Monumental Tombs and Altars

Etchings and prints of significant tombs and memorials, emphasizing intricate architectural details and historical significance.

Dahlberg, Erik Jönssen, Lepautre, Jean, Suecia Antiqua et Hodierna, Conditorium Excellentissimi Domini Dn. Caroli Caroli Gyldenhielmii Regni Sueciae Archithalassi, in templo Strengnensi, Grave monument of Carl Carlsson Gyllenhielm in the cathedral of Strängnäs, The print is part of an album., print, album page, prints, height 260 mm, width 177 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1669 - 1669, paper, etching, Swedish, 1625-10-10 - 1703-01-16, supervision

Dahlberg, Erik Jönssen, Lepautre, Jean, Suecia Antiqua et Hodierna, Conditorium Excellentissimi Domini Dn. Caroli Caroli Gyldenhielmii Regni Sueciae Archithalassi, in templo Strengnensi, Grave monument of Carl Carlsson Gyllenhielm in the cathedral of Strängnäs, The print is part of an album., print, album page, prints, height 260 mm, width 177 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1669 - 1669, paper, etching, Swedish, 1625-10-10 - 1703-01-16, supervision

The Graftombe of Willem van Oranje, 1623. The tomb or praise grave of Willem van Oranje in the new church in Delft, completed in 1623. With the frame.

The tomb of Willem van Oranje, 1623, 1700 - 1799 print The tomb or pompal grave of Willem van Oranje in the Nieuwe Kerk in Delft, completed in 1623. With the frame. Netherlands paper etching grave-building, monumental tomb new church

Tomás López Enguidanos (Engraver); José Gómez de Navia (Drafstman); Cipriano Maré (Letter engraver); Calcografía Nacional (The seller) / 'View of the church choir loft from the convent entrance, Royal Monastery of San Lorenzo de El Escorial'. 1800 - 1809. Taille douce: etching and engraving on wove paper; 1800 - 1809. Taille douce: etching and engraving on wove paper. Museum: Museo del Prado, Madrid, España.

Print (France)

Schouwburg with theater decor: De Kerker, Cornelis Brouwer, after Jan Bulthuis, after Pieter Barbiers (I), 1794 print Theater performance in the new Amsterdam Schouwburg with the scenic decor de Kerker, with scene from Gabriëla van Verij. The decor printed of a separate plate within a renewed passe-partout with the room, side slices, pillars with statues and the facade of the stage. A six -line verse in the caption. Part of the series of fourteen theater decors of the Nieuwe Amsterdamse Schouwburg, 1787-1794. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Leidseplein (1774-1890)

Vuë interieur du grand escalier de Versailles du coté de l'entrée, Grand escalier du Chteau de Versailles dit Escalier des ambassadeurs, Chevotet, Jean-Michel, 1698-1772, Le Brun, Charles, 1619-1690, Surugue, Louis, 1686-1762, Etching, engraving, black-and-white, 1725, Chevotet del.--lower left; Surugue exc.--lower right; 16--inscribed in brown ink, lower right.

Schouwburg with theater decor: De Aldoude Hofgallery, Adolf van der Laan (attributed to), after Hendrik de Leth, 1760 - 1765 print Theater performance in the Amsterdam Schouwburg on the Keizersgracht with the scenesendecor De Aldoude Hofgallerij with scene from: the marriage of Orondates and Statira. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of 12 theater sets. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Jean Lepautre, Fireplaces and Other Interior Decorations Fireplaces and Other Interior Decorations

Fireworks in The Hague, in honor of the Peace with France, 1713, Jacob Keyser, 1713 - 1718 print Fireworks near the pond for the meeting room of the States General in The Hague, organized by the States General on the occasion of the Peace with the King of France, closed in Utrecht on April 11, 1713. In the margin two columns with text; Left in Dutch and right in French. Amsterdam paper etching bonfire, fire-works - AA - festivities on the water (+ illumination, fire-works ~ festive activities) The Hague

Paris, Langlois, Nicolas (I), France, Lepautre, Jean, Desseins De lambris à l'Italienne, Gallery of a palace, At the top hangs a chandelier from the vault. From a series of sheets with wooden paneling, executed in the Italian manner. Third edition., print, ornamental print, prints, ornamental prints, height 220 mm, width 150 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1670 - 1680, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1640 - 1703, publisher

Meeting room of the States of Holland and West -Friesland, 1741, 1741 - 1742 print The meeting room of the States of Holland and West-Friesland in the court in The Hague, 1741. Amsterdam paper etching / engraving national government. Lower House, Parliament, Chamber The Hague

Bathing women. Bathing women in a pond in a gatehouse. A view of an antique temple on a mountain through the arches. Numbered in the middle of: No. IV.

DECOR project for homeland, Victorian drama Sardou created on March 18, 1869 at the Theater of the Porte-Saint-Martin Philippe Chaperon (1823-1907). Decor project for homeland, Victorian drama Sardou created on March 18, 1869 at the Th��tre de la Porte-Martin.. Feather, lavis and gouache rehabilitation.

Giovanni Piranesi, 1720-1778, Italian, Giardino Colonna nel clivo del Quirinale, undated. Etching on medium, moderately textured, cream wove paper.

Title Plate with a Cartouche Set in a Lavish Interior, from Nouveaux Liure da Partements, part of OEuvres du Sr. D. Marot. Artist: Daniel Marot the Elder (French, Paris 1661-1752 The Hague). Dimensions: Sheet: 8 1/2 × 13 1/2 in. (21.6 × 34.3 cm)Plate: 7 5/16 × 10 11/16 in. (18.5 × 27.1 cm). Published in: The Hague. Publisher: Published by Pierre Husson , The Hague. Series/Portfolio: Nouveaux Liure da Partements. Date: published 1703 or 1712.Horizontal panel with an ornate cartouche in the forefront of a lavishly decorated interior. The space is divided in two by a bulastrade and fluted columns, with a table set in a niche against the far wall. At right, an overmantel with a trophy of arms above a chimney. From a group of five plates, out of a series of six prints with designs for the interior decoration of rooms and detailed designs for textiles. Museum: Metropolitan Museum of Art, New York, USA.

Theater with stage decor: the new court portal; The new court portal; Theater decors of the Amsterdamse Schouwburg, ca. 1760. Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the Coulis Decoration The new court portal with scene from: Karel de Stoute, Hartog van Burgundy. The decor printed from a separate plate within a passe-partout with the hall, side logs, orchestra and the facade of the stage with columns, garlands and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a series of twelve stage decorors.

Titelblad: fireplace and paneling, Jean Lepautre, after 1665 - Before 1716 print Large room with monumental lower stirring in the middle against the wall, on the left near a window you can see Louis XIV who receives its courtings. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Diameter of building with room and alcove, Jean Lepautre, After 1628 - Before 1666 print In the room there is a lower bouncer, with a herme on either side and above it an oval painting by Diana. From series of 12. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Fantasy of Magnificent Courtyards and Loggie with a Monumental Staircase. Dated: early 1770s. Dimensions: overall: 38.3 × 51.1 cm (15 1/16 × 20 1/8 in.). Medium: pen and brown ink with gray and black wash over graphite on two joined pieces of laid paper. Museum: National Gallery of Art, Washington DC. Author: Pietro Gonzaga.

This ink drawing by Carl Schütz depicts Joseph in prison explaining dreams, one of three historiated architecture pieces, emphasizing figure, architectural detail, and narrative composition, created in 1775.

Josef Platzer's theater decoration depicts a fountain surrounded by victory symbols, executed in black ink and watercolor.

Figures around an allegorical burial monument for Willem III, Prince of Orange and King of England, Scotland and Ireland, Nicolas Henri Tardieu, After Domenico Maria Fratta, after Antonio Balestra, after Giuseppe Valeriani, after Giovanni Battista Cimaroli, 1735 - 1741 print Paris paper etching / engraving grave, tomb. king

Stadsplein with a fountain in the middle in the form of a temple; Artis perspectiva (...). Square with a fountain, surrounded by fences with female hermen. On a podestal, for which two sphinxes are those spraying in a lower pelvis, is a pavilion with columns of the Corinthian order. There is a child that is sprayed from above. In the foreground a woman shoves water from the fountain. The print is part of an album.

The Masked Ball, 1782. Jean-Michel the Younger Moreau (French, 1741-1814). Engraving;

Image reproduction: Bernardo Bellotto (1721-1780), Hall of the former Royal Castle in Warsaw before 1767; Z: "Tygodnik Ilustrowany" 1904, No. 1 (January 2), p. 14; Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1904 (1904-00-00-1904-00-00);

. Theater performance in the new Amsterdam Schouwburg with the Coulis Decoration The Abdy Church with scene from Robbert de Vries. The decor printed from a separate plate within a passe-partout with the hall, side loges, pillars with statues and the facade of the stage. In the caption a sixor side. Part of the series of fourteen stage decorors of the new Amsterdamse Schouwburg, 1787-1794.

Trompe -l'oeil Decoration for Stairwell Het Loo, Anonymous, Daniël Marot (I), After 1703 - Before 1800 print Passed copy to print from series Nouveaux Liure de Pintures de Salles et d'Escalliers. One of 6 magazines. Netherlands (possibly) paper etching Staircase. 'optical illusion'

Sala del senato nel ballo Costantino il grande, Lithograph by Sanquirico, Firenze, published by Ricordi e Co., Milano, 1600-1950. Additional, Costantino il grande. Dancers depicted in the scene

Fokke, Simon, Amsterdam, Man looking at a wall painting, verso - stamped, A man studies a wall painting in a richly decorated room. On the left, a theological treatise lies open on the table. Print marked at top left: XVIII., print, book illustration, prints, height 136 mm, width 90 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etchings, Work conception, after own design by

The memory of Most High, very powerful Prince Monseigneur Louis Daupin, and very high, very powerful princess Madame la Dauphine. (IT)

Oranjezaal in Huis ten Bosch, Frans Molenaar (1821-1886), After Tieleman Cato Bruining, after Jacques Jordaens, 1831 - 1886 print Face in the Oranjezaal of the Huis ten Bosch Palace in The Hague. The central performance of Stadholder Frederik Hendrik in his triumphal wagon drawn by four white horses and crowned by victory and abundance, completed in 1652. Left two visitors. Amsterdam paper etching / engraving palace. picture, painting Palace Huis ten Bosch

Vue du costé droit du grand escalier de Versailles, Grand escalier du Chteau de Versailles dit Escalier des ambassadeurs, Chevotet, Jean-Michel, 1698-1772, Le Brun, Charles, 1619-1690, Surugue, Louis, 1686-1762, Etching, engraving, black-and-white, 1725, Chevotet del.--lower left; Surugue ex.--lower right.

Utrecht, Stubbe, Arend, Northern Netherlands, Image of Utrecht's joyous display, solemnly celebrated on the Dutch Alliance with France on 23 February. 1786, Illuminated triumphal arch at the celebration of the Alliance with France in Utrecht, 1786, verso - stamped, Illuminated triumphal arch with allegorical representations, at the celebration of the Alliance with France, commissioned by the Civic Society Concordia or De Eendracht in Utrecht, at the Mariaplaats in Utrecht on 23 February 1786., print, prints, Frederik Muller Historieplaten, height 177 mm, width 243 mm, print maker, printmaker, 1786 - 1786, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publication, publisher

Theater Decor: De Nieuwe Tuin, Jan Punt, After Paulus van Liender, 1760 - 1765 print The wings' Decor the new garden with scene out: the feigned crazyness through love. Only the decor of a separate plate, so without the passe-partout. Part of a series of 12 theater sets of the Amsterdam Schouwburg on the Keizersgracht. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Imperial library and curiosity cabinet, Jan Luyken, 1682 print paper etching Study; 'Studiolo'; Library. Cabinet of Curiosities, 'Kunst- und Wunderkammer'

Round fountain supported by sphinxes in a courtyard, 1568 print In the center of a courtyard there is a round fountain on a base of sphinxes. The fountain is awarded a bow of rolling work and supported by two Hermen. Around the courtyard palaces and corridors of grille. This print is part of an album. paper etching ornamental fountain. courtyard. herms (garden ornaments)

Schouwburg with theater decor: De Aldoude Hofgallery, Adolf van der Laan (attributed to), after Hendrik de Leth, 1770 - 1772 print Theater performance in the Amsterdam Schouwburg on the Keizersgracht with the scenesendecor De Aldoude Hofgallerij with scene from: the marriage of Orondates and Statira. The decor printed of a separate plate within a new passe-partout with the room, orchestra box and the facade of the stage with columns and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a later edition of the series of 12 theater decors. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Medea: or the Marriage of Jason and Creusa, Rembrandt van Rijn, 1648 print paper etching / drypoint marriage of Jason and Creusa (Glauce); possibly with Medea watching the scene

Ancient Tomb with Obelisks Surrounded by Sepucral Urns. Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, circa 1743. Prints; engravings. Etching with engraving and drypoint

Campania Napoli Naples S. Lorenzo Maggiore59. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

THE PARIS INTERNATIONAL EXHIBITION

Maignan, Albert (n.1845-10-14-D.1908-09-29), fountain of the Saint-Germain abbey at the corner of the Childebert and Erfuhrt streets, demolished in 1867 (dummy title). Lead mine. Carnavalet museum, history of Paris.

The Preparation of Theriac in Venice, for the "Chinea" Festival. Dated: 1773. Dimensions: plate: 38.5 x 51.4 cm (15 3/16 x 20 1/4 in.) sheet: 42 x 55.9 cm (16 9/16 x 22 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giuseppe Vasi after Giuseppe Palazzi (designer) and Paolo Posi (architect).

Fireworks display, Nuremberg, 1659. Artist: Anonymous. Dimensions: Sheet (trimmed): 11 7/8 × 14 3/4 in. (30.2 × 37.5 cm). Date: 1673. Museum: Metropolitan Museum of Art, New York, USA.

. Illuminated triumph port the allegorical representations, in the celebration of the Alliance with France, commissioned by the Civilian Society Concordia or the Eendracht in Utrecht, at the Mariaplaats in Utrecht on 23 February 1786.

Raphaël, la Dispute du Saint Sacrément (fresque du Vatican). James Anderson (British, 1813 - 1877)

Grotten in Malta; Onderaerse Gront op Malta / Lieux souterrains à Malta; Les Indes Orientales et Occidentales et autres lieux.The encounter of a Spanish commander with the residents in the caves in Malta. Right is cooked. Left drink cattle and chickens from a trough. Due to two air holes, light also falls inside. With a legend in Dutch and French. The print is part of an album.

Stage Design: A Banquet Hall, Giuseppe Galli Bibiena, Italian, 1696-1756, Anton Ospel, 1677 - 1756, Engraving on off-white laid paper, 1740-44, theater, Print, Print

Speculum Romanae Magnificentiae: Farnese Palace Interior 1560 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients compo

West side of the civilian hall in the Royal Palace on Dam Square; Face of the large room, in the palace of Amsterdam / vue de la Grande Sale, Dance La Palace Roijal d'Amsterdam. The west side of the civilian hall in the palace on Dam Dam in Amsterdam. In the middle in the middle the entrance of the former ships room. In the middle of Justitia (justice), under her feet King Midas as a personification of greed and invidia, the personification of the envy and envy. To the left of Justitia death, on the right the personification of punishment. Above the image of Atlas. Different figures walk in the hall. Under the title in Dutch (left) and French (right).

Paris, Mariette, Pierre (II), Lepautre, Jean, Nouuelles Inuentions pour faire les bancs des choeur, View in the nave of a church, View of the nave of a church with a choir stall between two Corinthian pilasters. The print is part of an album., print, ornamental print, album sheet, prints, height 225 mm, width 152 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1657 - 1665, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

Decor with winter forest in the new theater in Amsterdam; The winter forest. With the image of the third stage the first wryfs, from the mourning game, Gysbrecht van Aemstel.; Decors in the new Schouwburg in Amsterdam.

Loggetta del Sansovino at San Marcoplein in Venice, Anonymous, 1610 The Loggetta del Sansovino with figures from the Commedia dell'arte in the foreground. Two -line Italian text in the lower margin. The print is part of an album. print maker: Italypublisher: Venice paper engraving Loggetta del Sansovino. San Marcoplein. Venice The Loggetta del Sansovino with figures from the Commedia dell'arte in the foreground. Two -line Italian text in the lower margin. The print is part of an album. print maker: Italypublisher: Venice paper engraving Loggetta del Sansovino. San Marcoplein. Venice

Corpse for Emperor Matthias. Artist: Jacques Callot. Draughtsman: Gerard ter Borch (II). Dating: c. 1619 - 1620. Place: Zwolle. Measurements: h 266 mm × w 210 mm; h 282 mm × w 221 mm. Museum: Rijksmuseum, Amsterdam.

Print (France)

Garden with Château d'Eau with fountains, After 1628 - Before 1703 print On the left in the foreground, the daughters of Cecrops open the coffin in which Erichtonius had stopped, at the bottom two lines of text. Leaf 4 from series of 6. paper etching

Palace garden with a round fountain; Artis Perspectivae (...). Palace garden with a fountain with a round basin that is worn by vases and a standing naked man. At the bottom of four water-breathing frogs. Around the garden corridors of railing. This print is part of an album.

Fountain in the gardens of the Villa Aldubrandini in Frascati; Fontana E Prospetto Sopra Il Viale de Cipressi (...); Fontane delle ville di Frascati; Fountains of Frascati. The print is part of an album.

Amsterdam, Dóll, widow Jan, Kok, Willem, Beek, Jan Lucas van der, Illuminations and decorations in Amsterdam on the 40th birthday of Prince William V in 1788, Image of the Illumination in front of the House of the Lord Jan Jacob de Bruyn. on 8 March 1788, Illumination for the house of Jan Jacob de Bruyn in Amsterdam, 1788, verso - stamped, Illumination made for the house of Jan Jacob de Bruyn on the Keizersgracht in Amsterdam. Numbered at the top: IX. Part of a series of twelve plates of the illuminations and decorations in Amsterdam on the 40th birthday of Prince William V on 8 March 1788., print, prent, prints, prenten, Frederik Muller Historieplaten, height 229 mm, width 158 mm, 1753-05-06 - 1818-10-12, print maker, printmaker, 1788 - 1788, paper, papier, etching, engraving, engraving (printing process), 1761 - 1807-03-29, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

A Temple in a Courtyard (Pool of Bethesda). Artist: Adam Elsheimer (German, Frankfurt 1578-1610 Rome). Dimensions: 8 1/16 x 6 9/16 in. (20.5 x 16.6 cm). Date: late 16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

'Sketch of the Scenery for the Opera "The Mercy of Titus"'. Russia, 18th century. Dimensions: 35,8x50,7 cm. Museum: State Hermitage, St. Petersburg. Author: GIUSEPPE VALERIANI.

Etching by Giuseppe Vasi depicting the fundle for Pope Clemens XII in the church of San Giovanni Battista dei Fiorenini in Rome from May 12-14, 1740.

Mayor Hendrik Hooft Danielsz addresses the bourgeoisie, 1787, Willem Kok, 1787 print The Amsterdam mayor Hendrik Danielsz. Hooft addresses the compiled citizens in the civilian hall of the town hall and assures them the interests of the city and the Fatherland in Zulllen, 26 February 1787. In the margin Het Wapen van Hooft. Northern Netherlands paper etching / engraving person addressing a group, orator. mayor, burgomaster. crowd, mob Citizen

Stage decor: shabby living; Shabby Living / Demeure de l'Indice; Theater decors of the new Amsterdam Theater, 1775-1777. The coulisecor's shabby living, with a scene from: the virtuous poverty. Part of a series of six stage deposits of plays raised in the new Amsterdam Theater from the years 1775-1777.

Pietro Gaspari, Thermarum reliquiae, 1771 Thermarum reliquiae

Decoration of the Hall of Spectacles. Charles-Nicholas Cochin the younger; French, 1715-1790. Date: 1745. Dimensions: 740 × 530 mm (plate); 840 × 605 mm (sheet). Etching and engraving on paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: the younger Charles-Nicholas Cochin.

Gefängnis für die Schaubühne. Dated: 1786. Dimensions: plate: 34.4 x 41.2 cm (13 9/16 x 16 1/4 in.) sheet: 41.9 x 60.8 cm (16 1/2 x 23 15/16 in.). Medium: etching and aquatint in brown on laid paper. Museum: National Gallery of Art, Washington DC. Author: Abel Schlicht possibly after Giuseppe Galli Bibiena.

The Coulis Decor the Aloude Hofgallerij with scene from: the marriage of Orondates and Statira. Only the decor printed from a separate plate, so without the passe-partout. Part of a series of 12 stage decorors from the Amsterdamse Schouwburg on the Keizersgracht.

Second sight on the Thermen of Diocletian, Johannes or Lucas van Doechum (attributed to), afterononymus cock, c. 1578 - c. 1600 print Second sight on the ruins of the Thermen of Emperor Diocletian. Soldiers walk through the remains of the buildings. paper etching / engraving landscape with ruins Thermen from Diocletianus

Interieur Van Chiesa of SantUrbano Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the Chiesa di Santurbano in Rome (originally it was a temple from Roman times, built under Emperor Marcus Aurelius. On print called Temple of Bacchus). Title and explanatory letters in STUDMARGE. Rome paper etching temple, shrine ~ Roman religion. interior of church. Roman Catholic Church Rome. Tempel Van Ceres en Faustina. Church of SantUrbano alla Caffarella. Rome

Figures in a Roman Arcade. Artist: Hubert Robert (French, Paris 1733-1808 Paris). Dimensions: 17 1/2 x 13 1/4 in. (44.5 x 33.6 cm). Date: 1763.From early in his career in Italy, Hubert Robert created architectural capricci (views combining existing monuments in imaginary compositions), in the manner of the Italian masters Giovanni Battista Piranesi (1720-1778) and Giovanni Paolo Panini (1691-1765). In this red chalk drawing, Hubert Robert lends a sense of observed reality to the representation of an invented place. The large scale of the structure and the axial perspective framing the view of another building both recall the palazzo dei conservatori in Rome, although the architectural vocabulary, in particular the groin vaults and the Doric order of the capitals are reminiscent of certain rooms in the Villa Albani. Both buildings housed important collections of ancient art, the former was open to the public, the latter was private.In 1762, Hubert Robert made several vi

Bal in the town hall, 1768, Reinier Vinkeles (I), 1771 print The ball in the civilian hall of the Amsterdam City Hall given by the city council on the occasion of the visit of Stadholder Willem V and Princess Wilhelmina van Pruisen, 2 June 1768. Part of a press series with title print and 14 records of the indentation of the prince and princess in Amsterdam, 30 May - 4 June 1768. Paris paper etching / engraving public festivities on the occasion of royal events (+ dancing ~ festive activities). ball, formal dance Citizen

La Salle des Illusions', Paris, September 1900. Illustration showing the electrical illuminations at the International Exhibition, Paris, 1900.From 'La Nature' (Paris, 1 September 1900).

Prison interior; A soldier watches over prisoners, two other soldiers on a landing. Interior of prison. A soldier watches over prisoners, two other soldiers on a landing. Feather, brown ink, Sépia lavis rehaut watercolor lavis.

The rarity room of Levinus Vincent.

Schouwburg with theater decor: Zonnehof, Jan Punt (attributed to), after Hendrik de Leth, 1760 - 1765 print Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the scene of Zonnehof with scene from: the century of the Amsteldam Schouwburg. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of 12 theater sets. paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

A Triumphal Bridge Adorned with Relics of the City of Ercolano. Dated: 1755. Dimensions: plate: 38.2 x 54.8 cm (15 1/16 x 21 9/16 in.) sheet: 43.4 x 62.8 cm (17 1/16 x 24 3/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giuseppe Vasi after Paolo Posi (architect).

The cabinet has been given through the Berceau / to the village.

Tornaro, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof (early)

Rome, Piranesi, Giovanni Battista, Carceri d'invenzione, Dungeons, Dungeon with sawhorse, verso - stamped, View in a monumental space (possibly a dungeon) with a sawhorse in the foreground on the right. Numbered upper right: XII., print, prints, height 415 mm, width 561 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1761 - 1761, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Construction: carpentry, hardware and door handles from Pompei, group of artisans.. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts, Construction

Roland. 1693. Prints. Jerome Robbins Dance Division

Graftombe of Willem I, Prince of Orange, 1623. Tomb or Praal Graf of Willem I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the image of the sitting prince.

A Hall with Ionic Columns, 1560, Scenographiae, sive Perspectivae, etching on laid paper, plate: 20.8 × 26.2 cm (8 3/16 × 10 5/16 in.), sheet: 25.5 × 36.2 cm (10 1/16 × 14 1/4 in.), New Hollstein, no. 176, i/ii, Lucas van Doetechum (artist) Netherlandish, active 1554-1572; died before 1589, Johannes van Doetechum the Elder (artist) Netherlandish, 1528/1532 - 1605, Hans Vredeman de Vries (artist after) Netherlandish, 1527 - c. 1606, Hieronymus Cock (publisher) Netherlandish, 1518 - 1570

Bacchus fountain in the villa d'Este in Tivoli; Fontana di Bacco in UNA Stanza Contigua Al Fontanone Nel Piano Delle Fontanelle; Le Fontane del Giardino Estense in Tivoli; Fountains in the gardens of Villa d'Este in Tivoli. Numbered at the bottom right: 8. The print is part of an album.

Burgerzaal in the town hall on Dam Square in Amsterdam, Paulus van Liender, 1765 print Interior of the Burgerzaal in the town hall on Dam Square, Amsterdam. In the room there are visitors, schouten and aldermen. Above the western access is the image of Atlas. paper etching Townhall. Symbols and allegories of law; 'Legge' '' Legge Civil '(Ripa) (+' FASTES with a secure ") Citizen

Fontein in De Tuinen Van de Villa Aldobrandini Te Frascati, Giovanni Battista Fonda, 1653 - 1691 The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Aldobrandini. Frascati The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Aldobrandini. Frascati

Graftombe by Michiel de Ruyter in the Nieuwe Kerk in Amsterdam, Joannes Willem Vos, 1836 print Under the tomb the portrait of the admiral. print maker: Netherlandsprinter: Amsterdampublisher: Amsterdam paper grave, tomb new church

Graph of Prince William I Delft, Johannes Jelgerhuis, 1820 - 1833 print The grave is seen from the rear. There is a lady at the grave. She looks at a man in front of her who points to the grave. A boy comes on the left. printer: Amsterdampublisher: Delft paper grave, tomb

Cupid's playing a urn in a landscape. Possible design for a print.

Burnat Peter Ludwig (died 1817), museum in Rome. Main staircase (1790): Perspective interior view. Tusche watercolor on the box, 67 x 55.5 cm (including scan edges) Burnat Peter Ludwig (1762-1817): Vatikanische Museen, Rom. Museo Pio Clementino. Haupttreppenhaus

Admiral Horatio Nelson's tomb in the crypt of St. Paul's Cathedral. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Indoor. Draughtsman: Gerrit Lamberts. Dating: 1786 - 1850. Measurements: h 180 mm × w 151 mm. Museum: Rijksmuseum, Amsterdam.

Print (France)

Thomas Morris, active 1771-1794, The Cabinet, undated. Engraving.

The Anointing of Louis XVI at His Coronation in Reims Cathedral, June 11, 1775. Artist: François Joseph Belanger (French, Paris 1744-1818 Paris). Dimensions: 8 3/8 x 11 15/16 in. (21.3 x 30.3 cm). Date: 1814. Museum: Metropolitan Museum of Art, New York, USA. Author: FRANCOIS JOSEPH BELANGER.

Paris - The Royal Imprimerie at the Louvre The Royal Printing at the Louvre in the 17th century. Anonymous, 17th century. Drawing.

Roma 4075., Photo reproduction of painting () Interior of the Sistine Chapel, Roma 4075. Interno della Capella Sistina, photograph, photo, photos, height 187 mm, width 236 mm, photographer, 1870 - 1880, third quarter 19th century, fourth quarter 19th century, paper, papier, photographic paper, fotopapier, cardboard, kaart, albumen print, albuminedruk

Royal Exchange, unknown artist, after Benedictus Antonio van Assen, active 1788-died 1817, British, 1795, Etching

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