Monumental Designs and Memorials

Illustrations of monuments and memorial designs featuring intricate sculptures and detailed inscriptions, showcasing historical architecture and commemorative art.

Elevation of a Sepulcher Monument, Francesco Massimiliano Laboureur, Italian, 1767 - 1831, Graphite, pen and ink, brush and wash on paper, Contour drawing of an arched niche encloses a frame topped by a small bust. Upon a pedestal between two seated genii is the bust of a man., Italy, 1800-1830, architecture, Drawing, Drawing

Colombo , Levensi, Count Camillo Cavour, The Cavor monument on Viktor Emanuel-Platz in Turin from illustrated world, Unknown

A Design for a Monument Dedicated to the Memory of Mr. Henderson 1786 Thomas Prattent. A Design for a Monument Dedicated to the Memory of Mr. Henderson 712628

Design for a pulpit crowned with the figure of John the Baptist, Anonymous, c. 1775 - c. 1790 Southern Netherlands paper. ink pen / brush

Dollinger Conrad (1840-1925), monument to Schiller (1873): View. Ink on cardboard, 77.3 x 40.5 cm (including scan edges)

Shown slightly from above. Below is a dodecagonal pedestal, formed by a broad oval with protruding squares in the middles of the ends. It is supported by eight obliquely disposed claws. The covers of the bowls show female genii standing above trophies of arms. Both are blowing trumpets. They hold with their inside hands, the left one a standard, the right one a wreath. In the center rises a monumental column. Below are three steps. A relief is shown in the pedestal. Eagles stand obliquely at the corners beside the base. A scepter and a wreath are fastened by another, a laurel wreath to the shaft. Above stands a general upon a globe which is supported by sitting slaves. Colored background. Pen and brown ink, brush and brown wash, graphite on off-white laid paper. Date: 1796-1804. Museum: Cooper Hewitt, Smithsonian Design Museum.

Wszyscy Święci w MNK Szynalewski, Feliks (1825 1892), Litographic Department: Technical Institute

Wilhelm V., Prince of Orania-Nassau.

Tomb with standing figure and smoke barrels; U Tombeau antique; Iie Volume de l'oeuvre de J. Ch. Delafosse (...). A tomb with two smoke barrels and a standing figure with a shield.

Elevation of a Sepulcher Monument, Francesco Massimiliano Laboureur, Italian, 1767 - 1831, Graphite, pen and ink, brush and wash on paper, Contour drawing of an arched niche encloses a frame topped by a small bust. Upon a pedestal between two seated genii is the bust of a man., Italy, 1800-1830, architecture, Drawing, Drawing

M. Antonii Antii Lupi, Print made by unknown artist, sixteenth century, Published by Antonio Lafreri, 1512-1577, French, 1551, Line engraving on medium, slightly textured, cream laid paper, Sheet: 16 7/8 × 11 inches (42.9 × 27.9 cm) and Image: 16 × 11 inches (40.6 × 27.9 cm)

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 38e Cahier, Pedestals, Piedestal pour figure en pied, Pedestal with statue of a standing woman, verso - stamped, A pedestal with a lion's head and garlands with a statue of a standing woman holding a shield. Print number 223., print, ornamental print, prints, ornamental prints, height 328 mm, width 206 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Dantes standing statue in Florencz, After Henrik Pazzis model, Dante Alighheri, Das Dante Standbild in Florenz, Unknown

Image of Erasmus in architectural accompaniment, Daniel Nikolaus Chodowiecki, After Hans Holbein (II), 1780 print Erasmus's right hand rests on the bust of Terminus. paper etching Terminus. sculpture. herms (garden ornaments). ornament ~ festoon, garland. ornament ~ cartouche. cherubs, i.e. children's heads with wings. 'Cornucopia', Horn of Plenty. merman - AA - mermaid, siren

Epitaaf in the form of coffin, Jean Lepautre, c. 1651 print There are two crying women on the coffin. From series of 6 sheets with grave monuments. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

. Memorial for preacher Henricus van Rerwerden. In addition to his portrait, a putto with a reverse torch is in hand. There are faith on either side of the sarcophagus, with a flame on her head, and a grieving putto. On the ground a bible bible, a lamp, writing utensils, books and the arms of Amsterdam. About the show a six-line verse in Dutch.

Memorial for Louis Charles Antoine Desaix in Paris, Hendrik Schwegman, After Knip, 1800 - 1816 print A monument for General Louis Charles Antoine Desaix in Paris. Statue of a Roman soldier, who Lauwert's bust. At the bottom of people at the fountain. print maker: Haarlemafter drawing by: Paris paper etching monument, statue Paris

print A vase with garlands and medallions on a pedestal in a semicircular niche flanked by Ionian pilasters. Above the niche a medallions with portrait and profil, helmets, flags and weapons. Print number 296. Paris paper etching vase ~ ornament. 'concha' ~ architecture

Monument in honor of Lodewijk XIV in the town hall of Troyes, Sébastien Leclerc (I) (attributed to), after François Girardon, 1690 print France paper etching historical persons. ruler, sovereign. monument, statue Troyes

Monument of Sir Andrew Judd in the Choir of St. Helen, Bishopsgate, James Stow, ca. 1770-after 1820, British, after unknown artist, ( Fisher ), 1825, Engraving, Sheet: 12 1/2 x 10 1/8in. (31.8 x 25.7cm)

N.N.: Grave monument for Wilhelm Stier on the Schöneberg cemetery and plaque for the building academy, Berlin. Competitions April 1857 and April 1858

Fryderyk Chopin (1810 Żelazowa Wola 1849 Paris) Composer and Pianist Monument to Fryderyk Szopen Regulski, Aleksander Tadeusz (1839 1884), woodcut Tygodnik Ilustrowany, Sirewicz, Boles AW (1835 1899)

Design for room decoration with a panel with a bust. Draughtsman: Abraham Meertens. Dating: 1767 - 1823. Measurements: h 315 mm × w 198 mm. Museum: Rijksmuseum, Amsterdam.

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Littret de Montigny, Claude Antoine, IInd Volume De l'Oeuvre de J. Ch. Delafosse, U Tombeau Antique, Tomb with arms and caryatids, verso - stamped, A tomb with arms, two caryatids, two smoking barrels and a bucranium., print, ornament print, prints, ornament prints, height 311 mm, width 218 mm, 1735 - 1775, print maker, printmaker, 1771 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, French, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Graf monument for Petrus Camper, Daniël Friday, After Anthony Zijnsenis, 1792 print Nich with bust of Peter Camper. Graf monument in the Pieterskerk in Leiden. print maker: Amsterdampublisher: Haarlem paper etching / engraving grave, tomb and other grave-forms and grave-markers Pieterskerk

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Mr. Nathaniel Ravener from Greenford Church, 1803. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Altar for Nehalennia, Noah van der Meer (II), After Engelbertus Matthias Engelberts, 1751 - 1822 print An altar dedicated to the goddess Nehalennia, who was worshiped in Zeeland in the second and third century AD. She has a basket with apples on her lap and a basket with apples and a dog by her side. Soil find from Zeeland. Leiden paper etching other foreign deities included in the classical Pantheon (with NAME)

Monument in honor of the inauguration of Philip V as Duke of Lorraine, 1702, 1702 print Monument founded on the Grote Markt in Brussels in honor of the inauguration of Philip V as Duke of Lorraine, Brabant, Limburg, etc. 22 February 1702. Tower decorated with allegorical figures and banners. Southern Netherlands paper other decorative structures (~ triumphal entry, etc.) Brussels

Lazio Roma Rome S. Maria sopra Minerva1. Hutzel, Max 1960-1990 Medieval: 13th century gothic architecture (b. 1280). Post-medieval: 19th century architectural restoration, "il Redentore" by Michelangelo, tombs, painting on panel, paintings on canvas, fresco German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Brunelleschi, Filippo.

A variation of 1938-88-1312. The steps and the candelabra in the schemes of 1938-88-1309. The pedestal and the group on top are variations of 1938-88-1311, without figures sitting upon, or leaning against it. In the central panel of the front is the inscription. Above the entablature is a pedimenent edge in the usual sarcophagus cover shape. Date: 1793. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Unknown photographer, cemetery in Pisa (without dat.): Tomb of the Benedetto da Rovezzano. Photo on cardboard, 27.9 x 21 cm (including scan edges) unbek. Fotograf : Friedhof, Pisa

Lazio Viterbo Viterbo S. Lorenzo, Cathedral05. Hutzel, Max 1960-1990 Views of 16th c. facade, with detail views of portal, windows, campanile (attached). Interior views of cupola, baptistery, sculpture, chapels, tabernacle. Many views of paintings and apse frescoes. Nave views in negatives only. Object Notes: A composite view of the exterior in found in the Italy Oversize box in the Medieval Core Collection. Hutzel views (H-230) MED and (H-231) MED General Notes: Views 118 to 184, processed by previous cataloguer, have no matching prints, though negative jackets indicate they should. All prints have been renumbered. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic

Fountain, Pen and brown ink, brush and brown wash on off-white lined paper, lined, A niche with pilasters framed a statue (Flora) who stand upon a pedestal. Below, water flows from a mask, and two conch shells held by mermen. A basin supported by two dolphin collects the water., Italy, ca. 1790, architecture, Drawing, Drawing

Ludwig XV., King of France.

Title page with an imagination, Vincenzo Mazzi, 1776 print Ruins of a Roman imagination construction: a staircase with columns on gigantic pedestals with scenes in relief. Title page of a series of twelve prints with examples for theater decors. paper etching title-page. ruin of a building ~ architecture

Composition of Gipsen Ornaments from the studio of J. Delbove, Brussels, Belgium, 1860 - 1882 photograph Photo from an incomplete series of 13 photos. Photo has traces of an eye on the top that shows that the photo hung. Recto on the photo in red pen numbers per pleaded plaster object, corresponding with a handwritten frame that is stuck Verso. Brussels cardboard. paper albumen print piece of sculpture, reproduction of a piece of sculpture

Elevation of a Sepulcher Monument, Matteo Torelli, Italian, Pen and black ink, brush and gray, brown and blue watercolor, graphite on off-white wove paper, A stele rises upon a dado of three rows of blocks. An angel with torch stands with one hand on the lap of a seated veiled figure. Written above the group: Laorimis. Meg. / Sunt. Panes. Dieg. / Hao (), Italy, 1822, architecture, Drawing, Drawing

Memorial to the poet John Gay in Westminster Abbey by sculptor John Michael Rysbrack. Inscription by Alexander Pope. A winged Cupid holds an oval portrait under an obelisk with dramatic masks, trumpet and panpipes. Copperplate engraving by Wilson as a frontispiece to Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793.

Gerhard Ludvig Lahde (1765-1833), Marie Cathrine Pellers Gravminde, 1801 - 1811

Monument for Hendrik Danielsz. Hooft, 1794, Anonymous, 1794 print Allegorical grave monument for Hendrik Danielsz. Hooft, former mayor of Amsterdam, died on August 31, 1794. A putto crowned the bust of Hooft on top of the monument with a laurel wreath. In the caption on the foot of the monument a four -line verse in honor of Hooft. print maker: Northern NetherlandsAmsterdam paper etching grave-building, monumental tomb

Pedestal with inscription and fragments of columns and images; Archaeological finds in and around Rome; Le Antichità Romane. Pedestal with inscription and fragments of columns and images. Explanatory list of letters in undermarge. Numbered above: Tom. III. / XLII.

Hunters of St Merry. (dummy title)

Monument with bust of Willem IV, 1747. Monument with bust of William IV in honor of the uplifting of Prince William IV to Stadtholder in May 1747. With the stadholder and the English weapon, on the pedestal an allegorical scene.

Lazio Roma Rome S. Egidio2. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting Object Notes: Exhibits original line of late Cinquecento construction, despite various remodelings. Church is almost always closed to the public. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Memorials to Jonathan Reeves and his wife Elizabeth, and John and Elizabeth Cooke, from West Ham Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 5/8 inches (38.1 × 27 cm), architectural subject

Print made by Anker Smith, 1759-1819, British, Magna Charta Presented to King John, 1811. Etching and line engraving on thin, slightly textured, cream wove paper.

An Elegant Lady at the Statue of Goethe. Paul Fischer (1860-1934). Pen and ink. Dated 1888. 29 x 18.7cm

Bildnis of Georges Louis Le Clerc de Buffon

Monument Wolfgang Amadeus Mozart (1756-1791) Monument on the Mozartplatz. 1842, from Ludwig von Schwanthaler; Cast of Stieglmayr.

Vischer, Peter.

Interior work : fireplace and dedicatory panel in the Trustees Room.. Photographs. New York Public Library Archives. New York Public Library, New York Public Library. Humanities and Social Sciences Library, Library architecture, Architectural decorations & ornaments , New York (State) , New York, Fireplaces, Architectural sculpture

Lazio Roma Rome S. Chiara5. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, sculptural relief, painting, fresco Object Notes: Erected for S. Carlo Borromeo in 1565. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Memorial to Judith Bell also to John Crosse from Hendon Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm), architectural subject, church, memorial, England, Greater London, Hendon, London, St Mary's Church, United Kingdom

Lazio Roma Rome S. Eligio degli Orefici0. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting, religious reliquaries Object Notes: On Via Giulia along banks of the Tiber. Designed by Raphael. Construction began in 1516. Facade from 1602 by Ponzio. Interior in form of Greek cross. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

At the top is the Time, below three putti and a lion above a cartouche with text. Design for the title page of a series of prints based on drawings by the artist, the so-called Grand Oppenord, Design for a title page with the Time above a cartouche Differents Fragments d'Architectur (...) (title series)., draughtsman: Gilles Marie Oppenort, Paris, c. 1740, paper, pen, brush, h 483 mm × w 294 mm

Tavern Sign. Dated: c. 1939. Dimensions: overall: 73.3 x 53.1 cm (28 7/8 x 20 7/8 in.) Original IAD Object: 31" wide; 49" high. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Alfred Parys.

THE WATTS MEMORIAL STATUE AT SOUTHAMPTON

Detail of the Call to Arms Statue on the Dewey Arch, Photographic print on paper, A photographic detail of the sculpture Call to Arms on the Dewey arch. The sculpture shows men brandishing arms being led by an angel with a shield., USA, 1899, architecture, Print, Print

GRABADO-JOVENES JUGANDO CON PERRO. Author: CARMONA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Unionsdenkmal

Radetzky from Radetz, Josef Graf.

Wolfram of Eschenbach.

Speculum Romanae Magnificentiae: Front view of St. Lawrence Gateway, Rome 1566 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Inste

Memorial to William, Robert and Mary Dyer, from Sudbury Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm), architectural subject, church, memorial, England, Greater London, London, St. Gregory Church, Sudbury, United Kingdom

Monument is in honor of the brave defenders of the years 1830 and 1831. Deleased August 27, 1856, 1856 print The Monument Memorial on the Volksgeest from 1830 and 1831, known as Naatje on Dam, unveiled in Amsterdam on 27 August 1856. A few visitors left and right of the monument. At the bottom of the title The Metal Cross. Amsterdam paper monument, statue. medals and other marks of military honour Naatje on Dam Square. Dam

Monument, which is located in the garden of Mr, Franz Edlen from Mack to Kalkspurg, artist

The monument is Jan Kochanowski in Poznań. A Clipping of Ears 1889 (1) 401 unknown

Peper- en zoutvat; Vas cuius superior pars piper/ inferior uero sal propinabit; Vaatwerk zoals kannen, peper- en zoutvaten en een drinkschaal.The lower part, intended for salt, is worn by three eagles that are on branches. The part is intended for pepper rests on the salt barrel and has the shape of an obelisk, decorated with arabesque. Horizontal shaded background. Comes from series of 12 sheets.

Unveiling of the statue of Rembrandt van Rhijn at Kaasplein in Amsterdam 27 May 1852. Rembrandt's statue by Royer. Magnify at the disclosure of Rembrandt's statue on the then butter market, now (since 1876) Rembrandtplein, on 27 May 1852. Visitors admire the statue. Presentation within a golden frame.

Messalina, Valeria.

Lazio Roma Velletri S. Clemente, Cathedral33. Hutzel, Max 1960-1990 Medieval: Architecture (4th c., rebuilt c. 1300, reconstructed 1659-62); architectural sculpture and mosaic (13th century); Roman urn (1-2nd c. A.D.); wall painting; includes reused Roman and 8-11th century fragments). Post-medieval: Architecture, architectural sculpture, frescoes, sculpture Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign date: October 30, 1982. There was another photo campaign previous to 1982, possibly 1962. There is one set of prints and a second "A" set with the same numbers and ideally the negatives would correspond to each set; however, they are commingled to a certain extent (particularly the later numbers of those in the Medieval core collection, whose print sequence fits into the "A" set, but whose negatives are filed under the other set). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death.

Perspective view of the Emperor Franz monument in the Inner Burghof of the Hofburg, Vienna I, in the "Progetto Semiteutonico" style, drawn by Pompeo Marchesi in graphite with black pen and watercolor in 1841.

Monument for Cardinal Marco Antonio Franciotti, Anonymous, After Filippo Gagliardi, 1642 print Portrait of Cardinal Marco Antonio Franciotti in a burial monument in a church interior. Numbered at the top right: 13. print maker: Italyafter drawing by: Romepublisher: Rome paper engraving historical persons. cardinal. interior of church

Tomb of William Rawlinson from Hendon Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm), architectural subject, church, memorial, tomb, England, Greater London, Hendon, London, St Mary's Church, United Kingdom

Grafstèle Van Giovanni Volpato, Pietro Fontana, After Antonio Canova, 1807 - 1837 print Sculpted burial monument by the Italian sculptor Antonio Canova for Giovanni Volpato, with a mourning woman at the Giovanni Volpato grave. Italy paper engraving piece of sculpture, reproduction of a piece of sculpture. other kinds of grave-markers, e.g. cross. historical persons

Florence - Tomba Die Dante, S. Croce. .

Netherlands, Schol, A. (II), Thirteen decorations at the Alliance Festival in Amsterdam in 1795, Illumination on the Amstelveld, In Amsterdam 1795, Het Volksbewind Gevestigd, decoration on the Amstelveld, 1795, verso - stamped, allegorical decoration erected on the Amstelveld in Amsterdam at the Alliance Festival on 19 June 1795. Column crowned with a liberty cap and the flags of the Netherlands and France. Chassinet in which the Dutch Virgin welcomes seven children representing the seven provinces. Part of a series of thirteen plates., print, prints, Frederik Muller History plates, height 275 mm, width 188 mm, Dutch, print maker, printmaker, 1795 - 1795, paper, etching, hand colouring

Monument of Sir Edward Wynter, died 1685, on the south wall of St Marys Church Battersea. With bust, cherubs, drapes and depictions of him fighting a tiger and Moors. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1794.

Statue of Erasmus, at Grote Markt in Rotterdam. Erasmus, for feet, browse in a book. Statue on the Grote Markt in Rotterdam. In the margin a two-person caption in Dutch. The statue is manufactured in 1622 to the design of Hendrick de Keyser.

Allegory with two putti, Abraham Delfos, After Jacob de Wit, 1741 - 1820 print Two putti with a number of allegorical objects, including a sword and a torch, stand on a pedestal next to a performance with the text 'Infelicitas Publica'. Leiden paper etching cupids: 'amores', 'amoretti', 'putti'. torch. hacking and thrusting weapons: sword

Monument in honor of Middelburg's new harbor, 1817, anonymous, 1817, Not executed design for a commemorative pole in honor of the opening of the new harbor in Middelburg, August 9, 1817. Obelisk decorated with the arms of the Netherlands, Zeeland and Middelburg and a dedication to the king., draughtsman: anonymous, draughtsman: Gerrit Lamberts, (possibly), Netherlands, 1817, paper, pen, brush, h 488 mm × w 355 mm, h 602 mm × w 450 mm

Memorial for Jan van Speijk, 1831, 1831 print Memorial stone for Jan van Speijk, in the courtyard of the Burgerweeshuis in Amsterdam, October 20, 1831. Plaquette with inscription. print maker: Netherlandspublisher: Amsterdam paper etching other memorial structures Citizen

. Monument on top of a standing putto, holding a shield. In addition to the putto a fascence.

Daniel Lysons, 1762-1834, British, Tomb of Mrs. Elizabeth Stafford Hilliard, Elizabeth Grosier, Gregory Grosier and William Grosier, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Title Page. Dated: 1765. Medium: etching and surface-printing in brown, with inkless embossment and some hand-coloring (). Museum: National Gallery of Art, Washington DC. Author: Cornelis Ploos van Amstel.

Plantard, door of the door of the vestibule on the ground floor of the Paris City Hall: sculpture project. (Dummy title). Carnavalet museum, history of Paris.

. Allegory on the victory in the naval battle at Doggersbank on August 5, 1781 between the Dutch and the English fleet. The Dutch sailor standing on a pedestal with the Dutch flag tramples the British flag.

Daniel Lysons, 1762-1834, British, Tomb of Ann Buckley, from Sunbury Churchyard, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Design for a Monument in Memory of George B. Doane, c. 1843, pen and black ink with wash on wove paper, sheet: 32.39 × 25.24 cm (12 3/4 × 9 15/16 in.), Alpheus Cary (artist) American, c. 1810 - 1868

Design for the National Monument, Maurits Verveer, 1864 photograph Awarded design for the National Monument 1813-1863 Motto Eben-Haezer in The Hague, from J.Ph. Koelman and W.C. Van der Waeyen Pietersen The Hague paper. photographic support. cardboard albumen print historical persons. piece of sculpture, reproduction of a piece of sculpture. monument, statue The Hague

Epitaaf Mediillon, Johann Thomas Hauer, 1781 print Design for an epitaph with skulls, vases and oval medallion with laurel wreath. Above a six -line French text. Paris paper etching / engraving epitaph

Goethe, Johann Wolfgang von.

Bülow-dennewitz, Friedrich Wilhelm Graf.

Cartouche Moderne with Emblems of Death. Dimensions: sheet (cut within platemark): 16.5 x 25.9 cm (6 1/2 x 10 3/16 in.). Medium: counterproof of an etching with drawing in pen and black ink and gray wash, on laid paper incised with grounding in red chalk for transfer on verso. Museum: National Gallery of Art, Washington DC. Author: Johann Esaias Nilson.

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Mrs. Mary Green, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Thomas Guy. Line engraving after P. Scheemaeckers, 1731.

Statue of Laurens Jansz. Coster in Haarlem. Draughtsman: Johannes Jelgerhuis. Dating: 1780 - 1836. Measurements: h 250 mm × w 206 mm. Museum: Rijksmuseum, Amsterdam.

Funeral monument for Justus Klinkhamer, 1830. Draughtsman: anonymous. Dating: 1830 - 1831. Place: Netherlands. Measurements: h 303 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Attributed to Daniel Lysons, 1762-1834, British, Memorial to John Taylor from Chiswick Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

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