was formerly in the Cloisters of Sant'Andrea della Certosa which occupies an island between the Lido and S. Pietro di Castello.. Hope 201884

MINERVA DIOSA ROMANA (ATENEA GRIEGA). Location: MUSEO SAN MARTINO. NEAPEL. ITALIA.

Mother of God of Besalú, 15th century, alabaster, church of Santa María de Besalú, garrotxa, made in the workshop of Bernat Saudet, Girona art museum, Girona, Catalonia, Spain.

One of five marble female statues at the back of the Loggia della Signoria, Florence, Italy. This one is identified as Agrippina Minor, Roman Empress and mother of Nero. The sculptures were discovered in Rome in 1541, and were housed in the Medici villa at Rome since 1584. They were brought to the Loggia della Signoria by Pietro Leopoldo in 1789 and all underwent extensive modern restoration.

Portrait of the Younger Octavia, sister of Augustus, the so-called Sybil. Beginning of the 1st century AD. Farnese collection.National Archaeological Museum, Naples. Italy.

Relief depicting a roman legionary. Marble. 2nd century AD. From a triumphal arch of Emperor Trajan. Neues Museum (New Museum). Berlin. Germany.

Roman art. Statue of a young Roman depicted as Asklepion. From Campania, Italy. 2nd century AD. Ny Carlsberg Glyptotek. Copenhagen, Denmark.

ESTATUA DE HOMBRE CON ARMADURA EPOCA ROMANA SG II AC. Location: MUSEO. CORINTO. GREECE.

The Virgin of the Annunciation. Andrea della Robbia (Italy, Florence, 1435-1525). Italy, circa 1465. Sculpture. Lead-glazed earthenware

Roman statue of Hercules, 2nd century AD, copy from greek original, Palazzo Massimo alle Terme, National Museum of Rome, Italy

Romania, Marble statue known as Tomi's fortune

Saint Barbara 16th century School of Troyes. Saint Barbara 464599

Augustus (61 BC.-14 AD) as Pontifex Maximus. First emperor of the Roman Empire. Greek and italic marble statue. Found in the Via Labicana. Late 1st century B.C. Palazzo Massimo. National Roman Museum. Rome. Italy.

Hygieia statue, goddess of health and patroness of pharmacy, White Columns, Karlovy Vary, Karlovy Vary, Western Bohemia, Czech Republic, Europe

Escultura griega de Priapo, Museo Arqueológico de Barcelona. Museum: MUSEO ARQUEOLOGICO DE BARCELONA, Barcelona, SPAIN.

Marble female portrait statue. Belonging to the 'Small Herculanean woman' type throwing a corner of her cloak over her left shoulder. Portrait head now missing, Late Hellenistic, 250-1 BC.

PEDRO IV EL CEREMONIOSO REY DE ARAGON (1319-1387) - SIGLO XIV. Author: ANONIMO SIGLO XIV. Location: ATARAZANAS / MUSEO MARITIMO. Barcelona. SPAIN. PEDRO IV DE ARAGON EL CEREMONIOSO. PEDRO II DE VALENCIA. PEDRO II DE AMPURIAS. PEDRO I DE MALLORCA. PEDRO I DE CERDEÑA. PEDRO III DE BARCELONA.

Lazio Roma Velletri Museo Civico di Velletri9. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects o

A Roman man in a thin; Unknown Roman workshop; II-III century (101-00-00-300-00-00);

This statue is half of a sculptural group that would have formed the central section of an altar dedicated to the Coronation of the Virgin. With his arm (now partially broken off), God the Father reaches up to crown the Virgin as Queen of Heaven. The companion statue of the Virgin is preserved in the Victoria & Albert Museum, London.

Statue showing Greek influences - Cesnola Collection , Antiquities, Sculpture. Nicholas Catsimpoolas Collection

Lazio Viterbo Viterbo Museo Civico37. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Detail from the Vatican Gardens, the large sprawling urban gardens which cover more than half the Vatican territory (around 23 hectares). The gardens are decorated with sculptures, reliefs and fountains. This image shows one of the many sculptures.

DONATELLO, Donato de Betto Bardi, called (1386-1466). Prophet Jeremiah. 1423 - 1426. Renaissance art. Quattrocento. Florentine school. Sculpture on marble. ITALY. TUSCANY. Florence. Opera del Duomo Museum.

Statuette China. Statuette 61655

Emperor as a military chief. Statue armored. 1st-2nd century Ad. It decorated the wall of the theatre scene. Tarragona. National Archeological Museum. Tarragona. Catalonia, Spain.

ESCULTURA ROMANA. Location: MUSEO NACIONAL DE ARTE ROMANO. MERIDA. Badajoz. SPAIN.

Edelwoman.

Marble statue of a warrior by Artus Quellin the Younger (1625-1700) a Flemish painter and sculptor. Dated 17th Century

Antoine Bourdelle (1861-1929). "Pénélope sur Socle" (front view). Museum of Fine Arts of the City of Paris, Petit Palais. 26344-17 Woman, mythological character, base, statue, mythology

Colossal Statue of Minerva, by Unknown artist, 1st Century a.C, 1st Century d. C., garment, mantle and floor in alabaster, hair in whinstone, right foot in ivory. Italy: Lazio: Rome: Palazzo Massimo alle Terme: inv. 124495. Detail. Front view colossal statue of Minerva sitting alabaster. From the foundations of a building near Piazza dell'Emporio, armless and without left foot. Restored face and neck (plaster)

Sculpture of Moses with Tablets of the Law ca. 1170 French This sculpture of Moses, holding the tablets with the Ten Commandments, and the opposite figure, his brother Aaron, form part of a rare ensemble of key figures from the Hebrew Bible. Often shown together on Gothic portals as forerunners of Jesus, they and other statues originally flanked an enthroned Virgin and Child that still survives in the Gothic cathedral at Noyon. The sculptures are distinguished by garments of weighty fabric arranged in swelling volumes stretched around the body. They were removed from the cathedral in the wake of the French Revolution, and the surface of each sculpture was affected by different environmental conditions. Listen to experts illuminate this artwork's story Listen Play or pause #2970. Moses with Tablets of The Law Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Scul

Hygieia statue, goddess of health and patroness of pharmacy, White Columns, Karlovy Vary, Karlovy Vary, Western Bohemia, Czech Republic, Europe

'Hygeia'. Roman copy from a Greek original. Ancient Rome, 1st century. Dimensions: h. 87 cm. Museum: State Hermitage, St. Petersburg.

Female bust, Este Palace, Varese, Lombardy. Italy, 18th century.

Martyred Deacon Saint ca. 1325-50 French. Martyred Deacon Saint. French. ca. 1325-50. Limestone, paint. Made in probably Toulouse, Gascony, France. Sculpture

ESCULTURA EN MARMOL - LUCRECIA MORIBUNDA - (DAMA ROMANA DE 510 AC). Author: DAMIA CAMPENY (1771-1855). Location: CAMARA DE COMERCIO / LONJA. Barcelona. SPAIN.

The Virgin Annunciate. Dated: 1325/1350. Dimensions: overall: 162.3 x 53.8 x 39.9 cm (63 7/8 x 21 3/16 x 15 11/16 in.). Medium: wood, polychromed and gilded. Museum: National Gallery of Art, Washington DC. Author: Pisan 14th Century.

Venus Italica Antonio Canova (Italian, Possagno 17571822 Venice) ca. 182223, Marble

Statue of hunting goddess Artemis, Museo Palatino, Palatino, Rome, Lazio, Italy, Europe

Mausoleum of Halicarnassus. Tomb of Mausolus. Turkey. Amazon frieze. 350 BC. Amazon holding a axe. British Museum. London.

Ancient Greek statue of the goddess Aphrodite, inside the Agora of Athens, Greece

Fragment of a Vase Depicting Berenike II. Dimensions: H. 15 cm (5 7/8 in.); W. 7 cm (2 3/4 in.); D. 3.7 cm (1 7/16 in.). Dynasty: Ptolemaic Dynasty. Reign: reign of Ptolemy III and reign of Berenike II. Date: 246-221 B.C..Ptolemaic oinochoai (wine-jugs) with portraits of the queens were libation vessels associated with the royal cult, most likely with the Arsinoeia, the festival established in honor of Arsinoe II. On complete examples, the figure of the queen pours a libation at a sacrificial altar with a sacred pillar standing behind her, a scene which suggests that underworld gods are addressed, possibly funerary gods. The ritual use of faience and stylistic features are indicators of the influence of traditional Egyptian culture on the type.A good many fragments of such vessels are preserved, many from Alexandria, some from a few other sites in Egypt and from around the Mediterranean. They might have been distributed or purchased for use at the festival, and may well have acquired o

Statue of Hygieia. Daughter of the god of medicine, Ascelpius. Goddess and personification of health. Roman, after Greek original of 3rd century B.C. Marble. The State Hermitage Museum. Saint Petersburg. Russia.

Josep Berga i Boix / Christian Cecilia, 1889. Museum: Museu de la Garrotxa.

FRAGMENTOS DEL SARCOFAGO DE BEGASTRI. DEPOSITO: MUSEO ARQUEOLOGICO DE CEHEGIN . MURCIA, ESPAÑA.

The Togato Barberini (statue representing a man holding the portraits of two forefathers), republican age,

Sculpture of St Bartholomew from the workshop of Andrea della Robbia

Terracotta statuette of a draped woman 3rd century B.C. Greek, Boeotian Standing, draped, enveloped in himation.. Terracotta statuette of a draped woman. Greek, Boeotian. 3rd century B.C.. Terracotta. Hellenistic. Terracottas

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