Mythical Figures and Decor Designs

Elegant drawings depicting mythological scenes and ornamental designs, showcasing figures like Juno and Cupid in soft pastels, emphasizing classic European decorative art.

An Allegory of Chastity 1600-1675 Hans Ulrich Franck German. An Allegory of Chastity 340718

"Juno stood motionless, pale and astounded" Dwiggins, Clare Victor, 1874-1958. still image. Frontispieces, Illustrations. 1904. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Juno (Roman deity), Hera (Greek deity), Cupid (Roman deity), Ixion (Greek mythology), Surprise

Design for a Porcelain Candlestick, Jean-Jacques-François Le Barbier, French, 1738 - 1826, Pen and black ink, brush and watercolor on white laid paper laid down, A girl holds a garland and flower boughs, helped with the latter by a genius. A calyx and a blossom are characterized as sockets, standing like a group in a park., France, 1770-80, ceramics, Drawing, Drawing

Drawing, Design for a Panel; France; pen, ink with water color on paper; 34.5 × 17.5 cm (13 9/16 × 6 7/8 in.)

Design for an Ornamental Panel Anonymous, French, 19th century French 19th century

An Allegory of Chastity 1600-1675 Hans Ulrich Franck German. An Allegory of Chastity 340718

Roundel with Saint John on Patmos with Apocalyptic Vision. Artist: Style of Dirck Vellert (Netherlandish, Amsterdam () ca. 1480/85-ca. 1547). Culture: South Netherlandish. Dimensions: Overall Diam.: 8 in. (20.3 cm). Date: 1520-30. Museum: Metropolitan Museum of Art, New York, USA.

Monnier, Henry Bonaventure (N.1799-06-07-D.1877-01-03), Les Petits Coups (title awarded), 1828. Maison de Balzac.

Diana sitting with a handmaid by a lake , Lakes & ponds, Nudes

Clair-obscur woodcut by Hendrick Goltzius circa 1588 depicting a temporary allegory representing nature and eternity, with symbolic figures and landscape elements.

Female Dancer with a Tambourine. Date/Period: Between 1790 and 1795. Painting. Watercolor. Height: 306 mm (12.04 in); Width: 229 mm (9.01 in). Author: Thomas Rowlandson.

Winemaking, Felice Giani, Italian, 1758-1823, Graphite, pen and ink, brush and wash on paper, Horizontal rectangle with classical figures. Woman at right harvesting grapes from the vine. Man at left pouring them into a vat, under the watchful gaze of theatrical masks., Italy, ca. 1800, figures, Drawing, Drawing

Design for a room piece: statue of sense feeling, in addition a love couple.design for a painting.

Watercolor by Gustav Gaul depicting a floating figure holding a spindle, emphasizing posture and movement.

Hablot Knight Browne, 1815-1882, British, One of eighteen designs for a series of plates illustrating Venus and Adonis, undated. Graphite, brown chalk, watercolor and gouache on medium, slightly textured, gray wove paper.

Sidewall (possibly USA); intaglio printed; 30 x 22.5 cm (11 13/16 x 8 7/8 in.)

Plaque Depicting Jacob Choosing Rachel to be His Bride; Alcora Ceramic Factory (Spanish, active 1727 - about 1858), After painting by Jacopo Amigoni (Italian, about 1685 - 1752); Alcora, Spain; about 1755; Faïence (tin-glazed earthenware); 94 x 47.6 cm (37 x 18 3,4 in.)

Mary Magdalene in oval with floral border all around, draughtsman: anonymous, Southern Netherlands, c. 1700, parchment (animal material), brush, h 123 mm × w 93 mm, FTZYC Doctype , draughtsman: Joyce van Rijn, 1976, paper, brush, h 480 mm × w 315 mm, FTZYC Doctype , draughtsman: Joyce van Rijn, after c. 1943 - 2005, paper, brush, h 323 mm × w 408 mm

The Curiosity of the Chinese, Hand colored etching with watercolor and gold on paper, A woman holds a small child up to look into a peepshow operated by a man in plumed hat. A seated woman plays a lute, at right. Two other children at left, before a trellis arcade. Wide ornamental border composed of scroll motifs, flowers and a canopy at top., France, 1750-75, ornament, Print, Print

Philibert-Louis Debucourt, The Climb, or Morning Farewell (L'escalade ou les adieux du matin), 1787, color engraving on paper.

Maidens and a Victory, Block-printed on handmade paper, On pale green ground, dotted with darker green, two isolated scenes of two maidens in classical costume and Amor. Between the two scenes, a winged Victory and scrolls in yellow. Band of floral and bead runs along the right side., France, 1810-15, Wallcoverings, Sidewall, Sidewall

Ming (surprisingly sea); Thoma, Hans (1839-1924); around 1910 (1905-00-00-1915-00-00);Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, allegories, projects, putta (iconogr.), Studies of naked men, source of youth (allegories)

Tile Plaque: Abraham Expelling Hagar, c. 1770. De Bloempot Factory (Dutch), Jan Aelmis (Dutch, 1674-1755). Ceramic; overall: 76.2 x 51.1 cm (30 x 20 1/8 in.).

Photo production of a detail of the fresco De Cursing from Cham to Benozzo Gozzoli in the Camposanto in Pisa, Italy, Fratelli Alinari, After Benozzo Gozzoli, 1857 - 1900 photograph Pisapublisher: Florence cardboard. paper albumen print picture, painting Campaign

Hab.t de l'Acadie from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700-1799.

Sidewall and borders, Block-printed on handmade paper, Vertical rectangle. Woman in a red-skirted dress, feeding chickens. Across the bottom is a border of butterflies; across the top a border of festooned flowers and foliage; above this, and along the two sides, a border of simulated cyma reversa molding., Lyon, France, 1780-85, Wallcoverings, Sidewall and borders

Mural of Venus and cupid fishing with rods from a pond. Found in Regio VI.XIV.28, the Taberna Lusoria. Illustration drawn by Discanno and lithographed by Victor Steeger from Emile Presuhn's "Choix des plus Belles et Interessantes Peintures de Pompei," Weigel, Leipzig, 1882. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno, made exact copies of many wall paintings that are now lost.

A color woodcut by Lucien Pissarro showing a geisha, printed on Chinese paper with gold accents, using color cutting techniques.

Sir Lancelot's vision of the Holy Grail, 1857, by Dante Gabriel Rossetti (1828-1882).

Vestigia delle Terme di Tito. Ephebos in blue robe. Quadro from wall ornamentation in room 15. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Mirri, Ludovico (1738-1786), publisher

Frontispiece with two young cherub ornithologists writing in a book while looking at prints of birds, 18th century. Handcoloured copperplate engraving drawn and engraved by Johann Conrad Kruger from Bernhard Christian Otto's Herrn von Buffons Naturgeschichte der Vogel, Buffon's Natural History of Birds, Ben Joachim Pauli, Berlin, 1772.

One of eighteen designs for a series of plates illustrating Venus and Adonis, Hablot Knight Browne, 1815-1882, British, undated, Graphite, brown chalk, watercolor and graphite on medium, slighlty textured, gray wove paper, Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm), goddess, hunting dogs, landscape, love, man, religious and mythological subject, skirt, spears, tree

from NARCISSUS (egotism) to NIGHTSHADE (truth) Date: 1884

Allegory of the 25th anniversary of Arti et Amicitiae. The female personifications of Art and Friendship embrace each other and strew flowers. In the foreground a mother with two children. Part of a series of six representations of moments from Dutch history presented in tableaux vivants by members of Arti et Amicitiae in Amsterdam on December 2, 1864, Allegory of the 25th anniversary of Arti et Amicitiae, 1864 Tableaux vivants, mainly presented by the ordinary members of the Arti et Amicitiae society in Amsterdam, on December 2, 1864, in the municipal theater, on the occasion of the festive celebration of the Twenty-fifth anniversary of the society , print maker: Frans Molenaar (1821-1886), (mentioned on object), intermediary draughtsman: Johan Conrad Greive, (mentioned on object), publisher: Frans Molenaar (1821-1886), print maker: Amsterdam, intermediary draughtsman: Netherlands, publisher: Amsterdam, 1864 - 1865, paper, etching, h 135 mm - w 225 mm

View of a garden pond with fountain, sculpture of two children and garden tools in the foreground. Design for a painting, View of a garden pond, a sculpture and garden tools., draughtsman: Dionys van Nijmegen, 1715 - 1798, paper, brush, pen, h 394 mm × w 268 mm

A study by Willem van Mieris of a seated, antique draped and bare-breasted woman, possibly Diana, executed with watercolor, cover colors, graphite pencil or black chalk on parchment.

Flawlessness, Pieter van den Berge, 1675 - 1737, A slumping Roman soldier drops his sword from the left hand and holds the right hand to the chest., draughtsman: Pieter van den Berge, 1675 - 1737, paper, brush, pen, h 155 mm × w 100 mm

fine arts, Maulbertsch, Franz Anton (1724 - 1796), painting, Creation of Man by th Titian Prometheus, scetch, 18th century, oil on canvas, Bavarian National Museum, Munich,

Silent Love (valentine) 1835-1845 England. Lithograph with hand-coloring on blue-green laid paper .

Ete Postcard by Elisabeth Sonrel. ca. 1900, Ete Postcard by Elisabeth Sonrel

Hercules & the nymphs Crane, Walter, 1845-1915. still image. Illustrations. 1910. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Heracles (Greek mythology), Mythology, Nymphs (Greek deities), Hercules (Roman mythology)

Georges Clairin (1843-19). Sketch for the Lobau gallery of the Hôtel de Ville de Paris: Country feast around Paris. Oil on paper stuck on a card, around 1891. Museum of Fine Arts in the city of Paris, Petit Palais. Sketch, 19th XIXth XIX 19th 19th 19th century

Ornament, Block-printed, Lone figure of a putto or cherub. The figure is flying, carrying a green fabric garland and suspending a floral swag. Printed in colors on a light blue ground., France, 1780-90, Wallcoverings, Ornament

Trade card for C.W. Dix, Printer and Engraver 19th century Anonymous, British, 18th century This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as tradesmen’s cards,” tradesmen’s bills,” or shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.. Trade card for C.W. Dix, Printer and Engraver. Anonymous, British, 18th century. 19th century. Etching

Scene tile, beam in the eye of the one, splinter in the eye of the other, corner pattern ox's head, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Twelve tiles belonging to tile field yellow shard square two nail holes. Purple on white fond Bible religion parable

Psyché Ciappori-Puche, Claudius Joseph (1822-1887). still image. Reproductive prints. 1858. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Psyche (Greek deity), Litters, Trumpet players, Parades & processions, Torches, Mountain roads, French , Clothing & dress , 1600-1699, Putti

The 1906 caption reads: "Children's Room in a German House. A miniature from an alchemist's manuscript. The original is in the library of the German National Museum in Nurenberg."

Print, L'amour Vendangeur; After François Boucher (French, 1703-1770); France; lithograph in brown ink on white paper; 21.7 × 32.2 cm (8 9/16 × 12 11/16 in.); Bequest of George Campbell Cooper; 1896-3-377

Dust pan, from the Novelties series (N228, Type 5) issued by Kinney Bros. 1889 Issued by Kinney Brothers Tobacco Company Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.. Dust pan, from the Novelties series (N228, Type 5) issued by Kinney Bros.. 1889. Commercial color lithograph. Issued by Kinney Brothers Tobacco Company

CARTA CON ESTAMPA DE CENICIENTA. Author: Federico García Lorca. Location: FUNDACION FEDERICO GARCIA LORCA. MADRID. SPAIN.

Vestigia delle Terme di Tito. Bacchus's birth. Quadro from the decoration of the room of the room 25; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Mirri, Ludovico (1738-1786); 1776 (1776-00-00-1776-00-00);Bachus, DESA - collection, Dionysus, Rome, Italy, town, Semele, Terme di Tito, Umiastowski, Roman, Collection, Golden House of Nero, Antyk, architecture, archeology, leather, decorations, decorations, purchase, purchase (provenance)

PETRARCH (1304-1374). Italian humanist and poet. 'Sonnets, Songs and Triumphs'. Miniature with the Triumph of Chastity (15th c.). Renaissance art. Quattrocento. Florentine school. Miniature Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Returning from the Spring. Virginia., Bradshaw & Blacklock, active ca.1850, British, after 1850, Aquatint, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper, Sheet: 5 7/8 x 11 5/16 inches (15 x 28.8 cm), Image: 4 1/4 x 3 3/16 inches (10.8 x 8.1 cm), and Image: 4 1/4 x 3 3/16 inches (10.8 x 8.1 cm), agriculture, aprons, baby, barefoot, blouses, bucket, caps, carrying, child, children, clouds, country, dog (animal), farming, fences, genre subject, grass, hair, peasant, plants, skirts, smiling, spring, trees, walking, woman, women

alchemy allegory the double well miniature ""Splendor Solis"" Augsburg circa 1600 Germanisches Nationalmuseum Nuremberg,

Peasant couples dancing to a violinist's tune. Teniers, David II (Flemish, 1610-1690) (designed after) painter Teniers, David III (Flemish, 1638-1685) (designed after) painter c. 1760-1770 Tapestry Dimensions: H 7'10" x W 5'2" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Robert Z. Hawkins 8/12/1941; sold to Stanton L. Young 3/31/1960. In outdoor landscape, 2 couples dance as a musician plays the violin Borders missing. The present tapestry's composition depicts the central scene seen in the larger (related works) cited below. French & Co. stock sheet in archive, 75455-b Related Works: Compositionally similar tapestry (larger composition): GCPA 0243216, 0243218, 0243139

. The personalized force; A women's figure with a column over her right shoulder. A hilly landscape in the background.

Drawing, Ceiling painting, "The Elements"; Designed by Eugenio Agneni (Italian, 1816 - 1897); Italy

Costume for Medea, designed by Berain for 'Thesee ' an opera with music by Jean-Baptiste Lully, first performed in 1675. Jean-Baptiste Lully (1632 - March 1687) was an Italian-born French composer, instrumentalist, and dancer who spent most of his life working in the court of Louis XIV of France. Jean Berain the Elder (1640 - 1711) was a draughtsman and designer. Thesee (Theseus) is a tragedie en musique, an early type of French opera, in a prologue and five acts with music by Jean-Baptiste Lull

Valentine - Mechanical scene, couple riding in a coach drawn by goats. ca. 1875 Anonymous. Valentine - Mechanical scene, couple riding in a coach drawn by goats.. Anonymous (British, 19th century). ca. 1875. Heavy card-stock, die cut card stock, chromolithography with gilding

Depicts a rider holding a wreath, painted in watercolor with cover colors, showing figure, posture, gesture, and interaction within an interior or exterior setting.

CALENDARIO - EL MES DE JULIO - SIGLO XVI. Author: GERARD DE JODE (1509-1591). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Short and sweet , Couples, Courtship

F.e de Maouna from playing cards "Jeu d'Or" 1700-1799 Anonymous, French, 18th century. F.e de Maouna from playing cards "Jeu d'Or". Anonymous, French, 18th century. 1700-1799. Etching and hand coloring (watercolor)

Teyler, Johan, Netherlands, Four dancing women, Four women dancing hand in hand in a circle. This print is part of an album., print, picture, album sheet, prints, pictures, height 202 mm, width 271 mm, print maker, printmaker, 1688 - 1698, paper, papier, engraving, engraving (printing process), à la poupée, color printing, Northern Netherlands, 1648 - 1712, supervision

Orpheus slain by Bacchantes MacEwen, Walter (American painter and etcher, 1860-1943). still image. Art reproductions. 1896. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Orpheus (Greek mythology), Bacchantes, Murals , Washington (D.C.), Wreaths, Homicides, Stoning, Hysteria

Europe (part of a set) 19th century Castelli. Europe (part of a set). Italian. 19th century. Earthenware. Engraved or published by Frederick de Wit (Dutch, 1629/30-1706). Ceramics-Pottery

Scene tile, Tobias receives fish from river, angel Raphael behind him, corner motif ox's head, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Yellow shard square three nail holes. Purple on white background Front Tobias = 6 = vs 2; reverse O below 51 or 57 Bible religion Tobias

Cherry Ripe last quarter 18th century British. Cherry Ripe. British. last quarter 18th century. Silk, wool, and chenille on silk. Textiles-Embroidered

fine arts, Billet anime,girl with flowers, greeting card, Augsburg, circa 1810, private collection,

. In reverse painting on glass, the image is painted on the back -foreground details first (in reverse to normal practice). In the 18th century, Chinese painters, particularly in Canton, specialized in this technique. One such artist copied these two scenes for Van Braam Houckgeest after the work of the renowned French painter François Boucher. They are still in their original 18th-century frames.

The dangers of lust and illicit love. Alcohol is aiding seduction in centre , while death and corruption brandish an hourglass on the left. After symbolic woodcut by Peter Flotner. 16th century.

Bliżej Kultury Cassell and Company Ltd., London, Paris, New York and Melbourne, Mulready, William (1786 1863)

Bilderserie Das Märchen vom tapferen Schneiderlein, das tapfere Schneiderlein erhält zum Lohn die Hand der Königstochter / The fairy tale of the brave little tailor, the brave little tailor receives the hand of the king's daughter as a reward, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital restaurierte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei,.

An elaborate greeting card which can be adapted for just about any occasion - this one happens to be a birthday card Date: circa 1870

Children of Walter Synnot, Esquire, John Raphael Smith, 1752-1812, British, after Joseph Wright of Derby, 1734-1797, British, active in Italy (1773-75), 1782, Mezzotint, etched letter state, Sheet: 19 1/4 x 14in. (48.9 x 35.6cm)

Genre scene, artist painting a portrait of her fiance; 1819-1820 (1819-00-00-1819-00-00);amateurs, artists, trees, women, flowers, painters, foreign miniatures, men, heaven, parks, landscapes, double portraits, message (provenance), genre scenes against the background of landscape, dresses, dresses, Russian school

Great Britain. England, 1799-1815. 1910. Vinkhuijzen, Hendrik Jacobus. still image. Illustrations. General Research Division. Military uniforms , History, Great Britain

Willem Adrianus Fabri, Door (uppers) with amorphous and flowers on the front, without frame, door painting wallpaper painting linen paint oil painting wood metal, see inscription at, Rotterdam Noord Oude Noorden Gerard Scholtenstraat Heilige Geesthuis Heiligegeesthuis old man's house old men's house Object was part of 1972 from the inventory of the Heiligegeesthuis on the Gerard Scholtenstraat From 1898 to 1972 the 'Heiligegeesthuis' was located in this building.

La vejez enseñando a la juventud. Museum: THE TATE GALLERY LONDRES G. BRETAÑA. Author: WILLIAM BLAKE.

fine arts, Art Nouveau, graphic, Daphnis and Chloe, illustration by Robert Anning Bell (1863 - 1933), England, circa 1900,

Genesis or The Creation of Man. Series of tapestries manufactured in Brussels, 17th century. Detail of the Tapestry depicting Eve on the Paradise. Room 5. Tapestries Museum. Royal Palace of La Granja de San Ildefonso. Province of Segovia, Castile and Leon, Spain. National Heritage.

Wall freize from Pompeii, Naples, Italy. Pompeii was an ancient city located in what is now the comune of Pompei near Naples in the Campania region of Italy. Pompeii, along with Herculaneum and many villas in the surrounding area (e.g. at Boscoreale, Stabiae), was buried under 4 to 6 m (13 to 20 ft) of volcanic ash and pumice in the eruption of Mount Vesuvius in AD 79

Valentine 1876 Kate Greenaway. Valentine. Kate Greenaway (British, London 1846-1901 London). 1876. White card stock with gilding; chromolithography, gold lithography, openwork lace paper

'Hop Picking', (1912).Artist: William Hamilton

Picture series of Decorative Arts, glaziers, glass and stained glass, woman as a glass painter / Bilderserie Kunstgewerbe, Glaser, Verglasung und Glasmalerei, Frau als Glasmalerin, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital verbesserte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei.

Lucien Pissarro's color woodcut on Japanese paper depicts a girl picking flowers, illustrating social activity and early 20th-century European printmaking techniques.

Anne of France, French princess and regent, eldest daughter of King Louis XI, 1461-1522. In hood and velvet robe, kneeling in front of a manuscript Bible under a striped canopy. Anne de France, fille de Louis XI. France XVe siecle. From a manuscript prayerbook MS TL 260, Bibliotheque de l'Arsenal. Chromolithograph by the Thurwanger brothers after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

picture series Where is ..., Where is the cock / Bilderserie Wo ist ..., Wo ist der Hahn, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital verbesserte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei,.

Ornament, Block-printed on handmade paper, Figures of a cow and a milkmaid, on blue field., France, ca. 1820, Wallcoverings, Ornament

Charite Listening to the Tale of Cupid and Psyche, by Anonymous artist, 1550, 16th Century, fresco. Italy: Lazio: Rome: Palazzo Spada: Sala di Amore e Psiche. Whole artwork. Wall painted drape/cloth fringes country scene old woman spindle thread donkey young maid Charite Grace dress/garment peplos drapery tree leafy branches meadow green brown red white

Stove stile with the figure of Ceres. 17th century. Budapest. Hungary.

My Lady's Garden, Walter Crane

You are Catherine, Martyrdom unknown, Peller

Goody-two-shoes. Crane, Walter (1845-1915). Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Doors & doorways, Sheep, Young women, Ivy

La mona, el mono y la nuez. Cuento infantil. París, años 1910.

The Song of Solomon - 'As the Lily among Thorns', 1862-3. Sir Edward Burne-Jones (d.1898). Design for St Helen's Church, Darley Dale, Derbyshire, England .

Hunting and Sport Fishing Exhibition, German Illustration 1890-1930

Hamon, Jean-Louis (n.1821-05-05-D.1874), guardianship (main title), 1861. Oil on canvas. Petit Palais, Museum of Fine Arts of the City of Paris.

Dedale and Pasiphaë, Pasiphae, the daughter of the sun god Helios, wall painting, fresco from historical Pompeii, digitally restored

Picture series operas: Tannhaeuser, Venus and Tannhaeuser, historical, digitally restored reproduction of a Liebig collector's picture from ca 1900

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