Miraculous Biblical Moments

Engravings capturing significant biblical narratives, showing characters in action, often set in detailed landscapes, reflecting historical occasions and moral lessons.

Calling Zacheüs, Anonymous, After Nicolaes de Bruyn, after David Vinckboons, 1679 - 1702 print In a forest, crowd has gathered around Christ. Christ sees Zacheus in a tree and calls him down (Luc. 19). A castle on the left background. The print has a Latin caption and a Dutch poem. after print by: Rotterdampublisher: Amsterdam paper engraving calling of Zacchaeus, who is sitting in a fig-tree (Christ passing through Jericho). landscape with tower or castle (+ city(-scape) with figures, staffage)

. The Israelites collect the manna in baskets and jugs. Young and old is on the move to collect the manna. At the front right, a man's manna points to a tree.

Landscape with traveler and resting woman; Landscapes with mythological and biblical performances. Near a village a traveler is on his way a woman with resting along the road under a tree.

Jesus heals two shutters outside of Jericho. Christ surrounded by his apostles places his hand on the eyes at a blind man. In the background a face of the city of Jericho and on a castle, high on a hill.

Emmaüsgangers, anonymous, after Philips Galle, after Hans Bol, c. 1550 - c. 1650 print Two disciples are on their way to Emmaus. Along the way they come across Christ, which they do not recognize. They walk a lot with him. The three men are dressed as pilgrims. Christ is in the middle, recognizable by his halo. Southern Netherlands paper etching Cleopas and Peter meet Christ (sometimes they are dressed as pilgrims)

Balaam and the donkey with the angel; Oudtestament representations. In a hilly landscape with tree-artiches, balaam has been displayed on a recruiting donkey on the left. In his right hand he holds a sword and for him is an angel who pulls a sword out of the sheath.

. A landscape with a village in the background. In the foreground Abraham knebs for the three angels and welcomes them. The print is part of an eight-language series of landscapes with scenes from the old and New Testament.

Calling Zacheüs, Anonymous, After Nicolaes de Bruyn, after David Vinckboons, 1679 - 1702 print In a forest, crowd has gathered around Christ. Christ sees Zacheus in a tree and calls him down (Luc. 19). A castle on the left background. The print has a Latin caption and a Dutch poem. after print by: Rotterdampublisher: Amsterdam paper engraving calling of Zacchaeus, who is sitting in a fig-tree (Christ passing through Jericho). landscape with tower or castle (+ city(-scape) with figures, staffage)

Holy Family with Donkey and Cherubs; Flight to Egypt. There is a landscape with tree arties and a water feature. In the foreground Mary is in her arms on a donkey in her arms. Joseph walks behind the donkey and holds a staff in his left hand. There are three cherubs on the left hill and a round temple is on the right hill.

Satan sows weed between grain. While the landlord and his servants are leaving the enemy of the landlord, the devil, to sow weeds between the seeded grain. Right a horse and carriage runs over a country road in the direction of a village. Under the show a two-line reference in Latin to the Bible text in mat. 13:24.

Jacob struggles with the angel; SED Quum reliquus Esset IAHAKOB, Solus Quidam Luctatus EST Cumeo (...); Spacious bible. Jacob struggles with the angel, with the angel disrupting his hip. Left goats and sheep. In the background a river over which a ferry sail with livestock. Under the show the title in Latin, a four-line verse in Dutch, French, German and English and a reference to the Bible text in Gen. 32:24.

Flight to Egypt, Anonymous, After Herman van Swanevelt, 1633 - 1679 print Maria is sitting on a donkey with Christ in her arms. Joseph walks behind the donkey. Amsterdam paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Abraham gives Hagar and Ishmael a jug of water and a bread, before he sends them away. There are cows at the water.

In a hilly landscape with tree sections, an angel in the foreground points the jug-bearing Hagar to a spring., Hagar and the Angel Old Testament representations (series title), print maker: Herman van Swanevelt, (mentioned on object), Rome, 1629 - 1641, paper, etching

Depicts the temptation of St. Anthony, created as a woodcut by Meister J. Kock in 1522, showing interactions between the saint and symbolic demons.

David and Abigaïl; Abigail Montes Scandens, Fert Munera Secum, Queis Queat Isaicum Consiliare Sibi; Spacious bible. When Nabal refuses to help David and his men, they threaten to punish him. Abigaïl, Nabal's wife, kneels for David and offers him and his soldiers eat and drink. Behind her a few servants and three donkeys are packed with drinks and food. Under the show the title in Latin, four four-line verses in Dutch and a reference to the Bible text in 1 SAM. 25: 4.

Bilam and the donkey with the angel, Herman van Swanevelt, 1629 - 1641 print In a hilly landscape with tree parties, Bilam is shown on the left in the foreground sitting on a recessed donkey. In his right hand he holds a sword and in front of him is an angel who pulls a sword out of the sheath. Rome paper etching / engraving an angel holding a sword bars the way and causes Balaam's ass to turn aside; the angel is invisible to Balaam. ass, donkey

Landscape with the vision of Eustachius, 1573 print Eustachius appears on the way in the forest a deer with a crucifix in the antlers. Eustachius is wearing the clothing of a Roman soldier. He gets from his horse and kneels in worship for the deer. paper engraving the conversion of St. Eustace: while hunting (on horseback) he is confronted with a stag bearing a crucifix between its antlers; Eustace is shown kneeling before the stag (that appears on a rock)

Print, Christ Meeting the Officers from the Pharisees; Print Maker: Michel Lasne (French, ca. 1590 - 1667); France; engraving on paper; 11.6 × 15.1 cm (4 9/16 × 5 15/16 in.); 1896-31-23

Emmaüsgangers, anonymous, 1630 - 1702 print Christ meets two students and walks with them to the village of Emmaus. They don't recognize Christ. The two men are dressed as pilgrims. On the left a water -rich landscape. Under the show the title in Latin, four four -line verses in Dutch and a reference to the Bible text in Luc. 2:13. Amsterdam paper etching / engraving Cleopas and Peter meet Christ (sometimes they are dressed as pilgrims)

In a landscape with a classical temple, Abraham looks down on his son Isaac. Isaac carries firewood under his arm. In the background, a shepherd with a goat and a donkey near a fountain, Abraham and Isaac on their way to the place of sacrifice., print maker: Moyses van Wtenbrouck, (mentioned on object), The Hague, 1620, paper, etching, h 130 mm × w 185 mm

Lost Son as a pork keeper kneels in prayer, Abraham Bosse, 1636 - 1637 print Paris paper etching / engraving the parable of the prodigal son (Luke 15:11-32). the prodigal son tends the swine and eats from their trough. the prodigal son repents his former life and prays

Landscape with the vision of Eustachius, Cornelis Cort, after Girolamo Muziano, 1774 print Eustachius appears on the way in the forest a deer with a crucifix in the antlers. Eustachius is wearing the clothing of a Roman soldier. He gets from his horse and kneels in worship for the deer. Rome paper engraving the conversion of St. Eustace: while hunting (on horseback) he is confronted with a stag bearing a crucifix between its antlers; Eustace is shown kneeling before the stag (that appears on a rock)

Simson is wearing the gates of Gaza, 1643 print Simson is wearing the gates of the city of Gaza on his shoulders. In the background the city of Gaza. Under the show a reference in Latin to the Bible text in Ri. 16: 3. This print is part of an album. Amsterdam paper engraving Samson carries the doors on his shoulders to the top of a hill near Hebron

Flight to Egypt, Claude Lorrain, 1630 - 1633 print Landscape with Mary with the Christ child on a donkey, accompanied by two angels, followed by Joseph. paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Emblem with hermit and believers who dedicate to meditation; Similis Invovs SVM Pellicano Solitvdinis. Landscape with a hermit that deepens into the Bible in isolation. Illustrate small scenes in which a good Christian must believe. In an interior of a chapel, believers kneel and receive a host, the sacred sacrament of a priest. A believer meditates with a cross with passion tools of Christ. Barely visible between the foliage of the trees is the Ascension of Christ shown. The inscription refers to the Bible text I am like a pelican in the desert (Psalms 102) and this is illustrated with the symbol for the suffering Christ, the pelican that feeds her boy with her own blood. At the scenes are letters related to the meditation instructions in the edition.

. The H. Paternus of Avranches, a hermit from France, kneels for a crucifix and prays. In the background, H. Paternus is walking through a forest. In the distance a Roman temple with a partying company.

Emblem with hermit and believers who dedicate to meditation; Similis Invovs SVM Pellicano Solitvdinis; Den Wech des century life. Landscape with a hermit that deepens into the Bible in isolation. Illustrate small scenes in which a good Christian should believe. In an interior of a chapel, believers kneel and receive a host, the sacred sacrament of a priest. A believer meditates with a cross with breaches of Christ. Barely visible between the foliage of the trees is the Ascension of Christ shown. The inscription refers to the Bible text I am like a pelican in the desert (Psalms 102) and this is illustrated with the symbol for the suffering Christ, the pelican that feeds her boy with her own blood. At the scenes are letters related to the meditation instructions in the edition.

Samuel is called Saul. In a landscape with a castle Samuel Saul is king from Israel. On the ground the bottle with oil. In the background two shepherds with their herd.

Landscape with martyrdom of Saint Stefanus. Landscape with martyrdom of the Holy Stefanus being stoned by a crowd that chases him. At the bottom left Bible text in six lines of Latin from Acts 7:55.

The Flight into Egypt: The Holy Family, ca. 1652-54. Herman van Swanevelt (Dutch, c. 1600-1655). Etching;

Joseph helps Maria van de Ezel; Flight to Egypt. In a mountainous landscape with tree arties, Jozef Maria van de Ezel helps, while an angel holds the head of the donkey. Behind the donkey a second angel was raised about Christ, which is wrapped in a cloth on the ground.

Landscape with the healing of the shutters. A tree-gravity hilly landscape with the left in the foreground Christ who touches the eyes of one of the blind men, who kneels on the ground for him. In the middle a road with a man with a stick over his shoulder. Under the show two lines in Latin.

Christ at the sheepfold. Christ at the sheepfold as the good shepherd, ca. 1560. Christ standing in the door to the sheep stable with a lamb on the shoulders. Thieves are trying to penetrate through the side walls and the roof and steal sheep from the stable. In the background a shepherd drives away a wolf of his herd. With caption of 2 times 2 rules in Dutch and a reference to John 10. Cartoon on the Roman church, theme of approx. 1560.

Four extremes, 1613 Christ addresses his disciples on the Mount of Olives. In the background, the four extremes are depicted: death, judgment, heaven and hell (Mat. 24). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching Christ addresses his disciples on the Mount of Olives. In the background, the four extremes are depicted: death, judgment, heaven and hell (Mat. 24). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching

Sébastien Bourdon, Jesus Telling the Parable of the Father who Sends his Workers to his Vineyard Jesus Telling the Parable of the Father who Sends his Workers to his Vineyard

Landscape with the healing of the shutters. A tree-gravity hilly landscape with the left in the foreground Christ who touches the eyes of one of the blind men, who kneels on the ground for him. In the middle a road with a man with a stick over his shoulder. Under the show two lines in Latin.

Saint Dimpna van Geel, Adriaen Collaert, After Maerten de Vos, 1570 - 1618 print Saint Dimpna, daughter of the Irish King Damon, prays on her knees in front of a chapel in the wilderness. Her father and some soldiers attack her but she is protected by the priest Gerebernus. In the background, Dimpna is murdered by her father. Her corpse is brought to a church in a procession. The print has a Latin caption and is part of a series with the subject of female hermits. Antwerp paper engraving the virgin martyr Dympna of Gheel; possible attributes: crown, devil under foot or on chain, sceptre, sword. anchorite, hermit

Baptism of Christ; Landscapes with biblical, mythological scenes and yacht scenes. River landscape. In the foreground Christ is baptized by John the Baptist in the Jordaan. Two angels hold his clothes. The print has an ornament list with flowers and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

May: Christ and the Samaritan woman; The life of Christ in the twelve months; Emblemata Evangelica. Spring landscape. In the air the astrological sign of May: the twins. Christ's rest at the Source of Jacob. His students question him about the Samaritan woman who has just left (John.4). The print has a Latin caption and is part of a series about the life of Christ's depicted in the twelve months of the year.

Saint Francis of Assisi receiving the stigmata of Christ from a seraph. Etching by J.B. Corneille after a drawing attributed to Annibale Carracci, ca. 1680.

The month May and the sign Gemini, represented by a hilly landscape in spring and Christ and the woman of Samaria. Engraving by A. Collaert after H. Bol, 1585.

Fishermen at a church on a coast.

. The H. Cupres of Egypt as a hermit in a garden. He is a Bible to read while he is working on the work in the garden. In addition to him on the floor, all kinds of vegetables lie. In the background its hermit.

Petrus as good shepherd, Johann Sadeler (I), after Hans Bol, 1560 - 1586 print The apostle Peter as a good shepherd. He leads his herd of sheep (the community of Christians) in a stable (the church) that is prepared by the other apostles. A village in the background. On the Horizon Christ on the Cross. First print of a three -part series. Antwerp paper engraving the good shepherd (Christ) defending his sheep against wolves; 'I am the good shepherd' (John 10:1-16). herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. sheep. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. other groups of apostles

. The H. Theonas as a hermit in a cave in the wilderness. He sits for a work table and reads a Bible. A landscape with beggars in the background.

. The died god man from Judah on the road. Next to him are the lion and the donkey. The Godsman had gone against the mission of God by eating and drinking in Betel. When he came from it, he was attacked and killed by a lion, but not devoured. To the Bible story from 1 could. 13: 23-28. Print from a series of Italian landscapes.

Erena, 1 of 24 prints from the series Solitudo Sive Vitae Foeminarum Anachoritarum (Female Hermits inLandscapes). Publisher: Adriaen Collaert, Flemish, 1560-1618 After: Maarten de Vos, Flemish, 1532-1603

February; The twelve months. Winter landscape with winter scenes. February is the sprocket month. In the foreground dead wood is remaining from the winter minced meat and collected. People warm to a self-built fire. A procession is in the wall in the background while a few balances dressed up the houses for alms, a variety of carnival, fasting evening or headermen day. In the middle of the constellation. In this series of the twelve months, every month is depicted with the for its typical human activities, its climatic characteristics and its constellation.

Landscape with the likeness of the weeds between the grain; Landscapes with scenes from the life of Christ.

Hilly landscape. Hilly landscape with a cross in the foreground and two men in conversation. A house between the trees in the background.

Sacrifice of manoach; The history of Samson; History of Simson; Den Grooten Figuer Bibel (...). Manoach and his wife rejected at the altar, where Manoach sacrificed a goat. The Archangel Gabriel, who announced Manoach and his wife the birth of a son, sails in the flames of the sacrifice. Under the show a reference in Latin to the Bible text in RI. 13:19. This print is part of an album.

Silvio is festively welcomed, Richard van Orley (II), c. 1695 - c. 1705 print Because Silvio has killed the big wild boar, he is festively welcomed by the villagers. The people walk to the temple in a party procession. Print from a series of 12 prints that illustrate the play Il Pastor Fido, 3rd scene from the 4th deed. Brussels paper etching / engraving (scenes from) specific works of literature: Guarini, Pastor Fido

Visioen of the seven candlesticks, 1613 Landscape with a river mouth, sailing ships and a tree on the left. In the foreground the vision of the seven candlesticks. In the midst of seven altar kandelaren, there is a man with flaming eyes, seven stars in his right hand. A sword comes from his mouth. Johannes kneels in prayer for him. Next to him is a book (on. 1). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching Landscape with a river mouth, sailing ships and a tree on the left. In the foreground the vision of the seven candlesticks. In the midst of seven altar kandelaren, there is a man with flaming eyes, seven stars in his right hand. A sword comes from his mouth. Johannes kneels in prayer for him. Next to him is a book (on. 1). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print i

Arcadian Landscape with Christ and the Kananese wife, Théodore, After Jean François Millet (I), After Jean François Millet (II), 1690 - 1730 print print maker: Franceafter painting by: Franceafter painting by: Francepublisher: ParisFrance paper etching landscapes in the temperate zone - HH - ideal landscapes. a Canaanite woman kneels before Christ, asking him to heal her daughter; the metaphor of the dogs and bread (Matthew 15:21-28; Mark 7:24-30)

Flight to Egypt; Landscapes with biblical and mythological scenes. Landscape with a water mill at a river. On the left on the path of Maria and Jozef on the flight to Egypt. Maria keeps Christ in her arm and drives a donkey. Joseph wears a hat and a stick and holds Marias hand. Print from a series of 13 landscapes with biblical and mythological scenes.

The preaching of John the Baptist. In a forest, John pronounces the Baptist hearing consisting of men and women in exotic clothing, including a number of men in Turkish pregnancy with large turbans.

. Mountain landscape with a few buildings and a woman, which was hanging. There is a big cross on a hill. In the valley a walled city.

Landscape with a man kneeling in front of a cross; Pastoral landscapes. Landscape with a man with rosary, kneeling in front of a cross with Christ image. In the foreground a ruin of a temple with classic columns. On the water argues a fishing man with a woman who stands next to him.

Creation of man; Adumbrata Humanitate Divinitas; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. Landscape with animals and the creation of man (gene. 2: 7). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Saints Paul and Anthony by the Entrance to a Cave. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

Landscape with hagar and the angel; Solatium refocillans; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. Landscape with in the middle Hagar, the second woman of Abraham. At the bottom left is her child's Ishmael that she left behind a shrub at lack of water. An angel points Hagar on a water source behind her (Gen. 21:17). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

God blessing Jakob and calls him Israel, Pieter van der Borcht (I), 1582 - 1592 print God reveals himself to Jakob in Betel (Genesis 35: 9-15). He gives Jakob the name Israel and promises him the land of Abraham and Izaak. After this appearance (left in the print), Jakob sets up an altar for God (in the middle of the print) and devotes it by pouring oil over it. A vast landscape in the background. Antwerp (possibly) paper etching God blesses Jacob, and names him Israel. dale, valley. Jacob sets up a pillar at Bethel; Jacob consecrates it by pouring oil on it

Wonderful fishing, Anonymous, After Philips Galle, After Hans Bol, c. 1550 - c. 1650 print Christ is on the bank of Lake Tiberias and gives his disciples instructions on how to catch fish. After they have not caught anything all night, they come home with his help with full nets. Peter runs over the water to Christ. Southern Netherlands paper etching Christ on the shore, orders the apostles to cast their net to the right side of the boat

Sons of Jacob with their herd point to the approaching Joseph. .

Landscape with baptism of Christ, Johannes or Lucas van Doechum, After Lucas Gassel, 1560 - 1564 print Landscape with the baptism of Christ in the Jordaan in the foreground. In the background, John the Baptist preaches in an open space in a forest. Upstairs in the air God the Father who sends the Holy Spirit (a pigeon) to the earth. The print is part of a series of landscapes with Christian stories as the theme. paper etching / engraving baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends. John the Baptist disputing (+ Holy Ghost (as dove)). landscapes (+ landscape with figures, staffage)

Mary Magdalene Repentant. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

Nicolas Cochin, The Adoration of the Magi The Adoration of the Magi

May: Christ and the Samaritan woman, 1585 In the middle of the sign of the zodiac twins. In the foreground Christ at the source of Jakob. His students question him about the Samaritan woman, who just left. River landscape in the background. Under the performance four lines of Latin in two columns (John 4). The print is part of an album. Antwerp paper engraving In the middle of the sign of the zodiac twins. In the foreground Christ at the source of Jakob. His students question him about the Samaritan woman, who just left. River landscape in the background. Under the performance four lines of Latin in two columns (John 4). The print is part of an album. Antwerp paper engraving

. Abraham sees smoke clouds take off from Sodom and Gomorra. In the background fate and his daughters, who carry their father drunk and sleep with him. In the margin a two-person caption in Dutch.

Unknown (1650-1700), Stage with an victim weather, surrounded by Muslim Maend, (1647)

Abraham washes the feet of the three angels; Landscapes with the story of Abraham. Landscape with abraham right that washes the feet of the three angels (Gen. 18: 4).

Johannes on Patmos and the new Jerusalem, 1613 Johannes de Evangelist writes to his revelation on Patmos. God the Father on his throne between the clouds gives him a vision about the new Jerusalem (Apoc. 21). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching Johannes de Evangelist writes to his revelation on Patmos. God the Father on his throne between the clouds gives him a vision about the new Jerusalem (Apoc. 21). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching

Landscape with hagar and the angel; Solatium refocillans; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Landscape with in the middle Hagar, the second woman of Abraham. At the bottom left is her child's Ishmael that she left behind a shrub at lack of water. An angel points Hagar on a water source behind her (Gen. 21:17). The print is part of an album.

Flight to Egypt. The holy family on the flight to Egypt. Maria and Joseph walking along a child that lies on the roadside. An angel takes care of the child.

View of Bethania, Anonymous, After Nicolaes Lastman, 1654 print View of the village of Bethania, the only place on earth where Christ was welcome. On the left are houses on and at the foot of a hill, on the right a setting sun. Christ is in the foreground with his disciples. paper etching / engraving (high) hill - HH - ideal landscapes. sunset. meal in Bethany (at the house of Simon the Leper) (Matthew 26:6-13; Mark 14:3-9; John 12:1-11)

Onuphrius the big, holy.

Moses with the stone tablets of the law. Rocky landscape with a river. Moses walks with the stone tables on a path. In the clouds God the father who speaks to Moses.

The Church on the Hill Allart van Everdingen Dutch. The Church on the Hill 431658

Landscape with Davids men asking Nabal to food; Spacious bible. David's servants come to Nabal, which is under a tree, and ask him for food. Nabal refuses to give men and david food. In the background the servants of Nabal shave his sheep. Left in the landscape a castle. To the Bible text in 1 Sam. 25: 4.

The Church on the Hill Allart van Everdingen Dutch. The Church on the Hill 427716

Noah's intoxication; Prodita Innata Inclinatio; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. In a hilly landscape, Cham tells his brothers that his father Noah is half naked in his tent. On the right the tent with Noah. Cham points to him and mock him. Sem and Jafet walk backwards with a cloak to cover their father with it (Gen. 9:22). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Sixth Day of Creation: God creates the animals and Adam and Eva; From creation to expulsion from paradise. Sixth Day of Creation: God creates the animals and Adam and Eva. He blows in Adam's life through his nose. In medallion with a letter text in Latin from Genesis 1, within rectangular frame.

Antwerp, Sadeler, Bol, Hans, Collaert, Adriaen, Emblemata Evangelica, Het leven van Christus in the twelve months, June: the parable of the greedy farmer, verso bottom center - stamped, A summer landscape. In the sky the astrological sign of June: Cancer. In the right corner Christ tells the parable of the greedy farmer to his disciples. In the center workers are working on the construction of a larger barn for the greedy farmer, who is sitting against a tree (Luke 12). The print has a Latin caption and is part of a series on the life of Christ depicted in the twelve months of the year., print, prints, height 152 mm, width 206 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1534 - 1593-11-20, after a design by, Publication (Event), Publication, publisher

Birth of Christ, Peter de Witte, 1559 - 1586 drawing paper. ink pen / brush

Antwerp, Sadeler, Bol, Hans, Collaert, Adriaen, Emblemata Evangelica, The life of Christ in the twelve months, May: Christ and the Samaritan woman, verso bottom center - stamped, A spring landscape. In the sky the astrological sign of May: the Twins. Christ rests at Jacob's well. His disciples ask him about the Samaritan woman, who has just left (John 4). The print has a Latin caption and is part of a series on the life of Christ depicted in the twelve months of the year., print, prints, verso center bottom - stamped, height 152 mm, width 207 mm, South Netherlandish (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, 1534 - 1593-11-20, after a design by, Publication (Event), Publication, publisher

Entry of Christ in Jerusalem, 1613 Christ instructs two of his students to get the donkey foal that is tied up in the nearby village. On the right Christ drives on a donkey towards Jerusalem, while people put their coats on the ground for him (Mar. 11: 1). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching Christ instructs two of his students to get the donkey foal that is tied up in the nearby village. On the right Christ drives on a donkey towards Jerusalem, while people put their coats on the ground for him (Mar. 11: 1). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching

Spend my dear flock, pass energize ... (IT)

Hottentot dancing and music; Hottentot villages and huts. Prints, Illustrations. 1745 - 1747. Rare Book Division. Dwellings, Dancers, Khoikhoi (African people)

Landscape with church on a mountain; The church on a hill. Rock landscape with water in the foreground. In addition to scrub, a prosperous figure is a seated person. A church in the background.

Holy Coleta van Corbie, Adriaen Collaert, After Maerten de Vos, 1570 - 1618 print Corbie's holy Coleta prays on her knees in front of a crucifix in a small chapel. A landscape in the background. The print has a Latin caption and is part of a series with the subject of female hermits. Antwerp paper engraving anchorite, hermit. female saints (with NAME)

Abraham and Isaac on their way to the sacrifice, Anonymous, After Hans Bol, c. 1550 - c. 1650 print Abraham leads his son Isaac to the sacrifice. Isaac carries the wood for the sacrifice. Southern Netherlands paper etching the servants are left behind while Abraham and Isaac (usually carrying wood) climb the mountain

Ciomus de Kluizenaar, Johann Sadeler (I), After Maerten de Vos, 1583 - 1588 print Ciomus the hermit for a hut. In his hands a staff and a rosary. In the background other hermits in a village. Antwerp paper engraving anchorite, hermit. saints. village

Women at a well. Two women donate water in a water well. Behind this well is a second, shallow well, which is overgrown and broken. Senture image on the noble of a deepen life from which people can keep up and again and the unfair from a superficial life, which is standing still.

Christ heals the blind Bartimeüs, Jan Luyken, 1708 print Christ heals the blind beggar Bartimeüs with Jericho. Many bystanders watch. Amsterdam paper etching healing of two blind men, or one (Bartimaeus), sitting near Jericho (Matthew 20:29-34; Mark 10:46-52; Luke 18:35-43)

Christ and the Centurio; Ingressum Autem Iesum Capernaumum Adiit Centurio, Precans Eum, et Dicens Domine, Puer Meus Proiectus Est Domi ParalitiTCUS; Spacious bible. In Kafarnaüm a Roman centurium is brought to Christ and asks him to heal his servant. The chief has decreased his hat. To the right of Christ are Petrus and John. Various bystanders in the landscape. Under the show the title in Latin, four four-line verses in Dutch and a reference to the Bible text in matte. 8: 5.

Eno and his descendants; History of the family of set / about good and bad judgments; Bonorum et Malorum consensio. Enos sits with his descendants in a forest near a village. He kneels and stretches his hands to heaven to worship God. The print has a Latin caption.

Landscape with the traveler cared for by the Merciful Samaritan; Landscapes with scenes from the parable of the Merciful Samaritan. The merciful Samaritan finds the traveler and nurses his wounds. In the background the priest and the Leviet. The print is part of a four-part series of landscapes with scenes from the parable of the merciful Samaritan

. The H. Malchus of Chalcis. He prays while he hats sheep. In the background a hut in the landscape with his wife, who lives separately from her husband as a nun.

The Church on the Mountain (Bartsch 16) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The Church on the mountain (Bartsch 16). Water-strong on paper, 1645-1675.

Landscape with the likeness of the weeds under the grain; Dilatio Poenarum Non Ablatio; Emblemata novi testamenti; Emblemata sacra è praecipuis UtriRIQUE Testamenti Historiis Concinnata (New Testament); Imagines and Figurae bibliorum. Landscape with farm. In the foreground the parable of Christ about the devil who sows weed between the grain, while the arable farmers sleep (matte. 13:24). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

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