Monuments and Memorials

Artistic representations of tombs and memorials featuring intricate designs, historical references, and symbolic elements from various periods.

Paris, Delatour, LF, Caffieri, Jean-Jacques, Roubo, André Jacob, Delagardette, Pierre Claude, L'Art du organ maker, Idea for a grand Buffet of Organs without visible pipes, Organ without visible pipes, verso - stamped, Design and plan of an ornamented organ without visible organ pipes. The organ is decorated with the harp-playing King David surrounded by musical putti and angels., print, engraving, ornamental print, book illustration, prints, engravings, ornamental prints, height 343 mm, width 230 mm, 1743 - 1782-03-05, print maker, printmaker, 1770 - 1770, paper, papier, engraving (printing process), French, 1739-07-08 - 1791-01-10, intermediary draughtsman, after a drawing by, Work conception, 1725-04-30 - 1792-06-21, after a design by, Publication (Event), Publication, publisher

Vier gedichten; Les 4 Poëmes; N Tombeaux; Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...).A tomb with smoke barrels, musical instruments, sheet music, a pomegranate, a jester and a round medallion with a dragon and a unicorn on a rock. Print number 63.

Weapons and Insignia van Karel V, no. 34, 1619 print Tabernakel with the weapons and Insignia van Karel V. below the date 1558. Part of the print series of the funeral procession of Emperor Karel V on December 29, 1558 in Brussels. Southern Netherlands paper etching cortege, funeral procession Brussels

Grave monument for Johannes Schelhammer; Siste gradum viator (...) Schelhammer i.v.l. Hamb. Tomb monument or epitaaf for German Theologian Johannes Schelhammer in the Evangelisch Lutheran Church at the Lutheran Burgwal in The Hague. A record with Latin inscription in memory of him is the center of an architectural frame. This is awarded a medallion on which the symbol of Christ's suffering is depicted: a pelican feeds her boy with her own blood. Two grieving women accompanied a portrait of Schelhammer.

Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault 1629 Melchior Tavernier. Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault 700319

Tomb with Kariatides and vase; U Tombeau antique; Iie Volume de l'oeuvre de J. Ch. Delafosse (...). A tomb with two cariatides, weapons and helmets and a vase.

. A grave monument with grieving putti. In the middle of the grave monument a circle with the bust of the Greek semi-god of Medicine Asclepius. Along front of the portrait a grieving figure.

The vice committed, Jean Charles deportes, in 1768 - 1771 print A tomb with smoking vessels, musical instruments, sheet music, a pomegranate, a nar and a round medallion with a dragon and a unicorn on a rock. Print number 63. Paris paper etching / engraving grave, tomb. symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa)

Imperial court, Augsburg, Götz, Gottfried Bernhard, Feichtmayer, Joseph Anton, Altar, Altar with two female figures, An altar with rocaille ornaments, with a standing woman on the left and right. Between the two angels on the pillars of the altar cherubs among the clouds. The altar is closed at the top by a putto., print, ornamental print, prints, ornamental prints, height 380 mm, width 226 mm, German, 1708 - 1774, print maker, printmaker, 1740 - 1745, paper, papier, etching, engraving, engraving (printing process), Austrian, 1696 - 1770-01-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever van privilege

Paris, Delatour, LF, Caffieri, Jean-Jacques, Roubo, André Jacob, Delagardette, Pierre Claude, L'Art du organ maker, Idea for a grand Buffet of Organs without visible pipes, Organ without visible pipes, verso - stamped, Design and plan of an ornamented organ without visible organ pipes. The organ is decorated with the harp-playing King David surrounded by musical putti and angels., print, engraving, ornamental print, book illustration, prints, engravings, ornamental prints, height 343 mm, width 230 mm, 1743 - 1782-03-05, print maker, printmaker, 1770 - 1770, paper, papier, engraving (printing process), French, 1739-07-08 - 1791-01-10, intermediary draughtsman, after a drawing by, Work conception, 1725-04-30 - 1792-06-21, after a design by, Publication (Event), Publication, publisher

Mausoleum van Lukas Holste; LVCAS HOLSTENIVS.The praise grave of the German Humanist Lukas Holste (1596-1661), on which two mourning putti holds his portrait. Between two lion legs a round cartouche with an allegorical performance with, among other things, Romulus and Remus with the wolf. Two skies with wings show a cloth with a Latin inscription.

Graftombe by Willem Joseph Baron van Gendt, Anthonie de Winter, after Rombout Verhulst, 1672 - 1690 print Graftombe by Willem Joseph Baron van Gendt in the Domkerk in Utrecht. Utrecht paper etching epitaph

Dice game with rules; Game of virtue / le jeu de la vertu. Above personifications of virtues and vices in a classical building with ionic columns and a frontone. On the left the personification of prosperity with a horn with coins and a branch with possible oak leaves. Left and right of its medallions with personnifications of sincerity, gratitude, faithfulness, love and charity. Benefits of violence, pride and laziness. In the middle the winged virtue with a spear, a laurel wreath and a cornucopia. They come to an increase in which the vice, which tramits the dining with the ten commandments and a child as a symbol of innocence. On the right is the poverty dressed in rags with a child on her arm between medallions with friendship, obedience, justice, zeal and humility. Among views of deception, disobedience and thanklessness. At the bottom of the regulations, the rules, in Dutch and French.

Epitaaf with empty medallion; Lesson epitaphes. Below is a grieving young woman. From series of 7 sheets.

Weapon of Willem Cornelisz. Van Duyvenbode, 1578. Coat of arms of Leiden Organist Willem Cornelisz. Those in 1578 gained the right to call themselves from Duyvenbode. This as a reward for deploying his pigeons as a jewelery pigeon pigeons during the topping between the city council of Leiden and the troops of the Prince of Orange.

Portrait of Joseph II, Roman -German Keizer, Johann Esaias Nilson, 1765 - 1788 print Augsburg paper engraving / etching historical persons. armorial bearing, heraldry. (military) camp with tents. double-headed eagle. attributes of Hercules. attributes of Mars. insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)

Ernst I. The Fromme, Duke of Saxony-Gotha.

Drawing, Wall Fountain; Architect: Giuseppe Valadier (Italian, 1762-1839); Italy; graphite, brush and gray wash on laid paper; 33.4 x 25.8 cm (13 1/8 x 10 3/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

. Portrait of Maarten Luther in a medallion, on which a swan and in the clouds an angel with a bazuin. Bye and two shows: Maarten Luther who publishes his academic racks against trade in release on October 31, 1517 and below 10 December 1520: the start of Protestantism in Wittenberg. Right father time with sois and hourglass and a banderole with: 300 years. Links a personification of eternity with divine flame and a Ouroboros.

Chimney mantle, decorated with a medallion with the presentation of a woman with a mirror, Anonymous, After Jacques Androuet, 1520 - 1561 On either side of the cloak there is a fascinated warrior on the plate for weapons and banners. From a series consisting of a title page and 66 sheets with chimney mantles, decorated with columns, Hermen, Cartouches, Garlandes and Mascarons. All chimney mantels are equipped with hair IJs. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Jacques Callot (1592-1635). Voyage to the Holy Land, Frontispiece. First issue of a suite of 47 pieces (Lieure 306, Meaume 455) (main title). Etching. 1620. Museum of Fine Arts of the City of Paris, Petit Palais. 99596-11 Etching, engraving

Dining room with image in Nis, 1763 print An image of a standing figure in a semicircular niche flanked by Corinthian pilasters and vases. There is a table in front of the niche. Above the niche a panel with figures around a smoking vessel. Print number 297. Paris paper etching dining-room. sculpture. 'concha' ~ architecture

Titelblad: Book of Architecture and Autels, Abraham Bosse, After Jean Barbet, after 1638 - Before 1643 print The text is in the middle of an organ case. Title page from the second edition of series. The numbering of the prints only partially corresponds to that of the first edition. print maker: France (possibly)after design by: France (possibly)Parispublisher: Paris paper etching

Title page: cheminées a l'italienne; Cheminées a l'Italienne. Underbianity flanked by large consoles of leaves with garlands of fruit, and crowned with a portrait medallion of an emperor, supported by a putto.

Alcove with five figures; Alcoues a l'Italienne. The alcove is closed by a balustrade.

Epitaph of marble and bronze of Mr. Le Baron de Bezenval / Executed in St. Sulpice de Paris; Tomb and epitaph projects.design for the epitaaf by Baron de Bessenval in the St. Sulpice in Paris (Fuhring 103)

A large, ornate vase with figures clasping hands carved on the side, in a classical garden. Etching by J. Schynvoet, c. 1701, after S. Schynvoet.

Allegorical grave monument for Prince Willem V, 1806, Christian Forsssell, 1806 print Face through a gate with curtains on the Allegorical burial monument for Prince Willem V, died on April 9, 1806. On either side of the tomb with portrait of the prince, the standing figures of truth and steadfastness (right) and immortality (left). Sitting at the basis of the monument on the right the writing history, on the left a mother with three children. Netherlands paper etching Grave-building, monumental tomb. 'History'; "History" (Ripa). Eternity, 'eternity'; 'Eternitã' 'Eternita o perpetuití' (Ripa)

Pulpit with draperies; Neu Faconirte Orgel-Dredelungen und Unterschiedliche Wand Cantzeln (...). A pulpit with rocaille ornaments, leaf motifs and drapes left and right.

Construction drawing of a funerary monument, draughtsman: Teunis Jansz Croon, Johannes of Lucas van Doetechum, intermediary draughtsman: Hans Vredeman de Vries, 1660, paper, pen, brush, h 266 mm × w 194 mm

Monument with assignment to Balthazar Scott, Jan Goeree, 1723 print In the middle a monument with a Dutch inscription with an assignment to Balthazar Scott, former ships of Amsterdam. The images of the Personifications Madness and Providence decorate the front of the monument. On top of the monument two dogs holding a coat of arms with a deer on it: the blazon of Balthazar Scott. On either side of the monument two ornamental jars with the blazon of Amsterdam. At the bottom of a pond with three swans. Print Maker: Amsterdamtha haguepublisher: the hague hague paper engraving Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues. dog. hoofed animals: stag. monument, statue. water-birds: swan

Design for a Monument, Carlo Marchionni, Italian, 1702-1786, Pen and sepia ink, brush and gray watercolor on laid paper, Shield with a crown above, upon a base; stones and trees., Italy, ca. 1730, ornament, Drawing, Drawing

Rostaing, Raoul de .

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 38e Cahier, Pedestals, Piedestal pour figure equestre, Pedestal with laurel wreath, verso - stamped, A pedestal decorated with garlands, a lion's head, leaf motifs and a laurel wreath. Print number 223., print, ornamental print, prints, ornamental prints, height 329 mm, width 206 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Two portraits of King Louis IV and King Lotharius, Dominique Sornique (Attributed to), 1729 - 1733 print Paris paper engraving / etching king. particular types of adult Christ (without others) (+ angel(s))

Grave monument for Louis de Silvestre, Charles François Hutin, 1764 print Graf monument for the artist Louis de Silvestre. His name is on the raised tombstone, above which a palette with brushes and his portrait with laurel wreath. On a balustrade next to the stone there are a woman with a cross and on the right an angel with horn of abundance. In the middle below, death is like a skeleton in front of the grave above a coffin. paper etching grave, tomb

Landes, Maria de.

Grafmonument met obelisk en Vader Tijd.A grave monument in a niche with an obelisk and father time. On the right is a weeping putto. At the top of the obelisk a crowned coat of arms with garlands.

Tomm puts wpens in Kariatiden, Claude Antoine Litret de Montigny, After Jean Charles Delafosse, 1771 print A tomb with weapons, two Caratives, two smoking vessels and a buccanium. Paris paper etching / engraving grave, tomb. caryatids ~ architecture. weapons

Master project altar of the 17th - 18th centuries. (dummy title)

Copper engraving and etching by Pieter Soutman titled 'Celsissimo Principi', produced between 1626 and 1650.

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Beurlier, Charles, Nouvelle Iconologie Historique Ou Attributes Hieroglyphics, P Pendulums, Hazard, Sureté, Gloire et Salut. Livre 10eme, Chance, certainty, glory and salvation, verso - stamped, An ornamented pendulum with garlands, branches and medallions. Below a cloth with three round medallions with on the left a boat at sea with a caduceus and three dice, in the middle a shield protects hearts from an arrow and on the right a boat with a flag and a branch held by a hand. Print number 84., print, ornamental print, prints, ornamental prints, height 387 mm, width 235 mm, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, French, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Burial monument with portrait of Jan Goeree, Anonymous, 1731 - c. 1733 print Graf monument with an oval portrait of Jan Goeree, born on October 2, 1652 and died on January 4, 1731. The portrait is surrounded by death with spear and winged hourglass, death as a skeleton and the winged time with Zeis. At the bottom is the motto Non Norunt Haec Monumenta Mori. paper etching epitaph. anonymous historical person portrayed alone. Death as skeleton. Death as (rotting) corpse - FF - Death as female (+ Death with bow and arrow). hourglass. Father Time, man with wings and scythe. skull as symbol of 'Vanitas'

Titelblad: new ice paneaux chimneys executed in some hotels in Paris, Anonymous, After François de Poilly (I), after 1661 - Before 1726 print The title is in an oval. print maker: Netherlands (possibly)after design by: Paris (possibly)publisher: Netherlands (possibly) paper etching

Garden vase with seated figures; Johann Jacob Schüblers Sechzehende Ausgabe Seines VORHABENDEN WERCHS, WORSTS FOR SEA SOUCTED SECHS NEU-INVENTIRTE VASES (...). An ornamented garden vase with a putto with palm branch and an angel with a bazuin. On the right is a woman, she looks up to the angel. On the left is a veiled figure with a foot on a globe. In the background a landscape with trees and bows. A four-line German text in the undermarge.

Herb garden with fountain, Willem Isaacsz. Van Swanenburg, 1608 print Title page for the Plant atlas of Rembertus Dodonaeus. Through a structure with four columns view of a herb garden with a fountain in the middle. Left and straight under the columns cartouches with the portraits of Dodonaeus and Clusius. Around the cartouche in the middle and along the building fruits, flowers and plants. Leiden paper engraving herb garden. ornament ~ festoon, garland. 'Cornucopia', Horn of Plenty. garden fountain

. Back of the golden carriage with a panel on which an allegorical figure of the abundance brings peace. Part of a series of seven plates with the Stickers' test of the Spanish envoy The Duke of Ossuna, used at his public entry in Utrecht for the peace negotiations in 1713.

Ornament with pegasus, two muses, two putti and a skull; Various ecclesiastical objects; Disegni Diversi Inventati E Delineati da Giovanni Giardini da Forlì.numbered Upper Left: No. 53.

Amsterdam, Groenewoud Jansz, Johannes, Netherlands, Forssell, Christian, In memory of HIS Lord William V. Prince of Orange and Nassau, friend of Religion and the Fatherland, Allegorical grave monument for Prince William V, 1806, verso - stamped, View through a gate with curtains of the allegorical grave monument for Prince William V, who died on 9 April 1806. On either side of the tomb with a portrait of the prince are the standing figures of Truth and Steadfastness (right) and Immortality (left). Sitting at the base of the monument on the right is the writing History, on the left a mother with three children. In the caption an eight-line verse. The print includes a printed notice of subscription and an announcement. See also the later made pendant., print, prent, prints, Frederik Muller Historieplaten, height 546 mm, width 377 mm, Swedish, 1777 - 1852-10-19, print maker, printmaker, 1806 - 1806, paper, papier, etching, etchings, stippelets, Publication (Event), Publicatie, publisher

Architectural Motif with Three Shields, Two with Figures. Dated: c. 1690. Dimensions: plate: 11.3 x 9.2 cm (4 7/16 x 3 5/8 in.) sheet: 17.4 x 12.2 cm (6 7/8 x 4 13/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Carlo Antonio Buffagnotti.

Sunner with bust of Diana, Georg Lichtensteger, Johann Jakob Schübler, in or after 1724 print In a garden for a separation is a sundial with fountain and a bust of Diana with a bow and arch. On the left in front of a fence is a large vase above a couch. In the lower margin a six -line German text. Augsburg paper etching / engraving sundial. (story of) Diana (Artemis)

Wolvenhuid, flanked by fame and father Tijd, Aegidius Sadeler (II), After Jan Brueghel (I), After Pieter Stevens (I), After Pieter Stevens (II), 1624 - c. 1650 print Title on Cartouche that consists of a wolf skin, nailed on a stone wall, flanked by two Hermen. Fama is left with Bazuin and globe on the left; On the right the winged father time with scythe and hourglass. print maker: Praagpublisher: Venice paper engraving vignette. pedestal of a piece of sculpture (perhaps in the form of a herm). Father Time, man with wings and scythe. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) Rome

Diploma belonging to the memorial medal at the fiftieth anniversary of Natura Artis Magistra, 1888, 1888 print Diploma belonging to the memorial medal made by the fiftieth anniversary of the Royal Zoolological Society Natura Artis Magistra, offered to Member P.A. Koenen, May 1, 1888. Netherlands paper Amsterdam

Medaillekast, Johann Balthasar Probst, after Johann Jakob Schübler, 1709 - 1724 print A cupboard with drawers and ornaments. In the lower margin a three -line German text. Augsburg paper etching / engraving furniture for storage

Three epitens; II Cahier des epitaphes; Dessoints de la fashion Neuve au Gout Antique (...). Designs for three epitaves. The epitaves left and right with garlands and death head, the middle epitod with round cartouche, helmet, shield, lances and arrow sleeve. With elderly French text.

Engelmann, Katharina.

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Benjamin Lucas from Brentford Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Entrance to Paris of Queen Elisabeth of Austria, wife of Charles IX. - Statue of Junon. (IT)

Allegorical performance with a bust of Jacob Otten Huslij, Reinier Vinkeles (I), 1765 print Allegorical representation with a bust of the draftsman Jacob Otten Huslij. The bust is honored by putti and a female figure with towers of a castle on her head. In the foreground drawing attributes such as ruler, passer and drawing sheets. Amsterdam paper etching cupids: 'amores', 'amoretti', 'putti'. tools, implements of draughtsman. ornament ~ festoon, garland

Plate 58. An Altar from Cavacippi, A collection of antique vases, altars, paterae, tripods, candelabra, sarcophagi, andc. from various museums and collections, Baber, Henry Hervey, 1775-1869, Moses, Henry, 1782-1870, Engraving, 1811-1814, plate 58, a detail view. This is not an overall view of plate 58.

H. Titus.Saint Titus holds a portrait of the king of Crete that supports a map of this island. Titus stands on a base where his deathbed has been displayed on the front.

Drawing, Design for a Monument; Carlo Marchionni (Italian, 1702-1786); Italy; pen and sepia ink, brush and gray watercolor on laid paper; 41.3 x 27.9 cm (16 1/4 in. x 11 in.)

Staten-Generaal, Keyser, Pieter de, Hendrik de (I), Nederlanden, Tomb of William I, Prince of Orange, 1623, verso lower left - stamped, Tomb or mausoleum of William I by Hendrik de Keyser in the Nieuwe Kerk in Delft, completed in 1623. Seen from the side with the statue of the reclining prince. At the top a cartouche with text by 8 lines in Dutch., print, prent, prints, Orange portraits, height 525 mm, width 474 mm, print maker, printmaker, 1622 - 1622, paper, papier, engraving, engraving (printing process), 1565-05-15 - 1621-05-15, after image of, Publication (Event), Publication, 1595 - 1676, publisher, uitgever van privilege

Allegorical composition in honor of Willem v Prins of Oranje -Nassau, 11 July 1787, George Kockers, 1787 - 1792 print Allegorical composition in honor of Willem v Prins of Oranje-Nassau, July 11, 1787. A bust portrait hangs on an altar in a medallion of Willem V. under the portrait four other medallions with from left to right; Justice, agriculture, Eendracht, Weapons and De Hoorn of Abundance. The portrait of Willem V is flanked by two symbolic figures. On the left the winged fame with her trumpet and on the right a lady with the liberty hat and in her left hand the coats of arms of Orange and Prussia. Behind her, the Dutch Lion watches. On the altar there is the Oranjeboom, which is highlighted by God's eye from heaven. Under the image a fourteen -line verse in two columns, between which Zeeland and the Prussian weapon. Middelburg paper etching Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) (+ personification). head-gear (with NAME). Freedom, Liberty; 'Libertí' (Ripa) (+ symbolical

Graftombe by Piet Hein te Delft, 1629, 1688 - 1690 print Graftombe of Admiraal Piet Hein in the Oude Kerk of Delft. The funeral took place on July 4, 1629, the flaw was only completed in 1638. Northern Netherlands paper etching grave-building, monumental tomb Old church

Graftombe of Willem I, Prince of Orange. Graftombe or Praalgraf of Willem I in the Nieuwe Kerk in Delft, completed in 1623.

Monument for the Amsterdam mayor Egbert de Vrij Temminck, Cornelis Bogerts, after Pieter Wagenaar (II), After 1781 - Before 1817 print Design for a statue for the Amsterdam mayor E. de Vrij Temminck in Amsterdam on Dam Square. On the right and part of the town hall, on the left the entrance of the Calver State. Amsterdam paper etching monument, statue

Print, Two Children Watch a Sleeping One in an Eschuteon; Designed by Hubert-François Gravelot (French, active England, 1699 - 1773); France; etching on paper; 1919-10-21

Altar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Lighting of the vault of the Bürg, Zuckerbäcker , Mr, Joh, Höfelmayer No, at the Hohen Markt at the return of Emperor Franz I, Johann Caspar Weinrauch -, Copper Engraver

Twee Epitafen met inscription "So God loved the world (...), 1557 print Two epitafes. On the left a main frame in sarcophagus shape above a relief with a representation of a praying knight. On the right a main frame in the form of sarcophagus above a plate with inscription, flanked by fides and spes. Caritas is on the sarcophagus. No. 15 From series: title page, text sheet and 14 magazines with grotesken with rolling work, saters, garlands, trophies, animals and fantasy bows. Netherlands (possibly) paper etching epitaph. ornaments ~ art. the Three Theological Virtues

Vignette with the personification of reason, Jacob Folkema, after Johannes de Bosch, 1723 - 1767 print Vignette with the image of the personalized speech in an architectural accompaniment in which a cartouche with a scale is placed at the bottom. Reason kicks two diabolical figures to the ground with her foot, she holds reins and a whip in her hands. The print is part of a series of book illustrations about virtues and vices. paper etching Reason; 'Reason' (Ripa)

Entertainment UWE eyes, Youth! In the seven planeties. / Each running in his circle / they are therefore called / Saturn, Jupiter, Mars, Sol and Venus, with / Merkuur and Luna, put here on Stairs Neèr, 1806 - 1830 print Leaf with a large representation of a staircase with the personifications of planets. A staircase with seven steps with Mercury, Mars, Luna, Sol, Jupiter, Venus and Saturn. Under the show a verse in two columns. Numbered at the top right: No. 213. Print Maker: Netherlands Print Maker: Netherlands Publisher: Zaltbommel paper letterpress printing planets (except the earth)

Design for a front door; Eine Vor-Thüre; Nüü inventive Camine. Design for a front door with a representation of faith, sitting on a cloud, with an incense barrel around her, the papal tiara, cross, Bible, mislect. Under her feet the reports dead. The door is decorated with leaf ornaments, dragons, mask and salad-like figures. In the middle of a scale. Print number 205.

Burial monument for Pieter Adriaansz. van der Werff in the Hooglandse Kerk in Leiden, Pieter Philippe, After Rombout Verhulst, 1661 print Burial monument for Pieter Adriaansz. van der Werff, mayor of Leiden during the siege in 1574, in the Hooglandse Kerk in Leiden by Rombout Verhulst (1661). At the top of a portrait, an oval with Latin text in the frame with Oak Loof and two putti in the middle, two weapons and an hourglass at the bottom. In the caption two verses of seven lines each in Dutch. The Hague paper engraving piece of sculpture, reproduction of a piece of sculpture. grave, tomb and other grave-forms and grave-markers Leiden

unknown artist, A Curious Pump, 1791. Engraving.

Michelangelo Buonarroti Radierer: Sgrilli, Bernardo Sansone Entwerfer: Rossi, Giuseppe Ignazio Datierung: 1733/1755

Garden vase with sitting figures, Georg Lichtensteger, after Johann Jakob Schübler, in or after 1724 print An ornamented garden vase with a putto with a palm branch and an angel with trumpet. On the right is a woman, she looks up at the angel. On the left is a veiled figure with a foot on a globe. In the background a landscape with trees and arches. In the lower margin a four -line German text. Augsburg paper etching / engraving garden vase. angels. cupids: 'amores', 'amoretti', 'putti'. covering the head, drawing drapery over the face. arch, archivolt ~ architecture

Fountain, water pumps and sundial; Johann Jacob Schüblers Fünffzehende Ausgab Seines Vorhabenden Werchs, Worons Vergestellet became Sechserley Neu-Façonirte Wasser-Plummen (...). In a garden lies a large sundial as part of two small water pumps left and right. In the background a fountain with eagle, laurel wreath and palm branches. In the middle a man pumps water. A five-line German text in the undermarge.

Print made on the occasion of the centenary of the Luthersche Diaconie orphanage, August 24, 1778. Landscape with personnifications of faith, hope and love (charitas). The last points two children in heaven with the eyes of God. At the bottom of the building of the diaconia orphanage, circled by a snake, as a symbol for eternity and flanked by two putti with underneath in a banderole: "The centenary of the Luthersche Diaconie orphanage celebrated the 24. Aug. 1778".

Deriere of the first golden body.

An ornamented vase with a frieze of dancing putti, Vase with putti, draughtsman: anonymous, 1700 - 1800, paper, pen, brush, h 140 mm × w 95 mm

Grave monument with oval medallion; Grave monuments. Design for a grave monument with oval medallion, garlands and a vase in a landscape. In the foreground a man and a woman.

Altar of the Roman goddess Nehalennia.

Amsterdam, Chatelain, Zacharias (I), Picart, Bernard, Title page for: A. de La Barre de Beaumarchais, Le temple des muses, 1733, Ornamental frame with Poetry and Painting, verso lower left - stamped, Ornamental frame with the title in French, flanked by Poetry and Painting. In Painting a cloth is tied over the mouth. This refers to Horace's Ut pictura poesis (Poetry is like painting). The frame is crowned with a cartouche containing Amor. Below the frame a cartouche containing a woman with a mural crown (Cybele). This cartouche is flanked by Death as a skeleton and an old man who has just woken up., print, engraving, title page, prints, height 405 mm, width 290 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1732 - 1732, second quarter 18th century, paper, papier, etching, etchings, graveren (drukprocedé), intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher

Portret van Edouard Colbert de Villacerf, Jean Louis Roullet, After Gustave Girardon, 1698 print paper engraving / etching historical persons. official; civil servant; functionary (in general)

Design For a Clock, pl. XXI from 'Recueil d'Ouvrages Curieux de Mathematique et de Mecanique, ou Description du Cabinet', Gaspard Grollier de Seviere II, French, 1677 - 1745, Engraving on paper, France, 1719, Print, Print

Minerva enthroned above a coat of arms, attribution Gerard de Lairesse, 1600 - 1699

Etching by Matthäus Merian the Elder from 1614 depicting an equestrian statue of Henry with the horse, pedestal, and surrounding architectural elements.

Praal grave of Willem I, Prince of Orange in the Nieuwe Kerke in Delft; Memorial for Willem den first prinse from Oranje-Nassau.praal Grave of Willem I, Prince of Orange in the Nieuwe Kerke in Delft. Straight Under: bl. 182.

Marot, Daniël (I), Tombstones, Mausoleum, Tomb in a church with a reclining woman and two children with a shield bearing a monogram (WR, William Rex). On the entablature of the tempietto is a crowned coat of arms (of William II)., print, ornament print, prints, ornament prints, height 280 mm, width 185 mm, Work conception, 1663 - 1752-06-04, after a design by, 1707 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Portrait of Joseph II, Roman -German Keizer, Johann Esaias Nilson, 1746 - 1788 print Augsburg paper engraving / etching historical persons. insignia of the pope, e.g. tiara. Justitia (justice) as Roman personification. Father Time, man with wings and scythe. Peace and Justice kissing (cf. Ps. 85:10). armour. baton of general. knighthood order of the Golden Fleece - insignia of a knighthood order, e.g.: badge, chain (with NAME of order). globe. serpent Ouroboros

Tomb of Mary Barton and her Servant Erasmia Kirsopp from Paddington Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 7/8 inches (37.8 × 27.6 cm), architectural subject, church, memorial, England, Greater London, London, Paddington, St Mary on Paddington Green, United Kingdom

Text sheet at the print of the symbolic impressions that were performed on Dam Square in honor of the Peace of Munster, 1648, Pieter Nolpe, 1648 text sheet Text sheet at the print of the stage with three of the six symbolic impressions that were performed on Dam Square in honor of the Peace of Munster on 5 June 1648. Printed text in three columns. Northern Netherlands paper letterpress printing Dam

Vase with men's bust; Sixty Vases by English, French and Italian Masters (...). A square vase on a round foot. Decorated with a malebust and profil in a medallion.

Isaac Barrow. Line engraving by J. Cole.

Cornelia .

Ceiling painting in the Grande gallery of Versailles with the peace treaty between France and Switzerland, Nicolas-Gabriel Dupuis, After Jean Baptiste Massé, After Charles Le Brun, 1752 print Numbered in the bottom right: No. 18. paper etching / engraving signing of peace treaty, concluding the peace Versailles

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