Mythological and Biblical Scenes

Copper engravings that explore biblical narratives and mythological themes, featuring illustrations of angels, deities, and classic tales.

Copper engraving by Johann Sadeler d. Ä. from 1580-1581 depicting the liberation of Silas and St. Paul from Philippi prison and the martyrdom of St. Paul, showing figures, gestures, and architectural elements.

Etching by Jan de Bisschop showing a man performing a standing act and another using a blowbalg, created around 1671.

Copper engraving and etching around 1572 by Philipp Galle depicting a title page for 'States of the World', showing maps, allegorical figures, and decorative elements.

Copper engraving by Jacob Matham created in 1603 depicting kitchen and market scenes with biblical allegories, showing human figures, objects, and interior spaces.

Meno Haas (1752-1833); Hans Veit Friedrich Schnorr von Carolsfeld (1764-1841), Oriental scenes, 1803

Mary of England (title registered (letter)) | Works by Victor Hugo. (Title of all)

Copper engraving and etching by Sébastien Vouillemont from 1641 depicting the Massacre of the Innocents, showing children, figures, and biblical narrative.

Etching by Richard Earlom from 1783 depicting a poultry market, showing vendors, poultry, baskets, and market activity in detailed composition.

1667 etching by Jean Le Pautre depicting an interior with a bed niche, showing 17th-century architectural and decorative characteristics.

A copper engraving and etching by Pieter de Jode II from 1630-1645 depicting Venus at the sea, showing a mythological scene.

Copper engraving and etching by Crispin van de Passe around 1596 depicting virility and the old seasons with symbolic human figures and seasonal motifs.

Etching by Jean Le Pautre depicting a book of mirror tables and bases, created between 1625 and 1682.

Jost Ammans 1568 woodcut depicts scenes from Roman history by Titus Livius with detailed figures, architecture, and narrative composition.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Bloemaert, Abraham (1566 1651)

P. 4: Covetiveness, secretiveness, the organ of tune, size, weight, firmness , Organ grinders, Robberies, Secrecy. George Cruikshank (1792-1878). Prints and Drawings

Johann Hogenberg engraved a copper print between 1575 and 1618 depicting a coat of arms and a family book, showing heraldic symbols, shields, and decorative elements.

Copper engraving by Pieter de Jode depicting Marcus Attilius Regulus inside a spiked barrel, created between 1590 and 1634.

A copper engraving and etching by Gilles Rousselet between 1630 and 1686 depicting Jael, a biblical figure, rendered with narrative detail.

Copper engraving by Cornelis van Dalen illustrating Arctica as a title page (Titleblatt), produced around 1662, showing allegorical figures and geographic symbolism in Flemish engraving.

Copper engraving by Nicolas Beatrizet from 1553 depicting a battle scene of the Dacian War, showing soldiers, cavalry, weapons, and combat formations.

Woman by masked men robbed in a forest, Reinier Vinkeles (I), 1780 print Amsterdam paper etching / engraving robbery. mask. riding a horse, ass, or mule; rider, horseman. forest, wood

Madonna and Child ca. 1524-27 Parmigianino (Girolamo Francesco Maria Mazzola) Italian In Mariette Album, folio 3, mid second. Madonna and Child. Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore). ca. 1524-27. Etching and engraving. Prints

Au nom de ces amours-là, qui consoleront votre vieillesse, Madame, ayez pitié de moi! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Copper engraving by Jan Pietersz. Saenredam created in 1602 depicting emblems and objects symbolizing status and federation in Belgium. The print shows symbolic arrangement of items.

Etching by Jacques Callot between 1616 and 1622 depicting Saint Mansuetus awakening a king's son, showing religious figures and narrative scenes.

Card with four engravings according to the "figurine" cycle (form group studies; in the right, lower corner. "; Antonini, Carlo (1749-1835), Rosa, Salvator (1615-1673); 1780 (1780-00-00-1780-00-00);

Copper engraving by Gerard Edelinck depicting an allegorical representation of Ulrike Eleonore of Denmark, created between 1660 and 1707.

Copper engraving and etching depicting the Trinity, the creation of Adam and Eve, and the seventh day, created by Hans Lachner in the 16th-17th century.

Woodcut by Sebald Beham depicting Adam and Eva, showing two figures in biblical setting with symbolic elements, created in the 16th century.

Copper engraving by Boëtius Adamsz. Bolswert depicting a female hermit as a book illustration, created around 1612.

Mars and Cupid ca. 1542-46 () Etched by Andrea Schiavone (Andrea Meldola) Italian In Mariette Album, folio 46, bottom left. Mars and Cupid 365232

Don Quixote, Horace Vernet, 1818 print Ridder on horseback, probably Don Quixote. Print is part of an album. paper Don Quixote

Print, Design with Pedestal with Two Children, One Wearing the Imperial Crown; Designed by François de Cuvilliés the younger (German, 1731 - 1777); Engraved by Michael Hartwagner (German, d. 1776); Germany; etching and engraving on off-white laid paper; Platemark: 14.9 x 22.1 cm (5 7/8 x 8 11/16 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

This etching by Martin Johann Schmidt depicts mythological scenes, including the temptation of Christ, showing figures, narrative elements, and religious themes, created between 1760 and 1779.

Copper engraving by Sébastien Vouillemont from 1630-1660 depicting Parnassus, showing figures, classical composition, and mythological scene.

Copper engraving print by Jacques Firmin Beauvarlet around 1784 depicting the biblical figure Haman under arrest.

Copper engraving and etching by Claude Duflos depicting the concept of Justice, produced between 1726 and 1761.

Etching by Giuseppe Maria Mitelli depicting St. Helena discovering the True Cross, created between 1654 and 1718.

Copper engraving by Crispin van de Passe depicting rulers of the House of Burgundy. Created between 1584 and 1670, illustrating European nobility and heraldic symbols.

The Hundred Guilder Print: the central piece with Christ preaching, the plate arched, Rembrandt van Rijn, 1753 - 1810 Fragment of cut -off plate of the one hundred guilders print. The print is part of an album. paper etching / drypoint Fragment of cut -off plate of the one hundred guilders print. The print is part of an album. paper etching / drypoint

Copper engraving and etching by Carlo Domenico Melini from 1760-1795 showing Charles and Jacques Léopold de la Tour d'Uvergne as children, with figures, facial features, and attire.

Etching by Jan Punt depicting an allegorical title sheet design for Jacob de Witt's Teekenboek of Proportia, created in 1747, showing symbolic figures and design elements.

Copper engraving and etching by Pierre Etienne Moitte between 1742 and 1780 depicting preparations for hunting, with figures and landscape setting.

This etching by Georg Christoph Eimmart the Younger depicts a mythological scene from Vergil's Aeneid, including characters, symbolic elements, and architectural forms.

Etching by Stefano della Bella showing an allegory of the veneration of Louis XIII by sea gods during the capture of La Rochelle, created as a book illustration in 1649.

Copper engraving and etching by Joachim von Sandrart depicting allegorical representations of Day and Night, created between 1620 and 1686.

Copper engraving by Cornelis van Dalen depicting classical ancient statues, produced around 1638, emphasizing sculptural details and forms.

17th-century etchings by Melchior Küsel depicting scenes from the Old Testament, showing biblical narratives and characters.

Etching by Justus van den Nypoort depicting skiing techniques including the Volte and U-Volte, created between 1640 and 1692.

Etching by Georg Martin Preißler from 1732 depicting a series of ancient sculptures in classical style with detailed rendering.

Copper engraving by Karel van Mallery depicting a miller, his son, and a donkey, created between 1586 and 1635, showing figures, animal, and 16th-17th century European printmaking techniques.

Etching and copper engraving by Jean Baptiste Wicar around 1800 depicting classical relief figures and Kameen as ornamental motifs.

Young man with joy and sadness, Daniel Nikolaus Chodowiecki, 1778 print A young man dances with joy, presented as a young woman with a glass of wine in her right hand and a Thyrsus in her other left hand. She is closely followed by sadness, presented as a veiled old woman. paper etching joy, 'Gaudium' ~ one of the seven gifts of the soul. Pain, Sorrow, Sadness; 'Dolore', 'Dolore di Zeusi' (Ripa)

Musica (music); unknown, Floris, Frans (Ca 1519-1570; st.), Cock, Hieronymus (Ca 1510-1570); 1551 (1551-00-00-1551-00-00);

Etching by Richard van Orley depicting the miraculous fishing and the healing of a leper, created between 1665 and 1735. The print shows figures, water, fish, and interaction in a detailed religious scene.

Woodcut by Michael Wolgemut depicting triumphal cars, created between 1473 and 1519.

Woodcut depicting allegorical representations, created by Sebald Beham in the first half of the 16th century.

Etching by Theodorus van Kessel depicting Jesus and the adulteress, and a guard with Simon of Bethany, created between 1654 and 1660, showing biblical figures and interaction.

Therese Holbein von Holbeinsberg etching depicting a landscape with a tree featuring an image of Mary and a praying woman, created 1816, combining religious iconography and natural scenery.

Group Scholars, Marco Dente, After Francesco Salviati, 1498 - 1532 print A group of scholars, including three women, in a landscape. In the foreground a group of scholars bent over a book, which is kept open by one of the women. In the background on the left, a young scholar shows an Arillarium to two older scholars and two students. Under a bow a group of scholars around a table, bent over writings. Italy paper engraving / counterproof group of scholars or philosophers. armillary sphere, skeleton celestial globe

French Rekmisities Committee, 1795, Anonymous, After David Hess, After James Gillray, 1799 Cartoon on the (non -existent) committee of French Rekmisities, 1795. Members of the Committee take up money and goods from the population. Central the French General François Joseph Léfebvre pulls the wig of a man's head. A list of all seized goods on the ground. In the background a covered wagon full of prophets, including the natural history cabinet of the stadholder. Venice paper etching / engraving Cartoon on the (non -existent) committee of French Rekmisities, 1795. Members of the Committee take up money and goods from the population. Central the French General François Joseph Léfebvre pulls the wig of a man's head. A list of all seized goods on the ground. In the background a covered wagon full of prophets, including the natural history cabinet of the stadholder. Venice paper etching / engraving

Old man between five children playing, Joseph de Longueil, 1788 - 1792 print France paper etching / engraving old man. children's games and plays

Copper engravings and etchings by Dominicus Custos showing illustrations of Tyrolean rulers, including portraits and heraldic symbols, created in the 16th to 17th century.

Etching by Pietro Santo Bartoli, created in 1680, depicting Emperor Sigismund in Mantua with detailed architectural and figure elements.

The Story of Samson 1549 Cornelis Massys Netherlandish. The Story of Samson. Cornelis Massys (Netherlandish, Antwerp 1510/11-1556/57 Antwerp). 1549. Hand-colored engravings, first state of two, set into sheets in an album bound in red leather with gold tooling and marbled boards, housed in a case of red leather and marbled board.

Woodcut by an unknown monogrammist, 16th-19th century, showing multiple scenes from a loggia with architectural details and figures.

Four witches / Aeneas, Anchises and Ascanius. Two prints stuck together. Left: four standing naked women (witches) with different headwear in an interior. A sample is visible on the right through an opening. Right: Aeneas bears his father Anchises on his shoulders and holds a god status in his hand. Left next to him his son Ascanius walks with a pot in his hand.

Etching created between 1717 and 1726 by various artists, depicting multiple figures in different poses and interactions.

Colored woodcut from 1473 showing 'The Woman Claris' from Boccaccio's book, depicting a female figure with expressive gestures and drapery.

Giovanni de 'Medici flight from Florence, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Giovanni de 'Medici flight away from Florence, dressed as a monk. On the left a giant in a cave. Title in the end margin. Numbered in the middle: 3. Print Maker: ItalyAfter Design by: Vatican City paper etching / engraving flight, running away; pursuing. disguise

Paintings on the Triumphoog on site, 1691, Romeyn de Hooghe, 1691 print Paintings on the triumphal eye on the place, founded by the city council for the entry of Stadholder-Koning Willem III in The Hague, February 5, 1691. Eight Allegorical and mythological representations. paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Pond

Etching by Georg Martin Preißler from 1732 showing ancient sculptures represented in precise linear composition.

Design with Pedestal with Two Children Playing Music, Michael Hartwagner, German, d. 1776, Michael Hartwagner, German, d. 1776, François de Cuvilliés the younger, German, 1731 - 1777, Etching and engraving on off-white laid paper, Germany, 1745, figures, Print, Print

Baarsnood of the National Convention, 1795; La Convenzione Nazionale Batava Che Partorisce UNA Costituzione; Hollandia Regenerata (Italian copy); La Rigenerazione dell'olanda: Spechio a tutti i popoli rigenerati. Cartoon with the Batavian Republic as a seven-member sample that tries to give birth to a constitution. A French doctor is ready to speed up the birth with a pliers, as well as a devil that with a trident the "woman" between her legs. Links a doctor with a book the caesarean section.

Etching by V. L. Viechter, 18th-19th century, depicting architectural fragments and ruins with details of structure, columns, and terrain.

This 1639-1686 copper engraving by Gilles Rousselet depicts an allegorical scene including a portrait of Victor Le Bouthillier, emphasizing composition and symbolic elements.

Filippino Lippi, Uffizi, 1287. Study of blessed virgin and child enthroned, with figures adoring the child.. Illustrations, Prints. 1903. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , Tuscany (Italy), Painters , Florence (Italy), Drawing, Jesus Christ, Mary, Blessed Virgin, Saint, Architectural elements

Stone tablet found in a tomb at Thebes, 1818. Same size as original. In the collection of the Earl Belmore.. Scharf, George, 1788-1860. Belmore, Somerset Lowry-Corry, Earl, 1774-1841. Prints. 1822. General Research Division. Egypt , Antiquities

Copper engraving print by Robert Boissard from 1597 depicting couples in various costumes, showing figures, attire, and decorative elements.

Copper engraving by Luca Ciamberlano depicting scenes from the life of St. Philipp Neri, produced between 1595 and 1641.

Sheet with caricatures of dwarfs in the wind trade, 1720; Bombario Actionist and the Spirit of Esopus / Actionuse Night-wind-singer with his magic slon / nature action-doctor or blow-up bobber master / director of counterfeit action regiments; and beautifully Lawy Lawy Lawy; The great scene of foolishness. Leaf with caricatures of dwarfs in the wind trade. Four separate plates numbered 1-4 printed on one sheet. Plate 1: Emblem with Bombario in a picture frame with the devil and goat paws, awarded a basket full of fools. Plate 2: a dwarf as a night watchman with a magic lantern on his back. Plate 3: a dwarf as a doctor with a bird on his hand. Plate 4: a dwarf like an old woman with a dog on the arm. The 2-4 sheets have a caption in two columns. Print 26 in the series of the great scene of foolishness with cartriders at the 1820 wind trade.

Copper engraving by René Boyvin, created between 1540 and 1600, showing dryads dancing, illustrating classical woodland spirits and mythological figures.

Subwellers are punished, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 The conspirators are subject to the punishment of the Medici Family. On the left a group of soldiers on horseback who is following conspirators. Title in the end margin. Numbered in the middle: 8. Print is part of an album. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: RomeRomeFlorence paper etching / engraving The conspirators are subject to the punishment of the Medici Family. On the left a group of soldiers on horseback who is following conspirators. Title in the end margin. Numbered in the middle: 8. Print is part of an album. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: RomeRomeFlorence paper etching / engraving

Triumph of Emperor Marcus Aurelius, Nicolas Beatrizet, After Anonymous, 1560 print Emperor Marcus Aurelius stands on a triumphal wagon that is pulled by four horses. On the right a man blindly on a trumpet. The print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. triumph of Marcus Aurelius, the Roman emperor

Arabesque frieze. Topic 3: drunkenness; Schrödter, Adolf (1805-1875), Arnz, Albert (1832-1914), Arnz & Comp. (Düsseldorf; lithographic plant, printing house, publishing house; 1816-1914); 1848 (1848-00-00-1848-00-00);

Etching by Pietro Santo Bartoli, 1680, showing Emperor Sigismund in Mantua, highlighting the emperors posture, ceremonial robes, and decorative surroundings.

Around 1900, Alexander Rothaug produced sketches using pencil, ink feather, and colored pencil. The works depict human figures, landscapes, and compositional studies, demonstrating early 20th-century European drawing techniques.

Wolvin met , Romulus , Remus was added to ; To that of Romulus and Remus, the founders of the city, the bronze she-wolf in the Capitol, the sign of the ancient and la ctantium ; Roman glass mindedness. Sculptuur van wolvin , the Lupa Capitolina , on the tweeling , Romulus and Remus en Zoogr. Titles in net Engels in the ondermarge . The prent maakt deel uit van list .

Amalia Only in the garden, Daniel Nikolaus Chodowiecki, 1782 print Nummered at the top left: 5. With caption in German. paper etching Literature. garden. adolescent, young woman, maiden

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