Mythical Themes in Art

Engravings depicting mythological battles and scenarios, showcasing gods, titans, and epic confrontations amid rich narrative details.

Francisco de Goya (Spanish, 1746-1828). Rabble (Populacho), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

Death of Niobes Children, Michel Dorigny, After Simon Vouet, 1651 print France paper engraving / etching Apollo and Diana kill Niobe's children

Umbria Terni Narni S. Domenico54. Hutzel, Max 1960-1990 Medieval: 1965 photos, 29 Architecture, architectural sculpture (12th century); Wall painting (13-16th century); Mosaic, cosmati style pavement (c. 1200) 1986 photos, 44 Architecture, architectural sculpture, cosmati pavement, sculpture. Post-medieval: 1965 photos, 56 Frescoes, painting (13-16th century); sculpture (14-16th century) 1986 photos 167 Frescoes, painting, sculpture, metalwork Antiquities: 1986 Weaponry Object Notes: Church deconsecrated and modified for use as museum, 1970 General Notes: Bibliographic material sent, Getty Center library () German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaiss

Attack by the giants on the world of gods, 1728 The giants try to conquer the sky from the earth through mountains and with buns where the Olympic gods houses. The latter, including Jupiter and Minerva, fight with weapons such as spear, lightning and trident back. On the left some titans are crushed by debris of a mountain. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving The giants try to conquer the sky from the earth through mountains and with buns where the Olympic gods houses. The latter, including Jupiter and Minerva, fight with weapons such as spear, lightning and trident back. On the left some titans are crushed by debris of a mountain. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving

Gaius Marius Gevonden in Het Moeras; C. Mario, while he was hidden inside a swamp, he was discovered by his enemies who were looking for him, and Tarry out with ropes, lead him to mortentra, to decide on him; Geschiefenis van Het Romeinse Rijk; Frontspice of the Romanistoria. Gaius Marius Wordt Door Solden Gevonden in Het Moeras Waar Hij Zich Verstopt HAD EN Wordt Gevangengenomen.

Man shoots a woman to help the ice. View of a frozen lake, where a man helps a woman up. Possibly the woman from the sled fell next to her. In the background skaters and ice sledges.

Leopold I, im Zelt des Großwesirs no, der Series vonnyn de Hooghe Zu , Romeyn de Hooghe -, artist, Nicolaes Visscher II, Publisher

Francisco de Goya (Spanish, 1746-1828). Rabble (Populacho), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Horses, Hills, Cities & towns, Alphonse Legros (1837-1911)

Death of Jaunutis, son of Gediminas; verso: sketch of the composition from recto. Gierdziejewski, Ignacy (1826-1860), draughtsman, cartoonist

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Horses, Hills, Cities & towns, Alphonse Legros (1837-1911)

The Young Pyrrhus is saved (right leaf), Gérard Audran, After Nicolas Poussin, 1650 - 1703 print publisher: ParisFrance paper etching / engraving servants save the infant Pyrrhus from the pursuit of the enemies of his father; when unable to cross a swollen river unaided they hurl a message tied either to a stone or a javelin across the water beseeching help

Copper engraving by Jan Harmensz. Muller depicting Cain killing Abel, created around 1589, showing figures, action, and compositional detail.

Bright foolishness; Disparate Claro; Solve disparates (the follies); Los Proverbios (the proverbs). A group of figures under a cloth. In the middle a figure with spread arms, left a falling soldier. From a series of eighteen prints.

Francisco de Goya (1746-1828), they cannot agree (17), 1810-1820

Shakspeare. Tempest, act I, scene I : the inchanted island, before the cell of Prospero : Prospero & Miranda , Shipwrecks, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Tempest. Thomas Pennant Barton Collection

The Stoning of St. Stephen 1635 Rembrandt (Rembrandt van Rijn) Dutch. The Stoning of St. Stephen 391555

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), January, 1788. Engraving.

Rebecca departs from Mesopotamia, Charles Macé, After Giovanni Benedetto Castiglione, 1641 - 1665 print print maker: Francepublisher: Paris paper etching / engraving the leave-taking of Rebekah; Laban gives her provisions

The Annunciation to the shepherds. Saenredam, Jan (1565-1607), graphic artist, Bloemaert, Abraham (1566-1651), draughtsman, cartoonist

Adoration of the Magi. Giambattista Tiepolo; Italian, 1696-1770. Date: 1735-1745. Dimensions: 417 x 283 mm (image); 432 x 290 mm (plate); 547 x 395 mm (sheet). Etching on off-white laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Plate 30 of 38 from Oeuvres de J. B. Huet. Jean Baptiste Huet; French, 1745-1811. Date: 1796-1799. Dimensions: 480 × 350 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: JEAN BAPTISTE HUET.

Grande et terrible croisade enterprise par les Burgraves contre les journalistes , Authors, Politicians, Health care personnel, Lawyers, Government officials, Engineers, Journalists, Hugo, Victor, 1802-1885, Véron, Louis Désiré, 1798-1867, Barrot, Odilon, 1791-1873, Thiers, Adolphe, 1797-1877, Bineau, M. Jean-Martial, 1805-1855, Bixio, Alexandre, 1808-1865, Dupin, M. André-Marie-Jean-Jacques, 1783-1865, Fould, Achille, 1800-1867, Girardin, Emile de, 1806-1881, Molé, Louis-Mathieu, comte, 1781-1855, Montalembert, Charles Forbes, comte de, 1810-1870, Perdiguier, Agricol, 1805-1875, Rouher, Eugène, 1814-1884. Honoré Daumier (1808-1879). Lithographs

David Dijoofdt goliat; Les Plat-Fonds Ou Les Tableaux des Galleries / ceilings or gallery pieces. Goliat is on the ground and David is about to hack his head. Under the rectangular representation a fresh in Latin from 1 Sam. 17:51.

Narcissus, Laurent de La Hire (attributed to), after Laurent de La Hire, 1616 - 1656 print print maker: Francepublisher: Paris paper etching (story of) Narcissus. dog

Hannibal crosses the Alps; Entry from Ferdinand in Ghent in 1635; Expendant Hannibalem. Hannibal puts his army the Alps about (218 BC), as would also do Ferdinand. Presentation at the top left on the rear of the triumph port Arcus Fernandi on the Friday market. Leaf No. 15 In a set of 42 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands.

Amsterdam, Schenk, Leonard, Lairesse, Gerard de, unknown, Glauber, Johannes, Biblical, mythological and allegorical representations, Odysseus and the Sirens, verso under - stamped, Some sirens are sitting on a rock in the sea. Odysseus' ship passes them. Odysseus has had himself tied to the mast. This way he can listen to the songs of the sirens without danger. The print is part of a series with biblical, mythological and allegorical representations., print, prints, height 281 mm, width 382 mm, 1646 - 1726, print maker, printmaker, 1656 - 1726, paper, etching, etchings, Work conception, Northern Netherlands, 1641 - 1711, after a design by, after, after a painting by, Publication (Event), Publication, 1696-02-26 - 1767-06-11, publisher

Worker who has a rope celebrated, Johannes Josephus Aarts, 1881 - 1934 print A worker who wears a hat and boots has a rope celebrated. In the background a shovel, a tub, a fence, a hut and a machine. paper. pencil. chalk engraving working class, labourers. tools, aids, implements ~ crafts and industries: rope

Two Fighting Horsemen. Medium: mezzotint. Museum: National Gallery of Art, Washington DC. Author: Jan van Huchtenburgh.

N ° 11 / Surprise of St Eustache. 26 November 1781 (IT)

Koren harvest, Johannes Josephus Aarts, 1881 - 1934 print Men and women with bundles of mowed choirs in their arms. paper. pencil engraving binding ~ harvest. cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet)

Wladislas III Le Varnenien (1424 1444) W: The old Poland, historical and poetic album, composed of songs and legends of M. J. U. Niemcewicz, translated and put into verse by the most colebles poets French. Orne of 36 drawings by Charles Forster, Paris 1833 Lithography Villain, Rigo, Jules (1810 1892), Forster, Karol (1800 1879)

The twelve months of the year, December (Dutuit 31) Dusart, Candelis. Penje Mauz Opa: Powers (DuTUIT 31). Black way. Museums of the City of the City of Paris, Small Palace.

DijkBrraak and Watersnood in Holland, November 5, 1530, Jacobus Buys, 1778 - 1795 drawing Dike breach and flood, November 5, 1530. Flooding with in the foreground supplied victims of the disaster. Design for a print. paper. ink pen / brush historical events and situations. flood Holland

. Bellerophon on the flying horse Pegasus kills the Chimaera. With caption of five lines in Latin. Copy to an illustration of the main performance on the back of the triumphal arch at the Sint-Michiel abbey, drawn up in the Sint-Michielsstraat, on the occasion of the arrival of the Cardinal Infant Ferdinand in Austria in Antwerp on May 5, 1635 as the new governor for the Spanish Netherlands.

Two performances from the life of Thoseus, Daniel Nikolaus Chodowiecki, 1794 print Left: Theseus beats the Minotaurus. Right: Thoseus leaves Ariadne mourning on Naxos. With caption in German and top left numbered: 3.4. In the margin, a few heads are etched in a sketchy way. Berlin paper etching (story of) Theseus. Theseus kills the Minotaur. Ariadne left behind on the island of Naxos

Crossing the River Styx, Julius Caesar Thaeter, German, 1804 - 1870, Steel engraving on paper, Europe, 1804-1870, Print, Print

Etching and aquatint by Francisco Goya titled 'Disparative Claro,' part of Los Proverbios series, created around 1810-1815, depicting scenes of clear foolishness.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

The Descent from the Cross. The German invention of the colour woodcut caught on in Italy. Ugo da Carpi was the first to use this technique there. The Descent from the Cross after a design by Raphael is one of his earliest prints. The printmaker used two rather than one tone block: one for the light blue sections, and the other for the dark blue shadows.

Two teams of picadors thrown one after the other by a single bull, plate 32 from The Art of Bullfighting Made 1814-1816 Spain. Etching, burnished aquatint, drypoint and burin on ivory laid paper . Francisco José de Goya y Lucientes

July, Cornelis Dusart, 1679 - 1704 print Harvest scene with fun farmers. One of the farmers is about to throw a bundle of hay on a woman situated against a hay papal. The print is part of a series of twelve prints with the twelve months of the year. Haarlem paper July and its 'labours'. hay-stack. hay-wagon

Jozef in the victory car, appointed by Pharaoh over all over Egypt, Jan Punt, After Jacob de Wit, after Peter Paul Rubens, 1747 print In Royal robe, Jozef is in a Pharaoh car. Under the octagonal performance a verse in Latin from Gen. 41:43. Amsterdam paper etching / engraving triumph of Joseph: dressed in a royal attire he rides in one of Pharaoh's chariots, preceded by a herald Carolus Borromeuskerk

Frederick II and General Zieten near Leuthen on December , Meno Haas -, Copper Engraver, After, Carl Friedrich Hampe -, Peintre

Francisco de Goya (1746-1828), the Moors use Aesler as a barrier to defend against Taurus whose horns have been provided with bullets, 1815-1816

Tobias and the angel say goodbye to Tobit and Anna, Anonymous, After Maerten de Vos, 1585 print Tobias and the Engel Rafaël say goodbye to Tobias' parents Tobit and Anna. Right back Tobias and the angel at the Tigris River where Tobias removes and takes Tobias the heart, the liver and bile of the caught fish. At the bottom of the margin an explanatory text in Latin. To Tobit 5. This print is part of an album. paper engraving Tobias taking leave of his parents; Anna mourns her son's departure. the angel Raphael tells Tobias to cut the fish to pieces

An 1818 lithograph by Théodore Géricault depicting a Mameluke defending a wounded trumpeter, emphasizing action, costume, and dramatic composition.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Caprichos: And Still They Don't Go!. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Copper engraving and etching by Jean Charles Le Vasseur from 1749-1816 depicting a scene with a church and Odysseus, showing architectural and human figures.

Morte de Montgomery devant Quebec. 1750 - 1890. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Montgomery, Richard, 1738-1775 , Death and burial

Miguel de Sorellò, after François Hutin, The Prima Macchina for the Chinea of 1742 The Contest of Neptune and Minerva, 1742 The Prima Macchina for the Chinea of 1742: The Contest of Neptune and Minerva

Figure photography:Karnicki, Justinian (1806-1876), Karnicki, Justinian (1806-1876)-collections, Rafael (1483-1520)-reproduction, raimondi, marcantonio (Ca 1470/1482-Ca 1527/1534)-reproduction, Smolikowski, Seweryn ( 1850-1920) - collection, gift (provenance), photography of a work of art (artist), collections, religious art

Amazonenlag on a bridge, Gaspard Ducange (attributed to), after Peter Paul Rubens, 1700 print Paris paper etching / engraving battle of Amazons; amazonomachy. bridge

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Zniszczenie Sodomy i Gomory Destruction of Sodom and Gomorrah; from: `Tygodnik Ilustrowany` 1875, no. 371 (February 6th), p. 85. Drzeworytnia Warszawska (Warszawa ; zakład graficzny ; 1871-?), printing house, Puc, Bronisław (fl. 1867-1891), engraver, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

The way in which the ancient Spaniards hunted bulls on horseback (Modo con que los antiquos espanoles cazaban los toros a caballo en el campo). Ríos, Ricardo de los (1847-1929), merchant employer, Goya, Francisco de (1746-1828), graphic artist, Calcograf'ia Nacional (Madryt ; 1789- ), publishing house, Agua, Perez (fl. ca 1905), printer

Bataven besieged Castra Vetera, Anonymous, 1809 - 1899 print In 69, Castra Vetera was besieged by the Batavians, led by Claudius Civilis. paper siege

The upper part of Christ's body leans against the seated and evidently fainting Virgin who is supported by St. John. The kneeling St. Mary Magdalene leans downward to kiss the feet. Three more figures are at left. The tomb is in the left rear. Further in the rear rises a pilaster with a crowned head. A man washes a donkey, in the central distance. Golgatha is shown is the right distance. Framing line. Date: 1820-1850. Charcoal, pen and ink, brush and dark brown wash on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Bobola, Andrzej.

Tuscany Grosseto Roccalbegna SS. Pietro e Paolo3. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (13th century) and architectural sculpture; wooden crucifix; stoup. Post-medieval: Fresco; paintings on canvas and panel; fresco German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Allegory on Vrede, Anonymous, 1600 - 1699 print Netherlands (possibly) paper etching / engraving Habakkuk is told to write his vision (Habakkuk 2:2). symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

Mier Józef Poniatowski's book; unknown, fontana (couples; Publisher; 1822-1839); 19th century (1801-00-00-1900-00-00);Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, partitions of Poland (1772-1795), Woźnicki, Kazimierz (1878-1949), Woźnicki, Kazimierz (1878-1949)-collection, battle under Leipzig (1813), Battle, gift (provenance), Napoleonic era (1799-1815), French graphics, horses, Poland (culture), historical scenes, death, death of Prince Józef Poniatowski (iconogr.)

Calling their reserve conscripts to the colors, from 'News of the day,' published in Le Charivari, August 31, 1870 August 31, 1870 Honoré Daumier. Calling their reserve conscripts to the colors, from 'News of the day,' published in Le Charivari, August 31, 1870. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). August 31, 1870. Lithograph on wove paper; second state of two (Delteil). Prints

The French Soldier. Nicolas Toussaint Charlet; French, 1792-1845. Date: 1818-1819. Dimensions: 458 × 339 mm (image); 544 × 401 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, FLORENCIA, USA.

Summer, 1626 print Landscape with a rider with his dog and a running behind him. On the other side of a speed a carriage and a walking company. A church tower striker can be seen in the distance. Presentation of the summer from a press series of the four seasons. The Hague paper etching / engraving summer ~ human activities (the four seasons of the year). riding a horse, ass, or mule; rider, horseman

Simson and Delila, Ferdinand Landerer, After François Mayer, After Rembrandt van Rijn, 1760 print Delila holds Simsons cut off and looks at how the Philistines make Simson blind. paper etching / engraving Samson wakes up and finds his hair and strength gone; he is taken prisoner. Samson is tormented by the Philistines, Delilah is paid

Hamlet: Hamlet Rushes to Follow the Ghost of His Father, 1835. Eugène Delacroix (French, 1798-1863). Lithograph;

The Beheading of St. Paul. Artist: Michael Lucas Leopold Willmann (German, 1630-1706). Dimensions: sheet: 11 3/16 x 7 3/4 in. (28.4 x 19.7 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Jakobs ladder; History of Jakob and Esau; Historia Jacobi et esau (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Jacob is sleeping against a stone and dreams of a ladder reaching in the sky, along which angels come up and descending. God the Father appears at the top of the ladder. Under the show a reference in Latin to the Bible text in Gen. 28. Print is part of an album.

Rinaldo Enchanted by Armida mid-18th-late 18th century Giovanni Domenico Tiepolo Italian. Rinaldo Enchanted by Armida. Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). mid-18th-late 18th century. Pen and gray ink, gray wash. Drawings

States of Holland and West Friesland, Amsterdam, Schenk, Pieter (I), Boullonge, Louis de (le jeune), Baudet, Etienne, Sluyter, Pieter, Le Cabinet des Beaux Arts, De Schatkamer der Vrye Konsten, Minerva, Ceiling piece with the goddess Minerva, enthroned on the clouds with helmet, spear and shield. Around her putti with attributes of the arts and sciences. In the background the god Jupiter, who grabs his head. Minerva was born from his head. Print is part of an album., print, picture, album sheet, prints, pictures, height 161 mm, width 151 mm, Northern Netherlands, 1675 - 1733, print maker, printmaker, 1693 - 1693, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1638 - 1711-07-08, after print by, 1654 - 1733, after, after painting by, after design by, Publication (Event), Publication, 1660-12-26 - 1711, publisher, granter of privilege

Peasants striking the trapped Bruun the bear with sticks, spears and axes. On the back of the print a German text fragment from the story of Reinaert the Fox, Peasants attack Bruun the bear Reinaert the fox Illustrations for Reijntje de Vos , print maker: Allaert van Everdingen, Netherlands, 1631 - 1675, paper, etching, h 92 mm × w 115 mm

Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree.' (No se convienen.) Ca. 1810 Goya (Francisco de Goya y Lucientes) Spanish. Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree.' (No se convienen.) 333950

Aurora on a car drawn by two winged horses, Edouard Taurel, after Antonie Frederik Zürcher, 1868 print The goddess of dawn, Aurora, standing on a car drawn by two winged horses. Three putti in the air, one of which holds a burning torch. Amsterdam paper steel engraving (story of) Aurora (Eos); 'Aurora' (Ripa). personification of the morning, 'Aurora'; 'Aurora' (Ripa)

THE PARIS UNIVERSAL EXHIBITION

Allegory on peace between France and England, ca. 1630 (), Michel Dorigny, after Simon Vouet, 1639 print Allegory on peace between France and England, ca. 1630 (). To a painted ceiling in England. Allegorical female figures (personifications of France and England) In the clouds, putti with flowers (English pink and French lilies), two leopards on the right. With six -line French caption. etching / engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa) England. France

The sloth is precipitated by poverty and defect; Story of the sloth. The sloth is on the ground. The personifications of lack, a man with an amputated leg, and poverty, a man with torn pants, hit him with bats.

Copper engraving and etching by Jean Charles Le Vasseur from 1769 depicting Hector and Andromache saying farewell, inspired by the Iliad.

Triomphe de la Mort: La Mort entraînant L'Ivrognerie et la Luxure , Death, Skeletons, Lust, Intoxication, Alphonse Legros (1837-1911)

Sketchbook Page: Death of Flaminius in the Battle of Trasimeno; Annabelle Loses an Eye in the Swamps of Fiano, Tuscany, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Vertical panel showing two battle scenes with light figures against a dark ground. At top, an equestrian; at bottom, figures with elephant., Italy, ca. 1812, figures, Drawing, Drawing

Yo lo vi (I Saw It), Plate 44 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Alexander the Great covers the body of Darius with his cloak. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 325 mm × w 209 mm. Museum: Rijksmuseum, Amsterdam.

Ukrainian prophecy of the Lirnik; Gorazdowski, Edward (1843-1901), Witkiewicz, Stanis AW (1851-1915), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Cloelia. Woodcutter: Giuseppe Niccolò Vicentino, Italian, active 1540-50 After: Maturino da Firenze, Italian, 1490-1528

Jozef in the victory, appointed by Pharaoh over Egypt; Les Plat-Fonds Ou Les Tableaux des Galleries / ceilings or gallery pieces. In a royal robe, Jozef has served in a car from Pharaoh.

Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753 The Madonna and Child at Left, with a File of Angels

The Vengeance of Hop-Frog, 1898. James Ensor (Belgian, 1860-1949). Etching;

Bliżej Kultury H. Kleinmann & Co Haarlem, Rembrandt van Rijn (1606 1669)

Copper engraving and etching by Jonas Suyderhoef titled 'The Drunkenness of Bacchus,' created 1627-1686

Artist: Hendrick Goltzius, Dutch, 1558-1617, The Resurrection, from The Passion, #12 in a series of 12engravings, Engraving, 20.2 × 13.5 cm (7 15/16 × 5 5/16in.), Made in The Netherlands, Dutch, 16thcentury, Works on Paper -Prints

John Hamilton Mortimer, 1740-1779, British, Enraged Monster (no.9 from Fifteen Etchings dedicated to Sir Joshua Reynolds), 1778. Etching.

Frederick II after the lost battle near Kundersdorf on August , Johann Ferdinand Krethlow -, Copper Engraver, After, Heinrich Anton Dähling -, drawer

Print made by George Cruikshank, 1792-1878, British, The Citizen and the Soldier, 1838. Etching on medium, slightly textured, cream wove paper.

Diogenes in His Tub with Alexande and His Generals. Carl Russ; Austrian, 1779-1843. Date: 1810. Dimensions: 220 × 335 mm (plate); 233 × 347 mm (sheet). Etching and aquatint in black on ivory laid paper. Origin: Austria. Museum: The Chicago Art Institute, USA.

Etching by Theodorus van Kessel depicting the biblical scene of Paul's conversion, created between 1640 and 1660.

Print (France)

Gaspare Diziani, Aeneas Carrying Anchises from Burning Troy, c 1733 Aeneas Carrying Anchises from Burning Troy

Mythological figures between clouds; Paintings in the Sala dei Giganti. Part of a ceiling painting with mythological figures between clouds. Central is Jupiter with two bundles of lightning bolts. On the left is the frygic goddess Cybele on two lions. Right flight a woman's figure surrounded by putti. Above a balustrade.

Rome, Pinelli, Bartolomeo, New collection of costume prints from Rome and its environs, Costume prints with figures from Rome and its environs, Briganti assaliti dalla forza armata, Bandits attacked, After an attack by a group of bandits, one of them lies wounded on the ground. The print is part of an album., print, prent, albumblad, prints, prenten, height 202 mm, width 273 mm, Italian, 1781-11-20 - 1835-04-01, print maker, printmaker, 1819 - 1823, paper, papier, etching, etsen, intermediary draughtsman

About the Nieprzek's horse; Z: "Tygodnik Ilustrowany" 1872, No. 247 (September 21), p. 137; Kossak, Juliusz (1824-1899), Gorazdowski, Edward (1843-1901), Weekly Ilustrowany (Warsaw; magazine; 1859-1939); 1872 (1843-00-00-1868-00-00);

Hans Kaspar Lang, the Elder, William Tell Refusing to Honor Governor Gessler's Hat, 1620s() William Tell Refusing to Honor Governor Gessler's Hat

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