Mythical and Narrative Drawings

Illustrations capturing dynamic scenes with naked figures, mythical themes, and historical narratives rich in detail and expressive forms.

Spranger, Bartholomeus, Amsterdam, Muller, Jan Harmensz., Hercules and Scipio led by Minerva on the path of virtue, verso - stamped, Minerva, as personification of Virtue, leads Publius Cornelius Scipio Africanus and Hercules on the path of virtue to the temple of eternal fame. The wise Cupid shows them the way. On the right, drinking and making love as an image of Vice, who is left behind by Scipio and Hercules., print, prints, height 225 mm, width 157 mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1589 - 1593, paper, papier, deck paint, dekverf, ink, inkt, engraving, engraving (printing process), pen, brush, schilder, doorgriffelen, Work conception, Southern Netherlands, 1546-03-21 - 1611-08

Sitting male nude, the hand on the handle of a vase, Jacobus Johannes Lauwers, 1763 - 1800 drawing paper. chalk

The Bath of Diana and Cupid.

Spranger, Bartholomeus, Amsterdam, Muller, Jan Harmensz., Hercules and Scipio led by Minerva on the path of virtue, verso - stamped, Minerva, as personification of Virtue, leads Publius Cornelius Scipio Africanus and Hercules on the path of virtue to the temple of eternal fame. The wise Cupid shows them the way. On the right, drinking and making love as an image of Vice, who is left behind by Scipio and Hercules., print, prints, height 225 mm, width 157 mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1589 - 1593, paper, papier, deck paint, dekverf, ink, inkt, engraving, engraving (printing process), pen, brush, schilder, doorgriffelen, Work conception, Southern Netherlands, 1546-03-21 - 1611-08

The battle , Nudes, Campaigns & battles. George Bellows (1882-1925). Prints and Drawings

Cain Killing Abel 1589 Jan Muller Netherlandish By the end of the sixteenth century, Jan Muller was one of the most sought-after printmakers in the northern Netherlands. He modeled his engraving style on that of Hendrick Goltzius, with whom he briefly worked in about 1589 or was perhaps apprenticed to. By that time, Muller had perfected Goltziuss bravura technique, varying the pressure on his burin to create lines that tapered and swelled dramatically. This technique of engraving was perfectly suited to translating the over-muscled bodies and complex poses that were the hallmarks of the Mannerist artists, particularly Cornelis Cornelisz., the principal painter in the city of Haarlem.Based on a lost composition by Cornelis, Mullers engraving of Cain Killing Abel captures the moment just before Cain actually strikes his brother. It presents the Old Testament scene from a strikingly low and close viewpoint, and like other works by the artist, lovingly describes the contorted poses and s

Men bringing bags of lead into Saint Benedict's monastery 1687-1717 Giacomo-Maria Giovannini. Men bringing bags of lead into Saint Benedict's monastery. Giacomo-Maria Giovannini (Italian, Bologna 1667-1717 Parma). 1687-1717. Etching. Prints

Hercules and Cacus. Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 372 mm × w 266 mm. Museum: Rijksmuseum, Amsterdam.

Hercules Assisting Atlas Claude Mellan French. Hercules Assisting Atlas 393412

Anatomical study of three men; Peter Paul Rubens drawing book.

Josef Abel depiction of Prometheus, executed in chalk.

Adam and Eve at the Foot of the Cross. Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: sheet: 15 3/8 x 22 5/8 in. (39 x 57.4 cm). Date: ca. 1647. Museum: Metropolitan Museum of Art, New York, USA.

Hercules in cacus.

Der Farnese-Bulle Toro Farnese, ehemals in der Sammlung Farnese in Rom, ist eine massive römische Kopie einer hellenistischen Skulptur, Historisch, di...

Photo production of drawing Raphael from Windsor Castle, Jesus and his disciples fishing on the lake.

Shepherd and Shepherdess by Moonlight, Welby Sherman, active 1827, undated, Pen and ink and watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 2 1/2 × 4 3/4 inches (6.4 × 12.1 cm), bench, crook, shepherd's, embrace, genre subject, moon, moonlight, sheep, shepherd, shepherdess, tree

Vries, Adriaen de, Amsterdam, Muller, Jan Harmensz., Hercules kills the hydra of Lerna, verso - stamped, Hercules kills the hydra of Lerna with a club. After a fountain sculpture by sculptor Adriaen de Vries., print, prent, prints, height 512 mm, width 366 mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1600 - 1604, paper, papier, engraving, engraving (printing process), 1556 - 1626-05-15, after sculpture by

Oleo, crucifixión de San Pedro de Guido Reni, Museos Vaticanos.

United States of America. 16th century French expedition. Florida. Seminoles Indians celebrating seated around a fire. Jacques Le Moyne de Morgues (1533-1588) made the illustrations during the expedition. 19th century engraving by Vernier after the original of Jacques Le Moyne. Panorama Universal. History of the United States of America, from 1st edition of Jean B.G. Roux de Rochelle's Etats-Unis d'Amerique in 1837. Spanish edition, printed in Barcelona, 1850.

Woman Being Carried to a Libidinous Satyr 1540-56 Léon Davent French. Woman Being Carried to a Libidinous Satyr 362425

bekend, Den Haag, Hondius, Hendrick (I), Bruegel, Pieter (I), Zotten, Twee dansende zotten, unknown, The Hague, verso - gestempeld, A jester with a long nose and a jester's cap, carrying a harp on his back, playing the lute, dancing to the right. Behind him dances a thin man with glasses on his nose, a cat nestled in his cap, his hands on his hips. Next to him on the ground a marot. They are dancing in front of a tavern., print, engraving, prints, engravings, PB inv. Hh fecit 1642. Cum priv., lower left in the representation, verso - stamped, height 130 mm, width 157 mm, Northern Netherlands, 1573-06-09 - 1650-10-25, print maker, printmaker, 1642 - 1642, second quarter 17th century, paper, engraving (printing process), Work conception, Southern Netherlands, 1525 - 1569-09-05, after a design by, Publication (Event), Publication, publisher, granter of privilege

Philoctetes aiming the bow of Hercules at Odysseus. Date/Period: 1790. Paper. Pen and brown ink and watercolours on greyish yellow paper Pen and brown ink and watercolours on greyish yellow paper. Height: 495 mm (19.48 in); Width: 588 mm (23.14 in). Author: ASMUS JACOB CARSTENS.

Digitally restored, Man Labor and woman Diligenta kissing, a couple, the woman with whip and spurs, Labor as a man with shovel and other agricultural device for the hard work, erotic symbolic copper engraving by Hendrik Goltzius from 1582, publication from 1882, Digitally improved:, Man Labor and woman Diligenta kissing, a couple, the woman with whip and spurs, Labor as a man with shovel and other agricultural device for the hard work, erotic symbolic copper engrav

Aeneas carrying Anchises on his shoulders, while also leading his son Ascanius away from the fire of Troy. Coloured woodcut by L. Büsinck after G. Lallemand.

Frieze with Antique Motifs 18th century Louise Pithoud French One of a pair of friezes (see 2009.187.2). Frieze with Antique Motifs. Louise Pithoud (French, active 18th century). 18th century. Etching and aquatint. Prints

Lot and his daughters. Artist: Gerard ter Borch (I). Draughtsman: Harmen ter Borch. Draughtsman: Gerard ter Borch (II). Draughtsman: Moses ter Borch. Draughtsman: Gerard ter Borch (I). Dating: 1622 - c. 1640. Place: Zwolle. Measurements: h 163 mm × w 208 mm. Museum: Rijksmuseum, Amsterdam.

Fortuna verdeelt haar geschenken.The naked goddess Fortuna shares, standing on a globe, its gifts. The people on the right struggle to catch the resources and a number of people go through with the caught loot. On the left and sit people who receive nothing, literally with the hands in the hair. At the bottom of the margin six two-year verses in Latin.

Cain kills Abel, Johann Sadeler (I), After Michiel Coxie (I), 1585 print Cain kills his brother Abel with the jawbone of a donkey. Two sacrificial altars can be seen in the background. Cain's sacrifice is refused, the smoke goes down. Abel's sacrifice is accepted by God. In the background, God appears like a beam of light to Cain. At the bottom a reference to the Bible text in Gen. 4 in Latin. This print is part of an album. paper engraving the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon. the curse and flight of Cain

Vanitas with death and a maiden, (after) Jacob De Gheyn. From Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart by Eduard Fuchs

Italy, Vasari, Giorgio, Resurrection, verso - stamped, Christ rises from his grave with a banner in his hand. The soldiers lying around the grave wake up with a start., print, prints, height 239 mm, width 150 gr, print maker, printmaker, 1521 - 1624, paper, papier, etching, etchings, Work conception, Italian, 1511-07-30 - 1574-06-27

Carlos V. Francisco, The Malay Migration, 1964, Watercolour.

Hercules and Antaeus , Wrestling, Supernatural beings, Hercules Roman mythological character, Antaeus Mythological character. Thomas Rowlandson (1756-1827). Prints and Drawings

The Expulsion of Adam and Eve, by probably Luini Bernardino, 1520 - 1523, 16th Century, black pencil, sepia watercolour and paper. Italy, Veneto, Venice, Accademia Art Galleries. Whole artwork. Adam and Eve Are Driven Away from the Garden of Eden Archangel wings sword.

Ugo da Carpi's chiaroscuro woodcut, 'Pan', created between 1510 and 1530, utilizes a four-block technique to depict the Greek god Pan. The print showcases Carpi's innovative approach to tonal woodcut printing.

A seated female nude figure and a male nude figure punting in a boat. Crayon manner print by J.B. Lucien, 1798, after P.T. Le Clerc.

Laocoon group in the Vatican Museums is the most important depiction of the death struggle of Laocoon and his sons, historical Rome, Italy, digital reproduction of an 18th century original, original date unknown, Europe

Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants. Artist: Anonymous; After Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). Dimensions: mount: 11 1/4 x 13 in. (28.6 x 33 cm)sheet: 6 3/4 x 9 15/16 in. (17.1 x 25.2 cm). Publisher: Antonio Salamanca (Salamanca 1478-1562 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1518.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri

Fragment of mythological scene representing Pan and Syrinx (dummy title)

Clair-obscur woodcut by Ugo da Carpi depicting a fish train in a continuous composition, showing figures, animals, and movement, created around 1523-1527 in three plates.

Teyler, Johan, Netherlands, Two women pouring water over a man, verso - stamped, Two women pour water from jugs over a man, who is holding a shell above his head. On the right a stone relief in the landscape., print, prints, height 219 mm, width 263 mm, print maker, printmaker, 1688 - 1698, paper, papier, engraving, engraving (printing process), à la poupée, color printing, Northern Netherlands, 1648 - 1712, supervision

Saint Christopher: his martyrdom. Engraving by A. Zucchi after G.B. Tiepolo after J. Robusti, il Tintoretto.

Schönfeld, Johann Heinrich, Ehinger, Gabriel, Saul speaks with Samuel's spirit at the witch of Endor, verso - stamped, print, prints, height 426 mm, width 312 mm, 1652 - 1736, print maker, printmaker, 1662 - 1736, paper, papier, etching, etchings, Work conception, German, 1609-03-23 - 1684

Gothic-style engraving depicting a naked woman trying to seduce a religious man.

Caracci's Bacchante, Uffizi Gallery. Fratelli Alinari (Italian, founded 1852)

Ornamental Frieze. Giulio di Antonio Bonasone (Italy, Bologna, circa 1498-1580). Italy, early 1530s. Prints; engravings. Engraving

Nebuchadnezzar Recovering His Reason October 20, 1782 Etched and published by Robert Blyth British. Nebuchadnezzar Recovering His Reason 408112

Biblical story, David beheads Goliath, after Michelangelo, Historical, digitally restored reproduction from a 19th century original

Allegory of Africa, from the Four Continents 1732 Johann Justin Preissler This engraving of a woman representing Africa is one of a set showing the four continents (America, Europe, Asia and Africa) as female figures. It was engraved by Johann Justin Preissler after Edmè Bouchardon. The attributes for each figure correspond with descriptions in Cesare Ripas "Iconologia", an illustrated dictionary widely used by artists, first published with images in 1603.. Allegory of Africa, from the Four Continents. The Four Parts of the World(Les Quatres parties du monde). Johann Justin Preissler (German, 1698-1771). 1732. Engraving. Georg Martin Preissler (German, Nuremberg 1700-1754 Nuremberg). Prints

Paris, Audran, Benoît (I), Michelangelo, Daniele da Volterra, France, David onthoofdt Goliath, verso - gestempeld, print, prent, prints, prenten, height 361 mm, width 428 mm, 1661 - 1721-10-02, print maker, prentmaker, 1717-07-01 - 1717-07-01, paper, etching, etchings, stipple work, Italian, 1509 - 1566-04-04, after, after painting by, 1475-03-06 - 1564-02-18, Publication (Event), Publication, publisher

Friedrich Rehberg's drawing shows Diana and Apollo killing the Niobids, executed with black and reddish chalk, gray and brown brush, and white highlights, dated 1810-1820.

The Final Day of Sagunto; 1869; by Francisco Domingo MarquÈs (1842ñ1920). The Siege of Saguntum was a battle which took place in 219 BC between the Carthaginians under Hannibal and the Saguntines at the Roman Hill town of Saguntum; near the modern town of Sagunto in the province of Valencia Spain. The battle is mainly remembered today because it triggered one of the most important wars of antiquity; the Second Punic War.

A Scottish soldier sleeping after battle dreams of a reunion with his wife and family. Colour wood engraving by Edmund Evans after F. Goodall.

The Creation of Eve, after Michelangelo, Buonarroti (1475-1564) Italian painter of the High Renaissance, Bible, Creation story, Genesis 2, God, Adam, Eve, Sistine Chapel, Apostolic Palace, Rome, famous painting, Vatican, historical illustration 1869

The Conversion of Saul with Horseman and Banner, c. 1645-1647. Jacob Jordaens (Flemish, 1593-1678). Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache, framing lines in red chalk and graphite (right edge); sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.).

Two men and a woman having sex, homosexual, Erotic illustration by Edouard-Henri Avril (21 May 1849 to 1928), a French painter and graphic artist, under the name Paul Avril he became known as an illustrator of erotic to pornographic novels, Historical, digitally restored reproduction from a 19th century original

This painting by Hendrick Goltzius served as inspiration for the Indian miniature painter Kesu Das. It shows the musculature according to the Indian ideal of beauty of 1600, Historic, digitally restored reproduction from an original from old times.

Cite Lacustre, 1897. By French artist and illustrator, Fernand Cormon (Fernand-Anne Piestre, 1845 - 1924). . Collotype after a watercolour on wove paper. Cite Lacustre was a Neolithic village in the Jura

Suzanna and the elders. Draughtsman: Domenico Tintoretto. Dating: 1570 - 1635. Measurements: h 276 mm × w 390 mm. Museum: Rijksmuseum, Amsterdam.

Campania Caserta Caserta Palazzo Reale59. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Gubbio S. Secondo. Hutzel, Max 1960-1990 Exterior views of the polygonal apse of trefoiled arches and cloister portals. Interior views include frescoes of the Life of St. Sebastian in the Cappella di Sebastiano o Panfili (15th century); votive frescoes of the Madonna and Child; paintings of the Death of St. Joseph and the Martyrdom of S. Secondo; a painted crucifix; and stucco work and paintings in the Salone Zucchari (which are missing their negatives). In the Medieval core collection are details of an 8th-century altar--the sole remains of the abbey church S. Donato di Pulpiano. Object Notes: Hutzel photo campaign date: 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early M

Umbria Terni Acquasparta Palazzo Cesi02. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Good Samaritan. Draughtsman: anonymous. Dating: 1600 - 1699. Place: Netherlands. Measurements: h 68 mm × w 90 mm. Museum: Rijksmuseum, Amsterdam.

Hercules kills the dragon ladon. Ladon monitors the garden of the Hesperides. Hercules beats him with his knots. Leaf 76 Recto from a sketchbook with 91 sheets.

Engraving titled 'Another Way of Carriage,' created by Thomas Astley between 1745 and 1747. Published in London by T. Astley, this work features depictions of carriages and carts

Jacques Bonnefoy after Michel Honoré Bounieu, Le Déluge Universel, after 1783 Le Déluge Universel

Cannibals reported by Portuguese conquistadores. One is shown here attacking his victim. Date: 1530

Hercules and Antaeus (with a ledge Below). Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 7 7/8 x 5 1/2 in. (20 x 14 cm). Date: late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

This 1910 illustration shows a wall painting uncovered in Pompeii of Perseus and Andromeda. According to Greek mythology, Andromeda was the daughter of Ethiopian rulers Cepheus and Cassiopeia. The god of the sea Poseidon was so angered that Cassiopeia claimed Andromeda was more beautiful than the sea nymphs known as the Nereids that he ordered a sea monster to ravage Ethiopia. It would only be appeased if Andromeda was sacrificed to it. The Greek hero Perseus rescued herseen here in this painting.

Arria the Elder, ca 42 AD was a woman in ancient Rome, here with her man Consul Aulus Caecina Paetus, suicide, historical Rome, Italy, digital reproduction of an 18th century original, original date unknown, Europe

Samuel Wale RA, 1721-1786, British, Murder in the Carriage (Probably a Design for The Tyburn Chronicle), undated. Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Amsterdam, Muller, Harmen Jansz, Parable of the Talents, Bad servant thrown into a dark dungeon, recto lower left - handwritten, The bad servant, who had buried his talent, is bound hand and foot and placed in a dark dungeon. At the bottom of the stairs stands his master, who gives the order to throw him into the dungeon. At the bottom in the margin a reference to the Bible text in Latin., print, prent, prints, verso - stamped, 6, height 207 mm, width 289 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1565 - 1572, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

The Trial of Strength of Yan Usmar by Ugryumov, Grigori Ivanovich (1764-1823)/ State Russian Museum, St. Petersburg/ 1796/ Russia/ Oil on canvas/ Classicism/ 283x404/ Genre,History

Luck, Simone Cantarini, After Guido Reni, 1622 - 1648 print Fortuna is on a globe. She tips a bag of coins. A putto pulls her hair. Italy paper etching / counterproof Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa)

Two sword fighters, Cornelis Bos, After Maarten van Heemskerck, 1552 print Two naked sword fighters. The print is part of a series about two sword fighters in a two -camp. print maker: Groningenafter design by: Haarlemprint maker: Haarlem paper etching / engraving athletics, gymnastics

Venus at left in the company of cupids playing ca. 1520-27 Attributed to Ugo da Carpi Italian. Venus at left in the company of cupids playing 399809

Saint John the Baptist. Etching by P.E. Moitte, 1754, after J.C. Loth, il Carlotto.

The Man Sweeping the Interpreter's Parlour, William Blake, 1757-1827, British, ca. 1822, White-line metal cut engraving on medium, smooth, cream wove paper, Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm) and Plate: 3 1/8 x 6 3/8 inches (7.9 x 16.2 cm), angel, beard, broom, clouds, dust, literary theme, men, religious and mythological subject, steps, wings, women

He lifts the rock of Aegeus, revealing the sword and sandals whereby he will identify himself as the son of Aegeus, king of Athens

The Royal Joke or Black Jacks Delight, James Gillray, 1757-1815, British, 1788, Engraving, Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)

Christ in the column Ren� Marjolin (1812-1895). Christ in the column. Graphite pencil. Paris, museum of romantic life.

Female patients taking a vapour bath. Wood engraving.

Galatea. Galatea is in her heart shell and is surrounded by tritons, blowing on their shell or horn, and putti, which move the shell over the sea. This print is part of an album.

La Mort d'Hyppolite , The Death of Hyppolytus; Jean Godefroy (French, 1765 - 1848); about 1808; Engraving; 67.8 x 93.3 cm (26 11,16 x 36 3,4 in.)

Four naked men, mid-late 15th century, (1943). Creator: Giovanni di Paolo.

Domenico del Barbiere, Squelettes et Ecorches Squelettes et Ecorches

Study, Baptism of a Child', c1584-1609. Artist: Joseph Heintz the Elder. Joseph Heintz the Elder (1564-1609) was a Swiss painter, draftsman and architect.

Massacre de Nesle (1472). Artist: Édouard-Alexandre Odier (French, Hamburg 1800-1887 Paris). Dimensions: 15 5/8 x 10 11/16 in. (39.7 x 27.2 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

The Hiding of Moses. Dated: 1824. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo77. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Dionysos on the left, with his perpetually-drunken teacher and companion Silenus on the right, have a party with some friends

Isaac Cruikshank, 1756-1810, British, The Flight, undated. Graphite, gray wash, brown wash, pen and black ink on medium, moderately textured, beige wove paper.

An écorché figure, lying supine on a slab, with left arm extended: below, the figure is shown lying prone. Etching by or after J. Gamelin, 1778/1779.

Woodcut print depicting a form of Elizabethan punishment (stocks). Dated 16th Century

DANIEL BOONE PROTECTS HIS FAMILY, color lithograph, published in 1874. Daniel Boone fights with an Indian warrior, as his wife cowers over their son on the left. The scene possibly relates to Dunmore's War, 1774, in which Virginia and Shawnee Indians fought for control of what is now West Virginia and Kentucky (BSLOC_2020_1_158)

Two Etruscan warriors in mortal combat with daggers. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1798).

The swing by Gill (TI)

Illustrations from Tlapallan, Mexico. Handcoloured lithograph from Friedrich Wilhelm Goedsche's "Vollstaendige Völkergallerie in getreuen Abbildungen" (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Many of the illustrations were adapted from Bertuch's "Bilderbuch fur Kinder" and others.

Perseus and Andromeda, wall painting, fresco from historic Pompeii, digitally restored

Detail of a tapestry made at the workshop of Philip de Maecht; at Faubourg Saint-Michel; Paris 1620. Depicts Latona and her children

Perseus and Andromeda, wall painting, fresco from historic Pompeii, digitally restored

Mandan Scalping an Enemy. oil on canvas. Date: 1835-1837. Museum: Smithsonian American Art Museum.

of 2