Mythical and Pastoral Landscapes

Engravings illustrating serene landscapes with mythical or biblical narratives, blending nature and narrative to convey deeper themes and emotions.

Parijs, Mariette, Pierre (I), Rome, Swanevelt, Herman van, Oudtestamentische voorbeelden, Elijah and the angel, Paris, verso lower left - stamped, In a rocky landscape with trees and a body of water, an angel is depicted in the left foreground, waking the kneeling Ellia and pointing him to a piece of bread and a jug of water., print, prints, KONING: BIBLIO:, height 138 mm, width 197 mm, Noord-Nederlands, 1604 - 1655, print maker, printmaker, 1629 - 1641, paper, papier, etching, etchings, Publication (Event), Publication, French, 1596 - 1657, publisher, uitgever, 1643 - 1655

Landscape with Three Nude Men and a Dog. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jan Sadeler I after Gillis Mostaert.

Parijs, Mariette, Pierre (I), Rome, Swanevelt, Herman van, Oudtestamentische voorbeelden, Elijah and the angel, Paris, verso lower left - stamped, In a rocky landscape with trees and a body of water, an angel is depicted in the left foreground, waking the kneeling Ellia and pointing him to a piece of bread and a jug of water., print, prints, KONING: BIBLIO:, height 138 mm, width 197 mm, Noord-Nederlands, 1604 - 1655, print maker, printmaker, 1629 - 1641, paper, papier, etching, etchings, Publication (Event), Publication, French, 1596 - 1657, publisher, uitgever, 1643 - 1655

Giovanni Francesco Grimaldi, The Rest on the Flight into Egypt The Rest on the Flight into Egypt

Fox Hunt, Gillis Peeters (I), after Frans Snijders, 1622 - 1653 print Landscape with a fox hunt. Left in the background a face on Château de Meudon, near Paris. In the margin a caption in French. Antwerp paper etching fox hunting Meudon. Meudon Castle

Plate 14: Cupid airborne gleeing from Psyche, from 'The Fable of Psyche' 1530-60 Master of the Die Italian. Plate 14: Cupid airborne gleeing from Psyche, from 'The Fable of Psyche' 396422

Italy, Titian, Rota, Martino, Rest on the Flight into Egypt, verso - stamped, The Holy Family in a landscape, resting under a tree. The young John the Baptist offers Mary fruit. Putti float above. On the right a female figure picking fruit from a tree., print, prent, prints, engravings, height 328 mm, width 413 mm, Italian, 1795 - 1583, print maker, printmaker, 1569 - 1569, paper, papier, engraving, engraving (printing process), Work conception, 1488 - 1576-08-27

God appears to Cain, Crispijn van de Passe (I), 1700 - 1750 print God calls Cain to account after he killed Abel. The figure of God the Father is scratched out of the album in this edition. In the margin a two -way caption in Dutch. print maker: Utrechtpublisher: Amsterdam paper engraving the Lord calls on Cain to account for his deed

H. Hieronymus in the Wilderness, Herman of Swanevelt, 1650 - 1655 print In a rocky landscape with tree parties, the saint Hieronymus sits on the right in the foreground over a book. In his right hand he holds writing utensils. In front of him is a skull and ink pot on a piece of stone. On the rock in front of him is a cloak and a cardinal hat. On the right is a cross and in the background two lions are opposite each other. Paris paper etching St. Jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'Vanitas' symbols), sometimes a scorpion and a snake beside him

Jager with dogs, Abraham Daniëlsz. Hondius, 1672 print A sitting hunter with hunting horn in his hand surrounded by dogs. Two hunters in the background. Title print of a series of prints with hunting animals. London paper etching hunter. dog. hunting, chase

Preparations for the wedding party of Amor and Psyche (left part), Diana Mantuana, After Giulio Romano, 1613 print Apollo sitting and surrounded by goddesses including Flora and Pomona. In the background a landscape with pyramids, an amphitheater, Neptune with its trident and a company with exotic animals. On the right an elephant and a man with a bag over his shoulder. paper engraving / etching marriage of Cupid and Psyche. Pomona. (story of) Flora. trunked animals: elephant. hoofed animals: giraffe. specific aspects, allegorical aspects of Neptune; Neptune as patron

Copper engraving by Hendrick Goltzius depicting Fortuna's hunt, created between 1580 and 1617, showing mythological figures in a hunting scene.

Battus Changed into a Stone. Hendrik Goltzius (after) (Holland, Mülbracht, 1558-1617)Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, published 1590. Prints; engravings. Engraving

Apollo and Pan Metamorfosen van Ovidius (series title), Music competition between Apollo and Pan. King Midas designates Pan as the winner and Apollo rewards him with a pair of donkey ears. In the margin a four-line caption, in two columns, in Latin, Midas given ass's ears: Apollo gives Midas ass's ears as punishment for preferring Pan in the musical contest between Apollo and Pan (Ovid, Metamorphoses XI 174), Crispijn van de Passe (I), Keulen, 1602 - 1607, paper, engraving, h 85 mm × w 133 mm

Bushes waiting in an ambush.

Jupiter abuses ganymedes; Metamorphoses from Ovid. The shepherd ganymedes is bathed on the bank of a river. Jupiter fell in love with him because of his exceptional beauty. In the background, Jupiter, in the form of an eagle, flies with ganymedes to the Olympus. In the margin a four-line caption, in two columns, in Latin.

Mary, helped by Joseph and an angel, stepping from a boat to the shore, an angel steadies a donkey before her, from the series 'The Flight into Egypt' 1753 Giovanni Domenico Tiepolo Italian. Mary, helped by Joseph and an angel, stepping from a boat to the shore, an angel steadies a donkey before her, from the series 'The Flight into Egypt'. The Flight into Egypt. Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). 1753. Etching. Prints

The Prodigal Son: The Prodigal Tending the Pigs. Abraham Bosse (French, 1602-1676). Etching;

Education of Achilles by Chiron de Centaur. Landscape with the young Achilles that teaches Chiron de Centaur. In the foreground right gets Achilles lesson in playing the winch. They hunt in the foreground on Lions.

Orion Gedood Door Apollo, Etienne Delaune, 1547 - 1548 print France paper engraving death of Orion: he is attacked by a scorpion and stung to death

Rabbit hunt, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Theodor Galle, ca. 1571 - 1633, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, Horizontal rectangle. The dogs hunt and trap the rabbits, left, brining their kill tot he horsemen behind the tree, at right. On a rock, left center: 'Ioan. Stradanus invent. / Theodorus Galle Sculp.' At lower right: 'Phls. Galle excud.' Below: 'CALLIDUS EFFOSSIS LATITARE CUNICLULUS...', Netherlands, ca. 1595, figures, Print, Print

A seated hunter with hunting horn in his hand, surrounded by dogs. Two more hunters in the background. Title print of a series of prints depicting hunting animals, Hunter with dogs Different animals (series title), print maker: Abraham Daniëlsz. Hondius, (mentioned on object), Abraham Daniëlsz. Hondius, (mentioned on object), publisher: Monogrammist RP, (mentioned on object), London, 1672, paper, etching, h 150 mm × w 177 mm

Allegory of America, from New Inventions of Modern Times (Nova Reperta), plate 1 of 19 ca. 1600 Theodoor Galle Netherlandish This is the first plate from the series entitled Nova Reperta, which surveys new inventions and discoveries made during the Renaissance from a European perspective. In this engraving, the Florentine explorer Amerigo Vespucci is shown as he first encounters America. Stradanus presents the continent as an allegorical figure; a sexualized young woman gesturing towards Vespucci from her hammock. She wears only a feathered headdress and skirt, her club abandoned against the tree at the right, where an anteater is shown feasting. Set behind her in the rolling landscape are other animals associated with the Americasa horse and a bear. Also depicted is a scene of cannibalism.The representation of the Four ContinentsAfrica, America, Asia and Europeas female allegorical figures with their so-called attributes has a long history and was standardized in the late sixteenth

Two figures at a stream. A man and woman are abandoned from their horse and drink water at a stream. In the background, hunters hooked a deer.

Reconciliation of Jakob and Esau, Anonymous, After Zacharias Dolendo, After Karel van Mander (I), After Boëtius Adamsz. Bolswert, after Gilles from Coninxloo (II), 1630 - 1702 print Esau and Jakob hug each other. Left, behind Esau is his army. On the right the kneeling women and children of Jakob. Under the show the title in Latin, four four -line verses in Dutch and a reference to the Bible text in Gen. 32: 1. Amsterdam paper engraving the meeting between Esau and Jacob

A fisherwoman drowns herself and her husband in the sea to save them both from suffering and pain. The fisherwoman lies with her head on a stone, on her back in the water. Her husband lies with his back on her legs and with his legs against a rock, A fisherwoman drowns herself and her incurably ill husband in the sea Spiegel vande Doorluchtige, eerlicke, Cloucke, Deuchtsame ende verstandege vrouwen (series title), print maker: Zacharias Dolendo, Jacob de Gheyn (II), publisher: Claes Jansz. Visscher (II), print maker: Leiden, Leiden, publisher: Amsterdam, after 1615 - before c. 1652, paper, engraving, h 140 mm × w 177 mm

Hercules Torst the globe for Atlas, Cornelis Cort, After Frans Floris (I), in or after 1563 - Before 1595 print Hercules takes over the globe from Atlas and carries it on his shoulder. For example, atlas can steal the golden apples of the Hesperides for Hercules. Antwerp paper engraving Hercules asks Atlas to fetch the apples of the Hesperides. Hercules carries the heavens on his shoulders

Jerome, pl. 29 of 29 from the series Solitudo sive vitae patrum eremicolarum (MaleHermits). Engraver: Unknown After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600 Publisher: Rafael Sadeler I, Flemish, 1560-1628

Plate 26: Actaeon Killed by His Dogs (Actaeon a proprÿs canibus discerpitur), from Ovid's 'Metamorphoses' 1606 Antonio Tempesta Italian. Plate 26: Actaeon Killed by His Dogs (Actaeon a proprÿs canibus discerpitur), from Ovid's 'Metamorphoses'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1606. Etching. Prints

Mercury and Argus. Mercury sits on a rock and plays on a flute. He tries to appease Argus with his music, to be able to kill him. Argus is in the front right. In the background io in the form of a cow.

Tobias is sitting by the side of the water and flinches when he sees the fish in the water. The angel is standing behind him. Numbered as II in the lower right corner, Tobias is frightened by the fish The story of Tobias (series title), print maker: Moyses van Wtenbrouck, (mentioned on object), publisher: Broer Jansz. (Den Haag), The Hague, 1620, paper, etching, engraving, h 127 mm × w 185 mm

Christian Wilhelm Ernst Dietrich, Nymphs Bathing in a Cave, 1741 Nymphs Bathing in a Cave

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Print at the top right labeled: 2 part. PAG. 341.

Amazon stroke.theseus fight the Amazons attacking Athens. Antique relief scene in print.

Fokke, Simon, Amsterdam, La Princesse Printaniere, Man clenches his fist at woman, verso - stamped, Illustration from the fairy tale La princesse Printaniere by d'Aulnoy. A man armed with a spear and snakes on his head as hair clenches his fist at a woman with a lamb on her lap. In the foreground are chickens Mm, bats and a crow. In the distance a fully veiled woman by a tree and a view of water with sailing ships. Print marked at top right: No. 6. Pag. 238., print, prints, height 117 mm, width 70 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etchings, Work conception, after own design by

Saint Christopher 1506 Lucas Cranach the Elder German. Saint Christopher 397470

Fishing in river, print maker: Jan Baptist de Wael

Set greets Adam on his return of the field, Johann Sadeler (I), After Maerten de Vos, 1586 print Adam returns from his work on the fields with the daily harvest on his shoulder. Set, Adam's youngest son, runs towards his father. On the left, Eva prepares dinner in a hut. The print has a Latin caption. Antwerp paper engraving declining years and death of Adam and Eve. declining years and death of Adam and Eve

Mercury in conversation with Argus, Moyses van Wtenbrouck, 1621 print Mercury points to the cow io and looks at Argus, which is sitting on a stone block. Scene from Ovidius metamorphoses (with. I, 679-688). Print Maker: The bepublisher: Amsterdam paper etching / engraving Io changed into a cow: to avoid detection by Juno, Jupiter changes Io into a cow (Ovid, Metamorphoses I 611)

Solis, Virgil, Amsterdam, Witsen, Nicolaes Cornelisz., Metamorphoseos liber primus, Scenes from the first book of Ovid's Metamorphoses, Ovidii Metam. Lib. I Iupiter et Iö XV, Jupiter pursuing Io, verso lower right - stamped, Jupiter pursuing Io through the forest, Below the scene a four-line explanation in Latin., print, prints, height 88 mm, width 89 mm, Noord-Nederlands, 1641-05-05 - 1717-08-10, print maker, printmaker, 1659 - 1659, paper, papier, etching, etchings, Work conception, German, 1514 - 1562-08-01

Lons, Dirk Eversen, Bloemaert, Abraham, Maria suckling the Christ Child, verso - stamped, Maria sits under a tree and suckles the Christ Child., print, prent, prints, prenten, height 210 mm, width 155 mm, 1600 - 1686, print maker, prentmaker, 1609 - 1686, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, publisher

Fable of Jupiter and De Ezel, Dirk Stoop, 1665 print A donkey whose back skins have been laid, get used to Jupiter on the clouds. On the right a tanner at work. A packed donkey in the background. Illustration of a fable from Aesopus. London paper etching fables. ass, donkey. (story of) Jupiter (Zeus). attributes of Jupiter: eagle

Set greet Adam at his return of the field; History of the family of set / about good and bad judgments; Bonorum et Malorum consensio. Adam comes back from his work on the fields with the daily harvest on his shoulder. Set, the youngest son of Adam, runs towards his father. On the left, Eva completes dinner in a cabin. The print has a Latin caption.

Leto na de geboorte Van Apollo en Diana, Diana Mantuana, After Giulio Romano, C. 1557 - c. 1612 print Leto after the birth of her children Apollo and Diana on the island of Delos where she was banned by Juno. Italy paper engraving birth of Apollo: Latona gives birth to Apollo and Diana on the island of Delos. island

Latona Giving Birth to Apollo and Diana on the Island of Delos. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Diana Scultori after Giulio Romano.

Jageres bij een man in wapenrusting.There is a hunter with a bow in a park. For her is a man in armor on the floor. He probably fell from the horse behind her. His helmet is below. On the right in the distance a fountain with an image of Diana, surrounded by putti. At the top right: 6. B.

Mercury Bestreft Battus, Moses Van Wtenbrouck, 1600 - 1647 print Battus is on his knees in repellent position for Mercury. Because he has not kept his promise, Mercury will turn him into a stone as a punishment. Scene from Ovidius metamorphoses (with. II, 704-707). The Hague paper etching / engraving Battus changed into a touchstone: for violating the promise to keep Mercury's theft of Apollo's cattle a secret, Mercury turns Battus, the shepherd, into a touchstone (Ovid, Metamorphoses II 705)

The lost son as a pig herd, Philips Galle, After Maarten van Heemskerck, c. 1596 - c. 1633 print The lost son has wasted his inheritance and works with a farmer as a pig herd. He kneels between the pigs and eats them together from the feeder. He can be seen praying in the back left. print maker: Haarlempublisher: Antwerp paper engraving the prodigal son tends the swine and eats from their trough. the prodigal son repents his former life and prays

The Story of Elisha, 1643. Nicolaes Rijckmans (Flemish, 1616-), after Pieter I de Jode (Flemish, 1570-1634). Engraving;

Le Paysan se Déchaussant (The Peasant Removing his Shoes), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Le Paysan se Déchaussant (The Peasant Removing his Shoes), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Shepherds and Satyr in a Landscape Artist's working dates 1505-1536 Italy. Engraving in black on ivory paper . Agostino dei Musi

Two Women Crossing a Stream ca. 1646 Stefano della Bella Italian. Two Women Crossing a Stream 377025

God Breathing Life into Adam. Dated: 1760s. Dimensions: plate: 24.2 x 17.2 cm (9 1/2 x 6 3/4 in.) sheet: 26.1 x 19.4 cm (10 1/4 x 7 5/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Franz Karl Palko.

Onofrius, pl. 27 of 29 from the series Solitudo sive vitae patrum eremicolarum (MaleHermits). Engraver: Unknown After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600 Publisher: Rafael Sadeler I, Flemish, 1560-1628

Paulus van Thebe as recluse, Johann Sadeler (I), After Maerten de Vos, 1585 - 1586 print With four -line verse in two columns under the show. In the middle of numbered: 1. The H. Paulus of Thebes, the first hermit, in a cave in the wilderness of Thebaïs. He prays to a crucifix. A raven brings him bread. paper engraving Paul of Thebes, the first hermit; possible attributes: raven, two lions. anchorite, hermit. cave, grotto

Christoffel Jegher, Rest on the Flight into Egypt, after 1632, Chiaroscuro woodcut with white gouache.

Achilles taught by Chiron, Gaetano Zompini (Possible), After Giovanni Benedetto Castiglione, c. 1758 - c. 1759 print The Centaur Chiron gives music lessons to the young Achilles. Chiron holds a book with sheet music and Achilles plays the guitar. On the right there is a second centaur to sleep and in the foreground there is a trumpet and a recorder. Italy paper etching the education of Achilles by Chiron. recorder (musical instrument). wind instruments. centaurs. cithern, mandolin, guitar, balalaika

Pierre Mignard drawing of Apollo and Daphne, executed with black chalk, brown pen, brush, and gray-brown wash between 1635 and 1656.

Arrival of the Batavians. .

The Badger Hurries to Warn Renard of the Lion's Intention from Hendrick van Alcmar's Renard The Fox. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Plate: 3 3/4 × 4 1/2 in. (9.5 × 11.4 cm)Sheet: 4 in. × 4 3/4 in. (10.1 × 12.1 cm). Date: 1650-75. Museum: Metropolitan Museum of Art, New York, USA.

Mei; De twaalf maanden.From a series of twelve prints, the imagination of the month of May. On the shore, a Lord plays a flute and sings a lady from a songbook. Further on three figures are on a scaffolding.

Lost son as a boar her own, Pietro Testa, c. 1621 - 1650 print The lost son in prayer with a group of pigs at his feet. A mountainous landscape in the background. paper etching the prodigal son tends the swine and eats from their trough. city-view, and landscape with man-made constructions

Vulcan's Forge. Artist: Master I 0 V (active ca. 1542-45); after Jean Cousin the Elder (French, Souci () ca. 1490-ca. 1560 Paris ()). Dimensions: Sheet: 10 3/16 x 7 7/8 in. (25.8 x 20 cm). Date: ca. 1542. Museum: Metropolitan Museum of Art, New York, USA. Author: Master I 0 V. after Jean Cousin the Elder.

The Flight into Egypt. Dated: in or after 1630. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Apollo Vilt Marsyas, Crispijn van de Passe (I), 1602 - 1607 print Marsyas hangs on a tree and is being skinned by Apollo after he had lost the music match of him. In the background, tears of other saters change in the Marsyas river. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving punishment of Marsyas: he is flayed by Apollo. tears of Marsyas' friends changed into River Marsyas: when Marsyas' friends weep over Marsyas, flayed alive by Apollo, their tears change into the river Marsyas (Ovid, Metamorphoses VI 396)

Allegory of the flowering state of the Republic, 1602, Jan Saenredam, 1602 print Allegory of the flourishing state of the Republic, 1602. View in the forest with Prince Maurits at the head of a hunting party where the yacht proceeds are offered to the Dutch Virgin. On the right the procession of hunters including Frederik Hendrik. The Dutch Virgin is surrounded by the personifications of the Free Arts, Mercury and the weapons of the provinces of the Republic. The fame blows on the Bazuin. In the foreground two putti with the weapon of Maurits and the flowering Oranjeboom. In the caption of 4 verses of 3 lines in Latin. print maker: Northern Netherlandspublisher: Amsterdam paper engraving hunting, chase. personifications of countries, nations, states, districts, etc. Netherlands

Hercules and the Zwijn van Eymanthus, Antonio Tempesta, 1608 print Hercules catches the wild boar that made the region around the Erymanthus mountain unsafe. In the background, Hercules wears the boar on his shoulders. Rome paper etching most important deeds of Hercules: the Twelve Labours. (4) the Erymanthian boar is captured by Hercules

Sadeler, Raphaël (I), Johann (I), Vos, Maerten de, Antwerp, Solitudo Sive Vitae Patrum Eremicolarum, Male Hermits, Macarius of Alexandria as a Hermit, verso lower left - stamped, St. Macarius of Alexandria as a hermit in the wilderness. He sits against a tree and makes a gesture of blessing. In the background wild animals and two wild men., print, prent, prints, height 164 mm, width 202 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1583 - 1588, paper, papier, engraving, engraving (printing process), 1560, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever, Publicatie, Zuid-Nederlands

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Pierre Brebiette, Bacchus with Diana and Minerva Bacchus with Diana and Minerva

Collection of the Count of Argyll, 1685, 1689 print Collection of Archibald Campbell, second Marquis and ninth count of Argyll in Inchinnan on June 19, 1685. Numbered at the top right: 306. Plate B in the series 'Engelants Schouwenoneel' about the Glorious Revolution and events from the previous years 1685-1689 (first part) . With captions in Dutch and French. Amsterdam paper etching / engraving arrest (of criminal) Scotland

Venus at the Dead Adonis, Claude Mellan, 1608 - 1688 print paper engraving Venus mourning Adonis

Eva offers Adam the forbidden fruit; Six famous women from the Old Testament. Eva gives Adam from the forbidden fruits that she has received from the snake. Adam is under the tree of knowledge on a stone. The snake is winding around the trunk of the tree, in her mouth a branch with fruits.

Shepherdess with spinningol on the shore of a river; Pastoral landscapes to Berchem III. On the shore of a broad river there is a shepherdess with a spinning in the middle of the cattle. In the background a village with harbor and a ship on the river.

Venus et Adonis 1644 Etched by Stefano della Bella Italian. Venus et Adonis 381637 Artist: Etched by Stefano della Bella, Italian, Florence 16101664 Florence, Artist: Designed by Jean Desmarets de Saint-Sorlin, French, 15951676, Publisher: Published by Henri Le Gras, French, Dedicatee: Louis XIV, King of France, French, Saint-Germain-en-Laye 16381715 Versailles, Patron: Commissioned by Cardinal Jules Mazarin, Italian, Piscina 16021661 Vincennes, Venus et Adonis, 1644, Etching, state i. The Metropolitan Museum of Art, New York. Gift of Robert Hartshorne, 1918 (18.48.2-27)

. The summer. Summer Summer Female Personification with two children in the middle in the foreground in a summery landscape. On the right birds are shot and hunted, left sheep shaved, is hosted in the distance. In heaven the constellations: lobster, lion and virgin. In the caption a verse of 4 lines in Latin.

Print marked upper right: Tom. 5. Page 212., Don Quixote drinks wine in a forest with a hermit, print maker: Caspar Luyken, (mentioned on object), publisher: Pieter Mortier (I), Amsterdam, 1696, paper, etching, h 121 mm × w 70 mm

Creation of Adam; Creation and fall; Historia Creationis Mundi (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The sixth creation day: Adam's creation. In the foreground God is the father who blows the naked Adam life. In the background, God Adam commissioned the assignment to give the animals names. At the bottom of a reference to the Bible text in Latin. Print is part of an album.

After all the animals have offered their services to a nobleman, the man asks the fly what it has to offer Illustration for the story 'The man and the pets' from 'Fabelen voor de Nederlandsche jeugd', Man surrounded by pets, print maker: Reinier Vinkeles (I), (mentioned on object), print maker: Antoine Alexandre Joseph Cardon, (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), Amsterdam, 1792, paper, etching, h 67 mm - w 94 mm

Allegory with children and Agricultural attributes, Johann Heinrich Keller (II), 1740 - 1749

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), another leak in Egypt (A. de Vesme 14; Dutuit 214) (Main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Hercules and the Nemean Lion, Anonymous, After Rafaël, in or after 1493 print In a hilly landscape, Hercules is fighting the Nemean lion. On the right a second lion crawls into a cave and in the foreground is the club of Hercules. Italy paper (1) Hercules chokes the Nemean lion with his arms

Fijt, Joannes, unknown, Dogs, Two reclining dogs, verso - stamped, print, prints, height 174 mm, width 222 mm, 1611 - 1661-09-11, print maker, printmaker, 1642 - 1667, paper, papier, etching, etchings, Work conception, after own design by

Landscape with dancing husband and wife and bagpipe player at Ruins, Franciscus de Bargas, 1660 - 1699 print paper etching dancing. bagpipe, musette. one person playing wind instrument. one pair dancing; man and woman dancing as a couple

Sadeler, Johann (I), Vos, Maerten de, Antwerpen, Boni et mali scientia, History of the family of Cain, On good and bad works, Cain and Abel as farmer and shepherd, Antwerp, verso lower left - stamped, Cain ploughs a field with a draught ox. Abel takes care of a herd of cows and sheep. In the background on the right the hut of Adam and Eve. The print has a Latin caption., print, prints, height 210 mm, width 257 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1583 - 1583, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Work conception, after a design by, writer, Publication (Event), Publication, publisher

Dido and Aeneas hide before the storm; History of Dido and Aeneas. Queen Dido and Aeneas are attacked during a hunting party by a storm. They hide in a cave where they are the love together for the first time. Aeneas embraced Dido, on the right are two putti that lighting their torches. The print is part of a six-part series of prints with scenes from the mythological story of Dido and Aeneas.

Plate 6: two women, one nursing a child, seated next to a dog and a horse carrying a pack, horses and figures to left in the background, from 'Various Figures' (Agréable diversité de figures). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 2 13/16 × 4 3/16 in. (7.2 × 10.7 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'Various Figures' (Agréable diversité de figures). Date: 1642. Museum: Metropolitan Museum of Art, New York, USA.

The Death of Procris; Cephalus mournig the death of Procris on the right surrounded by Cupid and mourning satyrs and nymphs, the goddess of dawn in her chariot in the background. Artist: After Giulio Romano (Italian, Rome 1499-1546 Mantua); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: Sheet (Trimmed): 15 1/2 × 22 1/4 in. (39.4 × 56.5 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Date: ca. 1540. Museum: Metropolitan Museum of Art, New York, USA.

Depicts Agamemnon kissing the ground of Mycenae upon return, drawn in black chalk with brown contamination at corners, illustrating a classical Iliad scene.

Hunters hunt otters using dogs and tridents. The print has a Latin caption and is part of a 43-part series on hunting., Hunting otters Hunting scenes (series title) In quibus omne genus venationis, aucupij, piscatusque (series title), print maker: Philips Galle, (mentioned on object), Jan van der Straet, (mentioned on object), publisher: Philips Galle, print maker: Antwerp, Florence, publisher: Antwerp, 1578, paper, engraving, h 215 mm × w 296 mm

Riders travel through the valley, Jacob Andreas Fridrich (I), after Georg Philipp Ruendas (I), 1694 - 1724 print Publisher: Augsbugal Roman Empire paper engraving / etching landscape with ruins. riding a horse, ass, or mule; rider, horseman. Asiatic races and peoples (+ costume)

J. Muller (1700-1700), Illustration Til Adam Olearius, "Persian Rosenthal of a meaningful poet Schich Saadi ...", Schleswig 1660, 1660

Apollo and Midas (copy) Apollo and Pan. 1500. Montagna, Benedetto, approximately 1480-approximately 1557. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Farmhouse with shepherd and two women shearing a flock of sheep. The scene is framed by an ornamental frame with sheep, wool, shears, peasants and at the top the constellation Cancer., June Suite des Mois de l'Annee (series title) Twelve months (series title), print maker: Etienne Delaune, Franse kroon, (mentioned on object), France, before 1566, paper, engraving, h 175 mm × w 238 mm

Apollo and Daphne; Metamorphoses from Ovid. When the NiMF Daphne was haunted by Apollo, who had fallen in love with her, she begged her father Peneus for help. This made his daughter emerged to her attacker by turning her into a laurel tree. You can see the moment when Daphnes arms turn into branches, while Apollo wants to grab her. In the background Amor that Apollo, at the dead body of Python, affects with one of his arrows. In the undermarge a four-line explanation, in two columns, in Latin.

Fight between amor and pan. There are their attributes next to them. In the background a mountain landscape with a round building. This print is part of an album.

Tobias pulls the fish out of the river Tigris and the archangel Raphael instructs him to cut out the heart, liver and gall of the fish and preserve them., Tobias and the Fish History of Tobias (series title), print maker: Cornelis Massijs, (mentioned on object), Antwerp, 1544 - 1556, paper, engraving, h 73 mm × w 91 mm

Harbor with merchants and camel; Italian ports; Aliqui Pandus. Port with foreign merchants taking a camel. On the left in the foreground two men and on the right two merchants in the weather with a load. In the background foreign merchants and sailing ships. Seventh print from a series of twelve with Italian ports.

"Copper engraving print by Giulio Campagnola from the late 15th to early 16th century depicting shepherds in a rural landscape, showing figures, animals, and terrain details."

Lost son as a pork keeper, Hans Sebald Beham, 1538 print Under the show is a Latin Bible text from the book Lucas: Peccavi in Coelvm et Coram in Lucae XV paper engraving the prodigal son tends the swine and eats from their trough

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