Mythological and Biblical Scenes

Prints depicting mythological narratives and biblical stories with human figures, lush landscapes, and emotional expressions.

In a wooded, hilly landscape, Tobias, a dog and the angel Raphael are shown in the foreground near the Tigris River. Tobias emerges from the water with his arms raised and looks back, startled, at the large fish that has come to the surface., Tobias startled by the fish Old Testament representations (series title), print maker: Herman van Swanevelt, (mentioned on object), Rome, 1629 - 1641, paper, etching, h 144 mm × w 203 mm

Nymphs and Satyrs 1763 France. Etching on cream laid paper . Pierre Thomas Leclerc

Rest on the Flight into Egypt, Martino Rota, after Titiaan, 1569 print The Holy Family in a landscape, resting under a tree. The young John the Baptist offers Maria fruits. Putti floating above. On the right a female figure that plays fruit from a tree. Italy paper engraving the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Tobias is shocked by the fish; The story of Tobias. Tobias sits along the side of the water and reinstall if he sees the fish in the water. The angel is behind him. Numbered as 2.

Diana in Endymion, Franciscus de Neve, 1660 - 1666 print Diana visits the eternally sleeping beautiful youth Endymion. The scene is watched by two putti. A dog watches at the feet of Endymion. Rome paper etching Diana (Luna) visiting the sleeping Endymion

The Prodigal Son as a Swineherd. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

In a wooded, hilly landscape, Tobias, a dog and the angel Raphael are shown in the foreground near the Tigris River. Tobias emerges from the water with his arms raised and looks back, startled, at the large fish that has come to the surface., Tobias startled by the fish Old Testament representations (series title), print maker: Herman van Swanevelt, (mentioned on object), Rome, 1629 - 1641, paper, etching, h 144 mm × w 203 mm

Title page for the pamphlet: the picked Tapoeijer, 1702, Romeyn de Hooghe, 1702 print A falling half -naked man with feathers decorated (Tapoeijer) seems to be attacked by different birds, including an eagle and a cockatoo. The man (France, presented as original inhabitants of America) tried to catch the parakeet for his gold (Portugal and his possessions in America), but falls out of the tree and dies. All other birds come back their feathers, which the man had previously robbed. Title is on a separate text sheet. Netherlands paper etching / engraving Native peoples of the Americas. Native peoples of the Americas (+ caricatured). predatory birds: eagle. ornamental birds: parakeet

The creation of the world, the creation of animals Anonymous. The creation of the world, the creation of animals. Engraving inspired by a composition of Raphael. Engraving. Paris, museum of romantic life.

Peace, lying with an olive branch on a cloud, has won the victory, because next to her is Victoria with her palm branch. Victoria points to the war modes Mars, whose weapons are being taken away by Putti. In the middle plays a putto with a cornucopia.

Adam and Eve after the fall; Paintings in the Loggia of Rafaël. Adam and Eve with Cain and Abel working in a landscape.

Meleager and Atalanta François Chauveau French After Laurent de La Hyre French 1643

Resting man in Bos, Hermanus Fock, 1781 - 1822 print A man sits in the grass under a tree on the border of a forest and a meadow. Amsterdam paper. pencil etching forest, wood (+ landscape with figures, staffage). resting - BB - out of doors

Landscape with reading hieronymus. Saint Hieronymus is sitting in a mountainous landscape on a rock. Next to him a book and a hourglass. The lion, its attribute, strulses between the rocks.

Workshop of Hendrick Goltzius, after Hendrick Goltzius, Landscape with Mercury Raising His Sword to Kill a Sleeping Argus, 1589 Landscape with Mercury Raising His Sword to Kill a Sleeping Argus

Double waterfall, Anthonie Waterloo, 1630 - 1663

Plate Two, from Five Wise and Five Foolish Virgins 1606 Netherlands. Engraving on paper . Jan Saenredam

'Biblical Subject'. Dimensions: 6x8 cm. Museum: State Hermitage, St. Petersburg.

Man balt vuist naar vrouw; La Princesse Printaniere.Illustration from the fairy tale La Princesse Printaniere van Mme d'Aulnoy. A man armed with spear and on his head snakes as hairs Balt his fist to a woman with a lamb on her lap. In the foreground are chickens, bats and a crow. In the distance a fully veiled woman at a tree and water view with sailing ships. Print at the top right labeled: No. 6. PAG. 238.

Landscape with shepherds and a dog, Anonymous, Abraham Bloteling, 1655 - 1690

Creation of Adam, Jan Wandelaar, After Jacob de Wit, after Godfried Maes, 1710 - 1759 print In the Hof van Eden, Adam lies on a stone with God who supports him. They are surrounded by different animals, including two swans, a crocodile, a deer, a cow, a horse, a dromedaris, a lion, a sheep, a ram, an elephant, a goat, a few frogs, two rabbits, a monkey And an owl. print maker: Noord-Nederlandafter drawing by: Amsterdam (possibly)after design by: Antwerp paper etching / engraving the man (Adam) comes to life: usually God reaches out his hand or breathes life into his nostrils. animals

Allegory of the good governance of France, Claude Mellan, 1685 print print maker: Francepublisher: ParisFrance paper engraving allegory, personification of good government

Gaetano Zompini after Giovanni Benedetto Castiglione, Chiron Teaching Music to Achilles, 1758 Chiron Teaching Music to Achilles

unknown, Rome, Lorrain, Claude, Mercure et Argus, Mercurius en Argus, verso lower left - stamped, In a hilly landscape Argus sits on a stone at the entrance to a temple. Before him lies the princess Io, transformed into a cow. Mercury stands next to Argus and plays a wind instrument to lull him to sleep., print, engraving, prints, engravings, height 161 mm, width 220 mm, French, 1600 - 1682-11-23, print maker, printmaker, 1662 - 1662, third quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by, granter of privilege

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Apollo and Coronis; Metamorphoses from Ovid. Apollo coast coronis under the watching eye of a white crow. A coastal landscape in the background. In the undermarge a four-line explanation, in two columns, in Latin.

The Rest on the Flight into Egypt, Joseph at right, the Virgin holds the Christ Child in the centre, other figures to the left. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576); After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90-1576 Venice). Dimensions: sheet: 13 1/16 x 17 13/16 in. (33.1 x 45.2 cm). Date: 1531-76. Museum: Metropolitan Museum of Art, New York, USA.

Bagpipe Player. Artist: Pierre Brebiette (French, Mantes-sur-Seine ca. 1598-1642 Paris). Dimensions: 7 1/16 x 8 1/2 in. (17.9 x 21.6 cm). Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with a man who wards off a snake, Jan Luyken, wed. Arentsz Pieter Cornelis van der Sys II, 1711

Fishing in river, print maker: Jan Baptist de Wael

Jakob returns to his father, Charles Macé, After Giovanni Benedetto Castiglione, 1641 - 1665 print print maker: Francepublisher: Paris paper etching / engraving story of Jacob

Scene with a Warning Against Venereal Disease in a Circle at Center. Artist: Theodor de Bry (Netherlandish, Liège 1528-1598 Frankfurt); After Johann Sadeler I (Netherlandish, Brussels 1550-1600/1601 Venice); after Christoph Schwarz (German, Munich ca. 1548-1592 Munich). Dimensions: Sheet: 5 5/16 × 5 3/8 in. (13.5 × 13.6 cm). Date: 1580-1600.An allegorical scene with a warning against venereal disease set in a landscape in a circle at center. At right, a figure plays the lute in front of a fountain with Venus and Cupid. At center, a man gestures towards the fountain, while facing left towards a figure with a spear standing over a man crouching to drink from a stream into which a dog is urinating. Around the central circle, strapwork ornaments on a crosshatch background. The scene is a reverse copy of a print by Johannes Sadeler (Hollstein XXI.163.492) after a print by Christoph Schwarz. Museum: Metropolitan Museum of Art, New York, USA. Author: Theodor De Bry. after Johann Sadeler I. a

shepherd and shepherdess, Theodoor van Thulden, 1630 - 1634.

Young woman in shepherd wear at a stream. A young woman, disguised in shepherd clothing, washes her feet in a stream and is startled by three men who ask her to a inn. In the background Don Quixote and Sancho.

Wood engraving, England, by Thomas Bewick.

Oordeel van Paris, François Chauveau, After Laurent de la Hire, 1623 - 1676 print France paper engraving / etching the Judgement of Paris (Mercury present)

Hunters catch wild cats by knocking them out of trees with a long stick. Then the beasts fall prey to hunting dogs. The print has a Latin caption and is part of a 43-part series on hunting, Hunting Wild Cats Hunting Scenes (series title) In quibus omne genus venationis, aucupij, piscatusque (series title), print maker: Philips Galle, Jan van der Straet, (mentioned on object), publisher: Philips Galle, print maker: Antwerp, Florence, publisher: Antwerp, 1578, paper, engraving, w 301 mm × h 215 mm

Bonica exercises revenge with a stone. BERONICA catches her murdered son by striking his murderers with a stone. Bonica is in a carriage that is controlled by Caeneus, one of the murderers. The driver loses the reigns and run the horses about a man with devil ears, the second killer of her son. Page from a book with text on the verso.

Amsterdam, Schoonebeek, Adriaen, Scherm, Laurens, Pickaert, Pieter, England's theatre depicting the main events in Yrland from the year 1690 to the campaign of S:K: Mayesteit van Groot Brittanie 1691, The Army of K: Jacobus completely defeated and driven away, The army of Jacobus II defeated in the battle of the Boyne, 1690, The army of Jacobus II defeated and driven away in the battle of the Boyne, 11 July 1690. Plate no. 7 in the series 'Engelands schouwtoneel' about the war between William III and James II in the years 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French., print, prent, prints, prenten, Frederik Muller Historieplaten, height 154 mm, width 198 mm, Noord-Nederlands, 1669 - 1737, print maker, prentmaker, 1691 - 1691, fourth quarter 17th century, paper, papier, etching, etchings, North Netherlands, 1671 - 1702-11-13, printmaker, Publication (Event), Publication, 1661 - 1705, publisher

Apollo Hoedt the herd of Admetus, Moyses van Wtenbrouck, 1600 - 1647 print Apollo plays the flute, behind him is his herd. Scene from Ovidius metamorphoses (with. II, 680-685). paper etching / engraving Apollo tends Admetus' flock as penalty for having slain the Cyclopes

Rubens, Peter Paul, Hutin, Charles François, Ridinger, Johann Elias, Group of Lions and a Lion Hunt, verso - stamped, print, prints, height 328 mm, width 494 mm, German, 1698-02-16 - 1767-04-10, print maker, printmaker, 1708 - 1767, paper, papier, etching, etchings, French, 1715-07-04 - 1776-07-29, intermediary draughtsman, after a drawing by, South Netherlandish, 1577-06-28 - 1640-05-30

Hercules wears Deianeira, Anonymous, After Nicolas Poussin, 1650 - 1703 print print maker: Francepublisher: ParisFrance paper etching / engraving Hercules in love with Deianira, daughter of Oeneus

A Woman with Two Children on Horseback. Dated: 1758/1759. Dimensions: plate: 29.2 x 42.9 cm (11 1/2 x 16 7/8 in.) sheet: 31.8 x 45.4 cm (12 1/2 x 17 7/8 in.). Medium: etching in sanguine on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Giovanni Benedetto Castiglione Gaetano Zompini.

Jacques Callot (1592-1635). "La Grande Chasse" (Lieure 353, Meaume 711). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99604-15 Etching, engraving

Byblis in een beek veranderd; Biblis incesti ardoris repulsam passa in fontem commutatur; Metamorphoseon sive transformationum; Metamorfosen van Ovidius.Byblis was in love with her brother Caunus. When he disappeared and she couldn't find him bathed byblis in tears. She turns into a stream. Title in Latin in undermarge.

Johannes sees the whore of Babylon, Jan Luyken, 1700 print A performance in a cartouche of leaves. In the foreground on the left, an angel shows John the whore Babylon, sitting on a dragon with seven cups and ten horns. A golden cup in her hand. Under the cartouche on the Bible reference. 17: 3. Amsterdam paper etching ornament ~ cartouche. the scarlet woman, the whore of Babylon; she is usually sitting on a scarlet beast with seven heads and ten horns

Apollo in Daphne, Claude Massé, After Nicolas Poussin, c. 1666 - C. 1670 print paper etching Apollo pursuing the nymph Daphne (as yet not metamorphosed)

The soul removes its old snake skin; The worthy change.

Fight between Amor and Pan, 1660 print There are their attributes next to them. In the background a mountain landscape with a round building. This print is part of an album. paper etching / engraving Cupid vanquishing Pan

Vision on an island; Landscapes with mythological and biblical performances. A recluse who lives in a bird on a small island has a vision. A demon and the Madonna appear to heaven with the cradle. The sea around the island is stormy, in the distance the sea is quiet.

Bathing girls. In a hilly landscape in a ruin, two girls are bathing on the shore of a stream.

Print, A Stag Hunt, from "Der Weisskunig", 1775; Germany; woodcut on laid paper; 23.2 × 21 cm (9 1/8 × 8 1/4 in.); Bequest of George Campbell Cooper; 1896-3-48

Drunken Bacchantes and Putti 18th century Anonymous. Drunken Bacchantes and Putti 414182

Pan A Syrinx Met Dancing Putti, Dancker Danckerts, After Cornelis Holsteyn, 1633 - 1675 print Amsterdam paper etching single named nymphs (with NAME). (story of) Pan. cupids: 'amores', 'amoretti', 'putti'

Southern Netherlands, Galle, Cornelis (I), Rubens, Peter Paul, Rest on the Flight into Egypt, verso - stamped, Mary and the Child rest under a tree during the flight into Egypt. Joseph sleeps a little further away, leaning against another tree. John the Baptist as a child and two angels play with a lamb. One of the angels is urging John to be silent with a hand gesture, pointing to the sleeping Child., print, prints, height 330 mm, width 437 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1610 - 1650, paper, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Moyses van Uyttenbroeck, Mercury Lulling Argus to Sleep Mercury Lulling Argus to Sleep

Mei, Simon Fokke, 1722 - 1784 print From a series of twelve prints, the imagination of the month of May. On the bank, a gentleman plays a whistle and sings a lady from a songbook. Further on, three figures are fishing on a scaffolding. Amsterdam paper etching May ~ other concepts

In a park left a huntress with a bow, for her is a man in armor on the ground, he is probably the horse behind her cases, f urther on is his helmet. Right in the distance a fountain with a statue of Diana, surrounded by putti, print maker: Abraham Dircksz Santvoort, Dating 1667.

Scene by Peter van Lint showing shepherds enjoying wine and cake, drawn in brown ink with wash, deck white highlights, and graphite pencil.

Leonille, daughter of Tirsenia, changed orange from Dominiquin (Dutuit p. 35, white 74) Cornelis II Bloemaert, said the young person (1603-1692). Leonille, daughter of Tirsenia, changed in an orange from the Dominiquin (Dutuit p. 35, white 74). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

The Large Miseries of War: Peasant's Revenge, 1633. Jacques Callot (French, 1592-1635). Etching;

Simson kills De Leeuw, Cornelis Massijs, 1549 print Simson kills the lion with his bare hands by pulling the jaws of the animal. In the background a landscape with two figures and a city. Antwerp paper engraving Samson kills the lion with his bare hands

Amaryllis and the nymphs play blind man, Richard van Orley (II), c. 1695 - c. 1705 print Amaryllis and the nymphs play blind man. Amaryllis is blindfolded and is in the middle. The nymphs are around her. Print from a series of 12 prints that illustrate the play Il Pastor Fido, 2nd scene from the 3rd deed. Brussels paper etching / engraving (scenes from) specific works of literature: Guarini, Pastor Fido. blind-man's buff

Landscape with dancing man and woman and bagpipe player at ruins.

. Sancho Panza and Don Quixote are left and right in the grass and watch a play. Love, in the form of amor, and wealth entered the stage. At the bottom of the margin a caption in French.

Saint Paul of Thebes, the first hermit, in a cave in the wilderness of Thebaïs. He prays to a crucifix. A raven brings him bread., Paul of Thebes as Hermit Male Hermits (series title) Solitudo Sive Vitae Patrum Eremicolarum (series title), print maker: Johann Sadeler (I), (mentioned on object), print maker: Raphaël Sadeler (I), (mentioned on object), intermediary draughtsman: Maerten de Vos, (mentioned on object), Antwerp, (possibly), 1583 - 1588, paper, engraving, h 175 mm × w 216 mm

Autumn, 1660 print In the front, grapes are picked and pressed to make wine from it. In the background, Moses receives the tables of the law. This print is part of an album. paper etching autumn ~ human activities (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months). Moses receives the tables of the law from God. viticulture, wine-growing; vintage

Coxie, Michiel (I), Italy, Master of the Dobbelsteen, Story of Amor and Psyche, Amor flees from Psyche, verso - stamped, In a landscape sits the king's daughter Psyche while she is abandoned by her beloved Amor. In the background Psyche tries to throw herself into a river and is comforted by the god Pan. Italian text in two cartouches in bottom margin. Numbered twice lower left: 14., print, prent, prints, prenten, height 195 mm, width 227 mm, Italian, German, print maker, printmaker, 1530 - 1560, paper, papier, engraving, engraving (printing process), plate tone, Work conception, South Netherlands, 1499 - 1592-03-10

Couple surprised by death, Anonymous, After David Vinckboons, 1600 - 1650 print A pair is surprised in a forest by death that, in the form of a frame, aimed at them. For the couple a table with a bolt. A dog at the table. Northern Netherlands paper etching Death as skeleton. (lovers) caressing each other. (family) meal - CC - out of doors. ham. dog

Satyr family, on the move 18th Century Salomon Gessner Swiss. Satyr family, on the move 399666

Three shepherds rest to eat. A woman sits on a stone, holding a spoon and a bowl in her lap. On the ground is a loaf of bread and a pitcher. A young man is watching the sheep; the third shepherd is leaning on a stone. Print three in a series of four prints depicting pastoral scenes, Shepherds Four Pastoral Scenes (series title)., print maker: Cornelis Bloemaert (II), (possibly), Abraham Bloemaert, publisher: Nicolaes Visscher (I), print maker: Utrecht, (possibly), publisher: Amsterdam, 1625 - 1630 and/or in or after 1638 - in or after 1652, paper, engraving, h 135 mm - w 205 mm

Albrecht Altdorfer, Saint Christopher Seated by a River Bank, c 1515 1517 Saint Christopher Seated by a River Bank

God the Father and Angels Adoring the Christ Child. Dated: c. 1655. Dimensions: sheet (trimmed to plate mark): 20.6 x 40.3 cm (8 1/8 x 15 7/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Benedetto Castiglione.

Garden of Venus. Venus lying in a garden and surrounded by a large number of putti. A herme of pan is decorated by Putti behind Venus.

August; AVGVSTVS; The twelve months. Round table with summer landscape with summer scenes. August is the harvest month. The focus is central to harvesting grain. Harvest trucks bring the grain to the barn. Some farmers are ready to pay their rest. In the mid top the constellation virgin. The print is part of a twelve-part series over the twelve months.

Entrée of love and wealth at the marriage of Gamache, Pieter Tanjé, after Charles -Antoine Coypel, 1716 - 1761 print Sancho Panza and Don Quixote are left and right in the grass and watch a play. Love, in the form of Amor, and wealth entering the scene. At the bottom of the margin a caption in French. Amsterdam paper etching / engraving Don Quixote. Sancho Panza. (story of) Cupid, Amor (Eros)

Amidst the animals, Adam and Eve are created by God the Father in the form of a tetragram. In the foreground right God bends over Adam, on the left Eve is created from Adam's rib. In the center two lions, a unicorn and other animals. In the middle in the background, God gives Eve to Adam. On the sixth day of creation, God created the animals of the land and Adam and Eve. The print has a Latin caption, Creation of Adam and Eve Creation of the world., Johann Sadeler (I), print maker: anonymous, Maerten de Vos, (mentioned on object), Antwerp, publisher: Amsterdam, 1588 - 1600 and/or 1639, paper, engraving, h 196 mm × w 254 mm

Three putti with palm branches and a banner, anonymous, 1700 - 1799 print paper etching Cupids: 'Amores', 'Amoretti', 'Putti'

Rest on the Flight into Egypt, draughtsman: Hendrik Uylenburgh, (mentioned on object), 1594 - 1660, paper, pen, brush, h 175 mm × w 212 mm

Praying woman in nature, Jacob Folkema, 1721 print A woman is lying with bare upper body on her back in the grass and has conveniently directed her gaze to heaven. A horse gallop in the distance. In the clouds, Geographia sits on a victory cart pulled through two lions, her head is adorned with a urban crown, in her hand she holds a scepter. Print at the top right marked: third book. paper etching one person praying. continents represented allegorically

Spring, 1626 print An elegant dressed pair stands with a horse that is held by a clerk. On the right a beggar who asks them for an alms, on the left a young man and a dog. Rear a carriage that drives along a canal and walkers. Presentation of spring from a series of four prints with the four seasons. The Hague paper etching / engraving clothes, costume (+ men's clothes). spring ~ human activities (the four seasons of the year)

Apollo and Hyacinthus; Metamorphoses from Ovid. Apollo is in love with the Spartan Prince Hyacinthus and teaches him discus. The Jealous Zephyrus (the West Wind) throws the discus against the skull of hyacinthus that then drops dead. On the spot where his blood ends up, a hyacinth comes out of the earth. In the margin a four-line caption, in two columns, in Latin.

Bacchanal with a Dancing Couple on the Right. Dimensions: plate: 7.4 x 12.4 cm (2 15/16 x 4 7/8 in.) sheet: 7.5 x 12.4 cm (2 15/16 x 4 7/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Willem Basse.

Pyramus and Thisbe. The myth of Pyramus and Thisbe in an oval. Displayed is the moment when Thisbe Pyramus sees death on the ground and deposit itself in a sword without hesitation. Belongs to an oval representation of the history of Leander and Hero; Perhaps this is a medallion that is engraved on two sides.

Jésus est Livré aux Juifs (Jesus is Delivered to the Jews), from La Petite Passion (The Little Passion) 1624-25 Jacques Callot French. Jésus est Livré aux Juifs (Jesus is Delivered to the Jews), from La Petite Passion (The Little Passion). La Petite Passion. Jacques Callot (French, Nancy 1592-1635 Nancy). 1624-25. Etching; first state of two (Lieure). Prints

Near dances with bear and Sater; Illustrations at the Blijspel "Julfus". A jester is dancing with a bear and a sater in the forest. There is a caption in Latin and Dutch in the margin. This illustration is made at the third company of the Blijspel "Julfus" (1668), written by Andries Pels. The print is part of a three-part series with scenes from this comment.

Jansz., Broer (The Hague), The Hague, Wtenbrouck, Moyses van, The story of Tobias, Tobias and the angel on the way, verso lower left - stamped, The angel stretches out his arm to Tobias, who is carrying the fish. Numbered as III., print, prent, prints, height 130 mm, width 181 mm, Northern Netherlands, 1600 - 1647, print maker, printmaker, 1620 - 1620, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publication, publisher

Roos, Johann Heinrich, Sheep and goats near ruins, Reclining goat and sheep and standing sheep near wooden fence, verso - stamped, print, prints, height 146 mm, width 180 mm, German, 1631-10-27 - 1685-10-03, print maker, printmaker, 1665 - 1665, paper, papier, etching, etchings, engraving, engraving (printing process)

Berchem, Nicolaes Pietersz., Visscher, Jan de, Shepherdess with a spindle on the bank of a river, On the bank of a wide river stands a shepherdess with a spindle among the cattle. In the background a village with a harbour and a ship on the river., print, prent, prints, prenten, height 153 mm, width 235 mm, print maker, prentmaker, 1643 - 1742, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Northern Netherlands, 1633 - 1692, after print by, 1620 - 1683-02-18, intermediary draughtsman

Death of Absalom, 1630 - 1702 print Absalom lingered on his hair in a tree, while his horse is running. Army commander Joab kills Absalom with a spear. Under the show the title in Latin and a reference to the Bible text in 2 SAM. 18. paper engraving Absalom, put to flight on a mule, remains hanging by his hair in an oak-tree. Joab stabs Absalom with three spears

Study for Vignette in Fontanelle's (attr.) Les Amours de Mirtil , Canto I 1751-1773 France. Pen and black ink over black chalk, on gray laid paper, laid down on ivory laid paper . Hubert François Gravelot

Copper engraving by François Ragot depicting Rinaldo and Armida, created between 1689 and 1720, showing two mythological figures in a narrative scene.

Heilige Familie, François Chauveau, 1623 - 1664 print print maker: Franceafter own design by: Francepublisher: Paris paper etching Holy Family, and derived representations

Jacques Callot, Peasant Removing His Shoe, c 1617 Peasant Removing His Shoe

Stefano Della Bella, Gypsies at Rest, 1642 Gypsies at Rest

Spring, Herman Breckerveld, Broer Jansz (Den Haag), 1626

Dood van blue, Antonio Tempesta, 1606 - 1638 print Hyacinthus is struck by an Apollo arrow and lies dead on the ground. Apollo pulls the arrow out of Hyacinthus. Title in Latin in STUDMARGE. paper etching death of Hyacinthus: he is struck by a discus thrown by Apollo; possibly through jealousy of Zephyrus, who blows just as Apollo hurls the discus

The appearance of Apollo, Jan van Ossenbeeck, 1663 - 1674.

Jan Muller, Hagar in the Desert Consoled by an Angel, c1591 Hagar in the Desert Consoled by an Angel

Requirement in the desert, Adriaen Collaert, after Hans Bol, 1582 - 1586 print Forest landscape. In the foreground, the devil asks Christ to change two stones in loaves. In the background the mountain top where Satan Christ puts to the test for a third time. The print has an ornament list with flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving 'all these will I give you' (= the glory of the world) ~ temptation of Christ in the wilderness. 'command these stones to become loaves of bread' ~ temptation of Christ in the wilderness. forest, wood. flowers ~ ornament. ornamental birds. monkeys, apes (+ ornamental variants of animals). flying mammals: bat (+ ornamental variants of animals)

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