Mythological and Allegorical Scenes

Engravings illustrating mythological tales with gods and heroes, showcasing dramatic interactions and rich symbolic elements in intricate settings.

Reconciliation of Jakob and Esau, Zacharias Dolendo (Attributed to), after Karel van Mander (I), 1580 - 1596 print The Esau and Jakob brothers hug each other. Right behind Esau is his army. On the left the cattle and the kneeling women and children of Jakob. Under the show the title and four four -line verses in Latin. Reconstructed from two fragments. Northern Netherlands paper engraving the meeting between Esau and Jacob

Venus sends Psyche to a source guarded by dragons, master of the dice, after Michiel Coxie (i), c. 1530 - c. 1560 print Venus contributes Psyche the task to get water from a source that is monitored by dragons. On a mountain of the eagle of Jupiter who brings psyche water from the Styx. Italy paper engraving Psyche performing various tasks set to her by Venus. the eagle of Jupiter fetches water from the Styx with Psyche's jar. Styx (river of Hades); 'Stige' (Ripa)

Perseus and the sea monster, Johannes Josephus Aarts, 1907 print Perseus floats hanging on the winged horse Pegasus through the air. He keeps the severed head of Medusa above the sea monster to which Andromeda has been sacrificed. Left in the foreground a flying seagull. With this second state of the print, a hilly landscape with a castle and two settlements has been added to the print. paper. chalk engraving (story of) Perseus. Pegasus, the winged horse

Taste 18th century Chez Huquier. Taste 394509

Steniging van Stefanus; Collection of eighty-five original prints.The print is part of an album.

. Allegorical representation that depicts that Minerva's goddiness of the Goddess blossom blooming. In the foreground, Minerva is on a stack of books, with her spear in the hands. In addition to her a woman seen on the back, perhaps a muse, with the caduceus. On the clouds climb heroes to the Olympus, where Jupiter waits for them. Father time looks in vain and sees how the heroes give himself eternal fame.

Night face with Paulus and Virginia, Reinier Vinkeles (I), 1751 - 1816 print Paul and Virginia step into a rowing boat on the edge of a forest, at night. Illustration in the story 'Paul et Virginie', about the love between a white girl and a white boy who grew up together in a French colony in the early 18th century. Amsterdam paper etching / engraving forest, wood. full moon. rowing-boat, canoe, etc.. forest, wood

Reconciliation of Jakob and Esau, Zacharias Dolendo (Attributed to), after Karel van Mander (I), 1580 - 1596 print The Esau and Jakob brothers hug each other. Right behind Esau is his army. On the left the cattle and the kneeling women and children of Jakob. Under the show the title and four four -line verses in Latin. Reconstructed from two fragments. Northern Netherlands paper engraving the meeting between Esau and Jacob

Reconciliation of Jakob and Esau, Zacharias Dolendo (Attributed to), after Karel van Mander (I), 1580 - 1596 print The Esau and Jakob brothers hug each other. Right behind Esau is his army. On the left the cattle and the kneeling women and children of Jakob. Under the show the title and four four -line verses in Latin. Reconstructed from two fragments. Northern Netherlands paper engraving the meeting between Esau and Jacob

Ariane kills a Scyth, Abraham Bosse, after Claude Vignon, 1639 print paper etching / engraving killing ~ aggressive relationships. archer's weapons: bow and arrow

Buried of the dead, Michel François Dandré -Bardon, 1710 - 1783 print paper etching the (seven) Acts of Mercy. burying the dead, 'mortuus sepellitur' ~ one of the (seven) Acts of Mercy

Young woman on the back of a Sater; Bacchanales; Nymphs and saters. An oval bass relief, standing on the ground between the green, with an image of a two young woman sater, one of which is astride on his back and kisses him.

Copper engraving by Peter Paul Rubens (1639-1684) depicting Christ with Johns boy and a lamb, showing religious figures, gestures, and Christian iconography in 17th-century Europe.

Etching by Bartolomeo Biscaino depicting the nativity of Christ, produced between 1650 and 1657.

Drunkenness of Silenus. Numbered at the top right: 82.

Copper engraving depicting Saint Jerome, showing the saint with symbolic religious objects, created in 1575 by Cherubino Alberti.

Paul and Virginia in a forest at storm. In a forest, Paulus and Virginia dodge a lightning bolt that covers a tree next to them. Illustration with the story 'Paul et Virginie', about the love between a white girl and a Caucasian boy who grow up in a French colony at the beginning 18th century.

Landscape with ruin and inn; Landscapes with figures. Mountainous landscape with a ruin. For the ruin an inn, for which a man on horseback, a second man and a dog.

Print, Frieze, from "Ornament I Di Fregi"; Print Maker: Stefano della Bella (Italian, 1610-1664); Italy; etching on paper; 8.3 × 25.1 cm (3 1/4 × 9 7/8 in.)

Sater spies a sleeping woman, Francesco Brizio (attributed to), After Agostino Carracci, 1604 print A satar peeks from behind a curtain to a naked sleeping woman. print maker: Italyprint maker: Italyafter design by: Italypublisher: Rome paper engraving sleeping; unconsciousness

Rest during the Flight into Egypt. Grimaldi, Giovanni Francesco (ca 1606-1680), graphic artist

Job on the Mesthoop, Anonymous, After Jan Snellinck (I), 1585 print Job is on a manure heap and is visited and mocked by his friends. One of his friends is in pocket and ash: he has scattered ashes on his head. Under the show a reference in Latin to the Bible text in Job 2. This print is part of an album. paper engraving Job on the dunghill visited by his friends (and wife)

Vignettes for the New Voyages to the West Indies by the Chevalier Bossu 1767 France. Etching on ivory laid paper . Gabriel Jacques de Saint-Aubin

Judgment of Paris, Zacharias Dolendo (attributed to), 1580 - 1596 print In a forest landscape, Pallas, Juno and Venus are opposed to Paris with shepherd's staff and a ram next to him. Above them, Amor floats with a bow and arch on Paris. Mercury is hidden in a tree on the right. In the lower margin a four -line Latin text. Amsterdam paper engraving the Judgement of Paris (Mercury present)

An etching by Christian Wilhelm Ernst Dietrich depicting the biblical flight into Egypt, created in 1788.

Copper engraving by Hendrick Goltzius depicting a dragon killing the companions of Cadmus, created in 1588. The print illustrates the mythological narrative from classical Greek legend.

The creation of the world: creation of man, Jan Harmensz. Muller, after Hendrick Goltzius, 1581 - 1628 print paper engraving creation of man; the Garden of Eden (Genesis 1:26 - 2)

Print, The Letter V; Designed by Giovanni Battista Betti (Italian, active 1754 - 1777); Italy; Mat: 23.6 x 33.3 cm (9 5/16 x 13 1/8 in.); 1918-17-22

Scene from a poem with a couple surrounded by putti with a shield, anonymous, after Charles Monnet, 1776 - 1800 print France paper etching / engraving literary characters and objects. protective weapons: shield

Sleeping toddlers with Kat, Anna Folkema (Possible), François Boucher (copy after), 1705 - 1768 print paper etching tot, toddler ~ the ages of man. cat. sleeping on the ground

Éditions Orion, France, Edy-Legrand, Edouard Léon Louis, Landscape with palm trees and bathing figures, verso - stamped, print, book illustration, prints, height 214 mm, width 162 mm, 1892 - 1970-09, print maker, printmaker, 1930 - 1930, paper, aquatint, etching, etchings, Publication (Event), Publication, French, publisher

La Mort et le bûcheron (1st plate) , Death, Skeletons, Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

Bacchus. Draughtsman: Cornelis Holsteyn. Dating: 1628 - 1658. Measurements: h 294 mm × w 406 mm. Museum: Rijksmuseum, Amsterdam.

Night and Mercury, Jan Punt, 1740 print The personalized night, accompanied by Putti, drives in her car pulled through horses along the moon. She is in conversation with Mercury. Scene from the play Amphitryon, Van Molière. Amsterdam paper etching / engraving (MOLIERE) specific works of literature (with AUTHOR, Title). (story of) Mercury (Hermes). personification of the night, 'Nox'; 'Notte', 'Carro della notte', 'Serenití della notte' (Ripa)

Sopla (Blow), pl. 69 from the series Loscaprichos. Artist: Francisco Goya, Spanish, 1746-1828

Abraham Sacrificing Isaac, 18th century, Giovanni Battista Mengardi, Italian, 1738 - 1796, 4 15/16 x 6 1/4 in. (12.54 x 15.88 cm) (plate)5 1/2 x 7 5/8 in. (13.97 x 19.37 cm) (sheet), Etching, Italy, 18th century

Veneius after Martin of your Raphael Sadeler (said the old, 1560-1632). Venerius after Martin of your. Burin, 17th century.

Four nymphs on Waterkant, Salomon Gesner, 1770 print paper etching Naiads, river- and spring-nymphs; usually carrying an urn; 'Naiadi, ninfe de' fiumi' (Ripa). water meadows

Fontein puts Man in Putti, Georg Sigmund Rösch, After François de Cuvilliés (Sr.), 1745 print A fountain with a sitting man with bags, putti, fruit and a smoking vessel at the top. Left front are a shield, flags and weapons. On the right in the background a round arch with columns and an obelisk. Germany paper etching / engraving ornamental fountain. sitting figure. cupids: 'amores', 'amoretti', 'putti'

Jonas spit through the whale. Jonas is spit through the whale and crawls ashore. Fishing boats in the background.

Long Live the Chains! ("Vivan las caenas cadenas"). Artist: Leonardo Alenza y Nieto (Spanish, Madrid 1807-1845 Madrid). Dimensions: 7-1/8 x 5-3/8 in. (18.1 x 13.7 cm). Date: 1807-45. Museum: Metropolitan Museum of Art, New York, USA.

Fantin-Latour, Henri Ignace Jean Théodore (n.1836-01-14-D.1902-08-25), temptation of Saint Antoine, lithography published in the original print-third delivery (July-September 1893) (main title ), 1893. Lithography. Petit Palais, Museum of Fine Arts of the City of Paris.

Three travelers resting under a tree, François Boucher, 1727 - 1755 print Two men and a woman resting under a tree. The men have a walking staff with them. print maker: Francepublisher: Paris paper etching Rest, Immobility, Stasis. the (nude) human figure; 'Corpo humano' (Ripa) (+ three persons)

Copper engraving by Jacob Louys depicting Diana and her nymphs resting after a hunt, showing classical attire, bows, and a forest setting from the 17th century.

Venus with amor and a faun, c. 1590 - c. 1610 print Venus leans against a table on which a vase with flowers. She holds Amors Hand. In the background, a faun appears from a dark room with a bowl of fruits. A flying putto holds a handful of flowers over the head of Venus. On the ground next to Amor there are arrows and arch and two pigeons. Under the print the Latin title. paper engraving Without the COVER AND BACCHO CLOVE Venus." Flowers in a vase

Germanicus with a sacrifice, Pietro Vitali, After Jean Grandjean, 1781 print Germanicus with a sacrifice with priests. On the left a bull decorated with a flower wreath. Numbered at the top right: V. print maker: Italyafter design by: Rome paper engraving / etching sacrifice ~ Roman religion. (story of) Germanicus

Herderin with a ram, a goat and a cow near a ruin, Adam von Bartsch, after Johann Heinrich Roos, 1805 print This print is part of an album. prepared paper etching cow. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. goat. ruin of a dwelling, house, castle, etc.

Venus an Adonis, Bernard Lens (I), After Anne Killigrew, 1682 - 1725 print London paper etching Venus and Adonis as lovers

Historia writes in her journal, assisted by Prudentia and Chronos, Philip Tidemann (attributed to), 1667 - 1705 drawing Allegory: Historia writes in her journal, assisted by Prudentia and Chronos. In the foreground putti with money bag, horn of abundance with fruit, hunting out and a full fishnet. At the top left a double portrait with two coats of arms. paper. graphite (mineral). chalk brush Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Etching by Richard Earlom from 1760-1822 depicting Bacchanalia scenes, showing figures, gestures, drapery, and mythological celebration.

Title print with Bartolomeo Pinelli and Roma; In Mezzo all Rovine del Foro, Roma Mi Apparve Ella Sua Maestosa Dignità, E Grandezza; History of the Roman Empire; Frontespizio della Iistantia Romana. View of Rome with the Colosseum and ruins of other monuments. The artist Bartolomeo Pinelli, next to him two dogs, stands for the personification of Rome (Roma), a woman in gown with helmet and a shield with the lupa capitolina that suckles the twins romulus and remus.

Pencil drawing, possibly a copy, by Josef Grassi depicting 'The Message', showing figures, gestures, and composition, around 1800.

Venus tries to keep Adonis van de Hacht, Nicolaas Pieneman, after Peter Paul Rubens, 1827 - 1860 print Venus tries to keep Adonis, with spear and hunting dogs ready to hunt, from the yacht that will end deadly to him. Two swans on the left, three dogs on the right. Amsterdam paper. Venus trying to prevent Adonis from going hunting

A brush and ink drawing by Januarius Zick depicting a volcanic smithy, showing figures at work and geological elements on blue paper.

Minerva, Bernard Picart (workshop of), 1683 - 1733 print Minerva, protector of the arts and science, surrounded by putti with measuring instruments, maps and a globe. Amsterdam paper etching / engraving 'Architectura', symbolic representations, allegories and emblems ~ architecture; 'Architettura' (Ripa). cupids: 'amores', 'amoretti', 'putti'. Minerva as patroness

Copper engraving and etching by Étienne Baudet from 1658-1711 depicting Christ during the spring, showing figures, gestures, and detailed drapery.

Francisco de Goya y Lucientes, They take advantage., 1810-1820, etching and aquatint.

Woman gives a man to drink from a bucket, possibly Eliezer and Rebekka, Léon Davent, After Francesco Primaticcio, 1540 - 1556 print Woman gives a man to drink from a bucket. Other figures with jugs around them. paper etching the meeting at the well: Eliezer sees Rebekah coming with a pitcher. drinking. container of ceramics: jar, jug, pot, vase

Awakening of the dawn; Lucien, Jean-Baptiste (Ca 1748-1806), Pierre, Jean Baptiste Marie (1713-1789); 1770-1800 (1770-00-00-1800-00-00);

Daedalus and Icarus. 1775. David, Giovanni, 1743-1790. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Paul Adolphe Kauffmann (Peka, 1849-1940). "Title vignette for the chapter" The workers of the sea ". Illustration for the" Golden Book of Victor Hugo ". Ink on paper. 1882. Paris, house of Victor Hugo. 102268-20 Drawing, ink, woman, man, illustration of literary work, octopus, octopus, 19th 19th 19th 19th 19th 19th 19th century, combat, dagger

Anatomical study of a man tied to a tree; Peter Paul Rubens drawing book.

Francisco de Goya y Lucientes / 'Dream of a beginner witch'. 1796 - 1797. Pencil, Iron gall ink on laid paper. Museum: Museo del Prado, Madrid, España.

Etching by Ferdinand Bol depicting the biblical scene of the Sacrifice of Isaac, pinnate style, 1638-1645.

Polyphemus Gooit Een Steen Naar Acis, Giovanni Girolamo Frezza, After Pietro Antonio De Pietri, After Sisto Badalocchio, 1704 print The monstrous one -eyed giant Polyphemus throws a stone at his rival acis. Acis flees with Galatea towards the sea. print maker: Romeafter drawing by: Italyafter painting by: ItalyVaticaanstad paper engraving Acis and Galatea flee from Polyphemus, who seizes a rock to crush Acis

Drawing (Italy); Designed by Felice Giani (Italian, 1758-1823); pen and brown ink, brush and brown wash over traces of graphite on cream laid paper

Daniël is liberated from the Leeuwenkuil, 1579 print King Cyrus finds Daniël after seven days alive in the lion's own and has him raised with ropes. Under the performance an explanatory text in Latin. Print is part of an album. paper engraving Daniel is liberated from the lion's den ~ King Cyrus

Meeting of Jakob and Rachel at the Put, Sisto Badalocchio, After Rafaël, 1607 print Rachel and Lea stand with the sheep of their father at a well. Jakob is on the left. A landscape in the background. Numbered below: 25. paper etching Jacob sees Rachel coming to the well to water Laban's sheep

Venus and Anchises; Paintings in Palazzo Farnese in Rome; Galeria Nel Palazzo Farnese in Roma. Venus and Anchises are in bed. Anchises travels the sandal from Venus. In the foreground Amor leans on the leg of Venus.

Femme dressée sur un piédestal orné de bas-reliefs (Woman Standing on a Pedestal Decorated with Bas-Reliefs), Jean-Laurent Legeay, French, ca. 1710-86, Etching on cream laid paper, A nude female standing atop a vase that is decorated with figures, among other classical objects, surrounded by dark foliage. In the background, a classical Parthenon-style building., France, 1768, published 1770, architecture, Print, Print

Klingholz Fritz (1861-1921), farewell to the colleges Manskopf and Pusch (May 18, 1889): Views and text. Pressure on cardboard, 31.1 x 20.8 cm (including scan edges) Klingholz Fritz (1861-1921): Verabschiedung der Collegen Manskopf und Pusch

Etching by Heinrich Friedrich Füger from 1770-1838 illustrating a scene from 'The Messiah', including human figures, gestures, and biblical elements.

Niobe punished for her recklessness, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. pencil. paper. deck paint. ink pen / brush Apollo and Diana kill Niobe's children

. Etching on laid paper

Dyplom upamiętniający 50-lecie wydania pierwszego dzieła graficznego Adolfa Menzla - 11 ilustracji litograficznych do sztuki J.W. Goethego " Künstlers Erdenwallen" strona pierwsza z kompozycją alegoryczną. Klinger, Max (1857-1920), graphic artist

Saint Jerome inPenitence. Artist: Albrecht Dürer, German, 1471-1528

Etching by Pietro Testa depicting a young artist presenting the joys of Bacchus and Priapus, created around 1644, showing mythological figures and allegorical composition.

Apollo regrets the death of Hyacinthus, Anonymous, Johann Wilhelm Baur, 1639 - c. 1700 print paper etching death of Hyacinthus: he is struck by a discus thrown by Apollo; possibly through jealousy of Zephyrus, who blows just as Apollo hurls the discus. homosexual love

A pencil sketch sheet by Rudolf Weyr showing studies of forms, figures, and compositional arrangements with attention to detail and structure.

Graflegging van Christus, anonymous, after Ago. Rossi, after Giuseppe Nicola Nasini, in or after 1667 print The dead body of Christ, lying on a tomb, supported by angels. At the top right Cherubies in the clouds. paper etching Christ's entombment (possibly by angels). cherubs, i.e. children's heads with wings

Advertising card from lithographer Jacques Petyt in Bruges. Landscape with a woman with a painting palette, next to her a young man with a piece of paper with the Lithograph address. Three putti around them, one of which is signing. Books and a globe in the foreground, in the background the city of Bruges.

Tityus Punished inHell. Engraver: Cornelis Cort, Dutch, 1533?-1578 After: Titian (Tiziano Vecellio), Italian, Venice, ca. 1488-1576

Militair in Harnas overlooks Vallei, Adolphe Mouilleron, After Adrien Guignet, 1848 - 1862 print Paris paper. the soldier; the soldier's life. rock-formations - HH - ideal landscapes

Fan -shaped print with dancers in different costumes, Henry Detouche, 1911 print paper

Victimes d'incendie par des chemineaux , Fires, Alphonse Legros (1837-1911)

Winter, Jakob Wangner, after Gottfried Bernhard Götz, 1714 - 1762 print Allegory of winter. An angel keeps warm by the fire. Twice a four -line text in German and French in the lower margin. Augsburg paper etching / engraving Winter, 'Hyems'; "INVERNO" (RIPE)

Bound Volume, Frontispiece for Book 4, in Eight books of Ornament; William Delacour (French, 1741 - 1767); Engraved by François Vivares (French, 1709 - 1782); France; engravings on white laid paper, bound in half-calf and marbled boards; Open: 41.4 x 48.1 x 11.7 cm (16 5/16 x 18 15/16 x 4 5/8 in.)

Tannhaeuser. Venusberg (2e planche) , Minstrels, Goddesses, Supernatural beings, Nymphs Greek deities, Venus Roman deity, Tannhäuser, Wagner, Richard, 1813-1883. Tannhäuser. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Drawing, Design for Title Page, Cahier des Parasols Chinois; Designed by Jean-Baptiste Pillement (French, 1728-1808); France; pen and brown ink, brush and black ink, black chalk; Sheet: 31.8 x 21.8 cm (12 1/2 x 8 9/16 in.)

Archangel Michaël in fight with the devil, Giovanni Pietro Possenti, 1628 - 1659 print Italy paper etching the Archangel Michael fighting the dragon (devil, Satan)

Grammar en Geometry, Giovanni Catini (ACTRUTED TO), 1735 - 1800 print A landscape with the personifications of linguistics (grammar): a woman with pen and writing, and geometria (Geometria): a woman with a mirror and sphere with a triangle on it. Italy paper engraving 'Grammar' (~ trivium); 'Grammar' (Ripa). 'Geometry' (~ quadrivium); 'Geometry' (Ripa)

Cavalier arabe attaqué par un lion.. Delacroix, Eugène (1798-1863). 1872. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Horses, Arabs, Lions

Decked soldier in a forest, Anonymous, 1650 - 1700 print France paper etching / engraving private soldier. (showing oneself) undressed, quasi-nude

Isabella at the table at Karel VI, Jacob Joseph Eeckhout (attributed to), 1803 - 1861 print Isabella is sitting at Karel VI at the table. Behind the table is a figure that symbolizes madness. paper. etching / drypoint king. queen

Copper engraving depicting the Massacre of the Innocents in Bethlehem, showing soldiers attacking children under Herods orders. Created around 1600, highlighting dramatic figures and historical narrative.

Rest on the Flight into Egypt..

Print, Saint John in the Wilderness, ca. 1760-1770; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); Italy; engraving in brown ink on white paper; 27.9 × 21.2 cm (11 in. × 8 3/8 in.); Bequest of George Campbell Cooper; 1896-3-255

Drawing, Design for an Escutcheon in Honor of William Earl Cowper (ca. 1665-1723); François Boucher (French, 1703-1770); France; charcoal, brush and brown wash on tan paper; 60.5 x 42.6 cm (23 13/16 x 16 3/4 in.)

The sacrifice of Iphigenia. Artist: Pietro Testa. Draughtsman: Moses ter Borch (mentioned on object). Dating: 1659. Place: Zwolle. Measurements: h 367 mm × w 475 mm. Museum: Rijksmuseum, Amsterdam.

of 3