Mother and Child Imagery

Artworks focusing on the tender relationship between mothers and children, depicted through various mediums such as engravings and paintings.

Maria with child in a landscape, Simon de la Vallée (attributed to), after Correggio, 1690 - 1730 print print maker: Francepublisher: ParisFrance paper engraving / etching Madonna: Mary sitting on the ground, the Christ-child in her lap

Maria with child in a landscape, Simon de la Vallée (attributed to), after Correggio, 1690 - 1730 print print maker: Francepublisher: ParisFrance paper engraving / etching Madonna: Mary sitting on the ground, the Christ-child in her lap

Photo production of a painting representing Maria with child and two musicing angels; Roma - Accadaia di Belle Arti Detta di S. Luca - La Vergine in Gloria Col Bambin Gesù E Due Angeli (Antonio van. Part of photo album from a trip through Southern Europe and the Middle East.

Lady Dashwood & Child, Charles Howard Hodges, 1764-1837, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1786, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm), Plate: 13 3/4 × 9 15/16 inches (34.9 × 25.2 cm), and Image: 12 × 9 7/8 inches (30.5 × 25.1 cm)

John Raphael Smith, Les Deux Ami (The Two Friends), 1778 Les Deux Ami (The Two Friends)

Defregger, Franz von, Germany, Hanfstaengl, Franz, Photo reproduction of a painting, depicting the Holy Family, photograph, photo, reproduction, page, photos, photographically illustrated books, height 136 mm, width 97 mm, German, 1804-03-01 - 1877-04-18, photographer, 1873 - 1883, photographic paper, photo paper, albumen print, albumine print, Austrian, 1835-04-30 - 1921-01-02

The Lacemaker, by Mrs. Carpenter. Caldesi & Montecchi (British, active 1850s)

Copper engraving by Francois Spierre depicting Maria Lactans, dated 1664-1681.

Untitled, W. Taylor, active 1790-1810, after Thomas Stothard, 1755-1834, British, 1796

THE NEW DOLL. JOHN S. DAVIS

Portrait of Maria Carolina Bourbon-Sicily with her two children, Adolphe Alexandre Joseph Caron, after François Gérard, 1829 print France paper. etching / engraving historical persons

The Holy Family, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, The Virgin is sitting upon a dado, the Child sitting beside her, at left, and leaning upon her right leg. The Virgin, in the attire of about 1500, holds branches in her right hand. Below, at left, is a basket with fruit. Joseph is sitting at right, in the middle ground. Landscape background. Framing lines. Some parts of outline deeply impressed., Rome, Italy, 1820-1850, Drawing, Drawing

Cleaportate Vanport adverts, Claude Jacedan Bartofartzzi, Aledhna Kauffmann, 1738 print The young William Shakespeare together with a muse in a landscape. There are two masks (tragedy and comedy) on the right. Text in English in STUDMARGE. Italy paper etching single Muses

Girl from Hoorn, Van Opzij, Gillis van Scheyndel (I), After Willem Pietersz Buytewech, 1620 - 1624 print A young woman from Hoorn, dressed in traditional costume, stands next to a house on the waterfront. There is a boat with hay in service. The print is part of a series of eight young women in North Holland traditional costumes. Haarlem paper etching folk costume, regional costume Zijpe and Hazepolder

(PIERROT.). Artist: Paul Gavarni, French, 1804-1866

Copper engraving and etching by Thomas Chambars depicting Saint Dorothea, created between 1740 and 1789.

Nature (The Calmady Children). Artist: After Sir Thomas Lawrence (British, Bristol 1769-1830 London); Samuel Cousins (British, Exeter 1801-1887 London). Dimensions: plate: 12 1/16 x 9 3/8 in. (30.6 x 23.8 cm)sheet: 19 1/4 x 13 3/8 in. (48.9 x 34 cm). Date: 1820-87. Museum: Metropolitan Museum of Art, New York, USA.

Pencil drawing by Gilles Demarteau from 1742-1776 depicting Venus and Amor with grapes, showing figures, gestures, and composition.

Madona Col Bambino, John Raphael Smith, 1752-1812, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1791, Mezzotint on moderately thick, moderately textured, beige, laid paper, Sheet: 20 3/4 × 15 1/8 inches (52.7 × 38.4 cm), Plate: 19 13/16 × 14 inches (50.3 × 35.6 cm), and Image: 18 3/8 × 13 7/8 inches (46.7 × 35.2 cm), book, child, Christianity, curtain, embrace, holding, love, Madonna: i.e. Mary with the Christ-child, mother, religious and mythological subject, sitting, trees, window

Schedoni, Bartolomeo, Baillie, William, Holy Family with John the Baptist, The Holy Family with Mary holding the Christ Child on her lap. With Joseph on the right, leaning on a stick, and John the Baptist as a child on the left. The print is part of an album., print, prent, albumblad, prints, prenten, height 361 mm, width 255 mm, Irish, 1723-06-05 - 1810-12-22, print maker, printmaker, 1753 - 1810, paper, papier, mezzotint, etching, etchings, Italian, 1578-01-23 - 1615-12-23

La Belle Jardinière.

Cleone, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Angelica Kauffmann RA, 1741-1807, Swiss, active in Britain (1766-81), 1784, Mezzotint and line engraving on moderately thick, moderately textured, cream wove paper, Image: 12 7/8 x 10 7/8 inches (32.7 x 27.6 cm), Asopus: offspring, companion(s), train, branch, child, cloth, daughter, dress, forest, gods - classical mythology, Greek, hair, mythology, nymphs, portrait, religious and mythological subject, rocks (landforms), sandals, seasons, sleeping, spring, trees

Sculpture of a vestal virgin; Sculptures from ancient times. Caption in Latin. Print is part of an album.

Sleeping Boy, Pieter Schenk (I), 1670 - 1713 print Half a naked boy is sleeping on the floor between the bushes. His head rests on a pillow and he is wearing a pearl necklace. paper engraving sleeping on the ground - BB - out of doors. necklace (+ women's clothes)

Depiction of four putti with allegorical attributes, one unrolling a paper sheet before the others, by Cornelis Ploos van Amstel.

A red chalk drawing by Bartolomeo Biscaino depicting the Marriage of St. Katharina, enhanced with deck white on blue-gray paper, showing figures, gestures, and drapery.

A pencil study by Nicolas Schenker between 1780 and 1848 depicting the biblical scene of Rebecca and Eliezer, focusing on figures and gesture.

Lady Cockhurn and Family Timothy Cole (American, 1852-1931).. Wood engraving block, 6 7/8 x 5 1/4 x 15/16 in. (17.4 x 13.4 x 2.4 cm). American Art

Copper engraving and etching by Christian Gottfried Schultze around 1782 showing a figure binding wings symbolizing love.

Print made by Henry Kingsbury, active 1750-1780, British, Girl and Pigeons, 1784. Mezzotint on moderately thick, moderately textured, cream laid paper.

Standardize Howard, H., Englehart, F.

Nature (Calmady Children), c. 1880-1923. Samuel Arlent-Edwards (American, 1862-1938), after Thomas Lawrence (British, 1769-1830). Mezzotint;

The central group in the foreground of Raphael's Incendio del Borgo. A kneeling woman and a woman sitting with a child. Another woman with a child, worshipping. Black chalk on paper. Date: 1800-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.

Dordrecht, Backer, Hilmar Johannes, Netherlands, Kruseman, Cornelis, Bentinck, Carel Frederik Curtenius, Mother and child in landscape, verso - stamped, A woman, with a child in her arms, leans against a rock. She looks up. Behind her a village with a church. After a painting by Cornelis Kruseman., print, prints, height 360 mm, width 273 mm, 1814-07-20 - 1849-04-09, print maker, printmaker, 1824 - 1849, paper, papier, chine collé, lithography (technique), Work conception, Dutch, 1797-09-25 - 1857-11-14, after a design by, 1804-09-17 - 1845-05-01, printer, drukker

unknown, Schut, Cornelis (I), Antwerp, Witdoeck, Hans, Mary with Christ Child, on crescent moon, verso lower left - stamped, print, prints, height 305 mm, width 212 mm, South Netherlandish, 1615, print maker, printmaker, 1633 - 1633, paper, papier, engraving, engraving (printing process), Work conception, 1597-05-13 - 1655-04-29, after

Figure photography:Karnicki, Justinian (1806-1876), Karnicki, Justinian (1806-1876)-collections, Rafael (1483-1520)-reproduction, raimondi, marcantonio (Ca 1470/1482-Ca 1527/1534)-reproduction, Smolikowski, Seweryn ( 1850-1920) - collection, Venus (mitol.), Dar (provenance), photography of a work of art (artist), collections, mythology

VIE Putti Met one Portret Van Adam Silno, Jacob Van the Skley, 1725 - 1779 print Four putti are together under a tree. The first holds a trident in hand, the second a Mercury Staff, the third the weapon of Amsterdam, and the fourth a paper on which the portrait of painter and print maker Adam Silo. Amsterdam paper etching caduceus (staff with two snakes, attribute of Mercury). attributes of Neptune: trident

Portrait of Anna Paulowna Romanowa and Nicolaas I Pavlovich, 1850 - 1949 photomechanical print Netherlands paper collotype

John Flaxman, 1755-1826, British, Two Women Talking to a Man at a Counter, undated. Gray ink, brown ink, gray wash and graphite on medium, slightly textured, cream wove paper.

Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey, Edward Fisher, 1722-1785, British, after Sir Joshua Reynolds RA, 1723-1792, British, Published by Edward Fisher, 1722-1785, British, 1762, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 19 3/4 × 14 1/4 inches (50.2 × 36.2 cm) and Image: 17 9/16 × 14 3/16 inches (44.6 × 36 cm), birds, choker, daughters, dog (animal), doves, embroidery, fancy dress, flowers (plants), fur coat, garden, girls, grass, landscape, pearls, pedestal, playing, portrait, robes, sashes, sphinx, statue, statues, trees, walking, women

Nicolas Delaunay after Jean Honoré Fragonard, Dites donc s'il vous plait, probably 1782 Dites donc s'il vous plait

Portrait of the four sisters Van Loon. Draughtsman: Charles Howard Hodges. Dating: 1774 - 1837. Measurements: h 246 mm × w 468 mm. Museum: Rijksmuseum, Amsterdam.

Mother gives her child to eat, Pieter de Mare, After Cornelis Visscher (II), 1786 - 1796 print Leiden paper etching / engraving feeding a baby

Sophie, Princess of Bayern-Zweyb.-Birkenfeld.

Expectation. Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: Sheet: 10 5/8 × 8 13/16 in. (27 × 22.4 cm). Engraver: William Nelson Gardiner (British, Dublin 1766-1814 London). Publisher: I. (or J. ) Bradshaw (London). Date: August 1, 1800.Seated in a mountainous landscape, a woman raises her hand and looks toward the left, as if anticipating a longed for arrival. A child standing behind gazes at the viewer. Museum: Metropolitan Museum of Art, New York, USA.

Photo production of the painting Santa Famiglia to Andrea del Sarto in the Galleria Palatina in Florence, Italy, Fratelli Alinari, after Andrea del Sarto, 1857 - 1900 photograph Florence cardboard. paper albumen print picture, painting Palazzo Pitti

Republican teacher. (IT)

The Virgin sits upon the ground, in a kneeling position, the Child kneeling between her legs. At left, the upper part of the figure of Joseph, sitting, is seen from the back. A bowl below, at left. In the background, at right, is a shepherd with his flock near a tree. Framing line. Date: 1820-1850. Pen and ink on light green paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

'Virgin with a Parrot'. The Netherlands. The Netherlands, circa 1530. Dimensions: 12,2x8,9 cm. Museum: State Hermitage, St. Petersburg. Author: Unidentified Southern Netherlandish Artist.

THE YOUNG MARAUDERS. AFTER BOUGEREAU

Mrs. Sheridan and Son, Thomas Nugent, active 1785-1798, after John Hoppner, 1758-1810, British, 1800, Stipple engraving on moderately thick, moderately textured, cream, wove paper, Sheet: 26 1/4 × 17 13/16 inches (66.7 × 45.2 cm), Plate: 25 7/8 × 16 1/8 inches (65.7 × 41 cm), and Image: 23 1/2 × 14 5/8 inches (59.7 × 37.1 cm)

Drawing by Pietro Faccini of a kneeling monk viewed from the front, looking upward to the left, executed in pen with wash, with part of the sheet missing at the lower left corner.

Portrait of Frances Anne Greville and Henry Francis Greville as Hebe and Cupido, James Mcardell, after Joshua Reynolds, 1762 print London paper (story of) Hebe (Juventas). (story of) Cupid, Amor (Eros). historical person - woman - in a double portrait

An engraving by Wallerand Vaillant depicting a woman sewing, created between 1640 and 1677, showing domestic activity and traditional attire.

A Boy Trimming his Dogs Coat, Abraham van Dijck (attributed to), c. 1650 - c. 1660 drawing Amsterdam paper. ink pen / brush dog

Marchioness of Townshend and Child, Print made by Thomas Cheesman, 1760-1834/35, British, after Angelica Kauffmann RA, 1741-1807, Swiss, active in Britain (1766-81), 1792, Stipple engraving and etching on medium, slightly textured, cream laid paper, Sheet: 21 × 16 3/4 inches (53.3 × 42.5 cm), Plate: 15 1/4 × 11 1/2 inches (38.7 × 29.2 cm), and Image: 12 3/4 × 10 5/8 inches (32.4 × 27 cm), child, cupid, curls, dove, dress, holding, marchioness, mother, religious and mythological subject, ribbon, sitting, sky, trees, wings

Louis XVI et le Dauphin au temple. Alfred Nicolas Billard, photographer (French, born 1833) about 1874 A painted scene depicting Louis XVI saying farewell to his son, the future Louis XVII, at the Paris Temple where both were imprisoned. Louis XVI is shown holding the child, who has his arms around his father. Both are looking up. A third man is standing in the background and is smoking. (Verso, mount) upper center, black ink: "Souvenir du Pélerinage de illegible/N. D. de Verdelais 28 Mai 1874"; center left, black ink: "Louis XVI. Roi de France. Mort en 1793."; center, black imprinted text: "BULLA FRÈRES. Editeurs, à PARIS, 66 rue Tiquetonne/à LONDRES, 9, King Edward Street, Newgate Street, London, E.C./A. BILLARD. Photographe, Avenue d'Orléans, 20, Paris."; (Recto, album page) lower center, below image, black ink on white paper label: "E/3 space Louis XVI et le Dauphin/au temple.";

Müller, Ch., Müller & Co, Photo reproduction painting by Raphael: Sainte Famille avec Saint Joseph Imberbe, photograph, photo, photos, height mm, width mm, photographer, 1860 - 1866, third quarter 19th century, albumen print, albumine print

Bliżej Kultury unknown, Pierron, A.

Print made by James Watson, 1740-1790, British, Miss Sarah Price, 1770. Mezzotint (first state) on medium, slightly textured, beige, wove paper.

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Miss Eyre, 1778. Etching and stipple engraving in brown ink on medium, moderately textured, cream wove paper.

Boy with two birds in his hat, Anonymous, After Gilles Demarteau, After François Boucher, 1732 - 1800 drawing Boy wears two birds in his hat, on the right a dog jumps barking against him. paper. chalk boy (child between toddler and youth). birds. dog

Musical Company, Adolphe Lalauze, After Jean Antoine Watteau, 1890 print print maker: Franceprinter: Paris paper etching / engraving musician - CC - out of doors

Rainer, Archduke of Austria.

A pastel portrait by Johann Victor Krämer depicting Nowak, highlighting facial features and upper body details.

Lamb and Forest rose. Payne, Albert Henry (1812-1902), graphic artist, Payne, Albert Henry (Lipsk, Drezno ; wydawnictwo ; 1845-1920), publishing house, Becker, Jakob (1810-1872), painter

Photograph by August Mansfeld titled 'The Sea Storm', printed on albumin paper, showing turbulent sea waves and coastal landscape, preserved on a box mount between 1835-1901.

"The Court Attire" from The Songs of Béranger 1829 Alfred Johannot. "The Court Attire" from The Songs of Béranger. Chansons de Béranger. 1829. Intaglio. Fournier & Perrotin (French). Auguste Blanchard père (French, Paris ca. 1766-1841 Paris). Prints

Photo production from an engraving to the painting Holy family by Rafaël, Anonymous, After Rafaël, 1851 - 1900 photograph Rome paper. cardboard albumen print picture, painting. drawing, sketch Borghese gallery

Le figaro illustré, Figaro-salon, Book is together in binding with Figaro-Photographe and Figaro-Salon., book, photos, photographically illustrated books, height 145 mm, width 330 mm, thickness, 34 mm

The Spell, or Hobnelia, Print made by James Walker, 1748-1808, British, after James Northcote, 1746-1831, British, 1783, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 21 1/8 × 15 1/4 inches (53.7 × 38.7 cm), Plate: 19 7/8 × 13 7/8 inches (50.5 × 35.3 cm), and Image: 18 1/2 × 13 7/8 inches (47 × 35.3 cm), dog (animal), genre subject, girl, hat, literary theme, snail, window

Crespi, Giuseppe Maria, Italy, Mattioli, Lodovico, History of Bertoldo, Bertoldino and Cacasenno, Menghina and Cacasseno, verso lower right - stamped, Menghina, seen from the back, with a basket of vegetables. Cacasseno hits his mother with one of the vegetables. Below the image a three-line rhyme in Italian. Print from a series of six depicting the pranks of Caccasseno, part of a series of twenty prints., print, prints, height 225 mm, width 152 mm, 1665 - 1747-07-16, print maker, printmaker, 1710 - 1715, first quarter 18th century, paper, etching, etchings, Italian, 1662-01-02 - 1747-10-20, Work conception

Covered couple in medieval costume, Auguste Thomas Marie Blanchard, 1853 print print maker: Francepublisher: Berlinpublisher: London paper etching / steel engraving Faust. hacking and thrusting weapons: sword

Frontispiece Louis Félix de La Rue French. Frontispiece 394757

Luise, Princess of France.

Photo production of (presumably) a print to a painting by Adolph Tidemand, Anonymous, After Adolph Tidemand, c. 1860 - c. 1870 photograph Part of English family album with photos of people, travel, cricket and artworks. paper. photographic support albumen print mother and child(ren), woman and child(ren) (family group). reading to somebody

Vignette for 'Geographical Atlas' by R. Wilkinson, Africa, Francesco Bartolozzi, Italian, active England, 1727-1815, Francisco Vieira, Portuguese, 1765 - 1805, Etching with line engraving on paper, The roll is a paper one with a map of Africa., England, 1800-1802, Print, Print

The dwarf Francisco Lezcano, called 'El Niño de Vallecas', after Velázquez 1792 Bartolomé Vázquez Spanish. The dwarf Francisco Lezcano, called 'El Niño de Vallecas', after Velázquez 627328

Print, Vignette for "Geographical Atlas" by R. Wilkinson, Africa, 1800-1802; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); Italy; etching with line engraving on paper; 12.8 × 20.2 cm (5 1/16 × 7 15/16 in.); Bequest of George Campbell Cooper; 1896-3-336

Composition and design of Tony Johannot, vintage engraved illustration. Magasin Pittoresque 1852.

Plate 4: Boy with a lace collar holding a piece of fruit in his hands; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta 1743 Giovanni Cattini Italian Cattini engraved a set of 15 plates (frontispiece plus 14 numbered plates) after Piazzetta, entitling them: Icones ad vivum expressae. Most copies of the set are dated 1754 on the title page. A fine early set in the Mariette album of Piazzetta engravings in the Biblioteque Nationale is dated 1743. Moschini and Palluchini refer to a title page of 1763. Teodoro Viero reissued a reduced set of 8 plates plus title page in 1767. Several prints in the set were also copied by Johann Lorenz Haid of Augsburg (1702 - 1750), 1743-1750 and by Franz Xavier Jungwirth of Munich (1720-1790) in 1753 (see: George Knox, Piazzetta, exh. cata., National Gallery, 1983, no. 25; Maria Wiel, L'eredità di Piazzetta, 1996, no.73, p.45).. Plate 4: Boy with a lace collar holding a piece of fruit in his hands; from 'Icones ad vivum expressae' after G

London, Bovi, Marino, Nice supper, Enjoy your meal, A girl sitting on a chair at a table. She is eating from a bowl with a spoon., print, prints, height 226 mm, width 166 mm, 1758 - 1805, print maker, printmaker, 1791 - 1791, paper, stippelets, etching, etchings, Publication (Event), Publication, publisher, uitgever

The infant Shakspeare , Authors, Infants, Shakespeare, William, 1564-1616. Thomas Pennant Barton Collection

Photo production of painting by Paul Delaroche: Le Petit Mendiant.

Benevolence | Library of Congress

Amsterdam, Gogh, Cornelis Marinus van, Israëls, Jozef, Netherlands, Veth, Jan, Mother and child, verso - stamped, A young mother breastfeeds her child., print, book illustration, prints, height 413 mm, width 300 mm, Dutch, 1864-05-18 - 1925-07-01, print maker, printmaker, 1893 - 1893, paper, lithography (technique), Work conception, 1824-01-27 - 1911-08-12, after a design by, Publication (Event), Publication, 1824-03-15 - 1908-09-03, publisher

Fotoreproductie van Fresco Engelen Door Melozzo da Forli, Rome, Anonymous, After Melozzo da Forlì, 1880 - 1910 photograph This photo is part of an album. Vatican CITY baryta paper gelatin silver print picture, painting. angels St. Peter's basilica. Vatican CITY

Photo reproduction of an engraving: the widow of Johan van Oldenbarnevelt at Prince Maurits, 1628 () ..

Children; Scholtz, Julius (1825-1893); 1858 (1844-00-00-1844-00-00);Boerner, C. G. (Leipzig), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Biedermeier (style), children, sermons, German drawings, games (iconogr.)

Two children. Scholtz, Julius (1825-1893), draughtsman, cartoonist

Sketch of a Statue: Guardian Angel ca. 1850 Circle of John Gibson British, Welsh. Sketch of a Statue: Guardian Angel 367160

Mrs. Stables and Two Daughters Harriet & Maria, Print made by John Raphael Smith, 1752-1812, British, after George Romney, 1734-1802, British, 1781, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 18 × 14 1/16 inches (45.7 × 35.7 cm) and Image: 17 11/16 × 14 inches (44.9 × 35.6 cm)

Print made by George Clint, 1770-1854, British, Miss Arabella Jane Wilmot, after 1810. Mezzotint on moderately thick, slightly textured, beige laid paper.

Line Drawing. The Infant Hercules.

The half-naked male figure rests on the book with the right hand against his leg, in the left he has a long staff leaning against his shoulder and around which he has struck the right foot. The drawing is a preliminary study for a painting for the pilaster to the right of the altar in the church of Or San Michele (Florence), to be completed before 1510, Study for a reading apostle or evangelist, stuck in a frame with putti with cartouches and women's figures with festoons., draughtsman: Lorenzo di Credi, draughtsman: Francesco Salviati, (attributed to), c. 1470 - c. 1537 and/or c. 1520 - c. 1563, prepared paper, pen, brush, h 390 mm × w 257 mm × h 435 mm × w 343 mm

A seated woman with bare chest with a child near a crib in which a sleeping baby, as a personification of love (Caritas)., Mother with children Charitas, print maker: Pieter Holsteyn (II), (mentioned on object), Pieter Holsteyn (II), (mentioned on object), Northern Netherlands, c. 1624 - 1673, paper, engraving, h 208 mm × w 130 mm

James Watson, 1740-1790, British, Elizabeth Duchess of Manchester and George Mandeville Her Son, undated. Mezzotint on moderately thick, moderately textured, cream, laid paper.

Photo production of painting Madonna del Granduca by Rafaël in the Galleria Pitti in Florence, Italy, Fratelli Alinari, After Rafaël, 1852 - 1890 photograph Florence cardboard. paper albumen print picture, painting Palazzo Pitti

Cupido, Christian von Mechel, After Carle van Loo, 1764 print Paris paper etching Cupids: 'Amores', 'Amoretti', 'Putti'

Lady Jane Cathcart (née Hamilton), and Her Son, James McArdell, ca. 1729-1765, Irish, and Richard Houston, ca. 1721-1775, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1770, Mezzotint on medium, slightly textured, blued white, laid paper, Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.2 cm), Plate: 13 13/16 × 9 7/8 inches (35.1 × 25.1 cm), and Image: 12 1/4 × 9 13/16 inches (31.1 × 24.9 cm)

Standing woman at a cradle, Standing woman at a cradle, draughtsman: Albert Neuhuys (1844-1914), c. 1854 - c. 1914, paper, brush, h 444 mm × w 316 mm

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