Mythological and Family Scenes

Drawings showcasing mythological subjects and family settings, emphasizing gestures and expressions. Soft lines and gentle tones characterize the artwork.

Study sheet with two saters, c. 1656 - c. 1657 drawing Zwolle paper. chalk

Men on horseback (Bartsch 139) Rembrandt Harmenszoon van Rijn (1606-1669), Dutch painter. Man on horseback (Bartsch 139). Floor on European paper, 1632.

Study from the Nude: Man Seated on Ground, with One Leg Extended. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet (Trimmed): 4 1/2 × 7 5/16 in. (11.4 × 18.5 cm)Plate: 3 13/16 × 2 11/16 in. (9.7 × 6.8 cm). Date: 1646. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

Rhine, Rembrandt van, Rider seen from behind, verso lower left - stamped, print, prints, RHL (mirror image), upper right, height 82 mm, width 58 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1634, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Costume Design and Design for a Headdress. Artist: Possibly by Baccio del Bianco (Italian, Florence 1604-1656 Escorial) (and workshop). Dimensions: Sheet: 11 1/8 x 8 1/4 in. (28.2 x 20.9 cm). Date: ca. 1620-56.Full-length design for a woman's costume characterized by a strangely shaped hat with a curled-up tip and a bulging cape. On the right side below the figure, a study of a head with a design for an elaborate headdress only partly depicted) is visible. Museum: Metropolitan Museum of Art, New York, USA.

Two Heads of an Old and a Young Woman Looking to the Left (Ages of Woman). Artist: Frederick III, King of Denmark and Norway (Hadersleben 1609-1670 Copenhagen). Dimensions: sheet: 4 1/4 x 3 1/8 in. (10.8 x 7.9 cm). Date: 1609-70. Museum: Metropolitan Museum of Art, New York, USA.

Venus and Adonis, anonymous, 1688 - 1698 print A woman touches a sitting man with a bow in his hand, and says something to him. It is probably Venus who wants to keep her beloved Adonis hunting. Netherlands paper engraving Venus trying to prevent Adonis from going hunting

Heros Body Carried by Nereids. Artist: Unknown After: Peter Paul Rubens, Flemish, 1577-1640

Drawing for "La Colonne Trajane" 18th century After François Boucher French. Drawing for "La Colonne Trajane" 334847

The Bower Meadow - Drapery Study for the Two Girls dancing. Date/Period: 1872. Black chalk over red chalk outline on pale green paper. Width: 530 mm. Height: 504 mm. Author: Dante Gabriel Rossetti.

Flea pot player and two children in a niche. In a niche there are a boy with a rumble pot, a girl with a triangle and a second girl.

Expression study of four faces.

James McNeill Whistler, Venus, 1859 Venus

The Annunciation. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: PARMIGIANINO.

One of the Three Kings Adoring the Virgin and Child. Draughtsman: Rembrandt van Rijn. Dating: c. 1635 - c. 1640. Place: Amsterdam. Measurements: h 177 mm × w 159 mm. Museum: Rijksmuseum, Amsterdam.

Sketch on the decoration of the Saint-Michel Fountain, Saint-Michel Place, 6th arrondissement.

Italian 17th Century, A Design for a Saltcellar A Design for a Saltcellar

Oriental couple, James Ensor, circa 1870-1880, drawing, Belgian Art

The Angel Appearing to Joseph in his Dream, draughtsman: Rembrandt van Rijn, Amsterdam, c. 1650, paper, pen, brush, h 187 mm × w 188 mm

George Romney, 1734-1802, British, Group of Four Women Embracing, between 1789 and 1790. Graphite on medium, slightly textured, cream wove paper.

Herder and Herderin at a water source, Derk Anthony van de Wart, 1785 print A shepherd sits next to a shepherdin with a bare chest. His hand rests on her hand. Next to her is a shepherd's staff next to a basket. She leans on the fountain behind her. Amsterdam paper etching pastorals, Arcadian scenes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. container made of plant material other than wood: basket. garden fountain

Holy family with Johannes the Baptist as a child in a landscape, Luca Cambiaso, 1537 - 1585 drawing paper. ink pen Holy Family with John the Baptist (as child)

St. John the Baptist with the Lamb. From an original drawing by Murillo.. Nicolaas Henneman (British, 1813 - 1893)

Standing woman. Draughtsman: George Hendrik Breitner. Dating: 1867 - 1923. Measurements: h 396 mm × w 354 mm. Museum: Rijksmuseum, Amsterdam.

Children's head and farmer with two pigs, Anonymous, After Stefano della Bella, 1620 - 1664 print Leaf with two performances. Left: used to the head of a child to the left. Right: a farmer with two pigs, seen on the back. Amsterdam paper etching farmers. pig. tot, toddler ~ the ages of man

An Artist in His Studio; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); about 1630; Pen and brown ink; 20.5 x 17 cm (8 1,16 x 6 11,16 in.)

Feather and money drawing by Francesco la Marra showing the Madonna with the child viewed from the front in the opposite orientation.

Mother and Child, No. 1. Dated: 1891/1895 (printed 1904). Dimensions: image (irregular): 18.42 × 19.37 cm (7 1/4 × 7 5/8 in.) sheet: 31.12 × 20.96 cm (12 1/4 × 8 1/4 in.). Medium: lithograph in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Francisco de Goya y Lucientes / 'The flying dog ( Album G, 5)'. 1824 - 1828. Pencil, Lithographic crayon on grey laid paper. Museum: Museo del Prado, Madrid, España.

Making Clothes for the Boys in the Army (from Confederate War Etchings) 1861-63 Adalbert John Volck American. Making Clothes for the Boys in the Army (from Confederate War Etchings) 421347

Study of a Woman Seen from the Back. Eugène Delacroix; French, 1798-1863. Date: 1833. Dimensions: 105 × 155 mm (image); 111 × 162 mm (plate); 124 × 172 mm (sheet). Etching in black on off-white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Woman with Hoorn of Abundance, Anonymous, After Frederick Bloemaert, After Abraham Bloemaert, c. 1679 - c. 1750 print Standing woman with a sickle in her left hand, a horn of abundance in the right hand. Copy to a performance from the drawing book by Abraham Bloemaert, in the edition of Nicolaas Visscher. Nummered 47. Netherlands (possibly) paper etching 'Cornucopia', Horn of plenty. Summer, 'Aestas'; 'Estate' (RIPA)

La Mort et la bûcheron (6th plate) , Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

Feather drawing by Abraham Bloemaert showing John the Evangelist seated on the ground reading the Gospel, accompanied by an eagle, executed with gray washes.

Woman Seated on the Ground with Two Children. Dated: 1635/1640. Dimensions: overall: 9.2 x 10.4 cm (3 5/8 x 4 1/8 in.). Medium: pen and brown ink with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

Madonna met kind.

William Blake, The Infant Hercules Throttling the Serpents, 1790 1793 The Infant Hercules Throttling the Serpents

Lady at her Toilette with a Servant. Artist: Haydar Ahmad. Dimensions: H. 3 7/8 in. (9.8 cm)W. 2 13/16 in. (7.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Three naked male figures, Carlo Cesio, After Domenichino, After Annibale Carracci, 1656 print print maker: Romeafter painting by: Italyafter design by: Italypublisher: RomeVaticaanstad paper etching the (nude) human figure; 'Corpo humano' (Ripa)

Study sheet with two portrait busts. Study sheet with a portrait bust of a man with hat and a woman with headscarf, separated by a line in the middle. The man's portrait bra is wrong.

Lovers by a Rosebush, 1848. John Everett Millais

Francisco Bayeu / 'Head of an Old Man, Half-Length Clothed Figure and Leg'. XVIII century. White chalk, Red chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

Daniel Nikolaus Chodowiecki depicted the back view of a young man in 1760 using Russian chalk with reddish tones and leading handle techniques.

Baldassare Franceschinis late 1660s chalk drawing depicts St. Ludwig of France serving as a hospital assistant.

Study of Figures n.d. attributed to Jean Auguste Dominique Ingres French. Study of Figures. attributed to Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). n.d.. Graphite on pale tan paper. Drawings

Anaïs Toudouze (1822-1899). "Sketch of three women". Lead mine, white paper. 1855. Galliera, fashion museum of the city of Paris. 37822-8 Drawing, young woman, lead mine, second empire, dress

François Boucher after Abraham Bloemaert, Figure Studies including Bearded Face of an Old Man, published 1735 Figure Studies including Bearded Face of an Old Man

Still life with dead poultry. In the background the suggestion of a landscape. Leaf 8 Recto from a sketchbook with 21 sheets.

Four men's heads; The sign book of Abraham Bloemaert. Four men's heads. Two with hat, and two with long beard.

Sketches, Fragment: Peasant Seated at the Foot of a Tree. Jean François Millet; French, 1814-1875. Date: 1863-1875. Dimensions: 54 × 59 mm (image, recto); 44 × 27 mm (image, verso); 68 × 67 mm (sheet). Woodcut fragment from a partially inked block on tan wove China paper, and a fragment of another woodcut, verso, in dark brown. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean Francois Millet.

Allegory with a Flying Victory and a Seated Bearded Man with a Book. Artist: Battista Franco (Italian, Venice ca. 1510-1561 Venice). Dimensions: 7 1/2 x 8 1/16in. (19 x 20.5cm). Date: 1510-61.This drawing seems related in iconography, style, and technique to a sheet depicting an 'Allegory of Time' (private collection, New York; see 'Private Treasures: Four Centuries of European Master Drawings,' New York and Washington, D.C., 2007, pp. 36-39, no. 13), which probably dates to ca. 1560-61, and may be connected to an unexecuted project for the illustrations to a book, 'Pitture del Doni Accademico Pellegrino,' which was published in 1564 but without plates. It is therefore a late work by the artist. The composition of the Museum's sheet seems to represent the crowning of the seated bearded man holding an open book, who is therefore most likely a literary figure. This drawing was pasted down by an early collector onto a decorative mount, outlined in gold.(Carmen C. Bambach; 17 June 2015).

John William Casilear, Banknote Studies (recto), 1840 Banknote Studies recto

Johann Evangelist Scheffer von Leonhartshoff's drawing depicts two girls from Loth's escape, executed in gray pencil with white and reddish highlights, showing figures, posture, and gestures.

Seated Woman with a Winged Putto. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 11-5/16 x 10-1/16 in. (28.8 x 25.5 cm). Date: 1696-1770. Museum: Metropolitan Museum of Art, New York, USA.

An Old Woman Smoking a Pipe, Thomas Worlidge, 1700-1766, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 8 1/2 × 6 1/2 inches (21.6 × 16.5 cm)

A 19th-century pencil drawing by Christian Adolf Schreyer showing an Arab rider with a dog on a fountain, executed on brownish paper with both sides used and light wiping.

Standing woman, to the right, with a canvas over the head, Giovanni Segala, 1643 - 1720 drawing paper. chalk standing figure - AA - female human figure

Ekman, Robert Wilhelm, Dying warrior. Illustration for the stories of Vänrikki Stål, 1869, pencil, drawing, 14 cm x 22.5 cm

Winged Putti with Flowers ca. 1750 François Boucher French This sheet is one of several studies related to Apollo Revealing His Divinity to Issé (1750, Musée des Beaux-Arts, Tours), a large mythological painting in which swirls of frolicking putti encircle the main figural group. Many such drawings, and quite possibly the present sheet, would have been made not as preliminary studies, but after the painting was completed, to satisy the market demand for drawings by Boucher's hand. Here, he uses black chalk, stumped in places to create a soft gray, and white chalk highlights to deftly model the dimpled flesh of the cupids and their baskets of flowers.. Winged Putti with Flowers 336356

Ruiter op de rug gezien.Mirror-image copy to the Print of the same name from Rembrandt.

Italy, Busts of seven men and women, verso - stamped, print, prent, prints, prenten, height 68 mm, width 164 mm, print maker, prentmaker, 1650 - 1749, paper, papier, etching, etsen

Cupid and Psyche - Sketch of Psyche and Charon. Artist: Sir Edward Burne-Jones

Two Sketches of a Weeping Woman Artist's working dates 1758-1820 United States. Pen and brown ink, on gray laid paper, perimeter mounted to cream wove card . Benjamin West

Lievens, Jan, Standing farmer's wife, verso bottom center - stamped, print, prints, height 59 mm, width 36 mm, 1607-10-24 - 1674-06-04, print maker, printmaker, 1625 - 1674, second quarter 17th century, third quarter 17th century, paper, etching, etchings, Work conception, after own design by

A feather drawing study sheet by Baldassare Franceschini from the 1670s showing the marriage of St. Katharina, a Madonna with child, and additional figure studies.

Two women: study for The Grove of the Academe,” painting commissioned by Curtis Publishing Co., Philadelphia, ca. 1909. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Series of seven sketches by Lucas Stipperger showing allegorical women in ovals, executed with lead handle, bister, and brush, focusing on figure and symbolic gestures.

Sitting beggar and a study of his head, Roelant Savery, 1603 - 1613 drawing Sitting beggar with a turban on the head; On the right a study of the head of the same man. paper. ink. chalk pen Begin

Agartoza Muni, Thomas Daniell, 1749-1840, British, active in India, William Daniell, 1769-1837, British, undated, Brown wash with graphite on medium, moderately textured, cream, laid paper, mounted in moderately thick, slightly textured, cream, wove paper, Sheet: 10 1/4 × 7 1/2 inches (26 × 19.1 cm) and Mount: 11 9/16 × 8 3/4 inches (29.4 × 22.2 cm), architectural subject, sculpture, study (visual work)

Le Chant d'Amour - Three Studies of Cupid, 1863-64. Artist: Edward Burne-Jones

Drawing of a woman, circa 1710 by Jean-Antoine Watteau (1684 - 1721) a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo

Jean Louis Forain, The Madonna and the Children, 1909 The Madonna and the Children

Five putti at a monument with Januskop.Putti at a monument with a baseliof decorated with a januskop.

Wilhelm Marstrand (1810-1873), icing on Naesen, 1850-1859

A crouching angel with hand in front of mouth Numbered X, Crouching Angel, print maker: Nicolaas Cornelis de Gijselaar, (mentioned on object), intermediary draughtsman: David Pièrre Giottino Humbert de Superville, (mentioned on object), after: Andrea Orgagna, (mentioned on object), 1802 - 1873, paper, etching, w 287 mm × h 498 mm

The infant Christ asleep on a cross, his head resting on a skull, a crown of thorns and nails in the foreground, after Reni. Artist: Anonymous, Italian, 17th century; After Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Plate: 3 3/4 × 5 1/8 in. (9.5 × 13 cm)Sheet: 4 1/2 × 5 13/16 in. (11.4 × 14.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

CARTOONIST Harmensz van Rijn Rembrandt (1606-1669). The designer (B 130 - single state), around 1641.

Pencil draft by Karl Rahl the Younger for the Fame Hall of the Arms Museum in the Arsenal, showing two national coats of arms, executed between 1853 and 1854.

Study load MET Four Koppen, Meester of the Coburger round discs, 1475 - 1500 drawing Study magazine with four heads: one monk from the front and from behind and two nuns. prepared paper. ink pen monk(s), friar(s)

The Annunciation ca. 1700-1750 Attributed to Pedro Duque Cornejo For the attribution of this drawing to the sculptor Pedro Duque Cornejo, see M. García Luque, 'Dibujos de Duque Cornejo en el Álbum Jaffe (I): la colección del Metropolitan Museum of Art, Philiostrato. Revista de Historia y Arte, no. 3, 2018, cat.no. 9.. The Annunciation. Attributed to Pedro Duque Cornejo (Spanish, 1677-1757). ca. 1700-1750. Pen and dark brown ink. Composition outlined in same, by the artist. On ivory paper. Drawings

Luiten playing young man, Anonymous, 1610 - 1630 drawing Verona paper. chalk lute, and special forms of lute, e.g.: theorbo

Winter; The four Seasons. Design for a decoration.

The Madonna nursing the Christ Child at the foot of a tree ca. 1502-3 Jacopo de' Barbari Italian. The Madonna nursing the Christ Child at the foot of a tree 368607

Drawing, Madonna and Child, Sketches after Leonardo Da Vinci and Fra Bartolomeo of Works in the Uffizi, Florence; Daniel Huntington (American, 1816-1906); Italy; graphite on off-white wove paper; 32.3 x 24.3 cm (12 11/16 x 9 9/16 in.); Bequest of Erskine Hewitt; 1942-50-622

Portraits of Hedwig, the artists oldest daughter; verso: portrait of Elizabeth Hamacher, the artists wife. Schall, Raphael (1815-1859), draughtsman, cartoonist

Temptation of Christ, anonymous, after Willem Drost, after c. 1650 - after c. 1655, intermediary draughtsman: Willem Drost, (copy after), intermediary draughtsman: Rembrandt van Rijn, (rejected attribution), after c. 1650 - after c. 1655, paper, pen, brush, h 88 mm × w 118 mm

Fire; The four elements. A sleeping child is sitting at a fire. There is a bellows next to him.

The Prophet Jonah before the Walls of Nineveh, c. 1655. Date/Period: Ca. 1655. Pen and brown ink, wash. Author: Rembrandt.

Draftsman at work, seen from aside.

Sketch for Two Children's Heads ca. 1892 Alphonse Legros. Sketch for Two Children's Heads. Alphonse Legros (French, Dijon 1837-1911 Watford, Hertfordshire). ca. 1892. Etching. Prints

Bella, Stefano della, Dark man with turban leads a horse, in the background a man on horseback, verso - stamped, print, prints, height 82 mm, width 115 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, plate tone

Gustave Doré, Man, Woman, and Dog, 1868-72, black chalk and brown ink with white heightenings on wove paper.

MALASPINA, ALEJANDRO. ITALIAN SAILOR. 1754 - 1809. SCIENTIFIC EXPEDITION 1789 - 1794. VAVAO ISLANDS. "MALASPINA PRESENTED BY TWO INDIANS FROM VAVAO". PENCIL DRAWING BY JOHN REVENET. AMERICAN MUSEUM. MADRID.

Drawing, Studies for a religious representation; Filippo Marchionni (Italian, 1732-1805); Italy; charcoal, brush and wash, white heightening on paper; 26.7 x 19.5 cm (10 1/2 x 7 11/16 in.)

A feather drawing by Francesco la Marra depicting a mythological scene with Hercules, a boy, and an old man, lavated for shading.

Mother and Child with Young Boy Leaning on Window Sill, Benjamin West, 1738-1820, American, active in Britain (from 1763), undated, Pen and black ink on medium, slightly textured, light blue, wove paper, mounted on moderately thick, moderately textured, cream laid paper, Mount: 4 1/8 x 4 7/16 inches (10.5 x 11.3 cm) and Sheet: 3 3/16 x 3 3/8 inches (8.1 x 8.6 cm), bonnet, child, children, figure study, genre subject, leaning, leisure, mother, sill, window, woman

Tailor on a stool, seen from behind, Harmen ter Borch, c. 1648, draughtsman: Harmen ter Borch, Zwolle, c. 1648, paper, h 110 mm × w 123 mm

Bliżej Kultury Simmler, Józef (1823 1868)

Chalk drawing by an anonymous artist featuring three head studies on gray-blue paper with white highlights, focusing on facial features and proportions.

Man Drawing from a Cast, Rembrandt van Rijn, c. 1641 print paper etching drawing. art (+ artist studying classical remains)

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