Mermaids and Surrealism

Artistic etchings featuring mermaids and surreal scenes, blending fantasy with detailed illustrations in a dreamlike underwater setting.

Macbeth and Banquo meet the three witches, Johannes Josephus Aarts, 1881 - 1934 print Bottom left Macbeth and his friend Banquo, at the top right of the three witches who have predictions in store for each of them. paper. chalk Macbeth. groups of witches

Five Mermaids, Johannes Josephus Aarts, 1881 - 1934 print A group of five mermaids is under water. Two aquatic plants left in the foreground. paper etching merman - AA - mermaid, siren

Five Mermaids, Johannes Josephus Aarts, 1881 - 1934 print A group of five mermaids is under water. Two aquatic plants left in the foreground. paper etching merman - AA - mermaid, siren

Girl at countertop, Wally Moes, 1866 - 1918 print A girl stands at a countertop. There is a rack next to her; Above her on the wall hangs a shelf with two plates on it. paper etching girl (child between toddler and youth). kitchen

Landscape, chart 4, Verein für Original-Radierung in München, VI, 1897. F. Bruckmann AG (Monachium ; wydawnictwo ; ca 1850-1937), merchant employer, Bruckmann, Friedrich (Monachium ; wydawca ; 1815-1898), printing house, Verein für Original-Radierung (Monachium ; stowarzyszenie ; fl. 1850- ), society, Keitel, Otto (1862-1902), graphic artist

Albert Besnard, The Dancer of Tanjore (La bayadère de Tanjore), 1914 The Dancer of Tanjore (La bayadère de Tanjore)

Le mort du vagabond , Death, Tramps, Trees, Alphonse Legros (1837-1911)

Macbeth and Banquo meet the three witches, Johannes Josephus Aarts, 1881 - 1934 print Bottom left Macbeth and his friend Banquo, at the top right of the three witches who have predictions in store for each of them. paper. chalk Macbeth. groups of witches

The Sleeping Beauty. A princess, better known as Sleeping Beauty, is next to an old woman with a spin roll that is spinning flax. Sleeping beauty falls asleep for a hundred years after she pits on the spinning, on the basis of interruption at her birth.

Rocking party. .

Perseus and the sea monster, Johannes Josephus Aarts, 1881 - 1931 print Perseus floats through the air with his flying shoes. He keeps the severed head of Medusa above the sea monster to which Andromeda has been sacrificed. paper (story of) Perseus

Auguste Renoir (French, 1841 - 1919), The Hat Pin (Le chapeau epingle), 1894, drypoint

Le mort du vagabond , Death, Tramps, Trees, Alphonse Legros (1837-1911)

Witchcraft Scene with a Vampire recto. Dimensions: overall: 32.3 x 20.6 cm (12 11/16 x 8 1/8 in.). Medium: pen and brown iron gall ink over black chalk. Museum: National Gallery of Art, Washington DC. Author: Jacques de Gheyn II.

Print, The Rest on the Flight into Egypt: A Night Piece, ca. 1644; Fabricated by Rembrandt Harmensz van Rijn (Dutch, 1606-1669); Netherlands; etching and drypoint on laid paper; 9.3 × 6 cm (3 11/16 × 2 3/8 in.); Bequest of George Campbell Cooper; 1896-3-152

David Lucas after John Constable, A Dell, Helmingham Park, Suffolk, 1830 A Dell, Helmingham Park, Suffolk

Pilgrim of the Sublunary World, plate 5 of 6. Odilon Redon; French, 1840-1916. Date: 1891. Dimensions: 274 × 201 mm (image); 349 × 267 mm (sheet). Lithograph in black on light gray chine. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Monster with scale, Johannes Josephus Aarts, 1881 - 1934 print A nude, athletic monster with a bowl in his hand. To his left multiple scales with handles. Around him the sparkle of water. paper mis-shapen animals; monsters. bowl. surrealia, surrealistic representations

Le mort du vagabond , Death, Tramps, Trees, Alphonse Legros (1837-1911)

Woman under a tree, Matthijs Maris, 1887 - 1888 print London paper etching Womanhood

The Sacrifice of Isaac (Die Opferung Isaacs). Dated: 1920. Dimensions: plate: 31.5 x 25.2 cm (12 3/8 x 9 15/16 in.) sheet: 43.2 x 30.2 cm (17 x 11 7/8 in.). Medium: drypoint in black on thin laid paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth after Rembrandt van Rijn.

Alphonse Legros, Remembrance of Italy (Souvenir d'Italie) Remembrance of Italy (Souvenir d'Italie)

Rocking party. .

The Vintages!: Seven Owls and a Serpent, c. 1900. Henri de Groux (Belgian, 1867-1930). Lithograph; sheet: 56.8 x 43.3 cm (22 3/8 x 17 1/16 in.); image: 48.8 x 40.1 cm (19 3/16 x 15 13/16 in.).

Paradise and the Peri (Opening), first plate. Henri Fantin-Latour; French, 1836-1904. Date: 1884. Dimensions: 371 × 401 mm (image); 448 × 633 mm (sheet). Lithograph in black on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

The High Valley, plate 3 from Le Fleuve 1874 France. Etching, drypoint and aquatint in black on ivory laid paper . Édouard Manet

Drawing, Study of Sycamore; Samuel Colman (American, 1832 - 1920); USA; pen and brown ink, graphite, brush and watercolor on paper; 19.5 × 15.9 cm (7 11/16 × 6 1/4 in.)

Victimes d'incendie par des chemineaux , Fires, Alphonse Legros (1837-1911)

Sketch by Franz von Bayros for Dante's Divine Comedy, illustrating Inferno XXXIII, 87, executed in watercolor and pencil around 1920.

Repos duVoyageur. Artist: Alphonse Legros, French, 1837-1911

Harold in Italy: In the Mountains. Henri Fantin-Latour; French, 1836-1904. Date: 1888. Dimensions: 230 × 153 mm (image); 337 × 219 mm (sheet). Lithograph in black on light gray China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

GOYA Y LUCIENTES, Francisco de (1746-1828). Si es delincuente que muera presto (If he is a criminal he should die soon). 1810s. Etching and aquatint. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Lzaro Galdiano Foundation.

Shipwalking holds itself to a pole along the bank, Guillaume Joseph Vertommen, 1825 - 1863 print paper etching drowning, shipwrecked person. adult man. full moon

Still life with dry Zonnebloem, Willem Jansen (engraver), 1902 - 1931 print Two vases with dry flowers. paper still life of related objects. flowers in a vase. flowers: sunflower

La ferme sur la colline , Farms, Trees, Hills, Alphonse Legros (1837-1911)

The Dancer, circa 1900. Albert Besnard (French, 1849-1934). Etching and drypoint; sheet: 37.1 x 32 cm (14 5/8 x 12 5/8 in.); plate: 29.9 x 24.1 cm (11 3/4 x 9 1/2 in.).

Embers Glow. Artist and engraver: Théodore Roussel (French, Lorient, Brittany 1847-1926 St. Leonards-on-Sea, Sussex). Dimensions: Sheet: 9 7/8 x 8 1/4 in. (25.1 x 21 cm). Date: 1890-97. Museum: Metropolitan Museum of Art, New York, USA.

Marches Pesaro Fossombrone Museo Civico A. Vernarecci3. Hutzel, Max 1960-1990 Medieval: Sculpture fragments; early Christian sarcofagi. Post-medieval: Architecture, begun in the 13th century and remodeled in the 15th century; Renaissance sculpture fragments; marble bust of Vernarecci; model of Federico da Montefeltro's Palazzo della Corte Alta Antiquities: Fragments of capitals and relief carvings (Roman and possibly earlier); portrait busts (Julio-Claudian and Hadrianic) Object Notes: Museum is part of the Corte Alta. General Notes: Counts are approximate since many views have multiple objects. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Bar

The Widower 1877 James Tissot The pensive and forlorn gazes of the widower and child heighten the mournful quality of this print, made after a painting of the same title in the Art Gallery of New South Wales, Sydney. Although the father holds his daughter aloft to reach a small fruit or nut, neither focus on the task at hand but rather stare vaguely into space, absorbed in their own thoughts, a subtle change from the painted version. In composition as well as theme, this work relates closely to the etching "Orphan" (65.594.1). The somber subjects of these works contrast with how Tissot typically used the private garden setting for scenes of leisure.. The Widower. James Tissot (French, Nantes 1836-1902 Chenecey-Buillon). 1877. Etching and drypoint; published state. Prints

Waterloo (Iie Party, Book 1) Albert Morand. Waterloo (part, book 1). Illustration project for Victor Hugo's novel, Mis�rables. Cont� Pencil or Industrial Black Stone on paper, circa 1920. Paris, Victor Hugo House.

Jules Ferdinand Jacquemart, Frontispiece, 1863 Frontispiece

At the Black Rocks, from the Suite of Late Wood-Block Prints 1898-1899 France. Wood-block print in black ink on cream wove paper . Paul Gauguin

Published in Revue Fantaisiste, 15 juillet 1861: Death and the Young Mother, 1861. Rodolphe Bresdin (French, 1822-1885), Auguste Deltre. Etching; sheet: 21.9 x 15.9 cm (8 5/8 x 6 1/4 in.); platemark: 17.1 x 12.4 cm (6 3/4 x 4 7/8 in.).

In the Spheres (The Breath Which Leads Living Creatures is also in the Spheres), plate five from To Edgar Poe Made 1882 France. Lithograph in black on ivory China paper, laid down on white wove paper . Odilon Redon

Illustration at the La Princesse Maleine play, Georges de Feure, 1894 print paper specific works of literature. tales and fairy tales. princess

Woman under a tree, Matthijs Maris, 1887 - 1888 print The 'Lady of Shalott' sitting under a tree, slanted from below, to the right. paper etching Womanhood

Félicien Rops, Satan Sowing Tare (Satan semant l'ivraie) Satan Sowing Tare (Satan semant l'ivraie)

Duma o kruku złowrogim, ryc.9. Goryńska, Wiktoria (1902-1945), graphic artist

A Fisherman Drinking Beside His Canoe. Paul Gauguin; French, 1848-1903. Date: 1894. Dimensions: 205 × 138 mm (image); 207 × 140 mm (sheet). Wood-block print in black ink on tan wove paper (recto); wood-block print in black ink, over stencil-applied red and yellow ink, on cream wove paper (verso). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Somnolence. Norbert Goenuette (1854-1894). Drowsiness. Floor, dry tip.

Lovis Corinth, The Cat of the Prophet (Die Katze des Propheten), 1919 The Cat of the Prophet (Die Katze des Propheten)

Job (2nd plate) , Biblical events, Job Biblical figure, Alphonse Legros (1837-1911)

Female nude reclining. Lying naked woman, seen on the back, in the dark.

Une femme revetue du soleil. Redon, Odilon (1840-1916). 1899. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Seated man on the corner of a street. Draughtsman: Hendrik Valkenburg. Dating: 1836 - 1896. Measurements: h 98 mm × w 107 mm. Museum: Rijksmuseum, Amsterdam.

Thunder (Un coup de foudre). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Te Faruru (They are Making Love Here). Dated: 1894/1895. Dimensions: image: 35.8 x 20.5 cm (14 1/8 x 8 1/16 in.). Medium: woodcut in brown. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.

Bathing Women, medium plate 1896 France. Lithograph in black on cream Japanese paper . Henri Fantin-Latour

The Lord Answering Job out of the Whirlwind 1825-26 William Blake British. The Lord Answering Job out of the Whirlwind 383464 Artist: William Blake, British, London 17571827 London, Publisher: Published by William Blake, British, London 17571827 London No. 3 Fountain Court, Strand, The Lord Answering Job out of the Whirlwind, from Illustrations of the Book of Job, 182526, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm) sheet: 16 5/16 x 10 7/8 in. (41.4 x 27.6 cm). The Metropolitan Museum of Art, New York. Gift of Edward Bement, 1917 (17.17.113)

Rijn, Rembrandt van, The Entombment, verso lower left - stamped, print, book illustration, prints, height 205 mm, width 158 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1656, third quarter 17th century, parchment (animal material), parchment, etching, etchings, drypoint, dry needle, burin, plate tone, Work conception, Northern Netherlands, after own design by

The Lord Answering Job out of the Whirlwind, 1825, Book of Job: pl.13, engraving on thick paper, Bindman 1978, no. 638, State (third state), William Blake (artist) British, 1757 - 1827

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Graphic artist in his studio. Siedlecki, Franciszek (1867-1934), graphic artist

A face of a man with closed eyes, in darkness Below the image the text 'John : I, the first consciousness in Chaos, have risen from the bottomless pit to solidify matter, to determine forms' Fourteenth print of twenty-four from the third series of illustrations for Gustave Flaubert's The Temptation of Saint Anthony, I, the first consciousness in chaos Oannes: Moi, la premiere conscience du Chaos, j'ai surgi de l'abme pour durcir la matiere, pour r, print maker: Odilon Redon, (mentioned on object), printer: Blanchard, publisher: Henri Louis Ambroise Vollard, print maker: France, printer: Paris, publisher: Paris, 1896, paper, h 279 mm × w 217 mm, h 539 mm × w 356 mm

Capital Punishment: The Pain of Death (Todesstrafe: La peine de mort), c. 1880. Félicien Rops (Belgian, 1833-1898). Softground etching; sheet: 47.7 x 32.4 cm (18 3/4 x 12 3/4 in.); platemark: 36.5 x 26.5 cm (14 3/8 x 10 7/16 in.).

Sitting sibylle with a genius pointing out something by hand, under a tree, Sibylle with a genius under a tree, draughtsman: Battista Franco, (possibly), draughtsman: anonymous, 1600 - 1699, paper, pen, h 245 mm × w 186 mm

The Raising of Lazarus: Small Plate. Rembrandt Harmensz. van Rijn (Netherlands, Leiden, 1606-1669). Holland, 1642 (later printing). Prints; etchings. Etching with touches of drypoint and heavy plate tone

To a passer-by Paul-Henri Regeau, French painter. Has a passer-by. Ink and feather wash. Pencil, white gouache enhanced on paper. 1885. Paris, Victor Hugo House.

Woodcut by Leonhard Beck depicting Saint Colomannus from the Sipp, connected to Emperor Maximilian I, carved on wooden stick, 1516.

Alexandre Gabriel Decamps, River Landscape with a Bridge; Monkey Paging through a Book, 1830 1835 River Landscape with a Bridge; Monkey Paging through a Book

Abstract composition, Erich Wichmann, 1918 print paper Abstract, Non-representational Art

Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art

Rote Nacht, board 1; Erler, Erich (1870-1935), Wetteroth, Heinrich (Munich; Graphic AD; 1860-1925), Verlag von P.H. Beyer & Sohn (Leipzig; Publisher; 1897-); 1918 (1900-00-00-1950-00-00);World War I (1914-1918), Schlesisches Museum der Bildenden Künste (Wrocław-1880-1945)-collection, cycles, front (war), German graphics, German (culture), war, World War (1914-1918), band

Woodcut by Lucien Pissarro depicting a girl by the sea, showing figure, clothing, posture, and surrounding coastal landscape, printed on Japanese paper with gray tones.

Raphael Drouart, Nude in an Interior, intaglio process in imitation of monotype on paper.

L'Étoile du Soir (3e planche) , Fictitious characters, Stargazing, Wagner, Richard, 1813-1883. Tannhäuser. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Keeper of the Turkeys Gardeuse de dindons. Dated: 1876. Dimensions: sheet: 49 × 32 cm (19 5/16 × 12 5/8 in.) irregular plate: 28.5 × 22.5 cm (11 1/4 × 8 7/8 in.). Medium: etching and roulette proof before letters. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO PAOLO MICHETTI.

Lueur precaire, une tete a l'infini suspendue(Precarious glimmering, a head suspended. Dated: 1891. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon.

Netherlands, Maaten, Jacob Jan van der, Forest at night, verso - stamped, print, prints, height 55 mm, width 76 mm, 1820-01-24 - 1879-04-16, print maker, printmaker, 1830 - 1879, paper, papier, chine collé, etching

Francisco de Goya y Lucientes, Nothing. The event will tell., 1810-1820, etching and aquatint.

Seated Giant by 1818 (possibly 1814-18) Goya (Francisco de Goya y Lucientes) Spanish Executed entirely in aquatint, this is one of Goyas most technically ambitious yet enigmatic prints. A giant dominating a desolate landscape is captured in a moment of transition. He turns his head toward us as if roused from deep thought, slumber, or despondency. Perhaps he had been awaiting the dawning of a new day and turns because that moment has come. Goya used aquatint to achieve subtle effects of light and dark—an apt technique for depicting a crepuscular atmosphere and conveying the sense of unease that pervades the composition.It is not known exactly when Goya made this print. It has been dated from around 1800 or ‘by 1818'. There is a close relationship between the print and the famous painting of the Colossus in the Museo del Prado, a painting thought to relate to the Peninsular War, symbolizing either a rampaging tyrant or a protector against enemy invaders. In the print, positioned above

Manet, Edouard, La queue devant la boucherie, Queue of people in front of a butcher's shop, verso center - stamped, People with umbrellas lined up in front of a building, possibly a butcher's shop in Paris., print, prent, prints, height 235 mm, width 159 mm, height 450 mm, width 317 mm, 1832-01-23 - 1883-04-30, print maker, printmaker, 1870 - 1870, third quarter 19th century, derde kwart 19e eeuw, paper, papier, etching, etsen

Brussels, Deman, Edmond, Paris, Becquet, France, Redon, Odilon, La damnation de l'artiste, The condemnation of the artist, verso bottom center - stamped, Two heads with wings and a small figure in a cloak. The print was made as an illustration for the title page of the book 'La damantion de l'artiste'., print, prints, height 191 mm, width 122 mm, French, 1840-04-22 - 1916-07-06, print maker, printmaker, 1889 - 1889, fourth quarter 19th century, chine collé, lithography (technique), printer, printer's, Publication (Event), Publication, publisher

William Blake, The Circle of the Falsifiers Dante and Virgil Covering their Noses because of the st, 1827 The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st

Landscape and Animals. Charles Émile Jacque; French, 1813-1894. Date: 1846. Dimensions: 45 × 77 mm (image); 60 × 92 mm (chine); 310 × 449 mm (sheet). Etching on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sacred Sara van Libya as a recluse, Anonymous, After Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1590 - 1662 print paper engraving female saints. anchorite, hermit

Albert Besnard, Indifferent (Indifférente), 1900 Indifferent (Indifférente)

Illustrates the Battle of Cividale during Emperor Maximilian I's campaigns, depicted on wooden sticks between 1514 and 1516.

'Folly of Fear' from the 'Disparates' (Follies / Irrationalities) ca. 1815-19 (published ca. 1848) Goya (Francisco de Goya y Lucientes) Spanish From the posthumous printing before the plates are cleaned c. 1848. 'Folly of Fear' from the 'Disparates' (Follies / Irrationalities) 333834

Ridder on horseback, Antoon Derkinderen, 1869 - 1925 print The man has a sword in his hand. Left in the background a city gate. On Verso a proof of an advertisement for the book 'Before the Reform' by Pieter Vergers. paper riding a horse, ass, or mule; rider, horseman. hacking and thrusting weapons: sword. city-gate

Wooden stick artwork by Leonhard Beck depicting Sanctus Goericus, a saint connected to Emperor Maximilian I's family, created in 1517.

SINBAD AMONGST THE SERPENTS in the valley of Diamonds. BY GUSTAVE DOR. Dore, 1832 - 1883, French. 1870, Art, Artist, romanticism, colour, color engraving, arab, arabian, arabic, mythology

Le Chapeau Épinglé (The PinnedHat). Artist: Pierre-Auguste Renoir, French, 1841-1919

Edgar Degas (French, 1834 - 1917), Dancers in the Wings (Danseuses dans la coulisse), c. 1877, etching, aquatint, and drypoint

'The Strugglers' , Parks, Couples, Love, Night. George Bellows (1882-1925). Prints and Drawings

Trees and Wall in the Garden of the Asylum. Date: October 1889, Saint-Rémy-de-Provence. Dimensions: 30.3 cm x 20.7 cm. Museum: Van Gogh Museum, Amsterdam. Author: VINCENT VAN GOGH.

Im Schweren Feuer, chart 11. Wetteroth, Heinrich (Monachium ; zakład graficzny ; fl. 1860-1925), printing house, Erler, Erich (1870-1935), engraver, Verlag von P.H. Beyer & Sohn (Lipsk ; wydawnictwo ; 1897- ), publisher

Les camelots de la pensee (proof forcover). Artist: Maurice Delcourt, French, 1879-1916

Illustrations for the Poems of André Chénier: XXIV, c. 1905. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Hanging garden, 1924, England, by Paul Nash. Gift of Rex Nan Kivell, 1953.

Etching by Rembrandt van Rijn, created in 1654, titled 'The Circumcision in the Stable', depicting the biblical scene of Christ's circumcision in a stable setting with flat tonal rendering.

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