Mythological and Allegorical Prints

Prints focusing on mythological narratives, featuring figures like Venus and satyrs, portrayed in intimate or dramatic compositions typical of the Baroque period.

Italy, Ricci, Sebastiano, Faldoni, Giovanni Antonio, Holy Family with the Young John the Baptist and Angels, verso - stamped, Mary sits with the Christ Child on her lap under a tree in a landscape. On the left two angels offer baskets of fruit to Mary. Christ gives an apple to the young John the Baptist. In the background Joseph reads a book., print, prent, prints, engravings, height 299 mm, width 409 mm, Italian, 1690 - 1780, print maker, printmaker, 1700 - 1760, paper, papier, engraving, engraving (printing process), 1659-01-08 - 1734-05-15

Italy, Ricci, Sebastiano, Faldoni, Giovanni Antonio, Holy Family with the Young John the Baptist and Angels, verso - stamped, Mary sits with the Christ Child on her lap under a tree in a landscape. On the left two angels offer baskets of fruit to Mary. Christ gives an apple to the young John the Baptist. In the background Joseph reads a book., print, prent, prints, engravings, height 299 mm, width 409 mm, Italian, 1690 - 1780, print maker, printmaker, 1700 - 1760, paper, papier, engraving, engraving (printing process), 1659-01-08 - 1734-05-15

Sater spies a sleeping woman, Francesco Brizio (attributed to), After Agostino Carracci, 1584 - 1623 print A satar peeks from behind a curtain to a naked sleeping woman. paper engraving sleeping; unconsciousness. satyr(s) spying upon

Sleeping Venus by Saters Spied, Werner van den Valckert, 1610 - 1612 print Sleeping Venus, with next to her amor, by Saters Spied. The Hague paper etching Venus and Cupid (Cupid not being mere attribute). satyr(s) spying upon

Agostino Carracci (Italian, 1557 - 1602). Omnia Vincit Amor, 1599. Engraving (and on verso, an orange crayon drawing of a head by an unknown artist of the 18th or 19th century). Sheet: 127 mm x 189 mm (5 in. x 7.44 in.). Only state.

NIMF and Watergod, Theodorus van Kessel, after Peter Paul Rubens, 1630 - 1660 print A naked nymph is lined through the water by a young triton, while two putti, one of which has a arrow bunder, are carried through the water on other sea creatures. This print is part of a four -part series about mythological figures. paper engraving / etching cupids: 'amores', 'amoretti', 'putti'. other types of nymph(s). triton(s)

Apollon et Marsyas 1644 Etched by Stefano della Bella Italian. Apollon et Marsyas 381634 Artist: Etched by Stefano della Bella, Italian, Florence 16101664 Florence, Artist: Designed by Jean Desmarets de Saint-Sorlin, French, 15951676, Dedicatee: Made for Louis XIV, King of France, French, Saint-Germain-en-Laye 16381715 Versailles, Patron: Commissioned by Cardinal Jules Mazarin, Italian, Piscina 16021661 Vincennes, Apollon et Marsyas, 1644, Etching, first state. The Metropolitan Museum of Art, New York. Gift of Robert Hartshorne, 1918 (18.48.2-3)

L'Air (The Air): A Group of Three Putti on Clouds 18th century Louis Marin Bonnet French. L'Air (The Air): A Group of Three Putti on Clouds 413584

Virtue contrary to Ignorance, Error and Prejudice, Andrea Andreani, draughtsman: anonymous, 1585 - 1595, paper, pen, brush, h 455 mm × w 324 mm

An ink and feather sketch by Franz Xaver Wagenschön depicting the biblical scene of Abraham's victim, showing figures and composition.

Ixion misled by Juno and Jupiter, Pieter van Sompel, after Peter Paul Rubens, 1615 - 1650 print The drunk Ixion embraces the image -made image of Juno. Jupiter, on a cloud with his eagle, and Juno, with her peacock, watch. In the background Medusa. paper. ink engraving / pen Ixion embraces a cloud (Nephele) in the shape of Juno

Caprarola, Carracci, Annibale, Italy, Agostino, Christ of Caprarola, Lamentation over Christ, verso - stamped, The Marys and John the Evangelist mourning over the dead body of Christ., print, prent, prints, height 122 mm, width 162 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1598 - 1598, paper, papier, engraving, engraving (printing process), Work conception, 1560-11-03 - 1609-07-15

Jupiter and antiope. Jupiter, in the form of a Sater, bends over the sleeping antiope. In addition to Jupiter his eagle.

Diogenes. Giovanni Jacopo Caraglio (Italy, Verona or Parma, also active Poland, circa 1505-1565)Francesco Parmigianino (Italy, 1503-1540). Italy, c. 1526-27. Prints; engravings. Engraving

The Resurrection of the Dead, Conrad Martin Metz, 1749-1827, German, after Michelangelo, 1474/1475-1564, Italian, 1801, Stipple engraving on moderately thick, moderately textured, cream, wove paper, Sheet: 16 13/16 × 24 1/16 inches (42.7 × 61.1 cm) and Image: 15 7/8 × 22 11/16 inches (40.3 × 57.6 cm), religious and mythological subject, Rome

Madonna with child and two putti.

Italy, Raphael, Master of the Dice, Apollo and Marsyas, verso - stamped, The satyr Marsyas is tied to a tree and is about to be flayed. On the right sits Apollo with his lyre and a woman who looks on. In the background a landscape., print, prints, height 179 mm, width 284 mm, Italian, German, print maker, printmaker, 1530 - 1560, paper, engraving, engraving (printing process), plate tone, Work conception, 1483-04-07 - 1520-04-07

Venus and Cupid and two other goddesses seated on a cloud under an arch and accompanied by a putto, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau ca. 1560-69 Giorgio Ghisi Italian. Venus and Cupid and two other goddesses seated on a cloud under an arch and accompanied by a putto, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau 397748

Saint Benedict on a Bed of Thorns 1666-1724 Benedetto Luti Italian. Saint Benedict on a Bed of Thorns 340712

Graphite and brown-gray wash by Franz Caucig depicting Narcissus for a planned painting in Palais Auersperg, Vienna, showing figure gazing into water, with white highlights, c.1810 or earlier, now in Ljubljana National Gallery.

Venus. Johann Jacob Thourneysser (Switzerland, Ble, 1636-1718). Switzerland, 1678. Prints; engravings. Engraving

An embrace Jean-Honor� Fragonard (1732-1806). An Embrace. Lavis Bister.

Italy, Bonasone, Giulio, Three nymphs and two satyrs bathing, verso - stamped, In front of a tree-covered cave with water, three nymphs and two satyrs are bathing. In the background on the left, a nymph and a satyr in front of an ancient ruin., print, prent, prints, engravings, height 204 mm, width 281 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, engraving, engraving (printing process)

Neptune Calming the Tempest Raised by Aeolus against Aeneas ( Quos Ego ) 1550-1599 Italy. Pen and brown ink with brush and gray wash, over black chalk, with touches of white gouache, on tan laid paper, laid down on tan laid paper .

The Sacrifice of Abraham. Dating: c. 1612. Measurements: support: h 40.3 cm × w 31.5 cm; frame: h 60 cm × w 50.5 cm; sightsize: h 40 cm × w 31 cm. Museum: Rijksmuseum, Amsterdam. Author: Pieter Lastman.

Andrea Mantegna, Battle of the Sea Gods (left half), c 1485 1488 Battle of the Sea Gods left half

Venus Adoring Cupid. Painting. Watercolor. Height: 222 mm (8.74 in); Width: 257 mm (10.11 in). Author: RICHARD COSWAY.

Lazio Viterbo Caprarola Palazzo Farnese132. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Luct, Olivier Dauphin, Olivier Dauphin, Wall Antibal Carracci, 1644 - 1683 print paper etching air (one of the four elements). doves, pigeons

Hagar in the desert. Hagar is on the floor in a mountainous landscape. An angel points her to a water source. On the right lies Ishmael, the child of Hagar, hidden under a shrub.

Jupiter and Juno on Mount Ida, James Barry, 1741-1806, Irish, c. 1809, Etching, Sheet: 12 x 14 1/8in. (30.5 x 35.9cm)

Hero and Leander. Leander swims every night to the other side of the Hellspont to meet his beloved hero. He drowns in a storm night and is drowned by Nereïden. In the background the torch can be seen by Hero.

Anonymous (Copy Raphael (Raffaello Sanzio)) / 'Men, Women and Children Escaping from a Flood, from The Deluge in the Vatican Logge'. XVI century. Wash, Pencil, Pencil ground, Grey-brown ink on brown paper. Museum: Museo del Prado, Madrid, España.

Jode, Gerard de, Kiliaan, Cornelis, Antwerp, Pieter de (I), The five senses, Tactvs, Sensibility, verso - stamped, Landscape with the female personification of the Sensation of Touch, with a dove on her hand. A man embraces her and pets the dog that sitting on her lap. In the foreground Venus and Cupid. In the margin, in two columns, a caption in Latin. Print from a series of five with the five senses., print, prent, prints, height 188 mm, width 229 mm, Zuid-Nederlands, 1570 - 1634-08-09, print maker, printmaker, 1590 - 1632, paper, papier, engraving, engraving (printing process), 1530 - 1607-04-15, writer, Publication (Event), Publicatie, Noord-Nederlands, 1509 - 1591-02-05, publisher

Krakow, Franciscan monastery, a Renaissance tombstone with a man's figure. Matejko, Jan (1838 1893), Zajkowski, Andrzej (1851 1914), Lewental, Salomon (Franciszek Salezy) (1841 1902)

Neptunus with a nymph, anonymous, 1700 - 1800 drawing paper. chalk love-affairs of Neptune: first series

Rome, Vien, Joseph-Marie (I), Les travaux de la vendange, The wine press, verso - stamped, Bacchanalian scene in frieze form with bacchantes and satyrs. On the left is a wine press that is set in motion by several bacchantes. On the right other figures are pouring wine into a bowl., print, prints, height 177 mm, width 443 mm, Frans, 1716-06-18 - 1809-03-27, print maker, printmaker, 1750 - 1750, paper, papier, etching, etsen, Work conception, after own design by

Hercules on the Tweersprong, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint). pencil brush / pen Hercules at the cross-roads, 'Herkules am Scheidewege': the choice of Hercules

drawing by F. Barrias: Virgil scene from the Aeneidos, fight, Anonymous, 1858.

Rome, Lafreri, Antonio, Italy, Ghisi, Teodoro, Giorgio, Angelica and Medoro, verso - stamped, two characters from Ludovico Ariosto's epic 'Orlando Furioso', intimately entwined in a landscape. Medoro scratches their names into the trunk of a tree. On the right a putto with a torch., print, prent, prints, prenten, height 295 mm, width 208 mm, Italian, 1520 - 1582-12-15, print maker, printmaker, 1530 - 1582, paper, papier, engraving, engraving (printing process), Work conception, - 1601-09-09, after a design by, Publication (Event), Publication, 1512 - 1577, publisher, uitgever

Photo production of drawing Raphael from Windsor Castle, Jesus and his disciples fishing on the lake.

Sadeler, Johann (I), Antwerp, Vos, Maerten de, unknown, Parable of the Good Samaritan, verso lower left - stamped, Landscape with the depiction of the parable of the Good Samaritan. In the foreground the Good Samaritan takes care of the wounded traveler. In the background the Levite and the priest who abandoned the traveler to his fate. In the distance the inn where the Samaritan leaves the traveler behind., print, prints, height 201 mm, width 266 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1560 - 1600, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Hercules at the Crossroads, 1498, Engravings, 12 5/8 x 8 3/4 in. (32.1 x 22.2 cm), Paper/Sheet 12 5/8 x 8 3/4 in. (32.1 x 22.2 cm), Stamped in black ink, verso Samuel Isham Collection (Lugt 1402); in purple ink, verso JM Jules Michelin (Lugt 1490), Cream laid

Diana and her groups.

Drawing (Italy)

Study of a sculptural group: Mars, Venus and Cupid, John Deare, 1759-1798, British, undated, Pen and brown ink, gray wash and brown wash on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream wove paper, Sheet: 4 1/8 × 4 5/8 inches (10.5 × 11.7 cm), cloth, muscles, nudes, religious and mythological subject, sculpture, wings

Hagar in the desert, Jurriaan Cootwijck, after Eustache Lesueur, 1759 print Hagar is located on the ground in a mountainous landscape. An angel points her to a water source. On the right is Ismaël, the child of Hagar, hidden under a bush. print maker: Amsterdamafter drawing by: Paris paper an angel appears and reveals a well of water to Hagar

Hagar in the desert, Jurriaan Cootwijck, 1759.

Silenus at the wine barrel. Silenus, Bacchus teacher, lying next to a wine barrel. A Sater places a wreath of vines on his head, another Sater donates his cup full of wine. Two drunken children lie on his feet, above a cup of a balicious donkey.

Giuseppe Rosaspinas engraving depicts Susanna with the two elders, showing figures, gestures, attire, and elements of the garden setting from the biblical story.

Paris, Gache, Henry, London, Chardon ainé & Aze., Scheffer, Ary, Italy, Calamatta, Luigi, Francesca da Rimini and Paolo Malatesta, recto right - embossing, The dead naked bodies of Francesca da Rimini and Paolo Malatesta rise. On the right are Dante Alighieri and Giovanni Malatesta. In the background dead souls that also ascend., print, prints, verso - stamped, recto left - blind embossing, height 375 mm, width 476 mm, Italian, 1801-06-21 - 1869-03-08, print maker, printmaker, 1843 - 1843, paper, papier, chine collé, steel engraving, staalgravure, intermediary draughtsman, after a drawing by, Dutch, 1795-02-10 - 1858-06-15, after, after a painting by, French, printer, drukker, Publication (Event), Publication, publisher, uitgever

Preisler, Valentin Daniel, work, Pan and Syrinx, 1764, mezzotinto, graphics, plate width 27.2 cm, plate height 38, 1 cm, leaf width 30.7 cm, leaf height 42.8 cm, image width 27.2 cm, image height 38.1 cm

Latone et les Paysans, 1601 - 1700, Etchings, 3 7/16 x 2 1/4 in. (8.7 x 5.7 cm), Paper / Sheet 3 7/16 x 2 1/4 in. (8.7 x 5.7 cm), Cream laid

Vuur, Anonymous, After Cornelis Schut (I), 1670 - 1726 print A sleeping child sits with a fire with a cooking pot on it. At his feet are a bladder ball and a tongs. A fire broke out behind him. paper etching / engraving fire (one of the four elements). camp-fire; watch-fire. bellows. sleeping; unconsciousness - BB - out of doors

Landscape male nude, with arm behind the head.

Phoebe and Hilaeria, the daughters of Leucippus, being abducted by Castor and Pollux. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Johann Friedrich Leybold (German, Stuttgart 1755-1838 Vienna). Dimensions: Image: 15 1/2 × 14 5/16 in. (39.3 × 36.4 cm)Sheet: 16 15/16 × 15 1/8 in. (43 × 38.4 cm). Date: 1798-1838. Museum: Metropolitan Museum of Art, New York, USA. Author: JOHANN FRIEDRICH LEYBOLD. After Peter Paul Rubens.

Angelica and Medoro, Print made by Richard Earlom, 1743-1822, British, after Benjamin West, 1738-1820, American, active in Britain (from 1763), 1768, Mezzotint, Sheet: 22 5/16 x 15in. (56.7 x 38.1cm), doves, goats, literary theme, lovers, Orlando Furioso (1516) by Ludovico Ariosto, romanticism

Huet, Jean Baptiste (le jeune), Jean Baptiste (le vieux), Three putti with musical instruments and fruit, Numbered top right: 69., print, prent, prints, prenten, height 217 mm, width 206 mm, 1745-10-15 - 1811-01-27, print maker, prentmaker, 1755 - 1852, paper, papier, roulette, etching, etchings, French, 1772-12-29 - 1852

Holy Family 1642-1653 France. Graphite, with brush and gray wash, on ivory laid paper, laid down on cream laid paper . Eustache Le Sueur

A feather drawing by Federico Zuccari showing two river gods and two spring nymphs in a wooded setting, with six women observing, executed in gray lavated and white highlights over a slate-gray base.

Mercury, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Etched by Stefano della Bella Italian. Mercury, from 'Game of Mythology' (Jeu de la Mythologie) 376724

Angel appearing to Peter in Prison. Artist: After Carlo Maratti (Italian, Camerano 1625-1713 Rome); Robert van Audenaerde (Flemish, Ghent 1663-1743 Ghent). Dimensions: sheet: 12 x 20 1/4 in. (30.5 x 51.5 cm)plate: 5 5/16 x 7 1/2 in. (13.5 x 19 cm). Date: 1680-1743. Museum: Metropolitan Museum of Art, New York, USA.

Madonna met kind.

Engraver: Louis-Marin Bonnet, French, 1736-1793, After: François Boucher, French, 1703-1770, Vénus sur les nuées, retenant une colombe (Venus Reclining, Holding a Dove by aRibbon), Crayon manner engraving, platemark: 41 × 56.2 cm (16 1/8 × 22 1/8in.), French, 18thcentury, Works on Paper -Prints

Feather and gray brush drawing by Simon Vouet depicting the Four Seasons, created in 1645.

Three children in a landscape, with bow and arrow and a dead bird, Three children in a landscape, draughtsman: Caspar Netscher, (possibly), draughtsman: Jan Mijtens, (rejected attribution), 1649 - 1684, paper, h 144 mm × w 203 mm

Print made by Cornelis Apostool, 1762-1844, Dutch, Here Nature List'ning Stood, 1795. Aquatint and etching on moderately thick, slightly textured, cream wove paper.

A fight between two men is interrupted by a woman representing mercy, pleading on behalf of the losing party. Engraving by G.T. Doo, 1848, after W. Etty.

Lazio Rieti Farfa (environs) Abbey of S. Martino13. Hutzel, Max 1960-1990 Views of ruins of the Abbey complex and crypt on the mountain of S. Martino near Farfa. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Putti with grape vines and jugs, Girolamo Rossi (I), After Guercino, 1632 - 1664 print Italy paper etching cupids: 'amores', 'amoretti', 'putti'. vintage, grape harvest. pressing grapes

Ligozzi, Jacopo, Sadeler, Aegidius, Dante and Virgil enter Hell through a gate, recto top left - written, Dante and Virgil in the cave leading to Hell. Both are dressed in Greek togas with laurel wreaths on their heads., print, prints, verso bottom left - stamped, 22, height 219 mm, width 278 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1547 - 1627-03-26

Dedale et Icare,', 1601 - 1700, Etchings, 3 7/16 x 2 1/4 in. (8.7 x 5.7 cm), Paper / Sheet 3 7/16 x 2 1/4 in. (8.7 x 5.7 cm), Cream laid

Antwerp, Jode, Gerard de, Weerdt, Adriaan de, Galle, Philips, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Ruth, Ruth sleeps at the feet of Boaz, Boaz sleeps in a granary. Ruth lies down at the feet of Boaz at night. At dawn she leaves the granary again. Below the image is a reference in Latin to the Bible text in Ruth 3. This print is part of an album., print, prent, albumblad, prints, prenten, height 214 mm, width 272 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, 1510 - 1590, after a design by, Publication (Event), Publication, Noord-Nederlands, 1509 - 1591-02-05, publisher

Ridinger, Johann Elias, Soldiers from classical antiquity, Seated warrior with bare chest, verso - stamped, print, prent, prints, height 185 mm, width 120 mm, German, 1698-02-16 - 1767-04-10, print maker, printmaker, 1728 - 1728, paper, papier, etching, etchings, plaattoon

Drawing by François Verdier showing Diana and Actaeon with entourage, executed with redel traces, brown wash, and white highlights, dated 1670-1730.

The Liberation of Saint Peter; Laurent de La Hyre, French, 1606 - 1656; about 1647; Black chalk and brown wash; 23.8 x 19.7 cm (9 3/8 x 7 3/4 in.)

Sebald Beham's 1525 copper engraving depicts a shepherd, highlighting figure, posture, and compositional detail.

Joseph Grozer, ca. 1755-1798, British, The Death of Dido, 1796. Mezzotint on moderatly thick, slightly textured, cream, laid paper.

Carlo Coltellini's chalk and feather drawing depicts Diana with nymphs in front of a stone arch, with Actaeon fleeing and transforming into a deer, showing figures, animals, and architecture.

Sardanapalus, from a painting by Eugene Delacroix (1798-1863), illustration from Nuova illustrazione Universale, Year 1, Vol II, No 43 and 44, September 6, 1874.

Lazio Roma Rome S. Andrea della Valle0. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, si

Cecrops' Daughters Uncover Erichthonius (recto); A Battle Scene (verso) 1577-1578 Netherlands. Pen and brown ink with brush and brown wash (recto and verso), on ivory laid paper . Anthonie van Montfoort Blocklandt

Plate IX. Paton, J. Noël (Joseph Noël), Sir, 1821-1901. Prints, Illustrations. 1844. Carl H. Pforzheimer Collection of Shelley and His Circle. Shelley, Percy Bysshe, 1792-1822. Prometheus unbound. Selections

An allegory celebrating Dutch painters. Engraving by J.A. Pierron after P. Peyron.

Two Gods on a Cloud. Artist: After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris); Attributed to Master FG (Italian, active mid-16th century). Dimensions: Sheet: 8 7/16 x 13 3/8 in. (21.4 x 34 cm). Date: mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing (Italy)

Oedipus and Antigone at Colonus, c. 1814, Johann Peter Krafft, German, 1780 - 1856, 18 1/4 x 13 5/8 in. (46.36 x 34.61 cm) (image), Brown ink and wash over graphite on off-white wove paper, Germany, 19th century

A feather drawing by Rudolf Rössler around 1890 depicting a spring allegory with amorets, showing figures and compositional arrangement.

Saint Francis visited by the Angel, from 'Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde' 1730-1786 Marco Alvise Pitteri Italian. Saint Francis visited by the Angel, from 'Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde' 650902

Achilles is angry, illustration to Homers “Iliad". Wyspiański, Stanisław (1869-1907), draughtsman, cartoonist

Putti at play. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: image: 4 3/4 x 9 7/16 in. (12.1 x 24 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Upper drawing of Venus seated on clouds, holding apple() in left hand; at left, Cupid with his bow and quiver of arrows. Lower drawing of two putti at left, posed like caryatids, holding draperies. Background shows balustrade with suggestion of coat-of-arms at right. Date: 1821-22. Pen and ink, brush and brown wash over black chalk on heavy white paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Danae, in der griechischen Mythologie die Tochter des Akrisios, Geliebte des Zeus und durch ihn Mutter des Heroen Perseus, Stahlstich nach einem Gemälde von Van Dyck, um 1650, Historisch, digital restaurierte Reproduktion einer Vorlage aus dem 19. Jahrhundert 1f-4903252

Susanna and the Elders, Cornelis Visscher (II), after Guido Reni, c. 1654 - c. 1658 drawing Design for a print. Amsterdam prepared paper. deck paint brush the elders making advances towards Susanna. the elders making advances towards Susanna

Four putti with vase.

Portrait of a woman in mind sunken along the waterfront, Eduard Isaac Asser, After Edouard Taurel, c. 1855 photograph Photo reproduction of a print from C.E. Taurel to the painting Meming of Jozef Israëls Amsterdam paper. photographic support. cardboard salted paper print historical persons - BB - woman

Reproduction of Galatea by Raphaël; Charles Marville (French, 1813 - 1879); Paris, France; 1860 - 1869; Albumen silver print

Harpies try to keep open the doors of the temple of Janus, but they are clubbed by Hercules. Mezzotint by A. Blooteling after G. Lairesse.

Paul for the magistrate of Caesarea, Otto van Veen, 1600 - 1610 drawing Design for a painting. paper. oil paint (paint) Paul is brought to Caesarea by soldiers with a letter to Felix, the governor

De Drie Theological Virtues, Theodoor Schaepkens, 1825 - 1883 print paper etching the Three Theological Virtues

of 2