Museum Interiors and Artworks

Photography of museum interiors displaying a range of artworks, emphasizing architectural details and the ambiance of historical galleries.

Warsaw. National Museum, ul. Podwale 15; Polish Painting Gallery - room with paintings by Aleksander Gierymski; around 1932 (1932-00-00-1939-00-00);Gierymski, Aleksander (1850-1901) - reproduction, National Museum in Warsaw, National Museum in Warsaw - collection, Podwale (Warsaw - street), exhibitions, galleries, Polish painting, museums, interiors

Corner of a hall with a tapestry, images, paintings and a passage; Exhibition Burgundian splendor. .

Room with images, paintings, showcases with books and passages; Exhibition Burgundian splendor. .

Room with paintings, links a partition; A century separate. On a separate panel at the back, the portrait of a standing woman hangs out.

Room with portraits and two separation walls, a passage rear road; Rembrandt exhibition. Side hall of the eastern courtyard. From right to left 'the anatomical lesson of Nicolaes tulip', 'flora', the marriage portraits of Maerten Soolmans and Oopjen Coppit, 'the noble orientation' and a self-portrait of Rembrandt.

The anniversary exhibition 'medieval art of the northern Netherlands' in 1958 in a room of the eastern courtyard. An altarpiece is central to this room, where a kazuifle and some sculptures are also shown. In 1958 the 150th anniversary of the Rijksmuseum was celebrated with this exhibition. The exhibition concerned a chronological representation of divergent objects of late-medieval art from 1440 to 1533, from the entire Northern Netherlands. From 28 June to 28 September this extensive exhibition was to view in the halls of the eastern courtyard.

Room with five paintings and links a passage; Rembrandt exhibition. From right to the left a portrait of a woman with a range hanging, a portrait of a man with a falcon and "saying goodbye to David and Jonathan."

Room with showcases, a cupboard with books and a painting; Exhibition Russians and Dutch. On the right is exhibited music by Herman van Aldewelt.

Warsaw. National Museum, ul. Podwale 15; Foreign Painting Gallery; Museum photography of Teresa Towska-Huszcza (Warsaw), 1930s (negative); 2001 (print) (1932-00-00-1939-00-00);

Room with two trucks, rear stained windows can be seen; Art for the images storm. On the left the triptych 'Ecce Homo' by Maarten van Heemskerck, on the right the triptych 'the worship of the kings' by Pieter Aertsen. Behind it the stained glass windows of the Sint-Janskerk in Gouda and the cartons.

Warsaw. National Museum, ul. Podwale 15; Polish Painting Gallery - room with paintings by Aleksander Gierymski; around 1932 (1932-00-00-1939-00-00);Gierymski, Aleksander (1850-1901) - reproduction, National Museum in Warsaw, National Museum in Warsaw - collection, Podwale (Warsaw - street), exhibitions, galleries, Polish painting, museums, interiors

Room with paintings on the wall and on four sloping panels; Exhibition to learning and entertainment. .

Room with a triptych in which the crucifixion is central; Jubilee exhibition Northern Dutch art. .

Room with portraits of boys and girls and panels with images and text; Only watching boys and girls ..

Room with various objects including prints, costumes, a harness and lying information panels; Exhibition the patriotic feel. On the left in the corner clothing and equipment belonging to a masquerade, organized by the Utrecht student corps at the 49th anniversary of the Utrecht Academy in 1881. To the right of it Willem I, Prince of Orange, affected by Balthazar Gerard's treacherous from Jan Adam Kruseman. Right, above a school plate proposing Charles V remains from the government, below that a school plate representing Willem van Oranje in the Council of State, 31 December 1564, both from Johan Herman Isings.

Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result

Room with paintings, plants in a picture frame, banks for visitors and lying information panels; Exhibition the patriotic feel. .

Corner of a room with seven paintings; A century separate. At the top, the painting 'mother teat' depends between two portraits.

Hoek van Zaal with paintings, left is a painting in another room visible. Transit from Zaal 204 to 205. Left in the photo View of the work 'Sybilla Erythraea' by Maerten van Heemskerck. In room 204 view of two works by Aetgen van Leyden.

Room with various paintings and various lists and a bank for visitors; Exhibition praises the list. On the right wall, the portrait of Hieronymus van Beverningk (1614-90), Lord of Teylingen, and that of Johanna Le Gillon (1635-1706) in lists with figures, festivals and towers on lobe. Above the round bank is visible the portrait of Michiel Adriaensz. De Ruyter by Ferdinand Bol in a list of trophies.

Room with paintings, partly among themselves hanging; A century separate. At the back a painting of a woman with a dog hangs.

Room with paintings and a partition; The French landscape exhibition. .

Corner of a room with three paintings; Exhibition Kaiser-Friedrich Museum. Two paintings with groups, right a portrait of an old lady.

Space with images, books, paintings and a tapestry; Exhibition Burgundian splendor. .

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche25. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Room with paintings, a bust and display cabinets with books; Belle van Zuylen exhibition. .

Tuscany Siena Montalcino Museo Diocesano. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Room with nine paintings, right a table and at the back of a view to another room; Rembrandt exhibition. .

Room with various paintings and various lists including links two lists with ornamental edges; Exhibition praises the list. .

Room with paintings, a seating furniture for visitors and a passage; Exhibition The triumph of mannerism: the European style of Michelangelo to El Greco. .

Corner of a hall with a tapestry, a painting, an image and a robe; Exhibition Burgundian splendor. .

The eralry with frescoes and a view of the entrance to two cabinets; Exhibition Frescoes from Florence. In the middle is the tabernacle with scenes from the life of Maria van Benozzo Gozzoli.

Hoek van Haal with five portraits, left a chair under a male portrait; Three centuries portrait in the Netherlands. On the left wall, a portrait of Willem van der Zaen portrait is hanging in the middle and his wife Aefje van der Eyck, from the hand of Juriaen Jacobz. Next to it is a passage to see another room.

Room with paintings, images in showcases and lying information panels; Exhibition the patriotic feel. The painting against the dark wall in the middle is Mich. ADR. De Ruyter at the corpse of Marten Harp. Trump by c.j.l. Portman.

Presentation of new acquisition The sea in Katwijk from Jan Toorop on a separate panel between four other paintings. .

Campania Napoli Sorrento Museo Correale di Terranova9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Room with a bust, a painting and a showcase in the wall right; The Ruyter exhibition. Corner room of the eastern courtyard with a portrait of Michiel de Ruyter next to the passage, by Karel Dujardin.

Room with various paintings, tapestries, two viewing to other halls and banks for visitors; Exhibition The Turkish Hofleven in the 18th century. The background, The Face of Ankara is Visible by an Anonymous Manufacturer.

Room with tapestries, images and showcases with books; Exhibition Burgundian splendor. .

Room with links a portrait, in the middle view of a tapestry and right a painting; Exhibition Willem van Oranje - To freedom of conscience. .

Room with various paintings and various lists and banks for visitors; Exhibition praises the list. Completely right is exhibited the Battle of the Zuiderzee, 1573 by Jan Theunisz. Blanckerhoff in a list of trophies, ship attributes and city swapes on lobe. On the left hang the portrait of Hieronymus van Beverningk (1614-90), Lord Van Teylingen, and that of Johanna Le Gillon (1635-1706) in lists with figures, festivals and tuning tuning.

Room with six paintings; A century separate. .

Warsaw. National Museum, ul. Podwale 15; Polish Painting Gallery - room with paintings by Aleksander Gierymski; around 1932 (1932-00-00-1939-00-00);Gierymski, Aleksander (1850-1901) - reproduction, National Museum in Warsaw, National Museum in Warsaw - collection, Podwale (Warsaw - street), exhibitions, galleries, Polish painting, museums, interiors

Room with bronze statues; Masters of the Bronze of Italian Renaissance. In the foreground is a picture of a shepherd who milks a goat from Padua.

Hall 214 with paintings with a view to room 215 and view of the Paul's bull; Loan the bull of Potter. Paulus Potter's bull was on loan from the Mauritshuis in The Hague.

Room with paintings, a mantelpiece and a bank for visitors; Exhibition God and the Gods. From left to right, exhibited Moses are found in piping box in the reeds, king Zaleucus is getting out of an eye and a couple like Odysseus and Penelope, all work by Jan de Braij. On the right, Paul's conversion depends by Benjamin Gerritsz. Cuyp.

Room with paintings and lying information panels; Exhibition the patriotic feel. .

Room with a tapestry, a cupboard and images; Exhibition Burgundian splendor. At the bottom right of tapestry, a grave figure is still visible, belonging to a group of ten so-called mourning carriers or pliers, from the awning of Isabelle from Bourbon. At the front left on the back given a Madonna with child.

Room with paintings, a chair, a seating furniture for visitors and a passage; Exhibition The triumph of mannerism: the European style of Michelangelo to El Greco. Completely left portrait of Diane de Poitiers as the hunting godin Diana of Frans painter. Left next to the passage An armchair from Frans Meester (Ile de France).

Hall IX Japanese art, including images, showcases with tableware and left a twelve-leaf screen; Exhibition Oriental treasures: 4000 years Asian art. .

Room with paintings, images, prints, weapons, prints and a passage; Exhibition The triumph of mannerism: the European style of Michelangelo to El Greco. .

Room with three paintings and on the right a passage; Rembrandt exhibition. On the left is 'Minerva' to see, in addition to the passage, the portrait of Aletta Adriaensdr hangs.

Tuscany Siena Montalcino Museo Diocesano. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cabinet in the Halferee with various paintings and an information panel; Exhibition only look at light indoors. On the left in the corner, the Madonna of the humility is exhibited by a painter from Angelo di Taddeo Gaddi.

Room with two paintings and two reliefs; Art for the images storm. A ceiling high white panel is applied in the middle of this room, on which a counter-shaped painting hangs. On the right besides the passage, two reliefs with portraits of the couple of Vladeracken can be seen. Totally left is a part of the twelve members of the Jerusalembroedrope in Haarlem 'visible.

Room with sculptures, a cavity in a vitrine links and an altar piece; Jubilee exhibition Noord-Dutch art ..

Room with paintings, links a partition wall, at the back of a passage; A century separate. .

Corner of a room with paintings, under and side by side; A century separate. .

Lazio Latina Sezze Antiquarium Comunale1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cabinet in the petal with church windry and an information panel; Exhibition French church windows. The second and third window on the left are scenes from the legend of St. Eustachius from the Musée Municipal in Dreux. To the right of it hangs St. Maarten and the beggar from the Musée de Cluny in Paris. The large square window is the history of the relics of the H. Stephanus, from the treasure room of the Cathedral of Chlons-sur-Marne.

Delft Delft Masters in 1928. Paintings by Delftse Masters fill this cabinet, where church interiors play the lead role. Here o.A. View of a work by Emanuel de Witte and H. van Vliet

Room with four paintings and a passage; Rembrandt exhibition. .

Room with tapestries, images and two passages, front left is the image of a bird; Exhibition from the Treasures of the Middle Ages. .

Baroque pavilion with images, a painting and two kazuels; Exhibition art treasures from Vienna. .

Exhibition, 50 Beacon Street gallery , Art exhibitions, Galleries & museums. The Massachusetts WPA Federal Art Project Photograph Collection

National Museum in Warsaw, ul. Podwale 15; Polish Painting Gallery - room with paintings by Aleksander Gierymski; around 1932 (1932-00-00-1939-00-00);Gierymski, Aleksander (1850-1901), Gierymski, Aleksander (1850-1901)- reproduction, National Museum in Warsaw (1862-), National Museum in Warsaw (1862-)- collections, Podwale (Warsaw- street), exhibitions, gallery , painting, Polish painting, museums, interiors

Room with a pieta (right), silverware, an image, a portrait and a book; Exhibition Burgundian splendor. .

Room with bust on base for tapestry; Willem III exhibition. .

Basilicata Matera Montescaglioso Abbazia di S. Angelo26. Hutzel, Max 1960-1990 Medieval: Architecture (9th, rebuilt 15th), view of neighboring chiesetta S. Stefano, cloisters; architectural sculpture; frescoes depicting the family of Ufredo Machabeo, lord of Montescaglioso Object Notes: Hutzel photo campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Room with a tapestry, images, a painting, a cupboard and a table; Exhibition The triumph of mannerism: the European style of Michelangelo to El Greco. In the foreground a table resting on Caryatids from South Dutch Master.

Room with images, tapestry and stairs; Exhibition The triumph of mannerism: the European style of Michelangelo to El Greco. .

Hall with five images between two passages, an image on a base, a painting and a display case in the middle; Jubilee exhibition Noord-Dutch art ..

Room with paintings and a passage in an intermediate wall right; Venetians. .

Room with eight paintings and a table with a bouquet on it, left behind is a chair; The Venetian masters. .

Room with paintings, images, tables, a Virginaal, a tapestry, benches and a passage; Exhibition The triumph of mannerism: the European style of Michelangelo to El Greco. .

The eralry with frescoes and a built-in exhibition wall; Exhibition Frescoes from Florence. Whole left Scene from the history of the St. Matthus Gasthuis of Pontormo, in the middle of the room (partly visible), two frescoes from scenes from the life of John the Baptist flanked by two virtues exhibited: Left hope, right (partly visible ) Salomé brings Herod's head of John the Baptist. Both frescoes belong to a nineless series of Andrea del Sarto.

National Museum in Warsaw. The exhibition "Coopened by French painters and Pablo Picasso ceramics offered by the author of the National Museum in Warsaw" (18 November-23 December 1948). Fragment of the exhibition of painting (designed by Stanis And Zamecznik); Magiecka, Janina (1896-1987), 1948 (around 1955-Print) (1948-00-00-1948-00-00);National Museum in Warsaw, Picasso Pablo, Warsaw (Masovian Voivodeship), Zamecznik, Stanisław (1909-1971), ceramics (artist), exhibitions, painting, French painting, interiors, exhibitions

Showcase with plates and prints in the middle of bloated reproductions of engravings; Herman Willem Daendels 1762 - 1818..

Hall 235C with paintings including portraits, referred to as Cabinet of the Poll.in The Middle Elisabeth Jacobsdr Bas (1571-1649), Widow of Jochem Hendricksz Swartenhont, by Ferdinand Bol.

Room with paintings, images in a showcase and lying information panels; Exhibition the patriotic feel. In the showcase from left to right, the image Joost van den Vondel of L. Royer, from Erasmus by J.J.F. Verdonck and from Hugo de Groot by L. Royer.

Exhibition, 50 Beacon Street gallery , Art exhibitions, Galleries & museums. The Massachusetts WPA Federal Art Project Photograph Collection

Room with paintings, plants in a picture frame, banks for visitors and lying information panels; Exhibition the patriotic feel. .

Massachusetts WPA Art Project exhibition, Germanic Museum, Harvard University, April 1-April 13, 1940 , Art exhibitions, Galleries & museums. The Massachusetts WPA Federal Art Project Photograph Collection

Room 136 with paintings by Cornelis Troost, left a large painting on a panel; Drucker extension, December 1992.Left 'The Regents of The Aalmozenweeshuis in Amsterdam', on the right the passage to saloon 137.

Room with various paintings and various lists, partly in showcases and banks for visitors; Exhibition praises the list. Left is exhibited the Battle of the Zuiderzee, 1573 by Jan Theunisz. Blanckerhoff in a list of trophies, ship attributes and city weapons on lobe

Room with paintings, links a passage; A century separate. .

Room with paintings of the Leiden School, including a portrait and a cityscape; Hall 235A. .

Massachusetts WPA Art Project exhibition, Germanic Museum, Harvard University, April 1-April 13, 1940 , Art exhibitions, Galleries & museums. The Massachusetts WPA Federal Art Project Photograph Collection

Room with paintings and partitions; The French landscape exhibition. .

Cabinet in the Halferee with various paintings and an information panel; Exhibition only look at light indoors. Extreme Right Depends on the Drawing Room Felix Meritis in Amsterdam, With Portraits or Artists, Collectors of Painting and Drawing and Some Art Brokers by Adriaan de Lelie.

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa5. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

FAP Gallery, 881 Commonwealth Avenue, Boston , Art exhibitions, Galleries & museums. The Massachusetts WPA Federal Art Project Photograph Collection

Vilnius. USB. Faculty of Fine Arts. Annual exhibition of painting students; Bułhak, Jan (1876-1950); around 1931 (1936-00-00-1936-00-00);

Paramaribo, exhibition of paintings and reproductions. .

Umbria Perugia Campello sul Clitunno Chiesa della Bianca4. Hutzel, Max 1960-1990 Post-medieval: Architecture, 16th century (1529) with portal by Cione; interior decoration and frescos (16-19th centuries) by Valadier, Angelucci, and lo Spagna German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Room with a tapestry, images, paintings, cupboards and a table; Exhibition The triumph of mannerism: the European style of Michelangelo to El Greco. In the foreground a table resting on Caryatids from South Dutch Master.

Room with tapestries, showcases with books and two harnesses; Exhibition Burgundian splendor. .

Room with medieval sculptures on pedestals, a tapestry and a passage; Halls Crafts September 1961.cabinet 241 Seen to the west. The Passage Leads to Cabinet 242. in this Room An arrangement of the images: The Encounter of Joachim and Anna By The Master of Joachim and Anna, Visit Maria to Her Niece Elisabeth, Flight to Egypt. All right the image Catharina from Alexandria.

Corner of a room with seven paintings; Rembrandt exhibition. .

Abruzzo L'Aquila Celano Museum96. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Museo degli Strumenti Musicali1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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