Mermaids and Surrealism

Artistic etchings featuring mermaids and surreal scenes, blending fantasy with detailed illustrations in a dreamlike underwater setting.

Macbeth and Banquo meet the three witches, Johannes Josephus Aarts, 1881 - 1934 print Bottom left Macbeth and his friend Banquo, at the top right of the three witches who have predictions in store for each of them. paper. chalk Macbeth. groups of witches

Frühlingsanfang, from the series "Radierte Skizzen" n.d. Max Klinger German. Frühlingsanfang, from the series "Radierte Skizzen" 384455

Jacques de Gheyn III, Fantastic Heads, 1638 Fantastic Heads

Le mort du vagabond , Death, Tramps, Trees, Alphonse Legros (1837-1911)

The Snark WAS a Boojum... Date: First published: 1876

The So-Called Stables of Maecenas at Tivoli n.d. Louis Chaix French. The So-Called Stables of Maecenas at Tivoli. Louis Chaix (French, Marseilles 1740-1811 Paris). n.d.. Black chalk. Drawings

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The Adoration of the Shepherds. The adoration of the shepherds has often been depicted in graphic art. Rembrandts version is exceptional for the extreme rendering of the nocturnal gloom in the stable. To achieve this velvety darkness, he successively reduced the light in subsequent states. In this impression, he intensified the shadow around Joseph, so that only his book and the faces of Mary and the Christ Child are still illuminated.

Interior with vaults and small window with Liège, Jonkheer Isaac Lambertus Cremer van den Berch van Heemstede, 1821 - 1879 print paper etching vault ~ architecture

Paul Gauguin, At the Black Rocks (Aux roches noires), in or after 1895 At the Black Rocks (Aux roches noires)

Earth. Dated: 1863. Dimensions: plate: 14.6 x 16.5 cm (5 3/4 x 6 1/2 in.) sheet: 26.7 x 36.2 cm (10 1/2 x 14 1/4 in.). Medium: etching and drypoint on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Jules-Ferdinand Jacquemart.

Bedding Down Aboard the Botin or Night on the Boat 1862 Charles-François Daubigny. Bedding Down Aboard the Botin or Night on the Boat. Charles-François Daubigny (French, Paris 1817-1878 Paris). 1862. Pen and ink on tracing paper, redrawn in graphite on verso. Drawings

Bookplates. Artist: Heinrich Vogeler, German, 1872-1942

Grounded Boat. Marcel Gromaire; French, 1892-1971. Date: 1928. Dimensions: 175 × 236 mm (image/plate, sheet); 197 × 253 mm (sheet, sight). Etching and drypoint in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

KINTARO WORSTELEND MET KARPER, UTAGAWA KUNIYOSHI, 1834-1838 print Nude muscular boy, Kintaro, also known as Sakata Kaidomaru, struggling with a huge carp under a waterfall. Print of the line block. Japan paper wrestling (sport). bony fishes: carp

Study sheet with a fisherman carrying a large net. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 243 mm × w 132 mm. Museum: Rijksmuseum, Amsterdam.

The Deluge, from Illustrations of the Bible 1831 England. Mezzotint in black on ivory wove paper . John Martin

Apocalypse de Saint-Jean Odilon Redon (French, 1840-1916). Apocalypse de Saint-Jean, 1899. Lithograph on China paper laid down, 12 3/16 x 8 7/16 in. (31 x 21.5 cm). European Art 1899

Forge with the White Horse Made 1900 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

Temptation ca. 1850 Célestin Nanteuil. Temptation. Célestin Nanteuil (French (born Italy), Rome 1813-1873 Bourron-Marlotte). ca. 1850. Lithograph. Prints

Paul Gauguin, Maruru (Thank You), 1894 1895 Maruru (Thank You)

The Buddha (Le Buddha). Dimensions: 59.9 cm x 43 cm, 31.7 cm x 25.1 cm, 31.7 cm x 25.1 cm. Museum: Van Gogh Museum, Amsterdam. Author: ODILON REDON.

From a series of illustrations at F. Rabelais, Gargantua and Pantagruel., 'Brother Johan' in the vineyard, draughtsman: Henk Henriët, , 1939, paper, h 326 mm × w 346 mm

Hämäläinen, Väinö, Portrait of painter Otto Valstad, 1902, oil on canvas, painting, keywords: portrait; man; Valdstad, Otto; artist; full body image; easel; palette; brush; painting; hat; overcoat, 43 cm x 29.5 cm

William Blake, The Circle of the Lustful Paolo and Francesca, 1827 The Circle of the Lustful: Paolo and Francesca

Under the Flowers (Sous les Fleurs), published 1897. Imprimerie Champenois, : L'Estampe moderne, Edmond François Aman-Jean (French, 1858-1936). Color lithograph; image: 35.1 x 27 cm (13 13/16 x 10 5/8 in.); sheet: 39.8 x 30.6 cm (15 11/16 x 12 1/16 in.).

Bliżej Kultury Rembrandt van Rijn (1606 1669), H. Kleinmann & Co Haarlem

River face in a city at night, Egide François Leemans, 1849 - 1883 print paper etching night. moonlight. bridge in city across river, canal, etc.

Te kotuku rerenga tahi (The heron of single flight) prints, wood engravings, works on paper

Woman with trumpet, floating on clouds, Leo Gestel, 1891 - 1941 drawing paper. deck paint. ink. pencil pen flying - AA - female human figure. horn, trumpet, cornet, trombone, tuba

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 21 (Bentley 16), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

Latenay, Gaston de, work, Ghost ship, etching, graphics, plate width 17.7 cm, plate height 18, 5 cm, leaf width 29.5 cm, leaf height 22.5 cm, image width 17 cm, image height 17.7 cm

Children's games (little dumplings and spectacle); Geoffroy, Jean (1853-1924); 1890-1900 (1890-00-00-1900-00-00);

After the Bath II (Après le Bain II) Edgar Degas (French, 1834-1917). After the Bath II (Après le Bain II), 1891-1892. Lithograph with black oil-based printing ink, Sheet: 11 7/8 × 8 3/4 in. (30.2 × 22.2 cm). European Art 1891-1892

Portrait of Vincent van Gogh on his deathbed, Paul Ferdinand Gachet, in or after 1890 print paper etching historical persons. portrait, self-portrait of artist

Coming in , Wading. Charles H. Woodbury (1864-1940). Prints

Brussels, Deman, Edmond, Paris, Becquet, France, Redon, Odilon, Temptation of Saint Anthony, Tentation de Saint-Antoine (1), ...et un grand oiseau, qui descend du ciel, vient s'abattre sur le sommet de sa chevelur, And a large bird, descending from heaven, perches on the crown of her hair, verso bottom center - stamped, A bust of a woman. Behind her head a bird comes flying. Third print of ten from the first series of illustrations for Gustave Flaubert's The Temptation of Saint Anthony., print, prints, height 191 mm, width 160 mm, height 442 mm, width 310 mm, French, 1840-04-22 - 1916-07-06, print maker, printmaker, 1888 - 1888, fourth quarter 19th century, chine collé, lithography (technique), printer, Publication (Event), Publication, publisher

Ko with a trolley; W Sowicz, Wac Aw (1891-1942); around 1925 (1920-00-00-1930-00-00);

A way of flying, Francisco de Goya, 1864 print Men with wings on their backs that they operate with hands and feet through ropes. On their head a hat in the form of a bird head. From a series of eighteen prints. print maker: Spainpublisher: Madrid paper etching / drypoint adult man. flying

Mystical Shore. Artist: Edvard Munch (Norwegian, Løten 1863-1944 Ekely). Dimensions: Plate: 14 11/16 × 22 1/2 in. (37.3 × 57.1 cm)Sheet: 19 in. × 26 3/8 in. (48.3 × 67 cm). Date: 1897. Museum: Metropolitan Museum of Art, New York, USA.

A figure, seen from the front, wearing a headscarf Behind the head a radiant sun Twelfth print of twenty-four from the third series of illustrations for Gustave Flaubert's The Temptation of Saint Anthony, Intelligence was mine I became the Buddha L'intelligence fut a moi! Je devins le Buddha! Tentation de Saint-Antoine 3 Temptation of Saint Anthony , print maker: Odilon Redon, (mentioned on object), printer: Blanchard, publisher: Henri Louis Ambroise Vollard, print maker: France, printer: Paris, publisher: Paris, 1896

Ballancourt la nuit. Jasiński, Feliks Stanisław (1862-1901), graphic artist, unknown, printer of graphic prints

After the party. A wavy on the sidewalk, or in the gutter lying woman after a party.

Jean Baptiste Pillement, Fanciful Flowers and Bugs Fanciful Flowers and Bugs

Genius. Dated: 1865-1895. Dimensions: sheet: 32.86 × 24.77 cm (12 15/16 × 9 3/4 in.). Medium: pen and black ink over graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: WILLIAM HOLBROOK BEARD.

Lithograph by Odilon Redon from 1895 depicting the Buddha, printed on rolled Chinese paper.

Je Reve. André Masson; French, 1896-1987. Date: 1975. Dimensions: 665 × 504 mm. Color lithograph on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Dead Toreador (Torero mort) Édouard Manet (French, 1832-1883). The Dead Toreador (Torero mort), 1868. Etching and aquatint on laid Van Gelder Zonen paper, 5 15/16 x 8 11/16 in. (15.1 x 22 cm). European Art 1868

Still Life, Fish William Merritt Chase (American, 1849-1916). Still Life, Fish, 1912. Oil on canvas, 31 7/8 x 39 7/16 in. (81 x 100.2 cm). Late in his career, William Merritt Chase took to painting dramatic still lifes of fish, often staging the process as a demonstration or performance for studentsin this case for his American students while in Bruges, Belgium, and for the Brooklyn Museum’s then-director William H. Fox, who recorded the artist’s bravura method for posterity. Drawing on his Munich training (in the 1870s), and its emphasis on the high tonal contrast and vigorous brushwork exemplified by Dutch and Spanish Baroque art, Chase painted quickly, “wet into wet” (brushing wet paint into wet paint), beginning with a base preparation of silvery white and blue tones. Identifying the brightest passage at the outset, Chase then worked up the darks and lights simultaneously. Here that bright area is the upturned belly of the skate, or ray, described with layer after layer of milky,

And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10. Odilon Redon; French, 1840-1916. Date: 1888. Dimensions: 190 × 159 mm (image/chine); 432 × 311 mm (sheet). Lithograph in black on ivory China paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Shallow water , Nudes, Wading, Seas. Charles H. Woodbury (1864-1940). Prints

Sailing by Moonlight. Painting. Oil on canvas. Height: 12.13 mm (0.47 in); Width: 14 mm (0.55 in). Author: Albert Pinkham Ryder.

I Plunged into Solitude. I Dwelt in the Tree behind Me, plate 9 of 24. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 300 × 227 mm (image); 301 × 225 mm (chine); 520 × 348 mm (sheet). Lithograph in black on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Promenade d'hiver. Jasiński, Feliks Stanisław (1862-1901), graphic artist

An Early Riser. Francis Seymour Haden; English, 1818-1910. Date: 1897. Dimensions: 220 × 293 mm (image/plate); 260 × 329 mm (sheet). Mezzotint on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Edouard Vuillard, La Vie muette, 1894 La Vie muette

Jager attacks a crocodile in a river, F. Ockerse, in or before 1936 drawing A New Guineese hunter is in a river. He has a spear in his hand, with which he wants to put a crocodile that floats with open mouth next to him. paper. paint (coating). watercolor (paint). pencil brush hunter. casting weapons: spear. crocodiles: crocodile. river

The Monkey, from Histoire naturelle. Pablo Picasso (Spanish, 1881-1973); written by Georges-Louis Leclerc, comte de Buffon (French, 1707-1788); published by Martin Fabiani (French). Date: 1936. Dimensions: 275 x 220 mm (image); 369 x 275 mm (sheet). Aquatint and sugar lift etching with scraping and drypoint on copper in black on off-white laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

The Bathers (Large Plate). Dimensions: image: 41.5 x 51 cm (16 5/16 x 20 1/16 in.) sheet: 48.2 x 62.9 cm (19 x 24 3/4 in.). Medium: colored lithograph. Museum: National Gallery of Art, Washington DC. Author: PAUL CEZANNE.

Le Satyre au cynique sourire (The Satyr with the cynical smile). Dated: 1883. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon.

'Dans les Cendres', c1870-1930 (1924). Artist: Paul Albert Besnard

Japan: 'Jaimini', watercolour painting ob board by Shigeru Aoki (1882-1911), c. 1903 CE, Ishibashi Museum of Art, Kurume

Design for illustration in the Amsterdammer: A black man crawls from an egg (April 19, 1930), Johan Braakensiek, 1930 drawing Design for a print. paper. deck paint. chalk brush political caricatures and satires

Washing Beneath the Trees, Loguivy. Henri Rivière; French, 1864-1951. Date: 1894. Dimensions: 354 × 230 mm (image); 532 × 354 mm (sheet). Color woodcut in 10 colors on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, USA.

Three whooping horns, print maker: Frederik Willem Zürcher, (mentioned on object), Netherlands, 1845 - 1894, paper, etching, h 149 mm × w 246 mm

N'y a-t-il pas un monde invisible from the series Le juré. Dimensions: 44 cm x 31.6 cm, 22.3 cm x 16.8 cm, 22.3 cm x 16.8 cm. Museum: Van Gogh Museum, Amsterdam. Author: ODILON REDON.

Ferdynand Ruszczyc (1870-1936), Old Dom, 1903 (currently a picture at the National Museum in Warsaw); Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939); 1908 (1908-00-00-1908-00-00);

Small Street on the Outskirts of Florence with Puppy. Giovanni Fattori; Italian, 1825-1908. Date: 1870-1875. Dimensions: 96 x 147 mm (plate); 231 x 313 mm (sheet). Etching and aquatint, from a zinc plate, in black on ivory wove paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo65. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Artwork: "Dead British Pilot on a Beach", Artist: Schmidt-Effenberger. Country: Unknown

Colloque sentimental by Paul Verlaine. Dimensions: 54.5 cm x 36.2 cm, 31 cm x 22.6 cm, 28.8 cm x 21.2 cm. Museum: Van Gogh Museum, Amsterdam. Author: Auguste Lepère.

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