Mythical Objects and Ornamental Prints

A collection of intricate engravings featuring mythical creatures, ornamental motifs, and elaborate designs for jewelry and architecture, showcasing detailed craftsmanship.

Cartouche with Putto Holding Trumpets, Livre de Cartouches Irréguliers (Book of Irregular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Balthazar Sigismond Setlezky, German, 1695 - 1774, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Blank asymmetrical upright cartouche in Rococo style topped with a putto figure holding two trumpets. An additional putto supports the ornamental frame at lower right., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

Plate 5, from Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Adriaen Collaert, Flemish, ca. 1560 - 1618, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, laid and gilded, A pendant in the form of a mythical beast perched on a strapwork base is suspended from a bow knot. The base is composed of faceted gems, a shell and dragons, and is hung with three drop pearls. Riding on the monsters back is a male figure holding an oar., Antwerp, Belgium, 1582, ornament, Print, Print

Rocaille Motifs, from Set No. 169, Johann Georg Hertel, German, ca. 1700-1776, Franz Xaver Habermann, German, b. Poland, 1721-1796, Etching on paper, Plate 1. Five crest motifs, an escutcheon, disposed in three lines., Augsburg, Germany, 1750-1770, Print, Print

Print (France)

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 12) 1773 After Georges Reverdy Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point.. Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 12). After Georges Reverdy (French, active Lyon, 1529-57). 1773. Etching and engraving. Carlo Losi (Italian, 1757- after 1805)

Blackwork Designs with Birds and Insects, Plate 7 from a Series of Blackwork Ornaments combined with Figures, Birds, Animals and Flowers after 1622 Meinert Gelijs Plate 7 from a print series consisting of a title page (missing) and seven numbered plates displaying motifs for the application in goldsmith's work, executed in blackwork, combined with figures and other motifs borrowed from other print series, executed in engraving. This plate contains three distinct motifs in blackwork, with a large design in the center of the plate and a smaller designs on either side. The central motif is meant for the decoration of a cup. Below it is an engraved figure of Bacchus. Surrounding the blackwork motifs are other engraved figures of satyrs, monkeys, a fox and various insects. Due to the similarity in their production techniques, blackwork prints often relate to precious objects decorated with champlevé enamel work. However, on the title page of his second series, characterized by the almost sq

Acanthusranken..

Two Designs for Ewer-Shaped Ornaments. Date/Period: Ca. 1750. Print. Etching and engraving on white laid paper. Author: FRANZ XAVER HABERMANN.

Drawing for a Frieze with Rinceau and Grotteschi 17th century Anonymous, Italian, 17th century Italian. Drawing for a Frieze with Rinceau and Grotteschi 389333

Cartouche with Putto Holding Trumpets, Livre de Cartouches Irréguliers (Book of Irregular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Balthazar Sigismond Setlezky, German, 1695 - 1774, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Blank asymmetrical upright cartouche in Rococo style topped with a putto figure holding two trumpets. An additional putto supports the ornamental frame at lower right., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

Man with Lange Pijp, Cornelius Heinrich Hemerich, after Johann Esaias Nilson, 1731 - 1780 print Man with turban and long pipe surrounded by rocaille ornaments with tea set. London (possibly) paper etching / engraving pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)

Rocailles, Anonymous, after Franz Xaver Habermann, 1731 - 1775 print Augsburg paper etching Rocaille Ornament

Print, Arabesque Designs; Designed by Pierre Thomas Le Clerc (French, ca. 1740 - ca. 1796); Print Maker: Laurent Guyot (French, 1756 - 1808); France; etching and aquatint on laid paper

Print (France)

Leaf drink with putto on eagle. Frisian.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Landscape in rocaille cartouche, verso - stamped, Figures in a garden with a fountain on the right. In rocaille frame. Publisher number 114., print, ornamental print, prints, ornamental prints, height 200 mm, width 301 mm, print maker, printmaker, 1731 - 1775, paper, etching, etchings, Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Print, The Letter M; Designed by Giovanni Battista Betti (Italian, active 1754 - 1777); Italy; Mat: 23.6 x 32.5 cm (9 5/16 x 12 13/16 in.); 1918-17-13

Cartouche with Bird and Putti, Plate B, Alexis Peyrotte, French, 1699-1769, Gabriel Huquier, French, 1695-1772, Engraving on paper, Cartouche with bird and putti, plate B., France, ca. 1740, Print, Print

Cartouche with Dragon, Livre de Cartouches à divers usages (Book of Cartouches for Different Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720-1790, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on laid paper, Blank cartouche, rays emanating from background; cartouche framed by dragon blowing fire, plants bearing fruit, axe and spear, merman-like figure;on ground, helmet, torso armor, and seashells., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

Two lying ovals with river landscapes, c. 1600 - c. 1699 print Above the ovals there is a cherub between two flowers, a garland hangs on the oval. From series of 12 magazines. Germany (possibly) paper

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Ornamenti o Grottesche. Sixth number of a suite of 12 pieces. (A. de Vesme 1008; Dutuit 179) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Rocailles, Anonymous, after Franz Xaver Habermann, 1731 - 1775 print Four rocaille ornaments. Publishing number 140. Augsburg paper etching Rocaille Ornament

Print, Eight Vases, from "Raccol; Print Maker: Stefano della Bella (Italian, 1610-1664); Published by Pierre-Jean Mariette (1694 - 1774); Italy; etching on white laid paper; 10.3 x 22 cm (4 1/16 x 8 11/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)

Print (France)

Cartouche for coat of arms. Print No. 7 in a bundle of eight numbered prints with cartouches for coats of arms, first leaf entitled "New weapon Schilde". Tied together with a string in a cover of 19th-century decorative paper.

Bound Volume, Frontispiece for Book 4, in Eight books of Ornament; William Delacour (French, 1741 - 1767); Engraved by François Vivares (French, 1709 - 1782); France; engravings on white laid paper, bound in half-calf and marbled boards; Open: 41.4 x 48.1 x 11.7 cm (16 5/16 x 18 15/16 x 4 5/8 in.)

Print (France)

Goldsmiths' Bouquet, from Livre de Toutes Sorte de Feuilles Pour Servir a l'Art d'Orfeburie. Artist: Jacques Caillard (French, 17th century); Published by Isaac Briot (French, Damblain 1585-1670 Paris). Dimensions: Sheet: 9 13/16 × 7 1/16 in. (24.9 × 17.9 cm)Plate: 8 5/16 × 5 1/2 in. (21.1 × 14 cm). Series/Portfolio: Livre de Toutes Sorte de Feuilles Pour Servir a l'Art d'Orfeburie. Date: 1627.Goldsmiths' bouquet with decorative flowers and peapod elements growing from bottom center. Plate 5 from a series of six plates by Caillard, published by Briot in Paris in 1627. Another edition was published in Paris in 1629, as well as a series of reverse copies in Dutch, engraved by Willem Hondius and published in 1628. Museum: Metropolitan Museum of Art, New York, USA.

Rocaille Omraming with old man, Anonymous, After Franz Xaver Habermann, 1731 - 1775 print Rocaille surraming with old man with cape and book in landscape. Publishing number 109. Augsburg paper etching rocaille ornament. old man

Design for a large Vase representing 'Water', Plate 5 from: 'Neu inventierte Vasi auf die neueste manier' Printed ca. 1750-56 Jacob Gottlieb Thelot Ornament print with a design for a monumental vase, decorated with rocaille ornaments and 10 putti on and under the vase, three of which sit on the upper edge under a small umbrella. The vase is meant to represent the element 'Water'. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a large Vase representing 'Water', Plate 5 from: 'Neu inventierte Vasi auf die neueste manier'. After Carl Pier (German, active Augsburg, ca. 1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Jacob Gottlieb Thelot (German, Augsburg 1708-1760 Augsburg)

Cartouche with Lion, Livre de Cartouches à divers usages (Book of Cartouches for Different Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720-1790, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Blank cartouche framed with a lion holding a bow; a quiver of arrows is to the left. Background view of the sea with fishing boats., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

Print, Vignette with Angels and Instruments of the Passion; Print Maker: Jakob Frey; After Giovanni Passari (Italian); Switzerland; engraving on paper; 6.5 × 14.3 cm (2 9/16 × 5 5/8 in.); 1907-7-5-a

Sater with a mascaron as a body, Christoph Jamnitzer, 1573 - 1610 print The Sater has wings and a hat on with a fish like spring. Leaf from a series of flat decorations with grotesken, cartouches, oval, mascarons, putti and fantastic creatures. The series consists of three title magazines, two text magazines with the assignment and the preface and 60 magazines, spread over three books. Germany (possibly) paper etching

Cartridge puts leeuw in wpens, Franz Xaver Jungwirth, After François de Cuvilliés (Sr.), 1738 print A cartouche with a lion and weapons in a sea landscape with fishing nets, marine animals and a boat on the underside. In the background ships and a lighthouse. Germany paper etching ornament ~ cartouche. beasts of prey, predatory animals: lion. weapons. sea (seascape). ships (in general)

Portefeuille historique de l'ornement, Pl. 14. Prints. 1842. Jerome Robbins Dance Division. Decoration and ornament, Architectural , France, Dancers , France , 17th century, Fools and jesters , 17th century

Ornamental vase with snail; Ornamental vases and tubs; Eve vases mit Moderns Einfassungen (...). An ornamental vase with rocaille ornaments and a snail. Around the vase a Rocaille frame. Publisher number 20.

Germany, Jamnitzer, Christoph, sheet of the 'Neu Grotesken Buch' 1610, Das Neuw Grottesken Buch Nürnberg 1610, Three putti, On the left a putto seen from the back, who is tipping eggs out of a basket with his heel. Sheet from a series of surface decorations with grotesques, cartouches, ovals, mascarons, putti and fantastic creatures. The series consists of three title pages, two text pages with the dedication and the preface and 60 leaves, divided over three books., print, ornament print, prints, ornament prints, height 143 mm, width 184 mm, 1563-05-12 - 1618, print maker, printmaker, 1573 - 1610, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Watch case between two bouquets; Watch cabinets: lids and sides. Watch case with the worship of the shepherds.

Two oval ovals with river landscapes; Oval cartouches in a picture frame with animals in landscapes. Above the ovals there is a cherub between two flowers, a garland depends on the ovals. From series of 12 sheets.

Flemish Grotesque Creatures and a Candelabra Grotesque (recto); Candelabra Grotesques with Mask (verso). Artist: attributed to Andrés de Melgar (Spanish, documented S. Domingo de la Calzada, died after 1554). Dimensions: 13-1/4 x 8-13/16 in. (33.7 x 22.4 cm). Date: ca. 1545-60. Museum: Metropolitan Museum of Art, New York, USA.

Two Upright Panels, Livre de Paneaux irréguliers (Book of Irregular Panels), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on paper, Two designs for upright panels in Rococo style. Left panel: scrollowork and vegetative ornamentation with a central cartouche. Within cartouche, an architectural ruin. Surrounding it, a satyr and male figure. Right panel: within central cartouche, a landscape scene with a lion's mask below. At bottom, a putto figure holding a staff., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

Plate from Book of Vases 18th century Jacques de La Joue the Younger French. Plate from Book of Vases 429220

Plate from Book of Vases 18th century Jacques de La Joue the Younger French. Plate from Book of Vases 429221

Two Quarters of a Ceiling, Nouveau Livre de Plafonds (New Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Design for two quarters of a ceiling in the Rococo style with alternate suggestions divided by a central rosette., Munich, Germany, 1740-68, albums (bound) & books, Bound print, Bound print

Amor standing on shell surrounded by Ornament, Bernard Picart, 1683 - 1733 print Amsterdam paper etching / letterpress printing ornaments ~ art. (story of) Cupid, Amor (Eros)

Print, Plate 30, from Neüw Grotteßken Buch (New Grotesque Book); Designed by Christoph Jamnitzer (German, 1563 - 1618); Germany; engraving on laid paper; Platemark: 14.3 × 18.6 cm (5 5/8 × 7 5/16 in.) 18.5 × 23 cm (7 5/16 × 9 1/16 in.) Mat: 35.6 × 45.7 cm (14 × 18 in.)

Bound Print, Title Page; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Franz Xaver Andreas Jungwierth (German, 1720-1790); Germany; engraving on cream laid paper; 34.2 x 22.3 cm (13 7/16 x 8 3/4 in.) Platemark: 25.2 x 14.5 cm (9 15/16 x 5 11/16 in.)

Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie, Plate 2 1660-1713 Alexis Loir French Plate 2 of a series of designs for braziers, tables and other silverware works. The main design on the left side is supported by a sphinx holding a garland of leaves. Other designs on the same side feature a faun, upper design, and a salamander, lower design. On the right side, the main design features a goat's head and leg. The other designs feature a male half figure holding a garland, upper design, and an eagle, lower design. Finally, there are three grotesques masks at the top of the plate.. Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie, Plate 2 649803

Various Designs for Rocaille Ornaments, Plate 4 from: 'Fortsezung von unterschielichen Auszierungen zu allerleij nüzlich anzuwenden' Printed ca. 1750-56 Jeremias Wachsmuth Ornament print with designs for rocaille ornaments for various applications, on the left side 2 ornaments form S and double S volutes, which may be meant to line the railing of a staircase. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Various Designs for Rocaille Ornaments, Plate 4 from: 'Fortsezung von unterschielichen Auszierungen zu allerleij nüzlich anzuwenden'. Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Drawing, Five Motifs for Ornamental Arabesques; Designed by Etienne de Lavallée-Poussin (French, 1735-1802); France; pen and brown ink with ink wash, graphite on three pieces of paper; 31.1 x 20.6 cm (12 1/4 x 8 1/8 in.)

Maps of the Spanish Armada (25 and 27 July 1588). Two cards (VII-VIII) with the Spanish and English fleet in the canal at the Isle of Wight and at the Strait of Dover, within an ornamental frame. At the top in the frame the portraits of Sir Martin Frobisher and Sir John Hawkins. Between them in a Corona navalis (ship's crown). The portraits are flanked by two putti with laurel circuits. The judge has the wreaths hanging on a trident. Among the Portraits Victoria on a culumna rostrata, or a column in honor of a triumph decorated with shipbuilding. On the shield of Victoria are the names of the people who were knighted by the Lord High Admiral. In the lower edge of the framework, one of the people on board a ship is beaten to knight. A man next to the Lord Admiral keeps a book up. The print is part of an album. The show is part of a book about the Spanish Armada and the carpets that were commissioned by Charles Howard.

François Collignon after Stefano Della Bella, Cartouche, probably 1646 Cartouche

Pedro de Ribera / 'Decorative scrolls of a funerary nature'. XVIII century. Coloured wash, Pencil on laid paper. Museum: Museo del Prado, Madrid, España.

Bound Volume, Frontispiece for Book 4, in Eight books of Ornament; William Delacour (French, 1741 - 1767); Engraved by François Vivares (French, 1709 - 1782); France; engravings on white laid paper, bound in half-calf and marbled boards; Open: 41.4 x 48.1 x 11.7 cm (16 5/16 x 18 15/16 x 4 5/8 in.)

Rocailles.Rocaille ornaments with floral motifs. Publisher number 168.

Frontispiece: Ornamenti o Grottesche ca. 1653 Etched by Stefano della Bella Italian. Frontispiece: Ornamenti o Grottesche. Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). ca. 1653. Etching. Prints

Print (Germany)

Antonio Daniele Bertolis design depicts a soprano with hunting motifs, created in pen with ink and laved technique, showing figures and symbolic elements.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Ornamenti o Grottesche. Title. Second number of a suite of 12 rooms. (A. de Vesme 1004; dutuit 179) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Print (Germany)

Ottoman man attacked by a lioness, Robert van Audenaerd, 1673 - 1743 print A console with a man with turban. He is overpowered by a lioness. Banner, arrows and spears left and right. The print is part of an album. paper engraving head-gear: turban. beasts of prey, predatory animals: lion. man struggling with animals

Augsburg, Hertel, Johann Georg (I), Nilson, Johann Esaias, Ceres, verso - stamped, Cartouche with bust of the goddess Ceres with grapevines and the horn of plenty. Publisher's number 52., print, ornamental print, prints, ornamental prints, height 181 mm, width 141 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721-11-02 - 1788, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Child with abdomen of leaf ranks, after 1616 - Before 1689 print Vignette. Each leaf shelf ends in a bird's nest, birds peck at the top of two snakes that the child is holding. Paris (possibly) paper engraving

Design for a Painted Frieze, Graphite, brush and gray watercolor, Chiese black on paper, An ovoidal medallion with cupid riding a dolphin is flanked by rinceaux. Verso: an ovoidal frieze is bordered by bands with laural garlands on top and bottom edge. The landscape consists of trees, plants, a house, a bridge, a gate, a poplar alley. Some men are shown, three of them near monumental Hermae. Bottom left: a part of a leaf border., Netherlands, ca. 1790, Drawing, Drawing

Three ornaments. Artist: anonymous. Draughtsman: anonymous. Dating: c. 1866 - c. 1900. Measurements: h 418 mm × w 290 mm. Museum: Rijksmuseum, Amsterdam.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), eight emblems for the funeral of Prince François de Médicis, a solar clock: Umbrae Transitus Tempus Nostrum. First piece (A. de Vesme 971. Dutuit 55) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Blackwork Design for Goldsmithwork with Grotesques, Garlands, and Birds 1582-1616 Mathais Beitler German Ornamental grotesque panel with winged face at center surrounded by blackwork in an oval at center. At bottom, a lobster. Two birds perched on wings of grotesques at left and right of the central oval.. Blackwork Design for Goldsmithwork with Grotesques, Garlands, and Birds 423456

Frisians with weapon of France and Engelen, Louis de Châtillon, After Charles Le Brun, 1672 - 1686 print Three Frisians on a leaf. Above: Crowned weapon of France in a shell, flanked by angels with horns of abundance sitting on hippocampi and two putti blowing on shells. Middle: Crowned weapon of France in a shell, flanked by angels with trumpets, sitting on hippocampi and two putti on dolphins. Below: crowned weapon of France in a shell, flanked by angels with trunks sitting on hippocampi and two dolphins. Paris paper etching coat of arms (as symbol of the state, etc.). angels

Letter I, anonymous, 1600 - 1699 print paper fancy letters

ONNALLY FREE LETTER H, Lorenzo Lorenzi, After Mauro Poggi, After Andrea Bimbi, 1745 - 1765 print Ornamental letter H, decorated with two birds, a lion's head and a young sater. Print is part of an album. paper etching / engraving letters, alphabet, script. fancy letters

Festoen with flowers, leaves and fruits; Unterschidliche Neue Feston von Blumen und Fruchten. The festoon hangs on a ribbon. At the bottom left and bottom right are located a round edge and a rosette, completely consisting of stylized leaf rights.

Cartouche with references to Machthebbers

Design for a Pendant with Sea-Monster Carrying a Woman on a Shell Flanked by a Triton and a Man with an Oar, 1582, Bullarum Inaurium etc. Archetypi Artificiosi Plate 8, engraving, New Hollstein, no. 1661, State i/ii, Adriaen Collaert (artist) Netherlandish, c. 1560 - 1618, Hans Collaert the Elder (artist after) Netherlandish, 1530 - 1581, Philip Galle (publisher) Netherlandish, 1537 - 1612

Leaf vank with flowers and many -headed monster in the middle, after 1680 - Before 1706 print On the left fights a satap with a snake. Leaf 12 from series with Dutch opposite reduced copies of the Disegnii Varii di Polifilo Zancarli series. print maker: Netherlands (possibly)after design by: Italy (possibly)publisher: Amsterdam paper engraving

Evening and night, Jan Balzer, 1748 - 1799 print Two rocaille cartouches in a landscape. Upstairs with a scene at the setting sun of a resting hunter and two dogs, a woman brings him drinks. Below with a scene of two women and a man with a torch. Among both cartouches two columns with two -line German text. Nummered in the middle. Leszno paper etching evening. return from the hunt. night. torch

Print (France)

Right half of a cartouche; Ornaments; Disegni, et abbozzi di Agostino Mitelli Intagliati Dal Figluolo di Lui Gioseppe Maria Mitelli. Right half of a cartouche with above a cup and bottom right apples. The print is part of an album.

Ceiling painting with rocailles, female figures and putti, Lorenz Beger (Possible), After Paul Decker (I), 1687 - 1725 print In the air birds with a rope on their legs. Justitia (justice) travels upstairs. print maker: Germanyafter design by: Neurenbergpublisher: Neurenberg paper etching (decorated) ceiling. rocaille ornament. Justitia (justice) as Roman personification

Print (Germany)

Festoen with flowers, leaves and fruits, anonymous, after Friedrich Jacob Morisson, 1699 print The festival hangs on a ribbon. Bottom and bottom right are a round edge and a rosette, completely consisting of stylized leaf vines. print maker: Germany (possibly)after design by: Germanypublisher: Vienna paper etching

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Rocaille motifs, verso - stamped, Publisher number 103., print, ornamental print, prints, ornamental prints, height 197 mm, width 299 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Rocaille with the personification of poetry (poetry), 1719 - 1749 print Poetry or poetry is in hand with a writing spring and a few foliants next to him. At her feet a putto with harp. On the right different musical instruments. At the top right 216 numbered. paper etching / engraving symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). musical instruments; group of musical instruments. rocaille ornament

La Vera Perfettione del Disegno di varie sorti di recami, page 30 (verso). Dimensions: Overall: 6 5/16 x 8 7/16 in. (16 x 21.5 cm). Illustrator: Woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520-ca. 1575 Venice). Publisher: Giovanni Ostaus (Italian, active Venice ca. 1554-91) , Venice. Date: 1567.Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 3 horizontal registers. Top register is decorated in the center with a composite woman, bird, and plant creature from which emanate curving stems of leaves that terminate into a winged putto on each side. Middle register is decorated with 2 composite man, bird, and plant figures that each feed a griffon fruit. Bottom register is decorated in the center with a grotesque head t

Ornamental vases with birds; Eve Ünd Nach der Neütsen Façon Eingerichete Vassi (...). Two rocaille ornamental vases. The left vase is decorated with two birds and a fantasy. Print number 183.

Masks and hats. 1688. Mitelli, Agostino, 1671-1696. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Print (France)

Drawing for Title Page with Amorini Riding a Dolphin. Artist: Anonymous, Italian, 18th century. Dimensions: 10-1/2 x 8-1/4 in. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Watchcase between two bouquets, Anonymous, After Jacques Vauquer, After 1631 - Before 1676 print Watch case with the worship of the shepherds. First edition, second edition. France (possibly) paper engraving

Double Akelei and Appel, Crispijn van de Passe (II) (Attributed to), After Crispijn van de Passe (I), 1617 print The images are numbered: 80 and 81. Print is part of a book. paper engraving flowers. fruits: apple

Drawing, Project for Drapery; Designed by Romolo Achille Liverani (Italian, 1809 - 1872); Italy; pen and ink, brush and grey watercolor, pencil on paper

Triumph of Peace, Roundel, for the Aldini Villa at Montmorency, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and grey-brown wash over black chalk on textured paper, Victory riding in chariot drawn by two horses. She holds caduceus in left hand. Genii flying from opposite direction crowns her. Above, inscribed 'PACE.' Two cornucopiae at bottom. Inscribed, inside roundel: Parigi dipinta a Mo Moransi per S. E. Aldini 4 Genaro 1813., Italy, 1813, figures, Drawing, Drawing

Gestileerd Acanthusblad; Voorbelden van Bladsoorten; Thorough statement under different kind Laub Werck ..

Three ornaments, c. 1866 - c. 1900 drawing On the right a leaf vank in which two volutes end in fantasy animals. paper. pencil drawing

Drawing, Sea Cintaur Combats Sea Monster; Italy; pen and brown ink, graphite on cream laid paper; 23.6 × 24.5 cm (9 5/16 × 9 5/8 in.)

Design for a sepulchral monument with Mary Magdalen and Saint Jerome; verso: Sketch (counterproof) and writing exercises. Artist: Pieter Verbruggen the Younger (Flemish, Antwerp 1648-1691 Antwerp). Dimensions: sheet: 9 5/16 x 7 1/16 in. (23.6 x 17.9 cm). Former Attribution: Formerly attributed to Anonymous, Flemish, 17th century; Formerly attributed to Michiel van der Voort (Flemish, 1667-1737) (). Date: late 17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Writing example: Clariss. Nobilissimoq UE (...), Simon Frisius, After Jan van de Velde (I), 1605 Write example with the salutation: Clarris. Nobilissimoq (UE) d.d. Syndicorum Syndoco Heliae Ab Oldenbarnevelt. Below that eight lines of text in Latin: Caelo Musa Beat ... signed Veldius. On the left a human figure with wings in curls, on the right a saat. The print is part of an album. print maker: Haarlempublisher: RotterdamThe Hague paper engraving Write example with the salutation: Clarris. Nobilissimoq (UE) d.d. Syndicorum Syndoco Heliae Ab Oldenbarnevelt. Below that eight lines of text in Latin: Caelo Musa Beat ... signed Veldius. On the left a human figure with wings in curls, on the right a saat. The print is part of an album. print maker: Haarlempublisher: RotterdamThe Hague paper engraving

Design for a Cartouche with a Variant. Artist: Carlo Bianconi (Italian, Bologna 1732-1802 Milan). Dimensions: 7 x 8-5/8 in. (17.8 x 21.9 cm). Date: 1732-1802. Museum: Metropolitan Museum of Art, New York, USA.

Agustín Gazul / 'Decorative Motifs'. Second half of the XVII century. Grey-brown wash, Pencil on laid paper. Museum: Museo del Prado, Madrid, España.

Fountain with two putti next to water-breathing dolphin; Fontaines et d'eau (...). From series of 16 sheets, second edition.

Drawing (Italy); black chalk support: off-white laid paper

Writing example: Clariss. Nobilissimoq UE (...), Simon Frisius, After Jan van de Velde (I), 1608 print Write example with the salutation: Clarris. Nobilissimoq (UE) d.d. Syndicorum Syndoco Heliae Ab Oldenbarnevelt. Below that eight lines of text in Latin: Caelo Musa Beat ... signed Veldius. On the left a human figure with wings in curls, on the right a saat. The print is part of an album. publisher: AmsterdamThe Hague paper engraving calligraphy. satyr(s) (in general)

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