Monuments and Architectural Designs

A collection of artistic depictions of monuments, including sculptures and architectural elements, showcasing various styles and historical themes.

Monument erected to the glory of the French Republic / inaugurated on the Place de la Republique on July 14, 1880. (IT)

Netherlands, Zürcher, Antoni, Arch of triumph for the town hall on the Dam in Amsterdam, 1816, verso - stamped, Arch of triumph in the form of a temple with a dome and twelve columns. In the center a coat of arms trophy, in the tympanum the crowned W with the inscription 'Aan Neerlands Redder' underneath. Erected in front of the Town Hall on the Dam. Illustration of the decorations erected during the visit of the Prince and Princess of Orange to Amsterdam on September 19, 1816., print, ornament print, prints, height 195 mm, width 199 mm, 1755 - 1837-10-02, print maker, printmaker, 1817 - 1817, paper, papier, etching, engraving, engraving (printing process)

Monument in Lübeck for Emanuel Geibel, Franz Emanuel August Geibel (born 17 October 1815 in Lübeck, died 6 April 1884 ibid.), German lyricist, Illustration, Reproduction from a 19th century original. Authentic, File restored for optimal use, Exact date of original unknown, Historical, A statue of a seated man with a reclining angel at his feet

The flames burn in urns. The inscription is in the band above the entablature. The figure with the scross is a variation of 1938-88-1300. Beside her are the symbols of the Evangelists. Date: 1793. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Ermels, Johann Franz (der Ältere), Roman ruins and monuments, Altar with two ram's heads, verso - stamped, print, prints, height 81 mm, width 62 mm, 1641 - 1693-12-03, print maker, 1651 - 1693, paper, etching

Equestrian statue among the Portuguese synagogue, 1816; Drawings of the decorations in Amsterdam by the visit of the Prince and Princess, 1816. Equestrian statue of the Prince of Orange on a high base with four fountains underneath. Founded for the Portuguese synagogue. Part of a series of 14 (of the 16) drawings for the decorations prepared when the prince's visit of the Prins and Princess of Orange to Amsterdam on September 19, 1816.

Daniel Lysons, 1762-1834, British, Memorial to Heigham Bendish and Heigham Bendish Junior from East Ham Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Stele surmounted by a cross 16 Claude-Louis Bernier (1755-1830). Stele surmounted by a cross 16. Black stone. 1786.

Equestrian statue of Willem van Oranje, Anonymous, 1845 print Side view of the statue, by Émile de Nieuwerkerke from 1845 in The Hague, at the Noordeinde Palace. paper equestrian statue

Copernicus monument in Toruń (Drew Podbielski, Accering to Winkelman Chromo Plotography) Winkelmann, C.R. (Fl. Ca 1837; 1853), Tieck, Christian Friedrich (1776 1851), Podbielski, Bronis AW (1839 1890)

Design for the National Monument; Crowned model of the Eben-Haezer monument. Awarded design for the National Monument 1813-1863 Motto Eben-Haezer in The Hague, from J.PH. Cooler and W.C. Van Der Waeyen Pietersen

Graftombe by Johan Maurits van Nassau -Siegen in Kleef, Arnoud van Halen, 1710 - 1730 drawing paper. ink pen / brush grave, tomb Berg a valley

Tomb Gertraud Knoblauch, New York: 3 Recovery

Statue for Wilhelmina van Pruisen, 1786, Anonymous, 1786 print Allegroric statue in honor of Princess Wilhelmina van Pruisen, following the mediation between the States of Holland and West Friesland and the Erfstad holder, 1786. Image of the Princess as an armed rider. On the right a monument with the princes from the Stamhuis van Oranje, on the left kneels religion. In heaven the all -sighted eye. On the leaf under the plate a explanation of the performance and one in two columns. A pendant belongs to the plate. Northern Netherlands paper etching / engraving / letterpress printing monument, statue. homage to a ruler. the all-seeing eye, triangle with eye ~ symbol of God the Father

Printwerk, Cornelis Ploos van Amstel, 1765 print Monument with a standing putto on top, holding a shield. In addition to the putto, a phases. Amsterdam paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. monument, statues

Simon Bolivar (1783-1830). Venezuelan military and political figure, known as El Libertador (The Liberator). Sculptural group, in bronze and marble, that the Venezuelan consuls abroad dedicated to the memory of Bolivar on the occasion of the Centennial Celebration, July 24, 1883. Bolivar is shown carried on the shoulders of four allegorical statues, representing the Love of the Fatherland, Liberty, the emancipated South America and Slavery. On the sides of the statue there are two winged victories playing the clarion of Fame and proclaiming the exploits of the Liberator of America. Drawing by Nao. Engraving by Vela. La Ilustracion Espanola y Americana (The Spanish and American Illustration), 1883.

Memorial to Mrs. Mary Green, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm), architectural subject, church, memorial, All Saints Church, England, Fulham, Greater London, London, United Kingdom

Tomb of Lorenzo di Piero de' Medici with Dusk and Dawn , Sculpture, Tombs & sepulchral monuments, Medici, Lorenzo de', 1492-1519. Nicholas Catsimpoolas Collection

Engraving showing the equestrian statue of Prince Albert, Consort of Queen Victoria, in Holborn Circus, London, 1874. Date: 10 January 1874

Gravestone of Janus Dousa in the Ned. Reformed church in Noordwijk. Draughtsman: Gerrit Lamberts. Dating: 1835. Measurements: h 301 mm × w 240 mm. Museum: Rijksmuseum, Amsterdam.

Allegory with two putti. Two putti with a number of allegorical objects, including a sword and a torch, stand on a pedestal next to a show with the text 'Infelicitas Publica'.

Monument project in Pierre Baudin.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Certificate of the Royal Academy appointing John Opie to be Academician. Engraving.

Abruzzo Pescara Popoli SS. Lorenzo e Biagio. Hutzel, Max 1960-1990 Medieval: Stoup. Post-medieval: 16th century architecture; elaborate altar; choir stalls; paintings on canvas; sculpture; fresco; stoup. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Draft for a Gustav Mahler monument by Anton Hanak in blue ink, including associated remarks, notes, and sketches, recorded in a sketchbook from 1925-1933.

Window case and half of a figure of a Turk, Filippo Marchionni, Italian, 1732-1805, Graphite, pen and sepia ink, brush and gray watercolor on paper, Large bearded man with feathered hat seated on a balcony before and curtained, open portal. The upper entablature is circularly curved. In the upper part of the window opening are window curtains. The Turk is sitting and leaning his left forearm upon the parapet. He wears a cap with a feather. The moldings forming the lower part of the window frame are drawing to the lateral edges., Italy, 1750-70, architecture, Drawing, Drawing

Obelisk and Fontein by Gian Lorenzo Bernini on the Piazza Navona in Rome, Johannes Lutma (1624-1689), 1652 print The Obelisk of Caracalla in Rome. The Obelisk stands on a fountain, which consists of a rock surrounded by four images. A peace pigeon at the top of the obelisk. A fence around the fountain. From the top right, three angels float with a coat of arms on which the letters: S.P.Q.Q.R. left three angels with the coat of arms of Cornelis de Graeff and a ribbon with inscription: Anno - Vivitur Ingenio - 1652. Amsterdam paper etching obelisk, needle. ornamental fountain Piazza Navona

Catterina Ruga in Rossi monument at the Cimitaro Monumental di Staglieno, Genoa. Possibly Alfredo Noack, photographer (Italian, born Germany, 1833 - 1896) after 1878 View of a detail of the monument to Catterina Ruga in Rossi at the Cimitaro Monumentale di Staglieno in Genoa. The stone monument features two women walking up a small set of steps towards a doorway. One stands at the top, looking down at her companion and holding her hand to help her up the steps. Both women wear headscarves, and one of the women carries a small wreath. An angel sits on the steps looking forlorn, with his eyes cast down. A medallion above the doorway features a portrait of Catterina Ruga in Rossi surrounded by flower garlands in relief, and "FAMIGLIA ROSSI" is carved into the lintel of the doorway. (Recto, mount) lower center, handwritten in ink: "Camposanto di Genova. space Mon Rossi. space sc. Benetti. partially faded"

Bliżej Kultury Fajans, Maksymilian (1827 1890), Matuszkiewicz, Alfons (1822 1877), Litography of Maksymilian Faupans

Beethoven monument in Vienna, Austria, in 1880, historical, digital reproduction of an original from the 19th century, Europe

The monument to Johann Sebastian Bach at St. Thomas Church in Leipzig, Germany, in 1892 / Das Denkmal für Johann Sebastian Bach an der Thomaskirche inn Leipzig, Deutschland, im Jahre 1892, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,.

Fountain in the Place Saint-Sulpice, vintage engraved illustration. Paris - Auguste VITU 1890.

Monte Cavallo Fountain. Dioscuri Fountain by Domenico Fontana, in Quirinale Square, Rome. Italy, Europe. Old 19th century engraved illustration from Trip to Rome by Francis Wey, Le Tour du Monde 1870

The Gutenberg Monument in Frankfurt am Main, Germany, reproduction of an image, woodcut from the year 1881, digitally restored, historical, The Gutenberg Monument in Frankfurt am Main, reproduction of an image, woodcut from the year 1881, digitally improved, historical, Europe

Monument to Burke and Wills in Melbourne. Victoria, Australia. Six Months in Australia 1878 by Desire Charnay (1828 - 1915) Old 19th century engraving from Le Tour du Monde 1880

'Triumphal Column in Poltava in ommemoration of the Victory'. 1806. Dimensions: 18,5x24,5 cm. Museum: State Hermitage, St. Petersburg. Author: Jean-François Thomas de Thomon.

Netherlands, The Needle of Waterloo, monument in honor of the Prince of Orange, at Soestdijk, 1815, verso - stamped, a monument erected in honor of Willem Frederik, Prince of Orange, later King Willem II, because of his heroic deeds in the battles of Quatre Bras and Waterloo, 1815., print, engraving, prints, engravings, Frederik Muller Historieplaten, height 210 mm, width 160 mm, print maker, printmaker, 1815 - 1815, paper, papier, houtsnede

Title Page, Del Museo Capitolino, Bottari, Giovanni Gaetano, 1689-1775, Engraving, 1741-1782

Project of a monument to devote the revolution / dedicated to the National Assembly / and presented to the king

The Great Wellington Statue and Arch, The Great Wellington = Arthur Wellesley, Duke of Wellington Statue and the Wellington Triumphbogen from Illustrated London News , William James Linton -, Artist

RICHARD COEUR DE LION or Richard the Lionheart

Daniel Lysons, 1762-1834, British, Tomb of John Evans from Feltham Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Design of the column commemorating centennial of the Battle of Poltava, Thomas de Thomon, Jean François (1754-1813)

Allegorical grave monument for the Leiden student S. van Schaak, 1794, Johannes Christiaan Janson (Possible), After Leendert Viervant (II), 1794 print Allegorical grave monument for the Leiden student in the Medicines Samuel van Schaak, who was injured in a fight with Major De Graaf of the militia on 2 March and died on 11 March 1794 from the consequences of his injury. Two putto and minerva at a burial monument in a wooded area. Leiden paper etching (story of) Minerva (Pallas, Athena). grave-building, monumental tomb Leiden

Lazio Viterbo Viterbo S. Lorenzo, Cathedral6. Hutzel, Max 1960-1990 Views of 16th c. facade, with detail views of portal, windows, campanile (attached). Interior views of cupola, baptistery, sculpture, chapels, tabernacle. Many views of paintings and apse frescoes. Nave views in negatives only. Object Notes: A composite view of the exterior in found in the Italy Oversize box in the Medieval Core Collection. Hutzel views (H-230) MED and (H-231) MED General Notes: Views 118 to 184, processed by previous cataloguer, have no matching prints, though negative jackets indicate they should. All prints have been renumbered. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic,

Souvenir of the unveiling of the Ottos column built by Anton Ripfel,

Luther monumentFreiberg. Luther monument

Memorial to 19th-century leader Daniel O'Connell by John Henry Foley, Dublin, Republic of Ireland. Europe. Three Months In Ireland By Miss Marie Anne De Bovet (1855 - 1935) Limerick and the Clare Coast 1889, Le Tour du Monde 1890

Monument, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, black chalk on lined off-white laid paper, Two lions crouch obliquely upon a base of two sections. A circular pedestal stands upon their hind parts. A woman with a helmet stands on top. She carries something indistinct in her right hand. A plan is sketched at right. Three figures of an accoutn are written below, at left. Colored background. Water is possibly indicated below., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Memorial to Elizabeth Hatsell, from Fulham Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove papaer, Sheet: 15 × 10 5/8 inches (38.1 × 27 cm), architectural subject, church, memorial, All Saints Church, England, Fulham, Greater London, London, United Kingdom

Urbania (Marche - PU), Palazzo Ducale, Hall of Honor. Nicolaus Hogenberg, Triumphal procession of Emperor Charles V, etching. Francesco Maria I Della Rovere, Duke of Urbino. 1530

unknown artist, The Statue of Erasmus; page 107 (Volume One).

The Nation The Law The King - French Constitution of September 14, 1791 VILLAIN. "The nation, the law, the King - French Constitution of September 14, 1791". Lithography.

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1325, with proportions laying stress upon the height. On top is a variation of 1938-88-1323. Inside similar to 1938-88-1327., Rome, Italy, 1793, architecture, Drawing, Drawing

Two copper basins in the church in Loosduinen. Draughtsman: Gerrit Lamberts. Dating: 25-Aug-1837. Measurements: h 190 mm × w 265 mm. Museum: Rijksmuseum, Amsterdam.

David and Goliath, Four illustrations for Spanish book (series title), Rembrandt van Rijn (mentioned on object), 1655, paper, drypoint, h 120 mm × w 76 mm

Attributed to Daniel Lysons, 1762-1834, British, Tomb of John Thornhill from Fulham Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

ATJEHMONUMENT at the World Exhibition in Amsterdam, 1883; ATJEH MONUMENT; Reminder of Amsterdam in 1883. The Aceh monument of architect P.H.J.Cuypers with a bronze Victory through the sculptor Bart van Hove. Founded at the World Exhibition on Museumplein in Amsterdam. Part of a group of sixteen plates and a map of the world exhibition in Amsterdam from 1 May to 1 October 1883. Edition of the news from the day.

Statue of Washington, by Houdon, in Capitol, Richmond, Va. still image. Postcards. 1908 - 1909. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Virginia, Washington, George, 1732-1799 , Statues

Judge, Johann Paul Friedrich.

The Monument to Queen Louise in the Palace Garden at Hildburghausen in 1880, Thuringia, Germany, Historical, digitally restored reproduction of an ori...

Lehmmübner Paul (1855-1916), monument: eagle on ionic column (without dat.): View. Tusche watercolor on the box, 51.6 x 34.4 cm (including scan edges) Lehmgrübner Paul (1855-1916): Denkmal: Adler auf ionischer Säule

Altzella. Monument in the mausoleum

One of the first autotypes of the monument to Jerome Napoleon, Paris, France, historical photograph, 1884, Europe

'Antique Statue in Rabbato on the Island of Gozo'. Series of Preparatory Drawings for the Engraved Edition "Picturesque Journey around the Islands of Sicily, Malta and Lipari" (Voyage pittoresque des isles de Sicilie, de Malte et de Lipari... Par Jean Houel, Peintre du Roi. Paris. 1782. V.1; 1784.V.II.1785.V.III.1787.V.IV. ). France, Late 1770s. Dimensions: 43x30 cm. Museum: State Hermitage, St. Petersburg. Author: Jean-Pierre-Laurent Houel.

The Monument to Queen Louise in the Palace Garden at Hildburghausen in 1880, Thuringia, Germany, Historical, digitally restored reproduction of an original from the 19th century, Europe

Watercolor by Peter Fendi depicting a resting figure on a screen, dated 1840.

Package Fourteenth century in Siena, vintage engraving. Package Fourteenth century in Siena, vintage engraved illustration. Magasin Pittoresque 1847. Copyright: xZoonar.com/PatrickxGuenettex 10673388

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