Mythological and Biblical Themes

Engravings illustrating classical mythological and biblical narratives featuring dramatic figures, themes of heroism, and intricate storytelling compositions.

Elend, Bl. 7; Klinger, Max (1857-1920); 1892 (1892-00-00-1892-00-00);

Depiction by Leonhard Beck showing Count Nikolaus standing in front of Merano, part of the Weißkunig series, with a wooden stick, created 1514-1516.

The fall of the damned (bottom plate), Pieter Claesz. Soutman, after Peter Paul Rubens, 1642 print Angels throw the damned in hell. A many -headed monster swallows them up. Under the image a text line in Latin. Lower part of a large performance consisting of two parts. paper etching / engraving the fall of the damned ~ Last Judgement

Portrait of Christian

Emperor Wilhelm op den Vesuvius, Marius Bauer, 1896 Cartoon on the outbreak of the Vesuvius volcano during the visit of the German emperor Wilhelm II in April 1896. The emperor is shocked by the problems in his own country (anarchism, socialism, militarism, etc.) that appear in the sulfur vapors. Published in the addition of 'De Kroniek' of April 12, 1896. print maker: Netherlandsprinter: Amsterdampublisher: Amsterdam paper volcano. historical persons. political caricatures and satires Germany. Mount Vesuvius

Three drinkers, in the frame of the caricatured scenes; Petit, Léonce (1839-1884); 2. PO. 19th century (1801-00-00-1900-00-00);Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, illustrations, moral caricatures, drunkenness (iconogr.), French drawings, genre scenes, interiors

Mann An Mann, board 12; Erler, Erich (1870-1935), Verlag von P.H. Beyer & Sohn (Leipzig; Publisher; 1897-), Wetteroth, Heinrich (Munich; Graphic Zak 1860-1925); 1918 (1900-00-00-1950-00-00);World War I (1914-1918), Schlesisches Museum der Bildenden Künste (Wrocław-1880-1945)-collection, cycles, front (war), German graphics, German (culture), war, World War (1914-1918), band

Copper engraving and etching by Salvatore Cardelli between 1793 and 1840 depicting the characters Renaud and Armide from literature.

The fight at the Taborbrücke, on October , No, from, Fatherland picture chronicle from the history of the Austrian imperial state , After, Anton Ziegler -, drawer

Emblem with men who paint portraits of saints to follow their example, Anonymous, After Boëtius Adamsz. Bolswert, 1623 print Two men and one spiritual sit behind an easel and paint portraits of a saint. An angel shows them a group of saints to whose example they can live. The devil hinders one of the men to paint, he pulls him from behind his stool. Antwerp paper engraving the life of man

Part of the edge of a map of Suriname (left part); Generale CAARE of the Provintie Suriname Rivers & Districts with all D discoveries of military attents, the Groote der Municipal Plantagien sciciences on the after-increasing perceptions. Two Surinamese men flank a weapon composed of the weapons of Amsterdam, the WIC and the Sommelsdijck family. Fragment of a rich-decorated border around a map of Suriname.

King Carrot , Scenes from Offenbachs opera King Carrot , Jacques Offenbach on a charging car, next to it Victories Sardou cartoon from Die Bomb , Unknown

White man with firearm between the New Guineans, F. Ockerse, in or Before 1936 drawing The man is wearing a shirt, pants and boots and has a firearm in his hand. There are five New Guineans around him in lumbar cloths that wear weapons and boxes. paper. paint (coating). watercolor (paint). pencil brush firearms. folk costume, regional costume. carrying something

De Pedir-Expedition, Johan Braakensiek, 1898 Amsterdam paper projectiles, explosives, etc.. political caricatures and satires Aceh

Two portraits and the Ascension of Elia, 1660 - 1661 Three drawings of Moses ter Borch stuck next to each other on a leaf. Zwolle paper. chalk Three drawings of Moses ter Borch stuck next to each other on a leaf. Zwolle paper. chalk

Copper engraving and etching by Pieter van den Berge, 1679-1737, depicting the cenotaph of Eumolpos, showing architectural details, inscriptions, and commemorative elements.

Bismarck, The German Reichs - Simson, At transit in Berlin, Titlebatt of Der Floh, Friedrich Graetz Grätz -, Caricaturist, Angerer , Göschl, Printing Press

Cartoon on Jacobus Taurinus, 1615, Anonymous, 1615 print Cartoon on Utrecht's Remonstrant pastor Jacobus Taurinus, 1615. Woodcut in which a crazy bull (Taurinus) races through a night landscape in which all kinds of apocalyptic animals appear. In heaven thunder and lightning. In the middle a clock on top of a mountain. On the right, the Christian knight appears in the light. Printed on the back with text in Dutch with a verse and the dating and author's name (1615 and Vincent). Coming from a pamphlet from 1615. This includes a manuscript (RP-P-OB-77.295A) about the print. Low Countries paper the Christian knight, 'Miles Christianus'. bull

Allegory of August; Thoma, Hans (1839-1924); 1901 (1901-00-00-1901-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, votan (mitol.), Astrology, illustrations, calendar, mythology, Nordic mythology, personifications (iconogr.), Seasons, August (allegory), zodiac signs

Rudolf II, Roman-German Kaiser.

Map of a part of the zodiac. Map of a portion of the zodiac with links a cartouche in which the publisher's address and above a list with the names of different types of stars. The constellations are indicated with their Latin name: on the right the scorpion, in the middle of the virgin, the bottom right of the centaur and left the lion, the lobster and the twins. At the bottom is a cut part of another card visible. This print may be part of the magazine on which 'map of a portion of America' is printed from the same print maker.

Eager children crowd behind the railings at Hampton Court Palace, to feed swans and ducks in a pond. Date: 1901

News. / 51. / New scale of Jacob ... (registered title) | News (1854) (Title of all)

Design for a room piece: Musiculating company in garden.design for a painting.

Romans around a tomb, Bernard Picart (Possible), 1683 - 1733 print A man in antique clothing brings a sacrifice for a tomb. He is surrounded by other Romans and soldiers. paper etching sacrifice ~ Roman religion. grave, tomb

The menager in the Leopodstadt future picture in the event when the Leidel Offenbach continues for a long time, The flea, Karl Klic -, Caricaturist

St. Valentine's Day--The old story in all lands , Holidays, Love, Reading, Valentine's Day

Philosophers Instructing Pupils by an Antique Sarcophagus. Artist: Lorenzo Baldiserra Tiepolo (Venice 1736-Madrid 1776). Dimensions: 8 1/16 x 11 15/16 in. (20.5 x 30.3 cm). Former Attribution: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice); Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Date: mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

Netherlands, Rowlandson, Thomas, England, Funcking the Corsican, Beroking van de Corsican, 1813, verso - stamped, Cartoon on Napoleon after his defeat at the Battle of Leipzig, 1813. A small figure of Napoleon angrily stamps his feet on top of a large wooden barrel of Dutch gin, causing the lid to come loose. Representatives of various European countries are all smoking pipes and blowing tobacco smoke at the emperor. In the foreground a fat Dutchman seated on a barrel of herring and cheese. On the right the Englishman John Bull, a Prussian hussar and others. On the left the King of Württemberg, an Austrian and a Spaniard. The print is accompanied by a separate statement., print, picture, cartoon, prints, pictures, Frederik Muller History plates, height 266 mm, width 350 mm, print maker, printmaker, 1813 - 1815, paper, papier, etching, etchings, Work conception, English, 1756-07-14 - 1827-04-22, after a print by, Publication (Event), Publication, publisher

Three Lansquenets. Dated: 1780. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Katharina Prestel after Albrecht Dürer.

Villeroy and the Elector of Bavaria Kneelen for Louis XIV, 1706, 1706 print The Duke of Villeroy and Maximilian II Emanuel, the Elector of Bavaria, kneel with the stocking on the head for King Louis XIV, 1706. With verses in Dutch and French. Part of a series of 19 cartoons on the French and allies from the year 1706. print maker: Northern Netherlandspublisher: Amsterdam paper etching political caricatures and satires

Reproduction of a print of a triumphal car through Adriaan Collaert to Maerten de Vos, Anonymous, After Adriaen Collaert, After Maerten de Vos, after Christoffel Plantijn, c. 1875 - in or before 1880 photomechanical print Antwerp paper photolithography chariot, triumphal car

Tuscany Siena Asciano S. Francesco8. Hutzel, Max 1960-1990 Romanesque-Gothic church and cloister dating from 13th-14th centuries, and somewhat restored in the 20th cent. The interior reflects the style of the 16th century with its classicized pedimental motifs in the architectural detailing. Of note is a terracotta sculptural group by the school of della Robbia, and a fresco cycle of the life and death of Christ by Giovanni da Asciano. There are miscellaneous frescos by artists from the Sienese school of the 17th century. Object Notes: Hutzel photo campaign date: July 17, 1982. General Notes: Prints of exterior in the Medival core collection. There are substantial holdings in the Marburger collection as well, see. nos. 22-23. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to th

Wooden Daudet

Etching and copper engraving by Paul van Somer II from 1669-1716 depicting Christ with the adulteress, showing figures, gesture, and judicial scene.

Mosaic with a representation of pigeons drinking from a bowl, c. 1875 - c. 1900 photograph Naples cardboard. photographic support gelatin silver print other birds: dove. bowl Naples

Triumphwagen from Emperor Maximilian I, Hans Guldenmund, After Albrecht Dürer, 1609 The large triumph car in honor of Emperor Maximilian I at his death on January 12, 1519. Third leaf with the first span horses with providentia and moderatio. print maker: Germanypublisher: Amsterdampublisher: Amsterdam paper letterpress printing chariot, triumphal car

Dragging a corn barge to the bank, 69-70, 1768 - 1770 print The Batavians manage to drag a jammed barge with choirs to the bank. Print 11 in a series about the Batavian rebellion, copied to the Batavorum Cum Romanis Bellum series of Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la Guerre des Bataves et des Romains, d'Aperrès César; Corneille Tacite, Aux Dépens de Marc-Michel Rey, Amsterdam 1770. Prints printed in a large ornamental frame in which a cut out title and at the bottom a caption is stuck in French. In this series of copies, records 11 and 12 have been exchanged in order compared to the original. paper etching / engraving extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general Netherlands

Drawing, Design for Various Decorations including Coriolanus at the Walls of Rome; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and wash over black chalk on laid paper; 19.3 x 27.6 cm (7 5/8 x 10 7/8 in.)

This 1750-1817 aquatint and etching by François Philippe Charpentier depicts a burned farmer, emphasizing figure detail, composition, and rural subject matter.

Marches Pesaro Fossombrone S. Aldebrando0. Hutzel, Max 1960-1990 Post-medieval: 17th century Baroque architecture and frescos from the first half of the 15th century. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Publishing house F. Bruckmann A. G., Böcklin, Arnold (1827 1901)

La Mort et les Passions fondant sur la terre, 1914. Auguste Louis Lepère (French, 1849-1918). Black crayon;

Les reporters

Schröder-Devrient, Wilhelmine.

Maurice Louis Henri Neumont, Knight, Death and the Devil, 1915, lithograph on wove paper.

Not reassuring for the crowns!, from 'News of the day,' published in Le Charivari, January 11, 1869 January 11, 1869 Honoré Daumier. Not reassuring for the crowns!, from 'News of the day,' published in Le Charivari, January 11, 1869. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). January 11, 1869. Lithograph on newsprint; second state of two (Delteil). Arnaud de Vresse. Prints

Félix Hilaire Buhot, Le soir même (The same evening), 1878 Le soir même... (The same evening...)

Allegory on peace between France and England.

The cave of thetis. / Fireworks drawing for the king's festion with the thrillies, ordained by the Duke of Tresmes, the first gentleman of his Majesty's room: consunts and executed by Mr. Sebure, steward of menus Pleasures of the Roy, 1719. (IT)

Floating people, fantasy firms and cats; Fantastic composition with cats, monsters, etc .. under them a flat landscape with links buildings and a river in the middle.

Villeroy and the Keurvorst of Bavaria kneel for Louis XIV, 1706; Jellyke French audiency / audience pitoyable the Louis LG; Royal Almanach from 1701 / 't Lusthof from MoMus. The Duke of Villeroy and Maximilian II Emanuel, the Keurvorst of Bavaria, kneel with the stocking at the head for King Louis XIV, 1706. With verses in Dutch and French. Part of a series of 19 cartoons on the French and allies from the year 1706.

Raid on a Sand-swallow Colony - "How Many Eggs" - Drawn by Winslow Homer (Harper's Weekly, Vol. XVIII). Artist: After Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 13 3/8 x 9 1/8 in. (34 x 23.2 cm)sheet: 15 9/16 x 10 5/16 in. (39.5 x 26.2 cm). Engraver: W. H. Lagarde (American, active 1873-74). Publisher: Harper's Weekly (American, 1857-1916). Date: June 13, 1874. Museum: Metropolitan Museum of Art, New York, USA.

Possible Design for a Title Page, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, Two small girls sit upon the base of a monument and sing, one playing the harp, the other the guitar. The latter sits upon a cushion. A figure - bearded head and the bust-like body of a herma - stands in the center, above, on a high pedestal, bearing the inscription: 'IL CANTO AR / MONICO DELLA VIRTV.' Framing line., Rome, Italy, 1820-1850, Drawing, Drawing

Quast Ferdinand von (1807-1877), St. Castor in Koblenz. Gravestone of the Marga von Helfenstein (+1471) (1859): View. Pencil on transparent, 33.7 x 21.5 cm (including scan edges) Quast Ferdinand von (1807-1877): St. Kastor, Koblenz. Grabstein der Marga von Helfenstein (+1471)

Etching by Léon Davent depicting a scene involving Marcus Antonius and victims, created between 1540 and 1546, illustrating historical narrative in Renaissance engraving style.

Left-up corner of a print of the scene of Cebes; Tabula Cebetis Carta Vitae. Allegory about the Salvation of Man. Life as a city with three walled sites, with a temple in the middle. At the outer gate, the souls of children are waiting, ready to enter the adult life. Before entering, they get something to drink seduction (Seductio), which makes them ignorant. The first walled terrain shows all kinds of and distractions, such as prejudice (Opinio), desire (Cupiduas), doubt (Error) and ignorance (Ignorantia). They prevent the youthful man to penetrate the next circle. Only by following the personifications from repentance (Poenitentia), hope (SPES) and good desire (Bonnem Desiderium) can manage to access the second circle. There he is taught in all forms of worldly knowledge. On the left are the seven artes liberales and on the right arguing different scholars. Man is put to the test in this circle and confronted with false knowledge (Falsa Disciplina). With the help of self-control (con

Nieuwjaarswens van de Amsterdamse nachtwacht voor het jaar 1858; De Nachtwacht aan Amstels Ingezetenen.New Year's wish from the Amsterdam Night watch (Rattelwacht) for the year 1858. A young woman, the personification of the new year, throws the shutters open, including children with outstretched arms. Left and right a verse. At the top King Winter, down ice from ice.

Allegorical composition on Felix Meritis, Jacques Kuyper, 1784 print Allegorical composition on Felix Meritis with the winged fame on the right that blows on the praise. On the left, Apollo, seated on the clouds, with the left arm on the blason of Felix Meritis that is also held by a putto. Amsterdam paper etching (Story of) Apollo (Phoebus). Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). Bee-Hive. Cupids: 'Amores', 'Amoretti', 'Putti' Amsterdam

Masquerade Thomas Rowlandson (British, 1756-1827). , 1807. Brush drawing and watercolor on wove paper, 10 3/4 x 8 3/4 in. (27.3 x 22.2 cm). European Art 1807

Characters and caricatures, the idealised heads of St John and St Paul are contrasted with grotesque heads, a cloud of faces with different expressions rises above them, 1743, Historic, digitally restored reproduction from a 19th century original

Portrait Busts, Columns, Smoking Urn and aRelief. Artist: Joachim von Sandrart, German, 1606-1688

Juliusz Kossak (1824-1899), The death of Longinus Podbipięta - illustration for the novel by Henryk Sienkiewicz 'With Fire and Sword' (reproduction of drawing from the year 1886); Sheet X from the album. Trzemeski, Edward (1843-1905), creator of photographic print

Venus carries Aeneas from the flames, 1663 print Venus safely carries Aeneas through the flames of the burning Troy. Numbered: IIII. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching (story of) Aeneas. (story of) Venus (Aphrodite)

Several smoking figures, Anonymous, 1830 - 1899 print Netherlands paper pipe ~ tobacco

Recto Title: Page of a sketchbook showing two scenes, one including the Blinding of Cyclops. Date/Period: Ca. 1590. Drawing. Pen and brown ink, brush and wash, on laid paper. Author: called Stradanus Jan van der Straet.

Soldiers Discovering the Body of Holofernes. Master of the Liechtenstein Adoration; Netherlandish, active c. 1530-1560. Date: 1545-1555. Dimensions: 182 x 280 mm. Pen and black ink and brush and black wash, over lilac wash, heightened with white gouache, on cream laid paper, laid down on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Part of the edge of a map of Suriname (right part), J.G. de la Croix, 1737 print Two Surinamese men flank a weapon composed of the weapons of Amsterdam, the WIC and the Sommelsdijck family. Fragment of a richly decorated edge around a map of Suriname. paper etching / engraving sailing-ship, sailing-boat. armorial bearing, heraldry. coat of arms (as symbol of the state, etc.). African Americans. slavery; serfs and the enslaved. ornament derived from plant forms. crustaceans: crab Suriname

Composers, Anonymous, After Luigi Scotti, c. 1799 print Composition with 25 medallions with portraits of composers, including Johann Sebastian Bach, Georg Friedrich Händel and Domenico Cimarosa. Assignment in the end margin. Italy paper etching / engraving portrait of composer

Shakspeare. Tempest, act IV, scene I : Prospero's cell : Prospero, Ferdinand, Miranda, etc., etc. , Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Tempest. Thomas Pennant Barton Collection

Reproduction of a painting: Juliusz Kossak (1824-1899), Illustrations for 'Farys' by A. Mickiewicz; excerpt from a magazine. Löwy, Joseph (Wiedeń ; zakład graficzny ; 1835-1902), reproduction atelier, unknown, publisher

Dragons, Faces of Queens, Kings, Demons, Witches and Monsters, Historical, digitally restored reproduction from an 18th or 19th century original

James Gillray, 1757-1815, British, A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents" - Vide the Fate or Yet Catholic Bill, 1807. Etching.

Round ceiling; The frescoes from Theod. Grosse, in the Loggia of the Leipziger Museum. Ceiling fresco .. ceiling with four surfaces, the plane on the left and the circle in the middle are cut out. In the other surfaces represent performances with women, on the right are three women in addition to three putti, the middle gives a baby breast.

FAAM en Arithmetic Anonymous, 1550 - 1599 drawing Two goddesses, personifications of fame and arithmetics. Southern Germany brush Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). 'Arithmetic' (~ quadrivium); 'Arithmetic' (Ripa)

Hunger and Pest, Anton Molkenboer, 1897 print Amsterdam paper starvation, famine. political caricatures and satires. personifications of countries, nations, states, districts, etc. British India

The 1000 binettes.

Attributes associated with Pax and fisheries; Trophies. Five trophies. On the top left with helmet, shield and weapons. At the top right of attributes belonging to the goddess Pax. In the middle with geometric attributes. At the bottom left with attributes associated with fishing. At the bottom right of attributes belonging to the forgery. Publisher number 42.

Henryk Filipowicz, The Summer. Filipowicz, Henryk (1842-po 1915), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Gorazdowski, Edward (1843-1901), woodcutter

Le nouveau polichinelle napolitain... , Kings, Emperors, Ferdinand II, King of the Two Sicilies, 1810-1859, Soulouque, Faustin, approximately 1788-1867. Honoré Daumier (1808-1879). Lithographs

Voyons cher ami! Calmez vous! Il faut pourtant que nous en parlions un peu de la Vénétie.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1866. Prints; lithographs. Lithograph

Excerpt from: Woman with baskets with fruits in hand by the window, Henricus Wilhelmus Couwenberg, after Gerard Dou, 1840 - 1842 print Amsterdam paper etching human figure at (open) window, seen from outside. shop-window, show-window

Ringstrasse-Corso,

Wszyscy Święci w MNK Zajkowski, Andrzej (1851 1914), Trocziewski, Edward (18 .. 1910), Kotarbiński, Wilhelm (1849 1921)

Gustave Doré (1832-1883), designer and Aristide Louis (1815-1852), engraver. "The fascinated rider." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101781-17 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Maps of Arras, Béthune and Hesdin, 1726; Arras / Bethune / Citadelle d'Arras / Hesdin; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. Leaf with four floor plans of the defenses around the Arras cities (Atrecht), Béthune and Hesdin. Plate No. 222 in Part X of the Picture: Les Forces de l'Europe, Asia, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Titles and inscriptions in French.

Your own will; Eyghen wants Barnt in Dhel; Destruction of images image Scripture or Height letters that is. Hieroglifa .. One of eight moralizing spells. Eyghen Wille on horseback with burning ru and sky globe. My and dine as a footsters and the dog stilted. Text under print.

And Still They Don't Go!, plate 59 from Los Caprichos 1797-1799 Spain. Etching and aquatint on ivory laid paper . Francisco José de Goya y Lucientes

st, Volksgarten - Grillparzerdenkmal - Relief The dream a life, postcard, Carl Karl Ledermann jun, Producer

Una mujer que se divide en dos mitades, convirtiéndose en serpiente y en estera de fuego! | Library of Congress

Je fis ce qu'on appelle un bon marché,' by Félix Hilaire Buhot (1847-1898), created between 1874 and 1879, depicting markets. State noted with standard reference number

Greetings from Vienna I, Thesusgruppe von Canova in the k, art histor, Hof-Museum , Carl Karl Ledermann jun, Producer

The centaur-ian manager the caricaturist general fecit.. British Cartoon Prints Collection , Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9, no. 11773. Kemble, John Philip,1757-1823. , Siddons, Sarah,1755-1831. , Theatrical productions,England,London,1800-1820.

Public characters. British Cartoon Prints Collection , Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 9570. Fox, Charles James,1749-1806. , Pitt, William,1759-1806. , Tierney, George,1761-1830.

Congresso Eucharistico, Vol. 11, nos. 6-7, p. 31. Illustrations. 1922-10. General Research Division. Exposiçío de 1922 (Rio de Janeiro, Brazil), Brazil , Fairs, Brazil

V. Beneš: Scéna.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

E IA ON. Kurt Seligmann; American, born Switzerland, 1900-1962. Date: 1944. Dimensions: 450 x 300 mm (plate); 575 x 390 mm (sheet). Etching on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

1. Feston groups made of softwood, antlers, hunting and tourist equipment, auerhahn and other poultry game. State state plan Hamburg, collection of the history of photography

The chimera of Amiens , Gargoyles, Roofs, Cities & towns, Cathédrale d'Amiens. Sir David Young Cameron (1865-1945). Prints

Studies of animals and half-creatures. Artist: Stefano della Bella. Draughtsman: anonymous. Dating: c. 1765 - c. 1780. Place: Italy. Measurements: h 244 mm × w 399 mm. Museum: Rijksmuseum, Amsterdam.

Bliżej Kultury unknown

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