Mythological and Biblical Themes

Engravings illustrating classical mythological and biblical narratives featuring dramatic figures, themes of heroism, and intricate storytelling compositions.

Elend, Bl. 7; Klinger, Max (1857-1920); 1892 (1892-00-00-1892-00-00);

Copper engraving and etching by Pierre Alexandre Tardieu, created between 1770 and 1844, depicting Andromeda and Perseus from classical mythology, including figures and sea monster.

Etching by Francois Tortebat depicting the biblical story of Abraham preparing to sacrifice Isaac, created in 1665.

Copper engraving by Gerard Seghers depicting the biblical scene of Peters denial, created in the 17th-18th century.

Elend, Bl. 7; Klinger, Max (1857-1920); 1892 (1892-00-00-1892-00-00);

Processing to the Shepherds, Jean Leclerc, After Abraham Bloemaert, 1597 - 1633 print paper engraving annunciation of Christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air

Etching and copper engraving by Theodorus van Kessel depicting the mythological figures Diana and Callto, created between 1654 and 1660.

The final according to Mikha A. Angyh, a trouser; Beatrizet, Nicolas (1507 cars 1515-Ca 1565), Buonarroti, Michelangelo (1475-1564); 1562 (1562-00-00-1562-00-00);Sistine chapel (Vatican), Rome (Italy), Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, final court (iconogr.), Vatican, Italy (state), angels (iconogr.), Music, renaissance ( style), religious scenes, trumpets (musical instruments), Italian (culture)

A proposal to the budget debate,

Copper engraving and etching by Grégoire Huret between 1626 and 1670 depicting Kings Ludwig IX and Ludwig XIII and their route from France to Jerusalem, showing figures, landscapes, and architectural details.

Title print with title on an urn, Giovanni Battista Piranesi, c. 1756 - c. 1757 print Numbered at the top right: I. Rome paper etching ruin of a building ~ architecture. urn. bones (symbol of Death). (human) skull

Copper engraving by Pieter de Jode II from 1648 depicting a frontispiece with the allegory of peace, showing symbolic figures and composition.

Copper engraving and etching by Ignazio Pavon from 1830-1850 showing Venus and Aeneas.

Etching by Gerard de Lairesse from 1661-1709 showing nymphs resting after hunting in a natural landscape with trees, hills, and vegetation.

Etching by Bartolomeo Pinelli from 1819 depicting historical scenes of Rome, showing streets, architecture, and urban life with people engaged in activities.

This copper engraving by Schelte Adamsz. Bolswert, created between 1604 and 1659, depicts the Holy Family accompanied by dancing putti, highlighting religious devotion and ornamental detail.

Woodcut by Georg Pencz from the first half of the 16th century depicting Thetis and Chiron from mythology, showing figures, gestures, and composition.

Netherlands, Letter of greeting with an inn, drinking peasants and acrobats, verso - stamped, Letter of greeting with blank cartouche within a decorative frame with representations of an inn, drinking peasants and acrobats., print, folk print, letter of greeting, prints, folk prints, height 415 mm, width 324 mm, print maker, printmaker, 1700 - 1899, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

The Holy Virgin Appears to Saint SimonStock. Etcher: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804 After: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770

Copper engraving and etching by Laurent Cars around 1753 depicting the Adoration of the Shepherds, a biblical scene with figures gathered around the infant Christ.

Time and s "Pl. 11, Mierci part II, op. XIII; Klinger, Max (1857-1920); 1889 (1889-00-00-1889-00-00);

Etching by Benoit Audran showing John the Baptist with the Pharisees, created between 1676 and 1721, depicting biblical figures, gestures, and interaction.

Copper engraving and etching by Gaspard Duchange depicting Jupiter and Juno, created between 1680 and 1757, showing mythological figures in detailed composition.

Copper engraving by Pieter de Bailliu circa 1635 depicting the biblical reconciliation of Jacob and Esau, showing figures and gestures.

Painting consisting of three panels with Biblical performance, Anonymous, 1875 - 1930 photomechanical print Florence paper collotype picture, painting. Mary sitting or enthroned, the Christ-child in front of her, standing in her lap (or in front of her bosom). saints Florence

Portugal en Denemarken; Le Portugal et le Dannemarc; Trofeeën; 2e Cahier.Two trophies with shields. Left with weapons, a lion's skin, a mask and shields with lions and a smoke vessel. Right with a cross, a grape food, a book, flower wreaths and shields with a column, a lion and several coats of arms.

A copper engraving by Robert van Voerst from 1634 depicting the wedding portrait of Karl I and Henrietta Maria.

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

Drawing, A Fountain in a Park; Designed by Clement Jayet (French, 1731 - 1804); France; pen and black ink, brush and white gouache on paper; Overall: 35.7 x 22.7 cm (14 1/16 x 8 15/16 in.)

Copper engraving by Jérôme David illustrating the Parable of the Rich Man, created in the 17th century, depicting the biblical story with multiple figures.

Etching by Pietro Testa depicting Achilles dragging the body of Hector around the walls of Troy, created between 1628 and 1650, representing a scene from the Iliad.

Academic Architects Association Berlin (AAVB), Sketchheft WS 1902/1903: Sketches from Italy (1902-1903): View Details. Pressure on paper, 40.2 x 28.2 cm (including scan edges)

Intérieur de Paysans (Peasant interior) 1850 Rodolphe Bresdin French. Intérieur de Paysans (Peasant interior) 429863

Design for a wallpaper painting or tapestry with Anchises and Aeneas. Anchises will be lifted from Aeneas' shoulders after leaving the burning troy. With a decorative picture frame of figures and festans.

Noah and other patriarchs sat on a cloud, Carlo Cesio, after Giovanni Lanfranco, 1636 - 1686 print Noah and other patriarchs sat on a cloud. They are surrounded by angels, one of which plays on a violin. print maker: Italyafter drawing by: Italyafter painting by: Rome paper engraving / etching groups of persons from the Old Testament. angels. story of Noah. angels singing, making music

Copper engraving and etching by Charles Simonneau from 1695 depicting 'Triumph of the Galathea' with mythological subject matter and decorative style.

Central panel of a triptych: final judgment. Draughtsman: anonymous. After anonymous. Dating: c. 1800 - c. 1900. Measurements: h 567 mm × w 421 mm. Museum: Rijksmuseum, Amsterdam.

Copper engraving and etching by Jean Daullé depicting Neptune calming the ocean waves, created around 1752.

Etching by Johann Elias Ridinger, 1736, depicting bears with two to three offspring, illustrating growth, lifespan over 20 years, and family structure.

Arcadian landscape with shepherd at a stream; Title page for: versembal of 100. Dutch outs and sizziness. Arcadian landscape with a shepherd running under a tree on the shore of a stream. His sheep lie next to him in the grass. In the background you can see a woman who walks to a country house.

Copper engraving and etching by Antoine Trouvain depicting the majority of King Louis XIII. Produced around 1710, it shows the king, court figures, and ceremonial attire.

Copper engraving and etching by Charles Nicolas Cochin d.J. depicting 'The Death of Hippolytus', created in 1735.

Copper engraving by François Ragot, created between 1630 and 1670, depicting the Adoration of the Shepherds with human figures, animals, and landscape elements.

Kermis Wind-Kraamer en Grossier Fair of the wholesale wind-pedlar. 1720. Verwoude, Q., active approximately 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Copper engraving and etching by Jean Cousin depicting a judicial scene in Paris between 1520 and 1590, showing judges, citizens, and legal proceedings.

German caricature on Zar Nikolaus I and the Russian attitude to the revolution in , Unknown

Print, Les Amans Surpris; Designed by François Boucher (French, 1703-1770); Print Maker: Gabriel Huquier (French, 1695-1772); France; etching on laid paper

A. Muro interno della stanza, costrutto di mattoni della stessa grandezza, che qui sono disegnati, con tale sodezza, connessione, ed artificio, che ben vi si conoscono tutte le regole, le quali sono state descritte da Vitruvio per costruire i mattonati , Archaeological sites, Pyramids, Architectural decorations & ornaments, Pyramid of Cestius Rome, Italy. The Antonio Cardinal Tosti Collection

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph; image: 9.3 x 13.1 cm (3 11/16 x 5 3/16 in.).

Jean Jacques Le Veau's etching (1774) depicts a rescue of shipwreck survivors, showing figures in distress, boats, and turbulent sea in dramatic composition.

Copper engraving and etching by Louis Surugue depicting Aeneas descending to the Underworld, showing figures, gestures, classical architecture, and symbolic elements, dated 1719-1757.

Innova Van Casale Monferrato, 1706, 1712 - 1715 Intake of Casal Monferrato by the Allies, December 6, 1706. The central representation of the intake of the city in a richly decorated ornamental frame with an angel with a weapon with the monogram CR (Carolus Rex) and a cartouche with the description of the Events in German. At the bottom of a cartouche with a map of the fortified city. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Casale Monferrato Intake of Casal Monferrato by the Allies, December 6, 1706. The central representation of the intake of the city in a richly decorated ornamental frame with an angel with a weapon with the monogram CR (Carolus Rex) and a cartouche with the description of the Events in German. At the bottom of a cartouche with a map of the fortified city. Leaf in the bound collection of plates released under the title: Repraossentatio Be

Neptunus forces the Winden to calm down, Pieter Tanjé, After Louis Fabritius Dubourg, 1746 print Aeolus has collected all winds on a rock to cause a large storm and to destroy the Trojan fleet. Neptunus, the god of the sea, intervenes and forces the winds to calm down, so that the ship of Aeneas is saved. Illustration and Initial A at the first part of the Aeneis of Vergilius. Amsterdam paper etching / engraving (story of) Aeolus, guardian of the winds; 'Eolo' (Ripa). (story of) Neptune (Poseidon)

The horrors of the war, number 7, Gottfried Bernhard Götz, 1742 print The civilian population list under the war. Part of a series of seven prints (plus title print) about the horrors of the war in ornamental rococo lists. paper etching / engraving rocaille ornament. horrors of war. non-combatants ~ war

Copper engraving by Gerard Edelinck depicting a proclamation, created between 1666 and 1707.

Etching by Bartolomeo Pinelli from 1816 showing the historical development of Rome, including buildings, streets, and urban daily life scenes.

Bacha de Caramanie (A Pasha from Karamin), plate 7 from Caravanne du Sultan à la Mecque (The Sultan's Caravan to Mecca), Etching on off-white laid paper, Bearded man in Turkish costume leans (or sits) on wall with landscape beyond. His left hand is open on his knee, palm up and index finger and thumb extended. He wears large plumed and jewled turban. Below, the title and artist's initials., France, 1748, figures, Print, Print

'Dancing Giant' from the 'Disparates' (Follies / Irrationalities) ca. 1815-19 (published between 1854-63) Goya (Francisco de Goya y Lucientes) Spanish Posthumous but prior to the first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'.. 'Dancing Giant' from the 'Disparates' (Follies / Irrationalities). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). ca. 1815-19 (published between 1854-63). Etching, burnished aquatint, drypoint. Prints

Schmalz Otto (1861-1915), commemorative publication for the 100th anniversary of the Technical University of Berlin-Charlottenburg. Dilment designs (1899): Book decoration. Ink, pencil on paper, 31.6 x 21.5 cm (including scan edges)

Etching and copper engraving by Simon Henri Thomassin between 1707 and 1741 portraying the Roman figure Marcius Coriolanus, rendered with historical emphasis.

Francisco de Goya y Lucientes / 'Dream 7. Dream of consummate witches'. 1796 - 1797. Pencil, Iron gall ink, Black chalk lines on dark yellow laid paper. Museum: Museo del Prado, Madrid, España.

WHAT I SAW IN THE FIRE, DRAWN BY A. CROWQUILL

Félix Bracquemond (1833-1914). "Don Quixote, according to a drawing by Goya". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 29510-1 Creature, etching, Epee, Spanish, Heros Roman, dreamlike, dog

"Copper engraving and etching by Giovanni Folo depicting Time defending Truth against Envy and Anger, showing allegorical figures, gestures, and symbolic elements between 1784 and 1836."

Rodriguez de Castelblanco, Johannes.

SEMANARIO PINTORESCO-CASAMIENTO DEL DUX CON EL MAR. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Print, Design for a Cartouche; Designed by Jacques de Lajoüe (French, 1687-1761); Engraved by Gabriel Huquier (French, 1695-1772); France; engraving on white laid paper; Platemark: 24.3 x 21 cm (9 9/16 x 8 1/4 in.) Sheet: 32.8 x 23.9 cm (12 15/16 x 9 7/16 in.)

Lazio Viterbo Bagnaia Villa Lante35. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rock landscape with two farmers who kill a snake, Marco Ricci, 1730 print Rock landscape with two farmers trying to kill a snake. A woman flees away from the snake. Two riders on horseback in the background. Assignment in the end margin. Italy paper etching landscapes. man killing animal. snakes

Photo production from an engraving to Saint Thomas and Saint Hieronymus by Guido Reni in the Vatican, Anonymous, After Guido Reni, c. 1863 - in or before c. 1868 photograph photographic support albumen print the apostle Thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones. the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone Vatican Museums

Easing one burden by adding another , Children, Arrivals & departures. Thomas Rowlandson (1756-1827). Prints and Drawings

Copper engraving by Meister E.S. from the second third of the 15th century depicting the letter X.

Émile Friant, La Victoire, 1919, lithograph on paper.

L'Ondine. Félicien Victor Joseph Rops (after) (Belgium, Namur, 1833-1898). Belgium, 1872. Prints. Reproduction

Third Future, plate six from Eve and the Future. Max Klinger; German, 1857-1920. Date: 1879-1880. Dimensions: 290 x 201 mm (plate); 373 x 269 mm (sheet). Etching on light gray wove paper, laid down on ivory wove card. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Karta tytułowa do "Spanisches Liederbuch". Menzel, Adolph (1815-1905), graphic artist

Bacchus Met Venus, Love en Ceres (without Ceres and Bacchus Caper Venus), Jean Boulanger, after Simon Vouet, after François French, 1654 print paper etching / engraving Without the COVER AND BACCHO CLOVE VENUS '

Lazio Viterbo Vetralla S. Francesco2. Hutzel, Max 1960-1990 Specific Location: Archeo General Notes: Medieval (62 photos of S. Francesco) Hutzel nos. 44-97, 109-116; one of Archeo Hutzel no. 127 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Sant' Eusanio Forconese S. Eusanio4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (9-14th century) Post-medieval: Architectural sculpture, frescoes, painting, sculpture (16-17th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Purtry of Apollo, Michel Dorigny, after Simon Vouet, 1638 print France paper engraving / etching (story of) Apollo (Phoebus). the chariot of the sun

Water, Jacques de Gheyn (II), After Karel van Mander (I), 1580 - 1596 print Presentation of the Element of Water in the form of a naked woman with a browse tiner on the head, which pours water from a large horny shell into another shell. In the background a boat on the water and a number of fishermen with nets on a beach. In the lower margin a two -line Latin text. Reconstructed from three fragments. Amsterdam paper engraving water (one of the four elements)

This copper engraving by Cornelis van Dalen, created around 1662, depicts the personification of Africa, emphasizing allegorical figures and symbolic representation.

The fugitive holy family board a barge. Aquatint with etching after C. Ferri.

Etcher: Unknown, After: Jean Huber, Swiss, 1721-1786, Tot Capita Tot Sensus (Many Heads, ManyOpinions), ca.1778, Etching, image: 30.9 × 38.1 cm (12 3/16 × 15 in.), Made in Switzerland, Swiss, 18thcentury, Works on Paper -Prints

Two boys with Marmot, Carlo Domenico Melini, After François Hubert Drouais, 1750 - 1795 print Two boys with a marmot in a landscape. print maker: Italyafter painting by: France paper etching / engraving earning money with guinea-pig. child playing with animals

Symbols of the four evangelists; Numismata virorum illustrium ex Barbadica Gente. A console with the four symbols of the evangelists: an angel (Matteus), eagle (John), OS (Luke) and Leeuw (Markus). The print is part of an album.

The concert season, by O.boissin

Repentance of St. William. Artist: After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591-1666 Bologna). Dedicatee: After a drawing owned by Pierre Jean Mariette (French, Paris 1694-1774 Paris). Dimensions: Mount: 20 3/8 × 14 9/16 in. (51.8 × 37 cm)Sheet: 15 1/16 × 10 13/16 in. (38.2 × 27.4 cm). Etcher: Vincenzio Vangelisti (Italian, Florence 1728-1798 Milan). Publisher: () John & Josiah Boydell (British, 1786-1804). Date: 1764-98. Museum: Metropolitan Museum of Art, New York, USA.

The big fat and beast walk (continued) double board. (dummy title) | The big fat and beast walk four double boards. (title of all)

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), the saint. (Registered title (letter)), 1828. Maison de Balzac.

Beggars, Pieter Dupont, 1908 print Two walking men with hat and walking stick. A church tower on the right in the background. paper engraving beggar. walking-stick, staff

Inn interior with toasting men, Oreste Cortazzo, 1880 print paper etching / drypoint inn, coffee-house, public house, etc.. alcoholic drinks

Klingholz Fritz (1861-1921), Farewell to Mr. Prange, Dorst, Gruhl (without dat.): Views and text. Pressure on paper, 30.1 x 20.7 cm (including scan edges) Klingholz Fritz (1861-1921): Verabschiedung von Herrn Prange, Dorst, Gruhl

Amor Gestraft Door Venus, Louis Desplaces, After Bernard Picart, After Eustache Lesueur, 1740 print Amor punishes Amor, who flees in the arms of Ceres. In the middle of the woks is the cradle of Amor. To the painting in the cabinet de l'amour of the Hôtel Lambert. Print is part of a series of prints to the paintings in the Hôtel Lambert in Paris. Paris paper etching / engraving infancy, upbringing of Cupid. (story of) Ceres (Demeter) Lambert Hotel

Etching by Romeyn de Hooghe depicting a rider portrait of Wilhelm III with various dignitaries, created in 1672, showing figures on horseback, attire, and composition.

This 1915 color print by Charles Léandre depicts 'Hairy Day', organized by Parliament, showing participants, crowd activity, and festive event details.

A drawing by Jan van den Hecke showing soldiers, cattle, armor parts, and a stone bridge in the distance, executed in brown ink with gray wash, white highlights on blue-gray paper, with horizontal and vertical folds and brownish spots.

Photo production of a painting of scene from the Opera Das Rhingold; Tie Rhingold; Richard Wagner Cyklus. .

The 1580-1638 copper engraving and etching by Matthäus Greuter depicts an allegory with Hercules, showing the hero, figures, gestures, and symbolic elements in European print.

Street seller at Open Graf, Giuseppe Maria Mitelli, 1707 print A man, a street seller loaded with musical instruments and bird cages, standing at an open grave. A title in Italian above the performance. The performance is an allegory of human passions and habits. Italy paper etching street-trader. grave, tomb

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