Mythological and Allegorical Figures in Engravings

Engravings depicting muscular mythological figures and river gods, illustrating strength, action, and classical themes with a focus on craftsmanship and detail.

Sea God Achelous, Philips Galle, 1586

Adam Artist's working dates 1490-1536 Germany. Etching in black on cream laid paper . Daniel Hopfer, I

This copper engraving by Israhel van Meckenem, late 15th century, shows Samson tearing a lion, depicting figures, posture, expression, and scene composition.

Germany, Fürst, Paul, Maglioli, Giovanni Andrea, Fuchs, Adam, Putti on sea creatures, Child seen from the back, hanging on the mane of a sea horse, Opposite copy after a print by Giovanni Andrea Maglioli., print, ornament print, prints, ornament prints, height 70 mm, width 123 mm, - 1606-09-30, print maker, printmaker, 1526 - 1606, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, Italian, designed by, Publication (Event), Publication, German, 1605 - 1666, publisher

Apollo, 1588. Hendrick Goltzius (Dutch, 1558-1617). Engraving; sheet: 35.3 x 27.1 cm (13 7/8 x 10 11/16 in.); platemark: 34.9 x 26.7 cm (13 3/4 x 10 1/2 in.). This engraving depicts Apollo as the radiant sun god. With fire-like hair, he strides through rolling waves of clouds, while in the background his chariot makes its daily trip across the sky. The Latin text that forms his halo translates: With its aureole and shining ray, the bright Sun drives away the darkness and lights the whole earth.” Apollo’s excessively muscled body reflects an aspect of Mannerism, a stylistic trend in the mid- to late 1500s that exaggerated natural qualities. By over embellishing Apollo’s musculature, Goltzius transformed an athletic male body into a supernatural one.

Adam and Eve, Hans Sebald Beham, German, 1500-1550, Barthel Beham, 1502 - 1540, Engraving on laid paper, 1543, Print, Print

Nemesis by Durer, Albrecht (1471-1528) State A. Pushkin Museum of Fine Arts, Moscow ca 1501-1502 Woodcut Germany Renaissance Mythology, Allegory and Literature Graphic arts

Hercules and the Nemean Lion 1540-50 Niccolò Vicentino Italian. Hercules and the Nemean Lion. Niccolò Vicentino (Italian, active ca. 1510-ca. 1550). 1540-50. Chiaroscuro woodcut from two blocks in green (state ii). Andrea Andreani (Italian, Mantua 1558/1559-1629). Prints

Sitting male naked, with club. Draughtsman: Bernard Picart. Dating: 13-Sep-1723. Measurements: h 522 mm × w 369 mm. Museum: Rijksmuseum, Amsterdam.

Woodcut by Monogrammist HW1 depicting the little Redeemer in a niche, created in 1519.

Apollo and Diana Albrecht Dürer (German, 1471-1528). Apollo and Diana, ca. 1503. Engraving on laid paper, 4 1/2 x 2 3/4 in. (11.4 x 7 cm). European Art ca. 1503

Apollo with harp standing in Nis, Anonymous, After Marcantonio Raimondi, After Rafaël, 1512 - 1565 print paper engraving (story of) Apollo (Phoebus)

Maart. Personificaties van de maanden (series title). Draughtsman: anonymous. Dating: 1550 - 1600. Measurements: h 294 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

Italy, Raphael, Dente, Marco, Birth of Venus, verso - stamped, The naked Venus stands with one foot on a large shell. In the background the sea with two dolphins. Above in the clouds Saturn who is about to castrate his father Uranus with a sabre., print, prent, prints, height 261 mm, width 170 mm, Italian, 1486 - 1527, print maker, printmaker, 1498 - 1532, paper, papier, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07

Antinous, 27 November between 110 and 115, 30 October 130, was a favourite and probably lover of the Roman emperor Hadrian, historical Rome, Italy, digital reproduction of an 18th century original, original date unknown, Europe

Copper engraving by Lucas Hugensz. van Leyden depicting four soldiers in a forest, created around 1507.

Juno with Pauw, Willem Isaacsz. van Swanenburg, after Michiel Jansz van Mierevelt, 1670 - 1726 print Juno stands by a tree. A peacock is depicted next to her. There is a village in the distance. Under the performance is a four -line, Latin text with a description of Juno's promise to Paris. print maker: Leidenafter design by: Delft (possibly)publisher: Amsterdam paper engraving the Judgement of Paris (Mercury present). (story of) Juno (Hera). ornamental birds: peacock

Stix. Philips Galle (Holland, Haarlem, 1537-1612). Holland, 1587. Prints; engravings. Engraving

Blind Harpie. (TF)

Allegorical female figure striking a pose in masque costume, with a stork or crane. Woodcut by T. Stimmer, 1580.

love sex and eroticism adultery punishment for unfaithfulness copper engraving coloured Italy mid 16th century private collection,

Night, 1611 - 1637 print Landscape with Proserpina, daughter of Ceres, as a personification of the night. In her hands she holds a horn of abundance and a burning torch. She is accompanied by a dragon and an owl. In the background a procession of people with burning torches. In the margin a two -way caption in Latin. paper engraving Personification of the Night, 'Nox'; 'Night', 'Carro della Notte', 'Serenit of the night' (Ripa). (Story of) Proserpina (Persephone, Core), Free. Owls. Dragon

Second Vision, from Mirrors of the Microcosm Printed 1613 Germany. This trio (1944.461, 1944.462, and 1944.521) of engraved, etched, and letterpress-printed anatomical broadsheets by the Augsburg artist Lucas Kilian boast over a hundred superimposed organ flaps. The viewer could dissect its male and female corpses as an educational medical exercise or purely out of morbid curiosity. The first sheet, or Vision, boasts male and female flap figures after D¸rerís 1504 Adam and Eve engraving. The second and third Visions display larger-scale images of Adam and Eve respectively, each standing on a skull with its own flaps. The medical doctor Johann Remmelin, who designed these flap prints as a student, coyly denied responsibility for the 1613 edition until the single-sheet prints appeared to be selling. Then he blessed the reuse of his ìunripe fruitî as book illustrations.Perhaps uniquely for flap prints of this era, eighteenth-century restrikes from the plates for the 1619 second state are

Hercules playing a lyre, a lionskin draped over his shoulder published ca. 1599-1622 Anonymous, Italian, 16th century Italian. Hercules playing a lyre, a lionskin draped over his shoulder. Ex Antiquis Cameorum .... Anonymous, Italian, 16th century. published ca. 1599-1622. Engraving. Third state.. Published by Philippe Thomassin (French, Troyes 1562-1622 Rome). Prints

Triton in battle with a sea monster; Reliefs in the Loggia of Rafael. A triton in battle with a sea monster. A Sater crawls on the Triton.

. Prometheus lies naked on a rock, chained to feet and ankles. An eagle pockets his liver. In the foreground the torch, which refers to the fire that Prometheus stable of the gods. In the margin the title in French, English, German and Dutch.

Danger, Philips Galle, c. 1585 - c. 1590 print A man with a ship's rudder around his body whose handles are swords. The man looks at the sword above him. With his left foot he is in a thorn bush. Under the show two lines of text in Latin. The print is part of an album. print maker: AntwerpSouthern Netherlands paper engraving Danger; 'Danger' (Ripa)

Silenus sculpture with the young Bacchus on his shoulders; Bacchi Statua in Viridario Cesarinorum; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Pêcheur Fisherman still image. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Sculpture, Greco-Roman, Fishing, Fishermen

Aristomachos.

Frontispiece, Segmenta nobilium signorum e statuarū: quæ temporis dentem inuidium euasere Urbis æternæ ruinis erepta, typis æneis ab se commissa perptuæ uenerationis monimentum, Perrier, François, 1590-1656, Engraving, 1638, Frontispiece from book.

Hercules Farnese; L'Ercole di farnese Disegnato in Due Vedute Opposte / Le Hercule de Farnese Dessine Sous Deux Points de Vue Opposez. Antique sculpture known as the Hercules Farnese, shown twice. At the left A draftsman and in the foreground a bass relief. In sub-margin titles, five-line Italian text and seven-line French text.

Broeck, Crispijn van den, Antwerp, Sadeler, Johann (I), People from the Old Testament, Iob, Job, verso lower left - stamped, In the foreground Job, his hands folded in prayer. In the background the destroyed house of Job. Among the rubble of his house lie the bodies of his children, The twelfth print of a 39-part series on the subject of people from the Old Testament., print, prent, prints, prenten, height 118 mm, width 81 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1575 - 1575, paper, papier, engraving, engraving (printing process), Work conception, 1524 - 1591

Personalization of mediocrity; Middleiness; One-and-fourteigh pieces, shyded sinne images. A women's figure as a personalized mediocrity with a brushed lion with a bit in and a sheep to a lead. Print from a series of 41 symbols.

Copper engraving by Ludwig Krug depicting a naked woman standing in a landscape, created in the first third of the 16th century.

Seem in the hell of prices by Monster, Schelte Adamsz. Bolswert, After Peter Paul Rubens, 1596 - 1678 print A soul in the hell begs with folded hands for grace and is bitten by a monster. Under the show is a quote from the Bible, Isaiah 33, in three languages. paper engraving the damned souls beaten, pricked, scourged, etc. by devils

Saint Michael holding scales and a lance, a demon beneath him, from the series 'Piccoli Santi' (Small Saints) ca. 1500-1527 Marcantonio Raimondi Italian. Saint Michael holding scales and a lance, a demon beneath him, from the series 'Piccoli Santi' (Small Saints) 342566

A naked warrior with a panth, hem, shield, and flag, standing under d Nathe, Christoph (1753-1806); around 1790 (1775-00-00-1806-00-00);Gedenkhalle, Kaiser Friedrich -Museum (Zgorzelec) - collection, acts, men's acts, forests, men, German drawings

. The month of October: Bacchus drinks wine from a nap where a served grapes interrupted. Grapes are stamped in the background. On top of the wall the scorpion sign. In the margin a eight-line caption, in two columns, in Latin.

Germany, Coornhert, Dirck Volckertsz., Amsterdam, Hondius, Hendrick (I), Cologne, Weerdt, Adriaan de, Triumph of Truth, Contempt for the world's deception leads to Truth and Christ, verso bottom center - stamped, Man turns away from the world (the world globe) and the associated deception (the two masks). He clings to Truth (Veritas), because it leads to Christ. The print has a Latin and a Dutch caption and is part of a series on the triumph of truth., print, prints, width 192 mm, height, 258 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1566 - 1578, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Southern Netherlands, 1510 - 1590, after a design by, Publication (Event), Publication, 1573-06-09 - 1650-10-25, publisher, writer

Hendrik Goltzius after Cornelis Cornelisz van Haarlem, Ixion, 1588 Ixion

Hans Sebald Beham (1500-1550). "The work of Hercules: Déjanire sends to Hercule by Lycas a shirt dipped in the blood of Nessus, n ° 3. (Hollstein (Volume 3, page 67); Bartsch 98)". Chisel. 1545. Museum of Fine Arts of the city of Paris, Petit Palais. 123049-6 Chisel, 16th 16th XVI 16th 16th 16 Center

The seven deadly sins; That time from Nu / Soe is my name. Devils figure, composed of body parts of different animals, as a personification of the seven deadly sins. Standing in a niche. The Leeuwekop symbolizes the pride, the dragon eyes stand for the wrath, the lack of the right hand strikes the voicity and the back of a boar is the unchastity. On either side of the head the text: Figura de Septe Peccatis Mortalibus. The way in which the sample has been proposed in part on a poem by Hans Sachs: 'der Eygennutz, Das Grewlich Thier', 1535. At the bottom of text in Dutch in three columns.

Albrecht Dürer, Satyr Family, 1505 Satyr Family

Putto with an empty shield, Hans Sebald Beham, 1510 - 1550 print Putto with an empty shield and a helmet as heraldic attributes. This picture is embellished with brush in gray ink, causing the dark and lighting to be accentuated. paper engraving / brush Cupids: 'Amores', 'Amoretti', 'Putti'. Urban Life

Nuremberg, Solis, Virgilius, Cupid, Amor at sea, verso - handwritten in brown ink, print, prints, verso - stamped, 114, height 98 mm, width 71 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, engraving, engraving (printing process), etching, plate tone

Adam Sit, from the cycle: Adam and Ewa Siedzia Beham, Sebald (1500-1550); 1519 (1st edition) (1519-00-00-1550-00-00);

Copper engraving by Marcantonio Raimondi showing an old man and a younger man holding an anchor, created in the first half of the 16th century, depicting an allegorical or symbolic scene.

Albrecht Dürer (1471-1528). "Holy Madeleine transported to the sky by the angels". Wood engraving, around 1504-1505. Museum of Fine Arts of the City of Paris, Petit Palais. Angel, Bible, Catholic, Christian, Heaven, Gospel, wood engraving, New Testament, Paradis, Fatherresse, saint, transported

Naked shepherd boy at a source. Draughtsman: Jan Tersteeg. Dating: 1789. Measurements: h 448 mm × w 321 mm. Museum: Rijksmuseum, Amsterdam.

Sitting naked from the Sistine chapel; Michelangelo's Ignudi from the Sistine Chapel. Sitting male nude, partly naked to the side.

Caliban Published 1809 England. Etching on cream wove paper . John Hamilton Mortimer

Saint Michel (Bartsch 158) Marc Antoine Raimondi (1480-vers1534). Saint Michel (Bartsch 158). Fight, chisel. 16th century.

Sebald Beham, Genius on a Dolphin, 1521 Genius on a Dolphin

A horse-tamer. Etching by F. Perrier.

Female figure with trident of Neptune; Nouveau Livre des Dieux et Deeßes de la Marine Bouckje van Zeegoden and goddesses. A women's figure keeps a Neptune staff and a shell in hand.

The Labors of Hercules: Hercules Receiving the Garment Steeped in Nessus's Blood, 1542. Hans Sebald Beham (German, 1500-1550). Engraving;

Apollo and Diana by Jacopo de' Barbari, engraving, 1502, (1440-1511), Amsterdam, Netherlands, Rijksmuseum

The Guardian Angel: an angel at left placing his hand on the head of a sleeping seated man. Artist: Jacopo de' Barbari (Italian, active Venice by 1497-died by 1516 Mechelen or Brussels). Dimensions: plate: 8 5/8 x 6 1/16 in. (21.9 x 15.4 cm) trimmed to plate. Date: ca. 1500-1503.De-accessioned as a duplicate from the British Museum (BM reg number 1934,0804.50). Museum: Metropolitan Museum of Art, New York, USA.

Phaeton, 1601 - 1700, Etchings, 3 7/16 x 2 1/4 in. (8.7 x 5.7 cm), Paper / Sheet 3 7/16 x 2 1/4 in. (8.7 x 5.7 cm), Cream laid

Antwerp, Jode, Gerard de, Broeck, Crispijn van den, Sadeler, Johann (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, The twelve ancestors of Israel, Ancestors Zebulon and Issachar, Left ancestor Zebulon, the tenth son of Jacob. He is dressed as a fisherman him an anchor. In the background the sea and a beach, a reference to the hometown of Zebulon. On the right is the patriarch Issachar, the ninth son of Jacob. Next to him lies a donkey, a reference to Issachar as a 'strong donkey'. Below the images is a reference in Latin to the Bible text. This print is part of an album., print, album page, prints, height 224 mm, width 308 mm, South Netherlands, 1550 - 1600-08, print maker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1524 - 1591, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Rhetoric; Rhetoricae Invento Res FUINT APUD GREGORIAS (...); The seven liberal arts. Personalization of eloquence (rhetorics). A naked woman sitting right in front of a curtain.

religion ancient world Greek mythology Prometheus enchained to a rock of the Caucasus mountains engraving by Sebastiano de Valentinis 1555/1558 private collection,

Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above ca. 1515-27 Marco Dente Italian. Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above 342501

Stefano Della Bella, Death Carrying a Child to the Left, probably 1648 Death Carrying a Child to the Left

Sebald Beham, Death and the Standing Nude Woman, 1547 Death and the Standing Nude Woman

Generosity (Magnanimitas); The virtues. The personification of god-minded tront as a prince, with crown and scepter, on a lion. In the background a square in front of a Palazzo with colonnade.

Keulen, Passe, Crispijn van de (I), Gods and goddesses involved in the judgment of Paris, Mercury, Landscape with Mercury and his symbol the rooster. Roosters usually pull Mercury's chariot. Mercury wears his winged helmet, the petasus. In his hand he holds the caduceus. In the frame is an inscription in Latin that refers to the role Mercury played in the Judgement of Paris. Mercury brings the goddesses to Paris and acts as an intermediary. Print from a series of six with Gods and Goddesses., print, prent, prints, height 82 mm, width 129 mm, 1564 - 1637, print maker, printmaker, 1592 - 1592, paper, papier, engraving, engraving (printing process)

Triton in battle with a sea monster; Reliefs in the Loggia of Rafael. A triton with a bat in battle with a sea monster.

Saint Jerome. Dated: 1725. Dimensions: sheet (trimmed to plate mark): 7.9 x 9.6 cm (3 1/8 x 3 3/4 in.). Medium: engraving and etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Pietro Rotari after Antonio Balestra.

Hercules and Antaeus Design for a Fountain 1659-1694 Netherlands. Pen and black ink and brush and gray wash on cream wove paper, laid down on ivory laid paper . Martin Desjardins

Statue ofOcean. Engraver: Nicolas Beatrizet, French, 1507/15-ca. 1565

Zeegod Neptune, Philips Galle, 1586 print The sea god Neptunus, seated on a shell pulled by seahorses. The print is part of a seventeen-part series about river and sea gods. Antwerp paper engraving (story of) Neptune (Poseidon)

Sebald Beham, Male Genius Holding a Coat of Arms, probably 1535 Male Genius Holding a Coat of Arms

Saint Christopher. Dated: 1520. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Barthel Beham.

Naked shepherd boy at a source. Naked shepherd boy at a source; At the bottom right: No 45 x.

Didon According to Raphael (Bartsch 187) Marc Antoine Raimondi (1480-vers1534). Didon according to Raphael (Bartsch 187). Fight, chisel. 16th century.

Mars, Hendrick Goltzius, 1591 - 1596 drawing The constellation that is favored by the war. Mars stands on a pedestal with his back to the viewer and a lance in his left hand. His right hand grabs his sword. On the left a standard carrier and a helbar animal, on the right in the foreground a drummer. In the background on the right the cavalry. At the top left the sign of the lobster and right above the sign of the ram. Design for a print. prepared paper. ink pen / brush (story of) Mars (Ares)

Venus and Amor on dolphins. Venus and Amor sit on the back with two dolphins. Amor has an arrow in his hand. Two wind gods on top of the clouds.

Venus and Amor on dolphins. Venus and Amor sit on the back with two dolphins. Amor has an arrow in his hand. Two wind gods on top of the clouds.

The Travelers and the Giant 1869 Designed by John La Farge American. The Travelers and the Giant 381679 Artist: Designed by John La Farge, American, New York 18351910 Providence, Rhode Island, Artist: Engraved by Henry Marsh, American, 18261912, The Travelers and the Giant, 1869, Wood engraving, frame: 6 15/16 x 5 1/2 in. (17.6 x 13.9 cm) sheet: 11 15/16 x 9 1/2 in. (30.4 x 24.2 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1921 (21.65.3)

Cain fleeing protects his face from the smoke of a great fire, Cain fleeing from God's vengeance Paradigmata graphices variorum artificum , print maker: Jan de Bisschop, (mentioned on object), intermediary draughtsman: anonymous, intermediary draughtsman: Domenichino, (mentioned on object), Northern Netherlands, 1668 - 1671, paper, etching, h 228 mm × w 156 mm

Satyr plays on a winch, Hans Sebald Beham, 1510 - 1550 print paper engraving Satyr (s) (in general). lyre, harp, harp

Naked man with headscarf at a fire, Jean Baptiste de Poilly, after François Verdier, 1679 - 1728 print France paper etching / engraving adult man. camp-fire; watch-fire

SAN SEBASTIAN. Author: EL GRECO. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Nicoletto da Modena, Italy, Hercules with club and golden apple stands beside dead dragon in garden of Hesperides, verso under - stamped, print, prints, height 72 mm, width 44 mm, print maker, printmaker, 1490 - 1520, fourth quarter 15th century, first quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

The Miser and the Miscarriage 1522-1535 Germany. Engraving in black on ivory laid paper . Barthel Beham

Antwerp, Jode, Gerard de, Series Regum Persarum, Persian kings, King Cyrus, verso - stamped, King Cyrus of Persia standing with a scepter in his hand. In the background Cyrus can be seen as a baby being handed over to a shepherd by Harpagus. Below the image a two-line text in Latin., print, prints, height 284 mm, width 202 mm, print maker, printmaker, 1547 - 1585, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Pluto; Gods and Goddesses. The God Pluto, standing, on the back, a trident in the right hand, a crown on the head. This print is part of a series of seven oval prints of classical gods and goddesses.

A satyr standing on a plinth holding a jug in one hand and a bird in the other. Engraving by V. Campana after Aloja.

A Roman hero who, in obedience to a divine instruction, rode with his horse into a chasm in the Forum at Rome, thereby saving the city. The story is almost certainly pure legend. Date: 362 BCE

The Prodigal Son, 3rd plate (L'enfant prodigue). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Statue of Apollo with skin of Marsyas, 1636 - 1647 print Statue of Apollo with skin from Marsyas. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Apollo (Phoebus). piece of sculpture, reproduction of a piece of sculpture

Headband: Two Infants with a Cardinal's Hat, a Third with a Banderole. Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: sheet: 2 7/16 x 5 1/4 in. (6.2 x 13.3 cm)plate: 2 3/16 x 5 1/16 in. (5.5 x 12.9 cm). Museum: Metropolitan Museum of Art, New York, USA.

Month

Solis, Nikolaus, Women from Classical Mythology, Diana, verso - stamped, print, prints, height 57 mm, width 43 mm, German, 1542 - 1584, print maker, printmaker, 1552 - 1584, paper, engraving, engraving (printing process)

Aldegrever, Heinrich, Germany, Frisian with the upper body of a child between two dolphins., verso bottom center - handwritten, Ornament with the upper body of a child with fins instead of arms, between two dolphins., print, ornament print, prints, 12, height 25 mm, width 55 mm, German, 1502 - 1561, print maker, printmaker, 1512 - 1560, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Chiron. Etching.

The Apollo Belvidere, 1843. Artist: J Jackson

Andromeda. Jan Pietersz. Saenredam (Holland, Zaandam, circa 1565-1607). Holland, 1601. Prints; engravings. Engraving

Sun of justice (Sol Justitiae). Justice as a sun god, with a sword in one hand and a scales in the other, seated on a lion. In the middle of Albrecht Dürer monogram.

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