Mythical and Allegorical Scenes

Artworks illustrating mythical themes and allegorical representations, exploring significant narratives and emotions through visual art.

Lazio Viterbo Bagnaia Villa Lante46. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Reproduction of drawing: Stanisław Wyspiański (1869-1907), Hermes wiedzie dusze bohaterów do głębin Hadesu Hermes guides the souls of heroes to the depths of Hades, illustration for Homer's 'Iliad', 1896. Bogusławski, Lucjan Antoni (1876-1960), printing house, Kuratorium Obywatelskiej Opieki nad Rodzinami Rezerwistów (Warszawa ; fl. ca 1914), publisher

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory02. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese71. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Castelsantangelo sul Nera S. Martino3. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century); campanile with bifora windows; architectural sculpture: capitals, etc.; tabernacle carved with lion heads; gothic altar. Post-medieval: Frescos (15th and 16th centuries); sculpture in wood (16th century); terracotta bust of a bishop (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

CERVANTES SAAVEDRA, MIGUEL DE.QUIJOTE, DON. PERSONAJE OBRA DE MIGUEL DE CERVANTES " DON QUIJOTE DE LA MANCHA ". " DON QUIJOTE DE HINOJOSA JUNTO A SANCHO ". ILUSTRACION DE GUSTAVO DORE.

Witch. A witch at a cooking pot where they poured powders. A hard wind blows. For her a group of samples.

Cleopatra setting fire to the sails of a ship. Etching by F. Chauveau., 1648.

The Witches. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 15 5/16 × 10 5/8 in. (38.9 × 27 cm). Date: 1510.A masterpiece of German chiaroscuro, this woodcut is one of Hans Baldung Grien's best known prints, produced soon after his move to Strasbourg from Nuremberg, where he had worked as a journeyman with Albrecht Dürer from about 1503 to 1507. Although Baldung was not the inventor of the chiaroscuro woodcut--the credit for this must go to Hans Burgkmair--he was among the very earliest and most effective practitioners of the medium.The tone block for this woodcut is sometimes printed in an orange-brown, casting a hellish glow onto the scene; here the use of a gray tone block creates an atmosphere of nocturnal gloom from which the three witches emerge, gathered around the steaming cauldron of "flying unguent." The flickering highlights, where the white of the paper is exposed, give three-dimensiona

The harrowing of hell (). Engraving by G. Ladame.

Lazio Viterbo Bagnaia Villa Lante46. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Composer Klemperer. Dated: 1916. Dimensions: plate: 52 × 41.7 cm (20 1/2 × 16 7/16 in.) sheet: 58 × 42.1 cm (22 13/16 × 16 9/16 in.). Medium: woodcut on blotting paper. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

Umbria Terni Acquasparta Palazzo Cesi9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

De Re Metallica Plate 28: The Stream, Mining - De Re Metallic

Dido, 1521 - 1526, Engravings, 2 9/16 x 1 1/2 in. (6.5 x 3.8 cm), Paper / Sheet 2 7/8 x 1 13/16 in. (7.3 x 4.6 cm), Stamped in brown ink, verso A. Freiherr von Lanna (Lugt 2773); in blue ink, verso BS Barthold Suermondt (Lugt 415), Cream laid

Death on horseback; ... and Celui Qui Était Monté Dessus se Nommait La Mort; Apocalypse the Saint-Jean; Revelation of John. Imagination of bible verse at 6: 8 "and who sat down, his name was death". Death, one of the four riders of the Apocalys, as a skeleton moving on a horse. In his hands a long sword. Third print from a series of twelve made for an album.

The Seventh Day. Dated: 1920. Dimensions: image: 25.5 x 35.8 cm (10 1/16 x 14 1/8 in.). Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Ernst Barlach.

Lazio Roma Rome SS. Giovanni e Paolo0. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Me

Lazio Roma Frascati S. Maria in Vivario7. Hutzel, Max 1960-1990 Exterior views, including facade, bell tower, fountain, and a fresco (damaged).; interior views of nave, apse fresco, altar (sarcophagus), crucifix, cupola, and baptismal font. Antiquities: One sarcophagus that serves as an altar. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Palazzo Venezia, Museo4. Hutzel, Max 1960-1990 Post-medieval: Tapestry collection in the "Sala Regia" Object Notes: Occupying the rooms of the Balbo apartment, where Paul II lived and gathered together his collections. German and French tapestries of the 16th century, all manufactured at Brussels, and five Italian tapestries by Riviera after cartoon drawings by Giov. Franc. Romanelli in 1637-42. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mural for the Springfield Court House , Steel industry, Iron & steel workers. The Massachusetts WPA Federal Art Project Photograph Collection

Alberich and the Rhinemaidens. Artist: Luc-Olivier Merson (French, Paris 1846-1920 Paris). Dimensions: Sheet: 29 3/4 x 16 1/8 in. (75.5 x 41 cm). Date: 1885. Museum: Metropolitan Museum of Art, New York, USA.

CARICATURA DE "LA CARCAJADA" SOBRE EL ABSOLUTISMO-IDEALES DE LOS CARLISTAS- S XIX. CARLOS VII DE BORBON. CARLOS MARIA DE BORBON Y AUSTRIA-ESTE.

Reproduction of drawing: Stanisław Wyspiański (1869-1907), Achilles, którego Pallas za włosy wstrzymała Achilles held by the hair by Pallas, illustration for Homer's 'Iliad', 1896. Bogusławski, Lucjan Antoni (1876-1960), printing house, Kuratorium Obywatelskiej Opieki nad Rodzinami Rezerwistów (Warszawa ; fl. ca 1914), publisher

Lazio Viterbo Caprarola Palazzo Farnese40. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Beowulf, who has the strength of thirty men, rips off the arm of Grendel the monster.

Scenes from life of David. unknown c. 1500 Tapestry Dimensions: H 7'6.5" x W 7'1.5" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. received from Spanish Art Gallery, invoiced 3/7/1932; returned 3/29/1932 SS 17807. French & Co. purchased from Spanish Art Gallery, invoiced 2/16/1933 SS 17543. Scene framed by columns; left, Nathan brings David message from God (2 Samuel 7); upper R, Bathsheba is told of Uriah's death & mourns (2 Samuel 11-12); scene within frame at lower R, David killing lion (1 Samuel 17) Photo caption on GCPA 0183928 says: A panel of tapestry depicting the study of a romance, in brilliant colourings. French & Co. stock sheet in archive, 17807 French & Co. stock sheet in archive, 17543 also lists: 39363

Auti Te Pape (Women at the River) Paul Gauguin (French, 1848-1903). Auti Te Pape (Women at the River), carved winter 1893-1894; printed 1921. Woodcut on China paper, Image: 8 x 14 in. (20.3 x 35.6 cm). European Art carved winter 1893-1894; printed 1921

Wm. Littlefield's mural at the Falmouth High School , Football, Football players. The Massachusetts WPA Federal Art Project Photograph Collection

Fall of the giants (first part), Bartolommeo Coriolano, After Guido Reni, 1638 print The giants who stormed heaven to overthrow Jupiter are buried under stone. At the top of the furious Jupiter with eagle and lightning bolts. At the top left the coat of arms of Francesco I d'Este. Bologna paper the Giants buried beneath volcanoes. giants, colossi. battle of the Giants against the gods: gigantomachy

Lazio Roma Rome S. Andrea della Valle. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, sit

Abattage des Pins, 1887. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Queen Katherine's Dream. Dated: c. 1825. Dimensions: Overall: 41.2 x 34.6 cm (16 1/4 x 13 5/8 in.) mat: 71.1 x 55.9 cm (28 x 22 in.). Medium: pen and ink with watercolor heightened with white and gold over graphite. Museum: National Gallery of Art, Washington DC. Author: William Blake.

Le Nouveau polichinelle napolitain.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1855. Prints; lithographs. Lithograph

Umbria Terni Amelia S. Maria delle Cinque (ad quinque fontes)7. Hutzel, Max 1960-1990 Medieval: Church 13th century, facade & portal 15th century. Post-medieval: Apse remodeled, late baroque Object Notes: Church is built on site on which St. Francis is said to have preached in 1213 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

O Grave, where is thy Victory . Two women next to a man and an open grave. O Grave, Where Is Thy Victory. Draughtsman: Jan Toorop. Dating: 1892. Measurements: h 604 mm × w 753 mm. Museum: Rijksmuseum, Amsterdam.

Fotoreproductie van Het Fresco Mercurius in de Loggia di Psyche, Villa Farnesina Te Rome, Anonymous, 1851 - 1900 photograph Rome paper. cardboard albumen print picture, painting Loggia of psyche. Villa Farnesina. Rome

The Days of Creation: The Second Day. From the portfolio: The Work of E. Burne-Jones., 1876, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

Woodcut by Jacopo de' Barbari, second state, 1497-1500, depicting a detailed view of Venice with canals, buildings, bridges, and urban layout.

In ancient Greek mythology, the Greek hero Jason sought the Golden Fleece in Colchis and there had to yoke a bull.

The Book of Job: Pl. 16, Thou hast fulfilled the Judgment of the Wicked, 1825. William Blake (British, 1757-1827). Engraving;

Hercules and the Hydra. Engraving by Master I. F. T. Italian, about 1500. The Metropolitan Museum of Art. MM4152 , Engravings, Supernatural beings, Hydra Greek mythology, Heracles Greek mythological character. Nicholas Catsimpoolas Collection

Lazio Viterbo Bomarzo Palazzo Orsini0. Hutzel, Max 1960-1990 Post-medieval: Architecture (15-16th century); frescoes. Views of exterior and interior, with emphasis on frescos. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Odilon Redon (1840-1916). "And the one who was climbed on it, was named death". Museum of Fine Arts of the City of Paris, Petit Palais. 26344-15 Horse, Epee, dismal, macabre, morbid, death, symbolist movement, skeleton, symbolism

Lazio Viterbo Bagnaia Villa Lante41. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Etching and aquatint 'Philosophy' Opus 13 Blatt 3 by Max Klinger from 1910, depicting allegorical figures and conceptual composition.

Oviri (The Savage) recto. Dated: 1894/1895. Dimensions: image: 20.4 × 12.2 cm (8 1/16 × 4 13/16 in.) sheet: 37 × 19 cm (14 9/16 × 7 1/2 in.). Medium: color woodcut. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.

Lazio Viterbo Bagnaia Villa Lante10. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Save the Serbians from cholera - World War I Era Poster showing a figure of Death reaching down from storm clouds

Lazio Viterbo Caprarola Palazzo Farnese84. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Ischia di Castro S. Ermete8. Hutzel, Max 1960-1990 Exterior views of facade of early 18th c. church. Interior views of nave and altar, iconostasis, frescos, paintings, baptismal, chalice, reliquary. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jason and the Dragon ca. 1663-64 Salvator Rosa Italian. Jason and the Dragon 341652

Woodcut by Leonhard Beck showing young Emperor Maximilian I learning fencing with a Bohemian shield before his departure, on wooden stick 1514-1516.

Auguste Louis Lepère, The Centaur, 1896, wood engraving on paper.

A late 15th to early 16th-century copper engraving by Girolamo Mocetto depicting Bacchus, showing detailed figure and classical composition.

Destruction of Sodom, Jan Luyken, 1712 print Amsterdam paper etching Sodom and Gomorrah burning

Eagle on top of weapentrophies including different weapons ..

The little king of Galicia Fran�ois-Nicolas Cancellart (1825-1901). The little king of Galicia (Roland in Ronceval). Charcoal. Paris, Victor Hugo House.

Swaran, the reported king of Lochlin, Hyacinthe Louis Victor Jean Baptiste Aubry-Lecomte, After Anne-Louis Girodet trioson, 1821 print paper (scenes from) specific works of literature (with AUTHOR, title)

Knight for the gate of The Hague. .

Campania Caserta Piedimonte Matese S. Biagio. Hutzel, Max 1960-1990 Post-medieval: Architecture (15th century); frescos (15th century), restored German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Swaran, after The Apotheosis of French Heroes Who Died for Their Country during the War for Liberty 1821 France. In this print illustrating a detail from a painting by Anne-Louis Girodet de Roucy-Trioson, Hyacinthe Louis Aubry-Lecomte highlighted Swaran, the villainous son of Starno (seen in the print at left). This subject would have been popular with the French public, who were fascinated by the epic poetry of Ossian, a third-century Scottish bard and the principal subject of Girodetís painting. The poems purported to be by Ossian were actually authored by James Macpherson in the 1760s, with content compiled from various sources.. Lithograph in black on ivory wove paper . Hyacinthe Louis Aubry-Lecomte

Trip to the field; Bart Omiejczyk, Edmund Ludwik (1885-1950); 1933 (1933-00-00-1933-00-00);

Laloir, Alexandre Louis (n.1843 - D.1884), mythological scene. (Dummy title). Black pencil and white gouache on black paper. Carnavalet museum, history of Paris.

View of the decorated facade of the Hotel des Pays Bas (Janskerkhof 10) in Utrecht, on the occasion of the 55th anniversary (275th anniversary) of the university, with a poffertjes stall on the right in the background.

Umbria Perugia Foligno Monastery of S. Anna8. Hutzel, Max 1960-1990 Post-medieval: 15th and 16th century frescos Object Notes: Contains two sets of duplicate photographs General Notes: also known as monstero delle Contesse German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

La planche de Tzigane. Dimensions: 46 cm x 33.6 cm, 16 cm x 12 cm, 16 cm x 12 cm. Museum: Van Gogh Museum, Amsterdam. Author: FELICIEN ROPS.

Balcony, Prof Gräf, Jena, 1916-dreaming man

A vignette in an oval with a cottage and flowers of the Ostu To the poem Time stood in: Zygmunt Lubicz Zaleski, on a narrow sleep and storm. Tadeusz Józef Makowski, Warsaw Paris Kraków: Centnerszwer I SKA, 1914, p. 69 arranged and decorated. Makowski, Tadeusz (1882 1932), Centnerszwer and S ka, Reiff, A. Heymann

Still Life - Lobster, Turtle, Fish and Eels Unknown Dutch. , 17th century. Painting on canvas, 26 x 18 3/4 in. (66.0 x 47.6 cm). European Art 17th century

Southern Netherlands, Brabant Revolution, 1787-1790, Chaque Pays a ses montures, Catherine the Great flies on the Austrian eagle towards the crescent moon, verso - stamped, Cartoon of Empress Catherine II the Great, seated on the Austrian eagle with spectacles and with drawn sabre, flying towards the crescent moon (= going into battle against the Turks). She cuts off a part of the eagle's wing with her sabre. With a four-line French caption in which the Russian tsarina de Catin-du-Nord (the whore of the north) is mentioned. Related to March 1788. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790., print, prent, prints, prenten, Frederik Muller Historieplaten, height 158 mm, width 87 mm, print maker, prentmaker, 1787 - 1788, paper, papier, etching, etchings, engraving, engraving (printing process)

Amsterdam, Gogh, Cornelis Marinus van, The Hague, Lankhout & Co, Samuel, Netherlands, Bauer, Marius, The Sphinx and the Tempters, Cartoon on the negotiations surrounding the introduction of the new electoral law, 1895. Minister Samuel van Houten as the sphinx who is seduced by the Egyptian goddesses of the left-wing and right-wing parties. Published in the supplement of 'De Kroniek' of December 29, 1895., print, prent, cartoon, prints, prenten, height 407 mm, width 300 mm, Dutch, 1867-01-25 - 1932-07-18, print maker, printmaker, 1895-12-29 - 1895-12-29, fourth quarter 19th century, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1824-03-15 - 1908-09-03, publisher

Wooden stick by Hans Burgkmair (1516-1518) showing the chamber of commercial hunter Conrat Zuberle as part of Emperor Maximilian I's triumphal procession.

Print, Child With Frieze; 1919-10-73

Campania Caserta Capua Chiesa dell'Annunziata6. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco, decorative arts (furniture, woodworking, tapestry, metalworking), marble Object Notes: constructed from 1531 to 1574, earlier church from c.1285-1309. Renaissance appearance with modifications of the 17th and 18th centuries. No information provided by Hutzel. See guidebook included in shipment of photographs, pp. 33-34. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

According to Greek mythology, Danae and her son Perseus had been set adrift in the sea in a box and rescued by fisherman Dictys.

Depicts subjugated nations and magnificent horses in the triumphal procession of Emperor Maximilian I, created by Hans Burgkmair in 1796 as a woodcut. Shows figures, horses, and ceremonial display.

Goncharov, Andrei Dmitrievich (1903-1979) Russian State Library, Moscow Book Art 21x17,5 Mythology, Allegory and Literature King Lear

Noa Noa: Te Po (Eternal Night), 1893-94. Paul Gauguin (French, 1848-1903). Woodcut;

Bliżej Kultury unknown

The Creation of the Universe (L'Univers est crée) Paul Gauguin (French, 1848-1903). The Creation of the Universe (L'Univers est crée), carved winter 1893-1894; printed 1921. Woodcut on China paper, Sheet: 10 11/16 x 16 9/16 in. (27.1 x 42.1 cm). European Art carved winter 1893-1894; printed 1921

Lazio Latina Sezze S. Lucia6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Odilon Redon, Et la bas l'idole astrale, l'Apotheose (And beyond, the star idol, the apotheosis), 1891 Et la-bas l'idole astrale, l'Apotheose (And beyond, the star idol, the apotheosis)

Auti Te Pape (Women at the River) Paul Gauguin (French, 1848-1903). Auti Te Pape (Women at the River), carved winter 1893-1894; printed 1921. Woodcut on China paper, Image: 8 x 14 in. (20.3 x 35.6 cm). European Art carved winter 1893-1894; printed 1921

Lazio Rieti Farfa (environs) Abbey of S. Martino2. Hutzel, Max 1960-1990 Views of ruins of the Abbey complex and crypt on the mountain of S. Martino near Farfa. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

John Baptist Jackson after Jacopo Bassano (English, 1701 - c. 1780), Christ on the Mount of Olives, 1743, chiaroscuro woodcut in dark brown trial proof of key block

Lazio Roma Castel Madama Castello3. Hutzel, Max 1960-1990 Medieval: 14th century architecure, portico, loggia with spolia, inscribed funerary monuments (fragments);. Post-medieval: Furniture, painting (c.17th century), maiolica, silver objects, choir stalls, wooden utensils, painted porcelain Antiquities: Funerary stele, fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Netherlands, Woensel, Pieter van, De Najaarelingschap while reading the History of the Present Time, Descendant reading about the history of the present time, 1796, verso - stamped, Cartoon of a man (our descendant) who has to cry as well as laugh while reading the history of the present time, 1796. At the top two medallions with Heraclitus and Democritus., print, picture, book illustration, cartoon, prints, Frederik Muller Historieplaten, height 120 mm, width 89 mm, Dutch, 1747-01-10 - 1808-04-21, print maker, printmaker, 1795 - 1796, paper, papier, etching, etchings

Fragment of a rug or hanging late 15th-early 16th century probably German. Fragment of a rug or hanging 222131

Legeay, Jean Laurent, Architectuurfantasie, page 8, print, prints, height 195 mm, width 170 mm, print maker, printmaker, 1767 - 1768, paper, etching

Xu You and Chao Fu. Artist: Okumura Masanobu (Japanese, 1686-1764). Culture: Japan. Dimensions: H. 11 7/16 in. (29.1 cm); W. 5 1/2 in. (14 cm). Date: 18th century.Masanobu's treatment of the classical story of Xu You and Chao Fu is straightforward. Xu You washes out his ears in a waterfall, and Chao Fu turns his ox around from the water. The style imitates the "rubbing" technique, a traditional method for renditions of classical inscriptions. Museum: Metropolitan Museum of Art, New York, USA.

The whore of Babylon riding on the beast of the Apocalypse. From a miniature in the 11th century manuscript Commentaire sur quelques livres de lEcriture. La grande Babylone (mulier super bestiam) sous les traits dune femme de joie tenant une coupe et montee sur la bete de lApocalypse. Woodcut by Etienne Huyot and Jules Huyot from Paul Lacroixs La Vie Militaire et Religieuse au Moyen Age et a lEpoque de la Renaissance, Military and Religious Life in the Middle Ages and the Renaissance, Paris, 1873.

Illustration to the national epic Kalevala, Kochergin, Nikolai Mikhaylovich (1897-1974)

Fragment from Jupiter sends the three goddesses in the opinion of Paris, Antonio Fantuzzi (attributed to), 1543 print Fontainebleau paper etching cupids: 'amores', 'amoretti', 'putti'. lying figure - AA - female human figure

The fianc�e of the timbalier Paul-Henri Regeau, French painter. The fianc�e of the timbalie. Pencil, feather and ink lavis on paper. 1885. Paris, Victor Hugo House.

The Murder of Abel by Cain (Genesis 4:1-16) Old Testament. Antique digitally colored Biblical illustration by Gustave Doré (1832-1883)

The Palace of King Zhou of China. Katsushika Hokusai (Japan, 1760-1849). 1807. Prints; woodblocks. Color woodblock print; right panel of a diptych

Drawing, Stage Design, Men Constructing Building in Cave; Designed by Antonio Giuseppe Basoli (Italian, 1774-1843); Italy; pen and gray ink, brush and gray and black wash, graphite on paper

Abruzzo L'Aquila L'Aquila Collegiate complex (S. Bernardino, Church. S. Bernardino, Cloister)5. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, paintings, frescoes. Views of the cloister from several vantage points and detailed views of the columns and capitals. Views of exterior and interior, with extensive coverage of mausoleum by Silvestro dell'Aquila. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Moroccan tradition of Fantasia. Lab al baroud. Unpowder game or Tbourida, is a stylized reenactment of a wartime cavalry charge, a celebration of the region's history and of the bond between horse and rider, Morocco. North of Africa. Morocco by Edmondo de Amicis 1875. Le Tour du Monde 1879

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