Mythological and Allegorical Figures in Engravings

Engravings depicting muscular mythological figures and river gods, illustrating strength, action, and classical themes with a focus on craftsmanship and detail.

Sea God Achelous, Philips Galle, 1586

Hercules and Antaeus (with a ledge Below) late 18th century Giovanni Domenico Tiepolo Italian. Hercules and Antaeus (with a ledge Below). Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). late 18th century. Pen and brown ink, gray wash, over black chalk. Drawings

Woede (Ira), Jacob Matham (attributed to), after Hendrick Goltzius, 1585 - 1589 print The personalized anger; A female figure with helmet, shield and sword in a landscape, next to her a bear. Haarlem paper engraving Anger; 'Ira' (Ripa) ~ personification of one of the Seven Deadly Sins

Apollo with the skin of Marsyas. Apollo proudly shows the skin of his conquered opponent Marsyas. Next to him is on the floor his winch.

Fortuna; Fortvna. Winged woman as a personification of Fortuna (fortune) with the wheel of fortune and a hopeful figure on top of the wheel.

Publius Horatius; The Roman heroes. The Held Publius Horatius for feet, raised a sword in the right hand. In the background you can see how he occupies it within a fence on his own against three opponents. Under the show twice two fresh rules in Latin. This print is part of a series of ten prints, consisting of an unnumbered title print, eight numbered representations of heroes and an unnumbered concluding print.

One cannot defend himself against fate; It helps gheen Schilt against Fortuinen Ganck; Proverbs about Fortuna. Lady Fortuna stands with a foot on a globe in the water and pulls a soldier in armor with him. The man tries to defend himself and holds his shield. Right rear a shipwreck. A city left behind. The print has a Dutch caption and is part of a six-part series of proverbs about Fortuna.

Adam and Eva with the snake, Hans Baldung Green, 1512 - 1516 print Adam and Eva are naked on either side of a tree in paradise. The snake winds around the trunk of the apple tree. Eva picks an apple from a branch. In the background between the trees is a hinde. Freiburg paper Temptation and Fall (scenes with both Adam and Eve)

Sitting nude, Adamo Scultori, After Michelangelo, c. 1585 print Sitting naked man, turned to the right, with a garland of acorns. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 6. Print Maker: ItalyaFter Painting by: Vatican City paper engraving the (nude) human figure; 'Corpo humano' (Ripa). fruits: acorn

Seneca at the bath, standing in a niche with his feet in a basin ca. 1615 Cornelis Galle I. Seneca at the bath, standing in a niche with his feet in a basin. Cornelis Galle I (Netherlandish, Antwerp 1576-1650 Antwerp). ca. 1615. Engraving; third state of three (Hollstein). Prints

Two Germanic warriors, Figura I, Nicolaes van Geelkercken (attributed to), 1614 - 1616 print Twee Naar Links Schrijdende gewapende Krijgslieden. Afkomstig shipped, Philip Cluverius, Germany ancient books, Lowijs (i) Elzevier, Leiden, 1616. lib. 1, p. 360, Figure 1. Netherlands paper etching extinct, 'historical' peoples (with NAME). the soldier; the soldier's life

Speculum Romanae Magnificentiae: Orpheus (Orpheus in aedibus Card. Burghesij) 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of p

Sculpture of Oceanus; Oceani Effigies Romae in Viridario Cesarinorum; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Title in Latin top left. Print is part of an album.

Winged genius seated on a cloud, sounding a trumpet with his left hand extended upwards. Artist: After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina); After Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 9 1/4 × 6 1/2 in. (23.5 × 16.5 cm). Date: after 1628. Museum: Metropolitan Museum of Art, New York, USA.

Holy Sebastiaan on the Geselpaal, with judge and executioner, master of the Amsterdam cabinet, 1488 - 1492 print Sebastiaan tied to column, executioner serves arrows from his body. Judge, probably Emperor Diocletian, watches. Germany paper drypoint martyrdom, suffering, misfortune, death of St. Sebastian

Greek god of war

A Roman emperor sitting in a niche holding a sceptre in his raised left hand and a globe in his right hand. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); or after Giulio Romano (Italian, Rome 1499-1546 Mantua). Dimensions: Sheet: 4 5/16 × 3 1/8 in. (11 × 8 cm). Date: ca. 1500-1534. Museum: Metropolitan Museum of Art, New York, USA.

Vulcanus; Eight classic gods. Vulcanus, standing in a niche, a hammer in his right hand, a helmet in his left hand. This print is part of a series of eight prints of classical gods, based on POLIDORO DA CARAVAGIO paintings on the facade of a Roman house, seen and named by Goltzius in Rome.

Neptunus, 1592 print Neptunus, standing in a niche, a trident in his right hand, a bunch of reed or seaweed in his left hand. This print is part of a series of eight prints of classical gods, based on paintings by Polidoro da Caravaggio on the facade of a Roman house, seen and checked by Goltzius in Rome. paper engraving (story of) Neptune (Poseidon)

An Archer Shooting a Crossbow, 1579, engraving on laid paper, sheet (cut inside platemark): 22.1 x 14 cm (8 11/16 x 5 1/2 in.), New Hollstein, no. 48, State i/ii, Cherubino Alberti (artist) Roman, 1553 - 1615, Cornelis Cort (artist) Netherlandish, 1533 - 1578, Lelio Orsi (artist after) Italian, 1525 - 1587

Gladiatore che uccise un leone, Galleria Givstiniana del marchese Vincenzo Givstiniani, Valesio, Giovanni Luigi, ca. 1583-ca. 1650., Engraving, 1630-1639, Plate 117 from vol. 1 of the Galleria Giustiniana, with the mark of Giustiniani in the lower right corner (a tower with eagle) and the monogram of Valesio on the pedestal in the lower left corner.

Three Putti with Trumpets. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 3/4 × 3 1/16 in. (12.1 × 7.7 cm). Date: ca. 1500. Museum: Metropolitan Museum of Art, New York, USA.

Fall; The little passion. Eva, the arm around Adam's shoulders, takes the fruit of the snake. This print is part of the 'De Kleine Passie' print series, consisting of a title print and 36 biblical scenes (mainly from the suffering story).

Netherlands, Picts, and their Landing, Picts. Illustration no. 177 in a work on the ancient inhabitants of the Netherlands and their customs., print, picture, historical print, prints, pictures, Frederik Muller Historical plates, height 148 mm, width 85 mm, print maker, printmaker, 1712 - 1714, paper, papier, etching

Standing Hercules, Jan de Bisschop, After Anonymous, After Willem Doudijns, 1663 - in Or Before 1668 print Seen the image of the so -called "Farnese Hercules" from the front. Northern Netherlands paper etching (story of) Hercules (Heracles). piece of sculpture, reproduction of a piece of sculpture

Haarlem, Goltzius, Hendrick, Matham, Jacob, Three goddesses among the clouds, Juno, verso lower left - stamped, The goddess Juno, seen from the back and sitting on a cloud, with peacock., print, prints, height 203 mm, width 151 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1585 - 1589, paper, papier, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01, after a design by, Publication (Event), Publication, publisher

Copper engraving depicting Neptune, the Roman god of the sea, created by Nicoletto da Modena in the first quarter of the 16th century.

Saint Sebastian, c. 1480-1490, Martin Schongauer, German, c. 1440/53-1491, 6 1/8 x 3 13/16 in. (15.56 x 9.68 cm) (image), Engraving, Germany, 15th-16th century, Saint Sebastian is said to have survived the Roman firing squad that shot him with arrows during Roman emperor Diocletians anti-Christian genocide, about 288 CE. In the 1400s, the subject offered artists a good excuse for showing the male physique. In Martin Schongauers rendering, the syncopated rhythms of Sebastians body and the gnarled tree to which he is bound are given free play against the open sky.

Sebald Beham (German, 1500 - 1550), Female Genius Holding a Coat of Arms, 1535, engraving

Hercules fights with Cacus; Scenes with Hercules. Hercules stands with raised club at the point to attack Cacus because he tries to steal the cattle of Geryon. Cacus pulls the tail of one of the cattle.

Allegory of time and fortune. Two naked young men at sea in a shell with sail. One holds a hourglass. A helmet and shield are in the shell.

Gabriel Salmon, French (active 1504-1542), The Death of Hercules, woodcut

Saint Jerome kneeling before a crucifix, with a skull and lion ca. 1550-60 Battista Franco Italian Counterproofs of three impressions of same print on lower half of verso.. Saint Jerome kneeling before a crucifix, with a skull and lion 371643

Marcus Curtius; Roman heroes.

Copper engraving by Albrecht Altdorfer depicting a large standard carrier, created in 1506 or 1508.

Apollo en blue en love, Marcantonio Raimondi, after Francesco di France, 1506 print paper engraving Apollo and blue. Homosexual Love

Seneca, Richard Collin, after Joachim von Sandrart (I), 1676 print Image of an image of the poet Seneca who commits suicide. Seneca is in a tub with hot water and blood runs from a lot of wounds on his body. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Seneca

. The Naked Pluto and Proserpina in the underworld. They embrace each other. Behind Pluto the Helledog Cerberus. The print is part of a series of God pairs and has a Latin caption.

Copper engraving created by Sebald Beham in 1549, depicting a scene titled 'The Impossible'.

The Standard Bearer ca. 1501 Albrecht Dürer German. The Standard Bearer 391083

unknown, Schut, Cornelis (I), Christ tied to the flogging post, verso lower left - stamped, Christ is tied to the flogging post, after the flogging; on the ground lie his clothes and a rod of twigs., print, prints, height 97 mm, width 78 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings, Work conception, after a design by, granter of privilege

unknown, Du Quesnoy, François, St. Andrew with his cross, verso - stamped, Saint Andrew with his cross. After the image in St. Peter's in Vatican City. Below the image a two-line text in Latin., print, prent, prints, height 400 mm, width 288 mm, print maker, printmaker, 1629 - 1629, paper, papier, etching, etchings, 1597-01-12 - 1643-07-12, after image of, granter of privilege

A naked woman character with loose hanging hair as a person's personification looks over her shoulder to a path of flight Cain who has just killed his brother Abel after she had sacrificed to God. Print from a series of 41 symbols.

Johann Ladenspelder (German, 1512 - 1561 or after), Venus, engraving

Adonis sculpture with hunting dog and head of a wild boar, anonymous, 1584 Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving

Jupiter en Aegina, Cornelis Bos, after Michiel Coxie (i), c. 1537 - c. 1555 print Jupiter Aegina seduces in a jet wreath of fire. Jupiters Adelaar sits on the floor next to the liberating couple. Print from a series of 10 prints that illustrate Jupiter's love life. paper engraving Jupiter, in the form of an eagle or a flame, woos or abducts Aegina, daughter of Asopus

Vatican City, Papal Court, Stefanoni, Pietro, Italy, Brizio, Francesco, Carracci, Agostino, Saint Jerome, verso - stamped, Above: Saint Jerome, kneeling, holding in his hands a crucifix and the stone with which he struck himself on the breast. On the ground to the right is his cardinal's hat and on the left the lion. Below: dedication and two columns of Latin text., print, prints, height 388 mm, width 280 mm, height 30 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1602 - 1602, paper, engraving, engraving (printing process), plate tone, 1574 - 1623, Publication (Event), Publication, 1589 - 1627, publisher, granter of privilege

Ancient Roman sculpture of the hero Hercules (Greek Heracles), naked with beard, holding his club and the Nemean lionskin. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

Titus Manlius Torquatus. This print by Goltzius served as inspiration for the Indian miniature painter Kesu Das. He softened the musculature, in keeping with the Indian ideal of beauty.

Mercurius, 1592 print Mercury, standing in a niche, a caduceus in his left hand, a winged cap on his head and winged shoes on his feet. This print is part of a series of eight prints of classical gods, based on paintings by Polidoro da Caravaggio on the facade of a Roman house, seen and checked by Goltzius in Rome. paper engraving (story of) Mercury (Hermes)

Statue of Amor, 1636 - 1647 print Image of Amor, God of Love, a naked child with wings. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Cupid, Amor (Eros). piece of sculpture, reproduction of a piece of sculpture

Barendsz., Dirck, Keulen, Sadeler, Johann (I), The four parts of the day, Meridies, Midday, verso lower left - stamped, In the clouds the naked Apollo as the personification of the afternoon. Around his head the sun. Below him a midday landscape with people sheltering in the shade from the sun. The people are sleeping or drinking. In the margin a Latin caption with an explanation about the afternoon. The print is part of a four-part series about the parts of the day and the human activities that take place during that part of the day., print, prent, prints, prenten, height 182 mm, width 228 mm, Zuid-Nederlands, 1550 - 1600-08, print maker, prentmaker, 1582 - 1582, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1534 - 1592-05-26

Sater and Ram in Fight, Marco Dente, 1498 - 1532 print A sater and a ram in fight. In the background on the left a tree. Italy paper engraving satyr(s) (in general). ram. fighting

Neptunus, Cherubino Alberti (Possibly), After Polidoro da Caravaggio, After Cherubino Alberti, c. 1590 - c. 1600 print Neptunus is sitting on his car that is drawn by hippocampuses. The show is caught in a round list. Italy paper engraving (story of) Neptune (Poseidon)

Diogenes. Ugo da Carpi (Italian, c. 1480-1535); or after Parmigianino (Italian, 1503-1540). Date: 1520-1530. Dimensions: 460 x 341 mm. Chiaroscuro woodcut from three blocks on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Samson, victorious over the combined powers of the Philistines, holds the jaw of the ass up high. Drawing by F. Rosaspina, c. 1830, after G. Reni.

Jupiter; Ivpiter; Seven planet gods; September Planetae. Oval list with centrally on a base the naked God Jupiter. He's on an eagle. The print has a Latin caption and is part of a series about the seven planets and their gods.

Schut, Cornelis (I), John the Baptist, as a child, verso lower left - stamped, The young John the Baptist kneels by a stream of water to fill a bowl with water. He holds a victory banner. Next to him stands the lamb., print, prints, height 52 mm, width 48 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etsen

Copper engraving by Giovanni Antonio da Brescia, 1475-1520, depicting Hercules lifting Antäus, including figures, gestures, and mythological setting.

Slager, 1660 print A butcher, walking to the left, with a stick over the shoulder on which animal skins hang. He has a knife in the left hand. Two cats next to him. Italian fresh in the lower margin. paper etching butcher, slaughterman. crafts and industries (+ skins, fur, leather, etc. ~ crafts, industries, agriculture). cat. street-trader

Benedetto da Montagnas early 16th-century copper engraving depicts a man holding a bow, emphasizing figure, posture, and the depiction of the weapon.

Water; The four elements. The element of water, personalized by a river godin. She is surrounded by water with all kinds of fish and sea beycasts. In her one hand a compass, a ship in her other hand. Water flows from her breasts and her hair. Water also flows from shells and urns around it. The print has a Latin caption. The print is part of a four-part series over the four elements.

Perseus and Andromeda. Andromeda, the daughter of an Ethiopian king, is closed to a rock. In the background, Perseus beats the sea monster to be able to save Andromeda.

Dyck, Anthony van, Antwerp, Vorsterman, Lucas (II), Martyrdom of St. Sebastian, verso lower left - stamped, print, prints, height 339 mm, width 213 mm, Southern Netherlands, 1624-05-27, print maker, printmaker, 1651 - 1652, paper, papier, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09

This late 15th to early 16th-century copper engraving by Giovanni Antonio da Brescia depicts Hercules and Antaeus, showing figures, gestures, attire, and mythological narrative in Italian printmaking.

Antwerp, Cock, Hieronymus, Floris, Frans (I), Cort, Cornelis, Gods of agriculture, Aristaeus, verso - stamped, The satyr Aristaeus is busy clearing out beehives. He was a beekeeper. In the background a whole row of beehives and bees flying to and fro., print, prints, height 293 mm, width 222 mm, Northern Netherlands, 1533 - 1578, print maker, printmaker, 1565 - 1565, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1520 - 1570-10-01, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Depicts a soldier adjusting his pants, created as a copper engraving by Agostino Veneziano in 1517, showing posture, clothing, and figure.

Cupido and Psyche, Pieter van Gunst, After Titian, 1659 - 1731 print The naked Cupido visits the sleeping psyche in her bedroom. Two putti watch. Amsterdam paper engraving Cupid and Psyche as lovers. cupids: 'amores', 'amoretti', 'putti'

Martyrdom of St. Andrew 1615-73 Salvator Rosa Italian. Martyrdom of St. Andrew 340656

Clair-obscur woodcut in two plates depicting a recluse, showing the figure and surrounding setting, created by Monogrammist YHS in the 16th century.

Copper engraving by Giovanni Antonio da Brescia depicting Hercules fighting the Nemean lion, created at the end of the 15th century and early 16th century, showing mythological figures, heroism, and lion.

Libyan Sibille, Philips Galle, After Anthonie Blocklandt, 1575 print The Libyan Sibille is on a rock. She has an open book in her hands. The print has a Latin caption and is part of a ten -part series about the Sibillen. print maker: Antwerpafter design by: Low CountriesAntwerppublisher: Antwerp paper engraving sibyls (with NAME)

Depicts Cupido riding a snail by Meister HL as a copper engraving print around 1533, showing the mythological figure in a whimsical composition.

On Sentry Duty: Autumn -and the password Time-Fraternity and artillery, from 'News of the day,' published in Le Charivari, September 30, 1867 September 30, 1867 Honoré Daumier. On Sentry Duty: Autumn -and the password Time-Fraternity and artillery, from 'News of the day,' published in Le Charivari, September 30, 1867. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). September 30, 1867. Lithograph on newsprint; third state of three (Delteil). Arnaud de Vresse. Prints

Fortuna standing on a shell in the water. In the background a harbor. No. 1 from series of virtues and vices that determine the fortunes of human life., Fortuna The Fates of Life (series title), print maker: Zacharias Dolendo, Jacob de Gheyn (II), (mentioned on object), publisher: Jacob de Gheyn (II), (mentioned on object), Leiden, c. 1596 - c. 1597, paper, engraving, h 230 mm × w 167 mm

Apollo and Daphne. Bandinelli, Baccio, 1493-1560. 1515. Agostino Veneziano, active 1509-1536. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Sculpture of Bacchus; Sculptures from ancient times. Caption in Latin. Print is part of an album.

Justice (Justitia). Justitia sitting with sword and scales under feet.

THE CHIQUENIDE OF THE PEOPLE The chicenaude of the people ". Anonymous engraving.

. Venus sits naked in a room and combs her very long hair. Cupid is standing next to her and raises his arrow. On the floor left are his arrow sleeve; On the right stand a watercan and bowl on the ground.

Daniel in the lion's owl. Daniël sits with folded hands and raised head in the lion's owl. Four lions stroll around him. Left front is a skull.

Fides (Faith), 1530, The Virtues, engraving, New Hollstein, no. 127, State i/iii, Lucas van Leyden (artist) Netherlandish, 1489/1494 - 1533

Tarquin and Lucretia 1571 Engraved by Cornelis Cort Netherlandish. Tarquin and Lucretia. Engraved by Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). 1571. Engraving; first state. Prints

The Labors of Hercules: Hercules Crushing Antaeus, 1545. Hans Sebald Beham (German, 1500-1550). Engraving;

Samson Killing the Lion. Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg). Dimensions: Sheet: 4 7/16 × 3 1/4 in. (11.2 × 8.2 cm). Date: 1515. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Netherlands, Histoire metallique de la république de Hollande, Triton and cherub on seahorse, At the top a triton with two tails, at the bottom a cherub with a staff in his hand. From a series of vignettes with sea gods and allegories, used as an illustration in the book Histoire metallique de la république de Hollande by P. Bizot., print, engraving, ornament print, prints, engravings, ornament prints, height 166 mm, width 122 mm, print maker, printmaker, 1688 - 1688, fourth quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Wisdoms of Jesus Sirach, right part, Gerard de Jode, 1547 - 1591 print Ornamental frame with medallion in which a landscape with a man, seen on the back. He is bitten by a snake in his heel. From Sir. 21: 2: 'Fleeing sins like a snake, because when sin comes closer, she grabs you. Her teeth are like those of a lion, they pull people lives away. Antwerp paper engraving the book of Ecclesiasticus, the wisdom of Jesus Sirach (with BOOK CHAPTER:VERSE)

Hendrick Goltzius (1558-1617), Apollon, 1588

Mercury, Jan Collaert (II), After Jan van der Straet, after 1585 - 1628 print Oval list with a pedestal the naked god Mercury. He has a caduceus in his hand and wears a helmet with wings. His feet also have wings. The print has a Latin caption and is part of a series about the seven planets and their gods. paper engraving (story of) Mercury (Hermes). Mercury (planet)

Il dort bravo!.... Honoré Daumier (1808-1879). Lithographs

Fear; Pavor; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. A boy runs away with a hare in his arms while he looks back. The hare is a fearful animal that removes the least movement. Under the show two lines text in Latin. The print is part of an album.

The Slanderer Made 1851 France. Lithograph, possibly from a zinc plate, or zincograph, in black crayon, pen and ink, scraping and tusche on tan wove paper laid, down on off-white wove paper . Charles Rambert

Italy, Salviati, Francesco, Southern Netherlands, Massijs, Cornelis, Vico, Enea, Emblematic figures, Furtum, Theft, recto lower right - stamped, A naked man with tools in his hands with which he tries to open a door. Next to him sits a dog. At the bottom a line of Latin text., print, prints, verso - stamped, height 76 mm, width 80 mm, Italian, 1523 - 1567, print maker, printmaker, 1533 - 1567, paper, engraving, engraving (printing process), 1511 - 1557, Work conception, 1510 - 1563-11-11

The river god Tagus (the Tagus), seated on a stone. In his hand a shell. The print is part of a seventeen-part series on river and sea gods, River God Tagus Tagvs River and Sea Gods (series title) Semideorum Marinorum amnicorumque sigillariae imagines perelegantes (series title), print maker: Philips Galle, (mentioned on object), Philips Galle, (mentioned on object), publisher: Philips Galle, Antwerp, 1586, paper, engraving, h 165 mm × w 102 mm

Copper engraving by Jacopo de' Barbari depicting a triton and a nereide, created at the end of the 15th century or beginning of the 16th century.

Titus Manlius Torquatus; Roman heroes. The Held Titus Manlius Torquatus for feet, while pulling his sword out of the sheath. In the background you can see how he beats a Gaul.

Clair-obscur woodcut by Hendrick Goltzius circa 1588-1589 depicting Bacchus, showing the god with a thyrsus, vine leaves, and drinking vessels, arranged with figures and landscape.

Plate 3: Jupiter emerging from a niche, riding an eagle and holding a thunderbolt in his left hand, from a series of mythological gods and goddesses 1526 Giovanni Jacopo Caraglio Italian. Plate 3: Jupiter emerging from a niche, riding an eagle and holding a thunderbolt in his left hand, from a series of mythological gods and goddesses 368123

Cleopatra Standing. Dated: 1529. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

A brown ink drawing with gray washes and traces of chalk by Sébastien Le Clerc from 1650-1664 depicting Indian figures, mounted on a leaf with a pierced decorative strip.

Bellona. Andrea Schiavone (Italy, circa 1510-1563). Italy, 1540-1563. Prints; etchings. Drypoint

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