Militaria and Historical Events

Lithographs depicting significant military events and cultural ceremonies, showcasing historical moments in a dramatic and detailed narrative style.

The demolition of Jerusalem (Illustration 14 in: Cesar Cantu, History Powszechny, Warsaw 1853, Volume III, p. 487); Unknown, Orgelbrand, Samuel (Warsaw; Publisher, printing house; fl. 1836-1919); 1853-1854 (1853-00-00-1854-00-00);

Champ of May by Napoléon 1er May 1815. (Ti)

Revue on the day of the birth festival Sr, Majestät, April , Emperor Ferdinand I, Franz Kollarz Kolář -, Lithographer, Johann Rauh -, Printer, Leopold Theodor Neumann -, publisher

The demolition of Jerusalem (Illustration 14 in: Cesar Cantu, History Powszechny, Warsaw 1853, Volume III, p. 487); Unknown, Orgelbrand, Samuel (Warsaw; Publisher, printing house; fl. 1836-1919); 1853-1854 (1853-00-00-1854-00-00);

Florentino Decraene (Lithographer) (After Velázquez, Diego Rodríguez de Silva y); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Surrender of Breda'. 1829 - 1832. Lithographic aquatint, Crayon lithography, Scraper on wove paper; 1829 - 1832. Lithographic aquatint, Crayon lithography, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Eisele and Beisele , lead liguorians and police spy to Frankfurt to give the fifties committee a gift, Cartoon, Johann Höfelich -, publisher

Stalinterieur of an inn, Carel Christiaan Antony Last, After Philips Wouwerman, 1837 - 1853 print Horses are redeemed or prepared for departure. On the left, a man climbs the hayloft. On the right two boys run after a goat, one of them falls to the ground. The Hague paper. stall, stable. hotel, hostelry, inn. horse. goat. falling

Entrance of Charles VII in Paris. (IT)

Napoleon Bezoekt from Zieken in Jaffa, François Louis Cuté, After Jean Dupplessis -Bertaux, 1799 - 1849 print paper etching historical persons. visiting the sick in hospital. revolution, revolt Jaffa

Abimelech killed by a millstone and Jefta's daughter receives her father, Jacob Folkema, 1791 print Two Biblical performances from RI. 9 and 11. Abimelech killed by a millstone, and Jefta's daughter receives her father on his return from the battlefield. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 40. publisher: Amsterdampublisher: Dordrecht paper etching Abimelech is struck on the head by a millstone thrown by a woman. Jephthah's daughter dances with tambourines to meet her father on his return from the battle; Jephthah rends his clothes in despair

Arrival and reception of the laws of Pressburg on the night of March to , in Vienna, Franz Kollarz Kolář -, Lithographer, Johann Rauh -, Printer, Leopold Theodor Neumann -, publisher

The conquest of tabor, Leopold city and the Pass Bridge over the Danube by the Turks; 't conquering and ruining tabor, Leopold city and the Donauer pass bridge through the Turks. The conquest of Tabor, Leopold city and the Pass Bridge over the Danube through the Turks. This print is no. 3 in a series of prints for 'Relation Succote et Veritable De Tout Ce Qui S'est Passé Pendant Le Siege De Vienne etc.'

Ludwig Xviii., King of France.

Etching by Jan Luyken from 1721-1778 showing Abraham and Lot separating, depicting figures, gestures, landscape, and animals.

Collecting hunting company for a house, Jean Moyreau, After Philips Wouwerman, 1746 print Numbered below: 51. print maker: Francepublisher: ParisFrance paper etching / engraving Assembly, 'Departure for hunting'

Etching by Georg Kaspar Prenner depicting Pietro Farnese moving triumphantly in Florence in 1362.

Parisian Week (IT)

The Mabille Ball.

The German Reichstag MP Robert Blum , In the Brigittenau near Vienna on November , Leo von Elliot -, Lithographer, Carl Knatz, Printer, Reinhold Baist, publisher

Exclusion of the constitution on March , Franz Kollarz Kolář -, Lithographer, Johann Rauh -, printer

Pastimes. Victor Adam (French, 1801-1866); after Carle Vernet (French, 1758-1836). Date: 1831. Dimensions: 266 × 232 mm (image); 362 × 275 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Victor Jean Adam.

Arrival of the Comedians Artist's working dates 1706-1755 France. Etching on paper . Jean-Baptiste Oudry

Print, LA GRANDE FOIRE; Print Maker: Jacques Bacheley (French, 1712 - 1781); After Hubert-François Gravelot (French, active England, 1699 - 1773); Published by François Chéreau, the younger (French, 1717 - 1755); France; etching on paper

Arrival of Lodewijk XVI in Paris on July 17, 1789, François Louis Couché, after Jean Michel Moreau, 1792 - 1849 print paper etching historical persons. king. revolution, revolt Paris

Copper engraving by Aegidius Sadeler the Younger, 1580-1590, depicting scenes from the biblical story of Saul and David, including figures, gestures, and narrative elements.

The king received by the Mayor of Paris Bailly, at the Bonhommes Barrier (Conference), July 17, 1789, current Passy Quay, 16th arrondissement. (Factitious title)

Public distribution. (dummy title) | Caricature boards 1831. (title of all)

The Arrival of His Royal Highness The Duke of Bordeaux at Chambord 1821 Jean-Baptiste Isabey French J.B. Isabey portrays a crowd gathered on a public square in Chambord and celebrating the arrival of the infant Duke of Bordeaux, with a procession of girls carrying flowers and presenting them to the boy, who is held by a woman while his mother, the Duchess of Berry, is getting off a carriage which is standing under a canopy decorated with flowers. In the right foreground, street-traders sell food and drinks; in the background, one can see the chteau of Chambord.. The Arrival of His Royal Highness The Duke of Bordeaux at Chambord. Jean-Baptiste Isabey (French, Nancy 1767-1855 Paris). 1821. Lithograph; only state. Prints

Exclusion of the constitution on March , Franz Kollarz Kolář -, Lithographer, Johann Rauh -, printer

Copper engraving and etching by Jacques Firmin Beauvarlet around 1759 depicting 'The tulip will', showing figures, interior details, and document handling.

James Mitan, 1776-1822, British, Designs for the Great Room of the Society of Arts (4 of 1 sheet), 1808. Engraving.

"After, in came the body of guards armed with terrible stings" from Scenes from the Private and Public Life of Animals ca. 1837-47 J. J. Grandville. "After, in came the body of guards armed with terrible stings" from Scenes from the Private and Public Life of Animals. Scenes de la Vie Privèe et Publique des Animaux. ca. 1837-47. Wood engraving. Andrew Best Leloir (French). Prints

Enforcement of the judicial judgments, including Messhauser on November , No, from, Vaterland picture chronicle from the history of the Austrian imperial state , After, Anton Ziegler -, drawer

Rachel is on hidden idols, Edouard Taurel, after Jan Havicksz. Steen, 1834 - 1892 print Rachel has hidden idols in a camel saddle and sits on it, while Laban searches everything. Imagination of Gen. 31: 34, mistakenly on the print as Genesis 35. Amsterdam paper etching Rachel hides the teraphim in a camel's saddle and sits on it

The soul fishing, to the painting by Adriaen Pietersz. Van de Venne, 1614. De Soul fishing: Allegory on the zealism of the various religions during the twelve-year file between the Dutch Republic and Spain. In a river landscape there are large groups of people on both shores of the river, on the water are some rowing boats. A rainbow on the horizon. On the left side the Protestants and their supporters, the Princes of Orange, Maurits and Frederik Hendrik, Frederik V of the Palatinate, Jacobus I, king of England and the youthful Louis XIII, king of France with his mother Maria de "Medici. In the boat in the foreground, the Protestant fishermen are located, their nets are marked with Fides, Spes and Charitas. On the right side are the Catholics and their supporters: The Archdukes Albrecht and Isabella, General Ambrosio Spinola and the Pope carried by cardinals. In the Catholic boat fish priests led by a bishop. Copy to the painting.

Event of February 8, 1790 // After the execution of the two brothers agasse, their bodies / are returned to their families. (IT)

The Stadtholder Willem V and Princess Wilhelmina van Prussen say goodbye to the magistrate of Amsterdam at De Herberg De Reports at the outdoor list, 4 June 1768. Part of a print series with title print and 14 plates of the prince and princess in Amsterdam, 30 May - June 4, 1768.

Les Plaisirs du Carnaval Honoré Daumier (French, 1808-1879). , January 30, 1845. Lithograph on newsprint, Sheet: 9 5/8 x 14 3/8 in. (24.4 x 36.5 cm). European Art January 30, 1845

The return of work Victor Geruzez, said Crafty (1840-1906). "The return of work". Photomechanical printing. 1875.

I too served ... white beak! / N � 2 (title registered) | Sixth lithographic album 1826 (IFF 44) (set of all)

Totille taken on July 14, 1789. (IT)

Scene picture from Adelheid, the persecuted Wittib or the good-natured dungeon, parody of Nestroy theatrical picture gallery for the theater newspaper, nd year, No, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

After Winslow Homer, News from the War, 14 June 1862, wood engraving on newsprint.

The king received by the Mayor of Paris Bailly, at the Bonhommes Barrier (Conference), July 17, 1789, current Passy Quay, 16th arrondissement. (Factitious title)

Napoleon is attacked by a man with a dagger in a Roman temple; L'Infetto Stuol Grida, Minaccia, E, Cielo! Un sacrilego accial (...); Illustrations at Melchiore Cesarotti poem pronea, apology for Napoleon Bonaparte; La Pronea del Cesarotti Delineata Ed Incisa Dal Matteini. Under the show a versitive in Italian. Print is part of an album.

King Louis XVI of France bids his farewell to the people of Paris while ascending the stairs to the scaffold where he was guillotined on the 21 January 1793. Aquatint with engraving by C. Silanio after C. Benazech, 1793.

Monument consacré a la posterité en memoire de la folie incroyable de la XX. année du XVIII. siecle Monument erected for posterity in memory of the unbelievable madness of the 20th year of the 18th century. 1720. Picart, Bernard, 1673-1733. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Sun King Anointing a Bound Couple, from August von Kotzebue's Die Sonnenjungfrau. Artist: Franz von Hauslab the Younger (Austrian, Vienna 1798-1883). Dimensions: sheet: 13 5/8 x 11 13/16 in. (34.6 x 30 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

View of festivities in a port with Galechepen, Jacques Rigaud, 1720 - 1754 print paper etching / engraving shipyard, shipdock. trireme, galley Marseille

Cartoon to the plans of Thorbecke to eliminate the Utrecht University of Applied Sciences, 1863; A battle between two powerful elements. Cartoon on the plans of Minister Thorbecke to eliminate the Utrecht University of Applied Sciences, 1863. Central to the Utrecht University of Applied Sciences as a castle defended by a number of professors (Opzoomer, Miquel, Mulder etc.). Led by Prof. dr. Vreede makes a group of students a failure against a monster (Thorbecke). In the Slotgracht a number of boats with students and professors (Harting, Hoek, Millies). From the hand, audience admits. Plate from the student almanac of the Utrechtse Hogeschool van 1863.

Chateau de Nantes, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and engraving

Copper engraving and etching by Lambert Lombard depicting Esther before King Ahasuerus, created between 1520 and 1700.

The departure for Vienna de la Princess Marie-Thérèse-Charlotte daughter of King Louis XVI (IT)

A carnival procession with horses, wagons, puppets and masks passes through a street in Paris, Carnival procession Le carnaval Places in Paris Promenades dans Paris Paris , print maker: Victor Adam, (mentioned on object), printer: Joseph Rose Lemercier, (mentioned on object), publisher: Giraldon-Bovinet & Cie., (mentioned on object), print maker: Paris, printer: Paris, publisher: Paris, publisher: London, 1829, paper, h 265 mm - w 358 mm

Louis Philippe / At City Hall in 1830. (IT)

The spirit of the blessed wind turbine at the Honved group, Göschl, realization

Taken from the city hall instead of strike. (IT)

Catastrophe (IFF 152) (registered title)

Chmielnicki, showing the corpse of his killed son to his compatriots, calls for revenge". Polkowski, Józef Tadeusz (1820-1895), draughtsman, cartoonist

Translation of the ashes of the emperor Napoleon to the invalids (IT)

Allegory of Student Life, Anonymous, 1822 - 1845 print At the top left under the word 'tea' drink figures, seated in a circle, tea. Only a figure has a head, the others not. In the middle of a firefight in the forest. Below that: 'herb'. Wooden dolls at the top right for a desk. Above the word 'ink'. In the middle Chronos with the word 'Varia'. Below that a figure at the breakfast table with the words 'before afternoon'. To the left of the middle the word 'soup'. A man pours soup into a colander under which a group of figures take care of it. To the right of that a man and woman in a room with the words: "having the dangerous of a Mediens in the room." On the right a fantastic and repeating figure for a carriage with the words: 'an effect of perspective'. In the middle of a black sky with the words: 'night before the exam'. At the bottom left a police officer and a student who drank his parents' wakes up. Dordrecht paper student life. student room. party (students). Father Time, man w

The French value makes Ferdinand his crown. (TF)

Illustrated newspaper article A Viennese Fiaker stand years ago, After, Joseph d, Lanzedelly Lanzedelli -, drawer

Santa Claus in Camp (published in Harper's Weekly, January 3, 1863). Artist: Thomas Nast (American (born Germany), Landau 1840-1902 Guayaquil). Dimensions: Image: 10 3/4 × 9 1/8 in. (27.3 × 23.1 cm)Sheet: 17 1/4 × 14 1/8 in. (43.8 × 35.9 cm). Date: 1863 ().Nast's image was published in the 1862 Christmas issue of Harper's Weekly, during days filled with both trials for the Union and rising hope. Santa Claus has arrived by sleigh in a Union army camp to distribute gifts. This was the moment that Nast conceived and introduced our modern image of Santa Claus. Combining European traditions of St. Nicholas with folk images of elves from his native Germany, he created the jolly gift-giver now associated with Christmas that here offers cheer to soldiers far from home. He distributes boxes of necessities such as warm socks, copies of Harper's Weekly, and entertains the crowd with a jumping jack dangling from a noose, its chest lettered "Jeff" in reference to the Confederate President Jeffer

Entry from Maurits in The Hague, 1594. Festive entry of Prince Maurits in The Hague After the conquest of Groningen in 1594. The prince rides on horseback the streets of the city.

Destruction of the emblems of the restoration. (IT)

Wood The revolutionary after the escape of Emperor Ferdinand to Innsbruck on May , Horegschy Horegsy, Printer

Scene on March , at the country house in Vienna, Joseph Albrecht, lithographic, Hüffel, Printer, Zöller, Publishing House

Poor blind Auguste Desperet (1804-1865). Press cartoon. "Poor blind". Board published in "caricature" of June 13, 1833. Lithography. Paris, House of Balzac.

Etching by Pierre Laurent depicting cattle being transported on water, showing animals, boats, handlers, and 18th-century rural and river activity.

Next drop of the girl in Target (IT)

Portus Pontis nigri; in the foreground, a statue of Hercules in a small temple.. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), draughtsman, cartoonist

Generosity (IT)

A black pen composition by Josef Abel for a canvas depicting a plague theater scene, gray lavated with deck white highlights, created in 1810.

"My Burial" from The Complete Works of Béranger 1836 J. J. Grandville. "My Burial" from The Complete Works of Béranger. Oeuvres complètes de Béranger. 1836. Wood engraving. Fournier & Perrotin (French). Pierre François Godard (French, Alençon 1797-1864 Alençon). Prints

Hekuba discovers the body of Polydorus, Johannes or Lucas van Doechum, after Gerard van Groeningen, c. 1605 - 1652 print Under the show the text from the metamorphoses of Ovidius, book 13, Versrules 533-536. The body of Polydorus, on the right in the water, is cut out of the print. The caption has been adjusted: 'Hecuba' has been made with 'Hedubat' or 'Heclubat' pen, the word 'Anili' has also been adjusted. Numbered in the bottom right: 11. print maker: Antwerpafter design by: Antwerppublisher: Amsterdam paper. ink etching / snipping / pen Hecuba finds her dead son Polydorus on the sea-shore

Etching by Jan Luyken, 1721-1778, depicting the reconstruction of Jerusalem, showing buildings, workers, city walls, and urban landscape.

. At the Binnenhof in The Hague, the guard with a shameful banner at which a gallows has been applied to the Dutch lion, 18 February 1787.

In Inglostadt, a man without arms with his toes holds a beer jug and a glass, 1628 / Tolhuis in Lyon is looted in response to raised excise duties, 1625 / jumping a mine during the siege of Ober-Ehenheim (Obernai), 1636 / during Very thunderstorms the Kruittoren van Rheinberg flies in the air, 1636, Caspar Luyken, 1698 print Uncuted leaf with four prints. Amsterdam paper etching disabilities, deformations. acrobat ~ circus. plundering ~ riot. land-mines, mine-field. vineyard. thunderstorm. gunpowder disaster Ingolstadt. Lyon. Obernai. Rheinberg

The moment of universal hilarity ... (IT)

'Scene from Roman History'. The Netherlands. The Netherlands, 1540-1560. Dimensions: 15x27 cm. Museum: State Hermitage, St. Petersburg. Author: LAMBERT LOMBARD.

Title Page, from A New Book of Horses and Carriages. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 5/16 × 14 3/4 in. (26.2 × 37.4 cm)Plate: 9 13/16 × 13 11/16 in. (25 × 34.7 cm). Published in: London. Publisher: E. Jackson (London). Series/Portfolio: A New Book of Horses and Carriages (The Rhedarium). Date: 1784. Museum: Metropolitan Museum of Art, New York, USA.

THE SHAH OF PERSIA (IRAN) IN PARIS FRANCE 1873, I. ARRIVAL OF THE SHAH THE PLACE DE L'ETOILE-2. THE PETIT-BOURBON PALACE, RESIDENCE OF THE SHAH-3. THE SHAH VISITING NOTRE DAME-4. THE SHAH VISITING THE AQUARIUM OF THE ACCLIMATISATION GARDENS-5. AT THE ACCLIMATISATION GARDENS THE SHAH AND THE LITTLE GIRL-6. THE TORCHLIGHT PROCESSION

Aeneas lands in Carthage, Jean Lepautre, 1628 - 1682 print paper etching the meeting of Aeneas and Dido; when he approaches her throne, the cloud enveloping him and Achates vanishes

Print (France)

The Żaków output from Krakow in 1549; Łopieński, Ignacy (1865-1941), Matejko, Jan (1838-1893); 1897-1898 (1897-00-00-1898-00-00);

De Maas for Rotterdam in 1838. ISSprent on the frozen Maas at Rotterdam, January 1838. At the print, a separate message is one of the institution.

Outline etching on paper from around 1815-1820 depicting Emperor Franz I of Austria receiving the keys of a city, showing figure, ceremonial action, and urban background.

Cartoon on the deception of the C. de Bruyn & Zonen, 1834; Steam balance. Cartoon on the deception with a false scale of the company C. de Bruyn & Zonen, 1834. The company owned the first steam sugar refinery to the Lijnbaansgracht in Amsterdam. On January 8, 1834 they were caught using a balance sheet of which an arm was extended. Centrally the fake balance hanging on the steam clouds that come from the factory 'the five brothers' and on which crates with sugar are weighed. Right C. De Bruyn with his two sons. A Bible quote in the clouds.

Parliamentary sketches by Cham, Dupin forced to go and look for the lazy at the Champs-Élysées, Dupin obliged to confiscate the cases , Parlamentarische Skizzen von cham, Dupin Sieht Sich Nach Faulenzern Um, Dupin Konfiszierte Eigentum der Abgeordneten, Amédée Charles Henri de Noé , caricaturist

A Leaf Out of Nicholas Nickleby with Slight Variations - Nicholas quits the Company - Theatrical Emotion of Mr. Vincent Crummles. Artist: John Doyle (Irish, Dublin 1797-1868 London). Dimensions: Sheet: 11 13/16 × 17 7/16 in. (30 × 44.3 cm). Lithographer: Alfred Ducôte (British, active 1830-40). Publisher: Thomas McLean (British, active London 1788-1885). Series/Portfolio: HB Sketches, No. 582. Subject: Daniel O'Connell (Irish, Cahirciveen, Kerry 1775-1847 Genoa); Constantine Henry Phipps, 1st Marquess of Normanby (British, Whitby, Yorkshire 1797-1863 London); George William Frederick Howard, 7th Earl of Carlisle (British, 1802-1864); Hugh Fortescue 2nd Earl Fortescue, Viscount Ebrington (British, 1783-1861); Associated with Charles Dickens (British, Portsmouth 1812-1870 Rochester). Date: March 26, 1839. Museum: Metropolitan Museum of Art, New York, USA.

Suède, - Inauguration de la statue de charles XII, À Stockholm,

The Merz cheers on Josefsplatz on the cancellation of the censorship, Johann Höfelich -, publisher

Amsterdam, Schenk, Leonard, 't Aapenspel in de Werelt, Apenspel in de wereld, Apen op het ijs, verso - stamped, Apen op het ijs. Part of a series consisting of a title print with 16 unnumbered plates from ca. 1720 in which monkeys appear as people in all kinds of scenes from everyday life. Each print with a two-line verse in the caption., print, prints, Frederik Muller Historieplaten, height 164 mm, width 195 mm, Northern Netherlands, 1696-02-26 - 1767-06-11, print maker, printmaker, 1720 - 1720, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

Jean-Victor Adam, known as Victor Adam (1801-1866), French painter and lithographer. Album "Le Bien et le Evil", (Pl.68). Lithography, 19th century. Paris, Carnavalet museum. 78055-15 Album Le Bien et le Evil, rider, horse, drawing, man group, illustration, lithography, character, soldier, 19th 19th 19th 19th 19th 19th century, scene

Cartoon on the fire on a ball in The Hague, 1863, 1863 print Curious print on a ball held in a room of the drawing academy where fire broke out. Curtains go up in flames, on the right the death plays the violin. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 14, 4 April 1863. print maker: Netherlandsafter design by: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper on fire, ablaze. ball, formal dance

Foundation of Leiden Hogeschool, 1575; Senture-legged tablecloth of the transfer of the patent to the upcoming a high school in Leyden by Z.D.H. Willem I. Prince of Orange, etc. etc. to the ED: eightb: government of the city. Foundation of Leiden Hogeschool, 1575. Prince Willem van Oranje hands over the street for the town hall to the mayor of Leiden a leaf with the inscription Philips. For the town hall a crowd soldiers, members of city administration, etc.

Copper engraving by Giovanni Petrini showing the fall of Jericho, created around 1790, with figures, city walls, and biblical elements.

The intake of Regensburg on April , Friedrich Campe -, publisher

Invasion des wagons un jour ou l'on fait partir.... Honoré Daumier (1808-1879). Lithographs

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