Mythological and Family Scenes

Drawings showcasing mythological subjects and family settings, emphasizing gestures and expressions. Soft lines and gentle tones characterize the artwork.

Study sheet with two saters, c. 1656 - c. 1657 drawing Zwolle paper. chalk

A pencil sketch by Emerich Alexius Swoboda from 1877 depicting a mother with a child, showing posture, anatomy, interaction, and compositional balance.

Five children, only the uppermost parts are shown of two of them. Verso: at left a sitting child, and a standing one. Center: sketch for a painting. Two persons are shown dancing. Other figures are indistinct. At right is a child carrying a stick with a cross-like head. Date: 1725-1754. Charcoal, pen and Chinese ink on paper; Verso: brush and bistre wash. Museum: Cooper Hewitt, Smithsonian Design Museum.

Mother and Child, No. 4. Dated: 1891/1895. Dimensions: image: 14.3 × 23.2 cm (5 5/8 × 9 1/8 in.) sheet: 22 × 28.8 cm (8 11/16 × 11 5/16 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Sketch of a woman's head and sketch of a group of characters Narcisse Diaz de la Pena (1807-1876). Sketch of a woman's head and sketch of a group of characters. Graphite pencil on paper.

Poelzig Hans (1869-1936): Sketchbook F1

Study sheet with heads and rider.

Beggar Man and Woman, Rembrandt van Rijn, c. 1629 print paper etching Begin

Caricature; Scholtz, Julius (1825-1893); 1840-1893 (1844-00-00-1844-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Fl. Ca 1912) - gift, caricatures, illustration projects, German drawings, courtship (iconogr.)

Standing Woman Holding a Child, Jan Victors (attributed to), c. 1635 - c. 1638, draughtsman: Jan Victors, (attributed to), draughtsman: Rembrandt van Rijn, (rejected attribution), Amsterdam, c. 1635 - c. 1638, paper, pen, h 170 mm × w 129 mm

A pencil portrait by Joseph Ernst Tunner depicting Baroness Elisabeth Haxthausen and her daughter Maria, showing facial features and clothing details, executed in 1832.

Prometheus chained, Anthonie van den Bos, After Salvator Rosa, 1778 - 1838 print Prometheus is chained to a rock and an eagle picks up his liver. Prometheus received this punishment from Jupiter because he stole the fire and gave it to the people. paper counterproof (story of) Prometheus. an eagle tears at Prometheus' liver

Boy with Schaap, Hendrik van der Borcht (II), After Parmigianino, 1638 print A half-naked boy embraces a sheep. He looks to the left. Print from a series to various drawings by Parmigianino from the Arundel collection paper etching sheep. the (nude) human figure; 'Corpo humano' (Ripa) (+ young male (human being)). the (nude) human figure; 'Corpo humano' (Ripa) (+ kneeling)

Burial monument with mourning angel, anonymous, 1836 drawing Design for a grave monument with a grieving angel at the body of the deceased. With inscription: Mathieu Kessels Statuaire, Né à Maestricht 17 ... Mort à Rome 1836. paper. ink. pencil pen / brush grave, tomb and other grave-forms and grave-markers. mourning the dead. angels

Studies. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1813-1814. Dimensions: 174 × 232 mm. Graphite, on cream wove paper, perimeter mounted on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Madonna and Child with Worshipper. Artist: Anonymous, Italian, 17th century. Dimensions: 4-1/4 x 5-7/8 in. (10.8 x 14.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

John Hamilton Mortimer, Mucius Scaevolo (recto) Mucius Scaevolo recto

The Virgin is sitting, her left foot resting upon the globe. The Child sits in her lap. He puts his left hand into a basin which is supported by an angel with raised and backward turned hands. The Virgin, reading a book at which the Child's right hand points, tries to lift it with her right hand. Framing line. Date: 1820-1850. Graphite, impressed lines on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Arthur-Joseph Guéniot (1866-1951). Pedestal after Raphaël. Black stone. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Beggar and beggar, next from behind a hill. Drawn copy to the Print of the same name from Rembrandt.

Two Gypsy Women with Child Artist's working dates 1630-1664 France. Pen and brown ink, with graphite, on ivory laid paper, laid down on cream laid paper . Stefano della Bella

Print, Virgin and Child in the Clouds, 1641; Rembrandt Harmensz van Rijn (Dutch, 1606-1669); Netherlands; etching on paper; 16.9 × 10.9 cm (6 5/8 × 4 5/16 in.); Bequest of George Campbell Cooper; 1896-3-153

Nymph and Satyr. Ciro Ferri; Italian, 1634-1689. Date: 1654-1689. Dimensions: 181 x 213 mm. Black chalk on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

The leak in Egypt Harmensz van Rijn Rembrandt (1606-1669). Rest during escape in Egypt: In line (B 58 - Single State), 1645.

Study for the decor of the Saint-Germain-des-Prés church: Four apostles on the left, sketch for the decor of Saint-Germain-des-near

Virgin in a Chair 1817-1820 France. Lithograph in black on ivory wove paper . Dominique-Vivant Denon

Baby Pettigrew. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 134 x 97 mm (plate); 145 x 117 mm (sheet). Etching with foul biting in dark brown ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Beggar Man and Woman Behind A Bank, Anonymous, After Rembrandt van Rijn, After 1630 drawing paper. ink pen Begin

Henri de Groux, Morituri, 1898 Morituri

Model Draping Made 1889 United States. Transfer lithograph in black on cream laid paper . James McNeill Whistler

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Pencil drawing by Georg Philipp Rugendas depicting a soldier seated, with detailed posture and uniform elements.

Artist, copy after: Donatello (Donato di Niccolò di Betto Bardi), Italian, Florence, 1386/87-1466, Mater Dolorosa, copied from the Lamentation of the San LorenzoPulpit, 17th-18thcentury, Pen and brown ink, over traces of graphite, 29.8 × 20.8 cm (11 3/4 × 8 3/16in.), Italian, 17th-18thcentury, Works on Paper - Drawings andWatercolors

'Hovering Genius', mid 18th century, (1928). Artist: Giovanni Battista Tiepolo.

Prophet 1713-1762 Austria. Pen and brown ink on ivory laid paper . Paul Troger

Three putti with musical instruments and fruit, Jean Baptiste Huet (Le Vieux) (attributed to), 1755 - 1852 print Numbered at the top right: 69. paper etching Cupids: 'Amores', 'Amoretti', 'Putti'

Enthroned Monarch in Oriental Attire, Albrecht Dürer, c. 1560 print A 'Eastern' prince, sitting on a throne, seen from the front. This print is unfinished, only the rug over the man's lap and the lower part of his clothing are somewhat elaborated, the rest of the performance is only indicated by contour lines. Nuremberg paper engraving Asiatic races and peoples: Turks. ruler, sovereign

Ink drawing by Piero Buonaccorsi, also known as Perino del Vaga, depicting two figures, showing posture, gestures, and interaction with feathered lines.

Sitting Man with Pipe. .

Study Sheet with heads and horsemen, Karel Dujardin, 1652 - 1659.

Sketches of compositions with characters, and figures details (front) Narcisse Diaz de la Pena (1807-1876). Sketches of compositions with characters, and details of figures (front). Graphite pencil on paper.

Drawing, Standing figures in Renaissance dress; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

Bearded Man Spying on Lovers Under an Arbor. Johann Heinrich Ramberg; German, 1763-1840. Date: 1795. Dimensions: 305 x 261 mm (image); 305 x 280 mm (plate); 325 x 292 mm (sheet). Etching on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Chalk drawing by Giulio Carpioni showing a barefoot boy with a hat, leaning on a wall with another hat under his arm.

Hercules Resting, Ramsay Richard Reinagle, 1775-1862, British, undated, Black chalk with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 3/4 x 11 1/2in. (22.2 x 29.2cm) and Sheet: 8 5/8 × 11 1/2 inches (21.9 × 29.2 cm), club, figure study, historical subject, man, muscles, nude, resting

Allegory of Winter, winter, 'Hyems', 'Inverno' (Ripa), Jurriaan Andriessen, 1752 - 1819, paper, ink, graphite (mineral), brush, h 124 mm × w 86 mm

Saint Agnes (recto), Figure Studies (verso); Adam Elsheimer, German, 1578 - 1610; Germany, Europe; about 1605; Pen and brown ink; 7.6 x 7.6 cm (3 x 3 in.)

Seated person

Rembrandt van Rijn (1606-1669), Kain Draeber Abel, About 1650

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Jupiter. Fourth issue of a series of 52 pieces. (A. de Vesme 490; Dutuit 116) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Watchman with a broom and a cat. Andrieux, Clément-Auguste (1829-1881), draughtsman, cartoonist

Various Sketches of Heads, Hamlet Winstanley, 1698-1756, British, between 1715 and 1720, Pen and brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 12 1/8 × 7 3/4 inches (30.8 × 19.7 cm) and Binding: 13 inches (33 cm)

Two Studies of a Seated Woman.Taking advantage of the sheets horizontal format, Watteau drew the same woman twice, shifting only his viewpoint and distance from the model. The complex folds of her dress are executed in a great economy of means - with nervous hatching and blank reserves. Watteau made hundreds of similar figure studies, which he often reused in his paintings.

Francisco de Goya y Lucientes / 'They eat a lot. (Album G, 55)'. 1824 - 1828. Pencil on grey laid paper. Museum: Museo del Prado, Madrid, España.

Manuel de la Cruz Vázquez / 'Saint Anthony Abbot'. Second half of the XVIII century. Black chalk on white laid paper. Museum: Museo del Prado, Madrid, España.

Study of woman feet in the water (front); Seaside landscape study (verso) (p. 70 from the album). Jean-Baptiste Carpeaux (1827-1875). Study of woman feet in the water (front); Seaside landscape study (verso) (p. 70 from the album). Drawing between 1870 and 1875.

Red chalk drawing by Raffaello Santi depicting two women with a child, study for 'Borgobrand' in the Vatican's Stanza dell'Incendio, with traces of black pen, dated 1514.

Seated Woman Searching for Fleas, c. 1671. Adriaen van de Velde (Dutch, 1636-1672). Red chalk over black chalk; framing lines in brown ink; sheet: 18.4 x 23.4 cm (7 1/4 x 9 3/16 in.); secondary support: 18.4 x 23.4 cm (7 1/4 x 9 3/16 in.).

Single crouched character (an Arab) And two hand sketches Narcisse Diaz de la Pena (1807-1876). Face crouched character (an Arabic) And two hand sketches. Black stone on laid paper.

Turbaned Soldier on Horseback, Rembrandt van Rijn, c. 1629 print paper etching

Brown ink drawing by Raffaello Santi depicting the Madonna reading with the Christ child in a landscape, using metal pen traces, dated 1509.

Winged figure with a jug on a tray, 1813 Probably a study of a classic example. Page 31 Recto from a sketchbook with 91 sheets. paper. pencil. ink pen Abstract Ideas and Concepts (+ personification). container of ceramics: jar, jug, pot, vase. carrying something

Caricatural study of two men, half in person, for an illustration from François Rabelais' Gargantua and Pantagruel, Caricatural study of two men, half in person, for an illustration from François Rabelais' Gargantua and Pantagruel., draughtsman: Henk Henriët, , c. 1936 - c. 1940, paper, h 207 mm × w 315 mm

Portrait of Grinling Gibbons and his wife, John Closterman, 1670 - 1711 drawing Portrait of Grinling Gibbons (1648-1720) and his wife; Seated semi -figures, only partially executed. paper. chalk historical persons - BB - woman. historical persons. portrait, self-portrait of artist

Ink and feather drawing by Johann Andreas Wolff from around 1687 depicting the death of St. Joseph, showing figures, posture, and composition.

Child of the left group Richomme, Jules (1818-1903). Child of the left group. Black stone, white on tinted paper.

Standing Virgin with Child, Two Heads at Upper Right (recto); Sketch of Steps (verso) 1530 Battista Franco Italian. Standing Virgin with Child, Two Heads at Upper Right (recto); Sketch of Steps (verso) 338807

Pedro Ruiz González / 'The Penitent Mary Magdalen'. XVII century. Black chalk on laid paper. Museum: Museo del Prado, Madrid, España.

A Kneeling Man Holding a Staff recto. Dated: mid 1550s. Dimensions: overall: 23.6 × 34.8 cm (9 5/16 × 13 11/16 in.). Medium: charcoal heightened with white on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacopo Tintoretto.

The Virgin is seated below, only the upper portion of her figure visible. The Child nude, except for a bit of draping over his right shoulder, stands between the encircling arms of the Virgin, center, holding a bird. Figures in background, left. Graphite on paper. Date: 1825-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.

Jupiter and antiope: small plate.

Left row: two circular, above a half-figure of a girl, seen from the front, with the right arm before the breast put into the shawl around the shoulders, the left arm being put behind the back; below is a sketch of a girl with praying raised hands and eyes, turned toward the left. Framed by a circular line. In the center: three-quarter figure of a young woman with a diadem sitting in a side chair, turned toward the right, but looking at the front. Her right arm leans upon the arm of the chair, her left hand holds a circular, only partly visible relief. IN the background are two lower parts of columns with a curtain between them and a view of the sky. Right row: above, rectangularly, a woman sits in a side chair, turned toward the left, with the head turned toward the front. She wears gloves. Her right foot is upon the base, her right arm upon the top of a table, upon which a vase with flowers stands. In the background are columns upon a dado and a curtain. Below: half-figure of a sitti

Design Sketch, from Encyclopédie 1762-1777 France. Etching, with engraving, on cream laid paper . Benoît-Louis Prévost

Josef von Führich first draft for a banknote showing three figures representing mining, agriculture, and cattle breeding, executed in pencil, highlighting figure symbolism and composition.

Five Men, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Pen and ink, brush and wash on paper, Upper left, a man wearing short pants bending over a task. At tight, two equestrians, one wearing a brimmed hat. Below, left: a man seated on a rock, facing right. Beside him, a larger kneeling figure, shown foreshortened., Italy, 1630-1640, figures, Drawing, Drawing

Daniel in The Lions den, Rembrandt van Rijn, c. 1650 drawing Amsterdam paper. deck paint. ink pen / brush King Cyrus visits the lion's den and finds Daniel alive. King Cyrus visits the lion's den and finds Daniel alive

Roman sketchbook, Gauffier, Louis, 1761-1801, pencil, pen and black and brown ink, grey and brown wash, and black and white chalk, 1784-1789, executed during the artist's stay in Rome at the Acadeìmie de France as a recipient of the Grand Prix de Rome. Twenty-four drawings depict urban views of Rome, some inscribed by monument (including S. Gregorio, S. Lorenzo Fuori delle Mura, S. Giovanni Laterano, Villa Negroni, Villa Mattei). The remaining sketches are landscapes and figure studies, some after classical sculpture.

Francisco de Goya y Lucientes / 'Good Advice'. 1824 - 1828. Black chalk, Lithographic crayon on laid paper. Museum: Museo del Prado, Madrid, España.

The good samaritan bandaging a wounded man with oils and wine. Pen and ink drawing.

Pen drawing on reddish paper by Girolamo Romanino from the early 1530s depicting a seated female seen from the back with children, showing figures and posture.

Study of Draperie, Hans Bol, 1544 - 1593 drawing Study of Draperie for the mantle of Maria seated in a crescent. paper. chalk Drapery, Draped Garment, 'Course'

Adoration of the Virgin Artist's working dates 1687-1735 France. Black chalk on cream laid paper . Antoine Rivalz

The Holy Family with Attendant Angels. Artist: Pietro Testa (Italian, Lucca 1612-1650 Rome). Dimensions: 5 3/8 x 6 1/16in. (13.7 x 15.4cm). Date: 1612-50. Museum: Metropolitan Museum of Art, New York, USA.

Woman sitting on the ground (MCB 98) Pierre Puvis de Chavannes (1824-1898). Woman sitting on the ground (MCB 98). Black Stone on layered paper glued on cardboard.

Sketch of a statue of a sitting naked man, Woutherus Mol, 1795 - 1857, paper, chalk, h 247 mm × w 198 mm

Two Dancing Women, Thomas Cool, 1861 - 1904 drawing paper. ink pen

Drinking company around a table, Charles Emile Jacque, 1846 print With six -line poem in the margin. paper etching / engraving drinking. hotel, hostelry, inn

Virgin in a Chair. Dominique-Vivant Denon (French, 1747-1825); after Alexis d'Egaroff (French, 18th-19th centuries). Date: 1817-1820. Dimensions: 183 × 161 mm (image); 197 × 172 mm (sheet). Lithograph in black on tan wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Group of philosophers or scribes at a table with books, draughtsman: Frans Francken (II), 1591 - 1642, paper, pen, brush, h 142 mm × w 137 mm

Virgin with the child with Saint Jerome, Tobie and the Angel

Seated farmer with jug, draughtsman: anonymous, draughtsman: Cornelis Saftleven, (rejected attribution), 1600 - 1699, paper, brush, h 153 mm × w 113 mm

Praying monk, and profil, draughtsman: Carlo Maratti, (attributed to), 1635 - 1713, paper, h 245 mm × w 184 mm

De Worrying, Anonymous, 1600 - 1699 drawing Netherlands paper. ink pen

Plate IV. Paton, J. Noël (Joseph Noël), Sir, 1821-1901. Prints, Illustrations. 1844. Carl H. Pforzheimer Collection of Shelley and His Circle. Shelley, Percy Bysshe, 1792-1822. Prometheus unbound. Selections

Study sheet with ten heads, Louis Bernard Coclers, 1756 - 1817 print unknown paper etching / drypoint head-gear: cap (+ women's clothes)

Figure Composition Study 1. Drawing. Graphite on paper. Height: 114 mm (4.48 in); Width: 92 mm (3.62 in). Author: GEORGE ROMNEY.

Portrait of Johannes Bronkhorst surrounded by putti, draughtsman: Nicolaas Verkolje, c. 1720 - c. 1725, paper, brush, h 268 mm × w 204 mm

Francesco Salviati, Italian (1510-1563), Christ Falling under the Cross, pen and brown ink with brown wash, heightened with white gouache, over black chalk, on laid paper

Bliżej Kultury Chodowiecki, Daniel Nikolaus (1726 1801)

Young Girl with a Boy and a Dog 18th century François Boucher French. Young Girl with a Boy and a Dog. François Boucher (French, Paris 1703-1770 Paris). 18th century. Red chalk.. Drawings

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