Miracles and Religious Symbolism

Etchings capturing biblical miracles and significant events, featuring figures such as the Virgin Mary and Saint Anthony in dramatic scenes.

Adoration of the Kings, Jacob Matham, after Jacopo Palma, 1601 - 1652 print Amsterdam paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

The woman finds the host in the fire, 5; The Miracle of Amsterdam (copy), 1345. The woman picks up the intact host from the fire, in the background she shows the host and is stored in a coffin. Print No. 5 from the series of 16 performances of the Miracle of Amsterdam, to the events on March 15, 1345. Copies to the Bolswert series. Under the show in the album engraved a six-line verse in Latin, below a six-line verse in reference in Dutch.

GBOURTE Van de Higheway De Granius, Antonio Storm ,TER Nicciol Cought business Cerest Book, 1598 print The just born Antonius is washed by three midwives. In the background, Antonius's mother is in bed. In the foreground, a man gives money to beggars. Italian and Latin text in two columns in the lower margin. paper etching the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig

Adoration of the Kings, Jacob Matham, after Jacopo Palma, 1601 - 1652 print Amsterdam paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Covenant family makes gesturing gestures to a poor man asking for help.

Reapicity slave brought to the king; Parable of the marriarity slave; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. The marriarized servant stands in an open room for the throne of the king and must account for his behavior. His debts had lost him by the king, but then he had put another slave in prison, because it in turn was guilty of him. The king is evil because the slave has not shown as he has shown pity. On the table cash books and an ink set. In the foreground a dog. Under the show a reference in Latin to the Bible text in mat. 18:32. This print is part of an album.

Praying figures on the bed of a sick person, Jan Luyken, 1693 print Print at the top right marked: fol. 409. print maker: Amsterdampublisher: Rotterdam paper etching / letterpress printing visiting the sick; sick person together with others. one person praying

Christ for Kajafas; The passion. Christ is brought to the high priest kajafas. Kajafas is at an increase between two torches and tears his rug. Due to the gate, the fire is visible in the courtyard where Peter is sitting.

The Small Passion: Christ Washing St. Peter's Feet. Albrecht Dürer (German, 1471-1528). Woodcut;

The Last Supper, from The Small Passion n.d. Albrecht Dürer German. The Last Supper, from The Small Passion 387407

Parable of Lazarus and the rich man, Abraham de Bruyn, after Chrispijn van den Broeck, 1583 print Book illustration at the parable of Lazarus and the rich man (Luke 16: 19-31). The beggar Lazarus kneels in front of the house of a rich man. He begs for some food. The rich man only sends his two dogs to him to lick the man's swears. When both die Lazarus ends up in heaven, while the rich man has to burn in hell. Although the rich man begs for help, this is rejected. He should have offered help in his life time. The print contains a caption with a reference to the accompanying Bible passage. Antwerp paper engraving the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16:19-31). Lazarus' soul in Abraham's bosom. in hell Dives sees Lazarus in paradise; usually Dives pointing at his tongue

Christ Before Caiaphus, from The Passion of Christ (after H. Goltzius) 17th century Nicolas Cochin French. Christ Before Caiaphus, from The Passion of Christ (after H. Goltzius) 398275

Christ before Caiaphas, Anonymous, After Hendrick Goltzius, 1597 - 1667 print Christ is brought before the high priest Kajafas. Kajafas is on an elevation between two torches and tears his rug. Through the gate, the fire in the courtyard is visible where Peter is located. Netherlands paper engraving Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71)

The non and death; Dance dance. A non kneel for an altar and looks at a man who plays next to her on a lute. Death goes out a candle on the altar. On the ground is an enclosed hourglass.

Angel and kneeling monk pray at the altar where a priest dedices the hostie, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing angels. bread, Host. public worship and liturgy of the Christian churches

Baptism of betters, 1535. Meeting of the reciprocates in a house where the better is applied. Without the verse. No text on verso.

Worshiper of Shepherds ..

The Purification of the Virgin Mary 1590-ca. 1620 Anonymous. The Purification of the Virgin Mary. Anonymous. 1590-ca. 1620. Engraving. Justus Sadeler (Netherlandish, Antwerp ca. 1572/83-ca. 1620 Leiden). Prints

Haarlem, Matham, Jacob, Cesari, Giuseppe, Adoration of the Magi, verso lower left - stamped, Adoration of the Magi. Mary has the Christ Child on her lap. He blesses the three kings who kneel before him with gifts. In the sky the star of Bethlehem., print, prent, prints, engravings, height 414 mm, width 286 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1598 - 1601, paper, papier, engraving, engraving (printing process), Italian, 1568-02 - 1640-07-03, after, after painting by, Publication (Event), Publication, publisher

Worshiper of Shepherds ..

Adoration of the Shepherds, Jan Luyken, 1712 print Amsterdam paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Women examine their sheets on motholes; The Moth.

Presentation in the Temple. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Esau sells his first crosship to Jacob. .

Expulsion from the money exchangers from the temple; The little passion. Christ drives away the money exchangers and traders from the temple with a whip. A bank has fallen and coins lie on the ground. Print is part of a book.

Worship by De Herders, Anonymous, After Lucas Vorsterman (I), After Peter Paul Rubens, 1630 - 1702 print The shepherds worship the Christ child in the manger. Joseph is next to Maria. An old woman is in a kneeling position for the manger. Behind her three shepherds and a young shepherdin with a jug on her head. Rear right the proclamation to the shepherds. Under the show four four -line verses in Dutch and a reference to the Bible text in Luc. 2: 7. Amsterdam paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Ester accuses Haman during meals; History of ester; Historia Asuij (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. King Ahasveros and his official Haman are at the table at Ester. Ester accuses Haman from the planned murder of the Jewish people. In the background you can see how Haman then kneels at the Queen ester's bed and her begs around his life. King Ahasveros walks on the stairs and will accuse Haman of assault. On the left is through a door to see how Haman is hanged. Under the show a reference in Latin to the Bible text in EST. 7. Print is part of an album.

Last Supper; Life and passion of Christ; Dominicæ Passionis Mysteria Typicis AdvixBationalvs Adamussim Effigiata. Christ and his students around a table. Christ is in the middle and John leans against him. The rest is in conversation full of disbelief. The bread is on the table, Christ holds the mislift.

Teasing the frogs, mosquitoes and blades; History of Moses for the Exodus; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. In the foreground the second plague that God left over Egypt: a frog plague. A group of people sitting at the table with frogs everywhere. In the background the pharaoh is attacked by mosquitoes and blades. In the background Aaron with his staff and Moses. Under the show a reference in Latin to the Bible text in ex. 8: 1. This print is part of an album.

Worshiper of Shepherds.

. Christ at a table with two disciples. He is recognized because he blesses the bread. On the right in the foreground a kitchen where food is prepared. In the background left the two apostles and Christ traveling to Emmaus.

Albrecht Dürer, The Little Passion: Christ Washing the Feet of the Disciples, 1509-1511, woodcut on paper.

Lucas de Leyde (1494-1533). "Passion": 14 plates - 12. "The tomb" - BARTSCH 54. Chisel. 1521. Museum of Fine Arts of the City of Paris, Petit Palais. 73055-5 Religious art, bible, chisel, the way of the cross, dead Christ, Christianity, Pain, Dutch School, Stampe, Holy History, Religious Iconography, impression in brief size, Missing, Art, Passion of Christ, Biblical character, Biblical, biblical scene, 8th 8th 8th 8th 8th 8th arrondissement, 16th 16th 16th 16th 16th 16th century, engraving

Birth of Christ, Edme Jeaurat, After Peter Paul Rubens, After Lucas Vorsterman, 1717 print print maker: Francepublisher: Parispublisher: Paris paper etching / engraving adoration of the Christ-child ~ Christ's birth

Clam Regis thalamos iussis subir... Jeremiah speaks with king. Illustrations. 1674. Rare Book Division. Bible, Jeremiah (Biblical prophet), Zedekiah, King of Judah, 6th cent. B.C.

Lazarus begges in the house of the rich man, Johannes Wierix, After Bernardino Passeri, 1593 print Depart with the rich man and his company, partying at a richly filled table. Devils fly above the rich man's chair. The poor Lazarus is located on the floor near the door. Dogs lick are wounds. A servant threatens to hit him with a stick. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16:19-31)

Sacred Odilia Kneelt for Saint Erhard, Raphaël Sadeler (I), After Johann Mathias Kager, 1615 print The H. Odilia van Odilienberg is kneeling in front of the safe of St. Erhard, bishop of Regensburg. He blesses her. Next to her is a crippled beggar. The print has a Latin caption and is the twenty-two print of a 60-part series on the subject of the saints of Bavaria. München paper engraving / etching male saints (with NAME). Communion ~ Holy Mass. the Alsatian royal abbess Odilia of Hohenburg; possible attributes: baptismal font, cock, crown, eyes (on book or dish). person with a physical disability Bavaria

Joachims sacrifice is refused, Albrecht Altdorfer, c. 1506 - 1538 print Joachim puts a lamb on the altar in the temple, his wife Anna is behind him. The priest behind the altar refuses the sacrifice. Third print from a series of forty. Germany paper Joachim's and Anna's sacrifice refused

The Wedding at Cana, from The Life of Christ ca. 1511-12 Hans Schäufelein German. The Wedding at Cana, from The Life of Christ 667994

Feeding the hungry Seven works of mercy Icones operum misericordiae quae ad corpus pertinent , print maker: David Custos, publisher: Marcus Sadeler, print maker: Venice, publisher: Italy, 1625 - 1629, paper, engraving, h 269 mm × w 205 mm

De goede huisvader, ca. 1600.The good family man, ca. 1600. Interior with a father sat with his wife behind a table on which a blessed bible stands; The father gives advice and good advice to his four children who stand for him. Above the man and woman two cartouches with admonitions in Dutch.

A laundry-maid is interrogated by two officials and an ecclesiastic about the death of Count Cenci. Etching, ca. 1850.

Preaching of Christ, Lucas van Leyden (attributed to), 1518 - 1522 print Christ, seen from the side, speaks to a group of people. paper Christ preaching or teaching (in general). book in which illustrations are essential

Last Supper, 1629 print Christ uses the Last Supper in an architectural environment with his disciples. The print is part of an album. paper letterpress printing Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Mother lifts her child on the ground; The child cases.

Parable of the woman and sourdough, Jan Luyken, 1712 print Amsterdam paper etching Christ as teacher (part II): parables and proverbial sayings of Christ

Birth of Christ. Maria puts a sheet over the Christ child. Joseph sheltered with his hand the flame of the candle. The os and the donkey lie next to the manger in the stable. In the background two shepherds with a dog and the proclamation to the shepherds.

Woodcut by Wolfgang Huber titled 'The Circumcision,' created around 1512/1513, depicting the circumcision of Jesus.

The return of the lost son, Arnold Houbraken, 1670 - 1719 print The lost son, dressed as a pork keeper, kneeling in the foreground, returns to his father, who put his hands in front of his eyes. Scene from the Biblical parable of the lost son. Northern Netherlands paper etching the prodigal son returns home, where his father awaits him

Copper engraving by Lucas Hugensz. van Leyden, 1521, depicting the entombment of Christ, emphasizing figures, gestures, and composition.

Lenting evening, Pieter van der Heyden, after Jheronimus Bosch, 1600 - 1699 print In an interior of a kitchen is a cheerful company with an old woman who bakes waffles by the fireplace (fasting evening). On the left a man with a lute, on the right a drinking monk with a nun. In front of the right, a nar is shaved, in the foreground a dancing dog in a foolish citizen. Above the fireplace a print with an owl as a pilgrim. With caption of two columns with left six lines in French and the right five lines in Dutch. Antwerp paper engraving Shrove Tuesday. monks and nuns. (aspects of) Christian Religion or the Church (as institution) ridiculed, criticized, or caricaturized. fool, simpleton, numskull. shaving, being shaved. waffles. kitchen-interior. improvised musical instruments (kitchen-utensils, etc.). waffle-iron

Germany, Altdorfer, Albrecht, The Fall and Redemption of Mankind, Last Supper, verso bottom center - handwritten, Christ and the twelve disciples at table. Judas, seen from the back and with a money bag on his belt, rises at the same time as Christ. Eighteenth print from a series of forty., print, prent, prints, prenten, 58, height 72 mm, width 48 mm, 1480 - 1538, print maker, prentmaker, 1506 - 1538, first quarter 16th century, second quarter 16th century, paper, papier, houtsnede

Burial, Jan Harmensz. Muller, after Lucas van Leyden, 1613 - 1622 print Joseph of Arimatea and Nikodemus lift the body of Christ in the grave. Maria, Johannes and Maria Magdalena are in the background. Amsterdam paper engraving Christ's entombment (possibly by angels)

Ester accuses Haman during the meal, 1579 print King Ahasveros and his civil servant Haman are sitting at the table at Ester. Ester accuses Haman of the planned murder of the Jewish people. In the background you can see how Haman then kneels at the bed of Queen Ester and begs her life. King Ahasveros runs on the stairs and will accuse Haman of assault. On the left you can see how Haman is hung. Under the show a reference in Latin to the Bible text in Est. 7. Print is part of an album. paper engraving Esther accuses Haman. as Haman is kneeling at Esther's feet or is prostrated on her couch King Ahasuerus returns; Haman is condemned to be hanged. Haman on the gallows

Holy Spiridon van Cyprus offers a guest salted pork, Jan Luyken, 1700 print Cyprus's H. Spiridon is sitting at the table with a guest. He offers his guest salted pork, but it refuses because he is fasting. Amsterdam paper etching the early Christian Churches, e.g. Armenians, Copts, Syrians. male saints (with NAME). kinds of meat (with NAME). Hospitality; 'Hospitalità' (Ripa). fasting, abstinence from food ~ ascetic life

Home of the lost son; Eodem Sabbatho. The lost son returns home. He is met by his father, who welcomes him warmly. He leaves a calf slaughter for a party meal to celebrate the return of his son. At different elements from the show are letters that correspond to the legend in the margin.

Paus receives loss money, Lucas Cranach (I), 1521 - 1522 print The pope is on his throne and receives money for the indulgences he provides. Money is counted on a table in front of the throne and on the right men and women are waiting for their turn. Book illustration in rectangular frame with fine ornaments. The print is printed with multiple logs. At the top of the magazine is half the title of the edition: und Antichristi, at the bottom is the word antichrist. Wittenberg paper pope. absolution, forgiveness of sins ~ part of the confession

Christus te gast bij een gezin.A young woman is sitting in front of her parents in a room. A young man (Christ) Speaks with her.

Paul as a repentant sinner; Eight repentant sinners from the old and New Testament. Paul, praying at a table, a lily in a vase and a sword. In the background a scene from his life is depicted: the moment of his conversion after a fall of his horse. Under the show a two-person Latin text. This print is part of a series of eight repentant sinners; Each print in this series consists of an image of a sinner, above him / her a number of (musician) angels in a cloud wreath, in the background a scene from the relevant sinner, under the representation two lines text in Latin.

Death and the Cardinal, Heinrich Aldegrever, After Hans Holbein (II), 1541 print A cardinal, sitting on a seat, hands over a writing with stamps to the man for him. Death, with an hourglass in his hand, is next to him. Under the performance a four -line text in Latin. Sixth print from a series of eight about sin and death. Germany paper engraving cardinal. Death as skeleton

Holy Juan Diego and the miracle of the bread for the poor, Simon Guillain (II), After Annibale Carracci, 1646 print print maker: Romeafter painting by: Romeafter drawing by: Romepublisher: Romeprinter: RomeItaly paper etching saints Our Lady of the Sacred Heart

Maria Magdalena Oints the feet of Christ, Willem Panneels, after Peter Paul Rubens, c. 1610 - 1634 print Christ is a guest at Simon de Phariseër and is sitting at a table with the Pharisees and some disciples. Maria Magdalena is kneeling for Christ and dries his feet with her hair. There is an ointment pot next to her. Antwerp paper etching / engraving Christ's feet are anointed by Mary (Magdalene)

The Annunciation. Pen and ink drawing.

A copper engraving by Nicolaas Ryckmans created between 1620 and 1626 depicting the Adoration of the Kings, showing the biblical Magi presenting gifts to the infant Jesus with detailed 17th-century engraving techniques.

Artist: Johann Georg Bergmuller, German, 1688-1762, Nativity, Engraving and etching, image: 18.1 × 21.4 cm (7 1/8 × 8 7/16 in.), Made in Germany, German, 18thcentury, Works on Paper -Prints

A copper engraving from 1520-1591 depicting the host meal in the House of Pharisees with Simon, showing figures, setting, and ceremonial elements.

Jozef's brothers leave with Benjamin to Egypt, Robert de Baudous, 1591 - 1659 print Benjamin says goodbye to his father Jakob before he leaves for Egypt with his brothers. In the background you can see how the brothers in Egypt arrive at the Palace of Joseph. Northern Netherlands paper engraving Jacob's farewell to Benjamin. at the door of Joseph's house his brothers talk with the steward; Simeon is brought to them

The worship by the shepherds. Two shepherds visit the Holy Family and stand in worship for the Christ child.

Lazarus begs at the door of the rich man; Parable from Lazarus and the rich man. The rich man at the table with his wife and three men, wine is poured and a man wears two scales. On the ground for the room lies Lazarus, in his hand a bowl for alms, dogs lick the wounds on his legs. Among the show the text: Erumnos 'HIC Lazar' Iaces ad Ianva Divites MICAS ETIA Canibus Obiectas de Mesa Epulonis Petit Lu 16. Second print from a series of five

Kitchen piece with parable of the rich man and the poor Lazarus, Jacob Matham, 1678 - 1679 print A kitchen maid with poultry. Behind her a man who puts a hand on her shoulder and a second man with a bowl of mussels. On the right a second girl with a basket with birds and a dead hare. In the background a scene from the parable of the rich man and the poor Lazarus (Luc. 16: 19-31). Print from a series of five prints with kitchen and market pieces combined with biblical scenes in the background. Amsterdam paper engraving kitchen-interior. kitchen-maid, kitchen servant. the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16:19-31)

The Last Supper, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. The Last Supper, from Speculum passionis domini nostri Ihesu Christi 665362

Amsterdam, Luyken, Jan, Adoration of the Shepherds, verso - stamped, print, prints, height 133 mm, width 67 mm, Work conception, Northern Netherlands, 1649-04-16 - 1712-04-05, after print by, 1712 - 1712, paper, papier, etching, etchings, print maker, printmaker

After the last supper. Christ is sitting with his students around a table during the last supper. He has blessed the bread and the wine and let his students eat and drink. He predicts that they will all lose him in the coming night. In the background you can see how they leave for the court of Getemane. With various elements from the show are letters. The print is part of an album.

Maria with child and Joseph and little John the Baptist; Madonna with the long thigh.

Birth of Christ, Jan Luyken, 1700 print A performance in a cartouche of palm branches. The Virgin Mary with the Christ child in her arms. Behind her Joseph and the Os and the Donkey. Amsterdam paper etching ornament ~ cartouche. Mary, Joseph and the new-born Christ (Nativity)

Worshiper of Shepherds. .

Adoration of the Magi 1590-ca. 1620 Anonymous. Adoration of the Magi. Anonymous. 1590-ca. 1620. Engraving. Possibly Justus Sadeler (Netherlandish, Antwerp ca. 1572/83-ca. 1620 Leiden). Prints

Man goes out a candle with a candled; The candle snout.

Pietro Soderini, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence) 1611-19 Jacques Callot French. Pietro Soderini, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence). Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze. Jacques Callot (French, Nancy 1592-1635 Nancy). 1611-19. Engraving; second state of two (Lieure). Prints

. Joseph of Arimatea and Nikodemus lift the body of Christ in the grave. Mary, Johannes and Maria Magdalena are in the background.

Lazarus at the House of the Rich Man, plate from Giulio Aleni's 'Tianzhu jiangsheng zhuxiang jingjie' (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh), Jinjiang Church, Fujian Province, China, 1637, Unknown Chinese; Publisher: Giulio Aleni, 6 5/8 x 5 11/16 in. (16.83 x 14.45 cm) (image), Woodcut, China, 17th century

Shrove Tuesday. In an interior of a kitchen there is a cheerful company with an old woman who bakes waffles at the fireplace (fasting). On the left a man with a lute, right a drinking monk with a nun. Legally a jester is shaved, in the foreground a dancing dog in a jesterkenkroen. Above the fireplace a print with an owl as a pilgrimage. With caption of two columns with six rules in French and on the right five rules in Dutch.

The Last Supper, Anonymous, After Hendrick Goltzius, 1598 - 1667 print Christ uses the Last Supper in an architectural environment with his disciples. This print is part of a series of twelve passion performances. Netherlands (possibly) paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Christ calls the children to themselves, Anonymous, After Johannes Sadeler, After Joos van Winghe, 1640 - 1670 print Generous Bible. Amsterdam paper engraving Christ blessing children brought by their mothers, usually with some disciples disapprovingly looking on (Matthew 19:13-15; Mark 10:13-16; Luke 18:15-17)

Meal in Emmaus, Willem Isaacsz. van Swanenburg, after Peter Paul Rubens, 1611 print Christ sits at the table with his students. He blesses and breaks the bread, causing his students to recognize him. On the right a woman gives a glass of wine and there is a dog under the table. Under the performance is a six -line, Latin text with a description of the scene and a praise on Rubens, in which he is compared with Apelles. paper engraving the supper at Emmaus: Christ is recognized while blessing or breaking the bread. vegetables (with NAME). (family) meal (+ serving, servants at table, meal). glass of wine. dog

Virgin and Child with Saint Anne 1510 Hans Schäufelein German. Virgin and Child with Saint Anne 667707

. Joseph of Arimathea and Nicodemus lift the body of Christ in the grave. Mary, Johannes and Maria Magdalena are in the background.

Christ and the personalized soul fill a jug with wine at a wine press; Jesus and the soul with a wine press tray.

H. Antonius gives his wages to the poor, Antonio Tempesta, After Niccolò Circignani, After Giovanni Battista Lombardelli, 1598 print Young Antonius gives his wages and his possessions to the poor. Italian and Latin text in two columns in the lower margin. paper etching the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig. St. Antony Abbot retreats into the desert, after having given away his possessions to the poor

A child falls into fire, 7; The miracle of Amsterdam, 1345; Amstelredams Honor Ende Up Cums through the Deckwaerdighe Miraklen Aldaer happened by the H. Sacrament des Altaers Anno 1345. A child falls into the fire and is healed when he is brought to the host. The father pulls the child out of the fire. Print No. 7 from the series of 16 performances of the Miracle of Amsterdam, to the events on March 15, 1345. Under the show two six-line verses in Latin and Dutch.

De Communie, 15, Boëtius Adamsz. Bolswert, 1639 print The leek leads communion. On the altar the monstrans in radiant light. Print no. 15 from the series of 16 performances of the Miracle of Amsterdam, after the events on March 15, 1345. Under the show two six -line verses in Latin and Dutch. Southern Netherlands paper engraving the Eucharist ~ the fourth of the seven sacraments. Communion ~ Holy Mass Amsterdam

Worship of the shepherds, anonymous, after Jan Luyken, 1712 print Amsterdam paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Charlatan and Death, Rudolph Meyer, 1650 print A Charlatan is pulled away by death at his stall while bystanders are shocked. paper etching dance of Death; Death together with one or more human beings. personifications of Death; 'Morte' (Ripa)

Christ and the Personified Soul in a forge, Jan Luyken, 1714 print Amsterdam paper etching Christ and the Soul. smith, blacksmith (+ place ~ crafts, industries, agriculture)

Jeremiah at King Sedekia; History of Jeremiah; Theatrum Biblicum (...). King Sedekia asks Jeremiah what God has revealed to Him. Under the show a reference in Latin to the Bible text in Jer. 38.

Holy family with the H. Anna. The Holy Family is sitting in a living room with the Holy Anna. Anna and Maria sit side by side on a couch, Anna keeps the Christ child in her arms. Two angels are at the empty cradle that stands in the middle of the room. Joseph is behind the women on a chair. Under the show a psalm verse in Latin.

Saint. Marek Eremita (died after 430) H: Marcus, from: album Images of saints, engraving on copper by Rentz and Montalegre

Christ and the Samaritan woman. Christ is sitting on the edge of a well. The Samaritan woman offers him drinking from her water gun. In the background a mountainous landscape with castles and castles can be seen.

Adoration by De Herders, Lucas Vorsterman (I), After Peter Paul Rubens, 1620 print Antwerp paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

. Isaak is on bed and gives his blessing to his son Jacob who kneets disguised in the clothes of his brother Esau, next to the bed. A caption in Dutch in the margin.

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