Mythological and Historical Engravings

Copper engravings depicting mythological narratives and historical scenes, showcasing detailed figures and compositions from various artists.

Jakob a Laban Met Lea A Rachel, Sisto Badalocchio, After Rafaël, 1607 print Being Jakob and Laban is a conversation. Lea and Rachel are there. On the left are sheep. Numbered below: 26. paper etching story of Jacob (part I)

Etching by Gerard de Lairesse depicting Zeus commanding Calypso regarding Odysseus, showing mythological figures in a classical scene, created between 1661 and 1709.

Interior with cheerful company, Daniel Nikolaus Chodowiecki, 1778 print Almanacs were immensely popular in the time of Chodowiecki. Every new edition provided discussion material under the well -to -do bourgeoisie. With this print, Chodowiecki mocks people who talk to their conversation partner to the mouth. Numbered at the top right: 1. paper etching private festivities, merry company. head bent forward; bowing

The miracle of the girl's resurrection at the grave of Kazimierz; Deroy, Isidore Laurent (1797-1886), Grenier de Saint-Martin, Francisque-Martin-François (1793-1867), Rypi Skki, Karol (1808-1892), Danckerts de Rij, Peter (1605-1661), Lemercier , Rose Joseph (Paris 1847 (1847-00-00-1847-00-00);

Photo production of (presumably) a print, representing the expulsion of Heliodorus from the temple (Stanza di Eliodoro) to a fresco of Rafaël, c. 1860 - c. 1900 photograph Part of photo album with recordings of sights in Italian cities and artworks. Apostolic palace photographic support albumen print Heliodorus in the temple, attacked by a man (or angel) on horseback and two other men (or angels) (2 Maccabees 3:7-35)

Copper engraving and etching by Jean Daullé from 1760 depicting a Flemish surgeon, showing figure, attire, and medical practice.

Caesars wife Pompeia with Publius Clodius Pulcher dressed as a woman at the rites of the Bona Dea (Good Goddess). La femme de Cesar avec Clodius, qui, habille en femme, penetra dans las maison ou lon celebroit les mysteres de la bonne Deesse. Copperplate engraving from Pierre-Francois d'Hancarvilles Monumens de la Vie Privee des Douze Cesars, Chez Sabellus, Capri (Monuments of the Private Lives of 12 Caesars, Leclerc, Nancy) 1780. From imaginary Spintria, medals and cameos.

Persian Sibille, c. 1585 The Persian Sibille sitting with a book and two small figures. One of the Sibilles of Michelangelo's ceiling painting. Title in the lower margin and numbered bottom right: 31. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving The Persian Sibille sitting with a book and two small figures. One of the Sibilles of Michelangelo's ceiling painting. Title in the lower margin and numbered bottom right: 31. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Picture photography: W. John the meal of the foaming of the poor, the picture of the triptic in the church. Catherine in Krakow; Krieger, Ignacy (Kraków; Photographic Zak 1860-1926); 1888 (1888-00-00-1888-00-00);Jan Jałmużnik (St.), Kraków (Lesser Poland Voivodeship), Krieger, Amalia (1846-1928) - collection, triptych

Walstein on the bed of Caroline, Daniel Nikolaus Chodowiecki, 1786 print Up to the top left: 7. Berlin paper etching Literature. sick-bed. kneeling figure

Story of Joseph, Plate 81 Georg Philipp Rugendas I (German, 1666-1742). Story of Joseph, Plate 81. Mezzotint in blue ink, 10 7/8 × 14 3/4 in. (27.6 × 37.5 cm). European Art

Portrait of Gregorio Barbarigo and Education Personification; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On that a medallion with the portrait of the portrait of Gregorio Barbarigo, founder of a college and seminar. Gregorio is located under a canopy on the back. There is a group of students for him. The motto is: Auctis et FUNDATE COLLEIGIS. Around the pedestal three students from the seminar. They are taught by a woman surrounded by light from heaven. Her breasts are bare and give milk. She has a rod in her right hand. To the left of her is a stick in the earth against which a young tree has been planted. The woman is the personification of education or upbringing. The print is part of an album.

The youth is taught by time, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint). pencil brush / pen Father Time, man with wings and scythe. symbolic representations, allegories and emblems ~ education; 'Ammaestramento', Dottrina', 'Educatione', 'Istitutione' (Ripa)

Catilina and his soldiers drink blood, Bartolomeo Pinelli, 1819 print Lucius Sergius Catilina and his soldiers drink the blood, mixed with wine, from a dead slave man. Rome paper etching (story of) Lucius Sergius Catilina. the soldier; the soldier's life. slaveholder ~ enslaved person. slavery; serfs and the enslaved

. Pen and black ink and brush and black ink wash, over black chalk, on ivory laid paper . John Brown

Caroline is bland when she hears that Lindorf is not present, Daniel Nikolaus Chodowiecki, 1786 print Up to the top left: 6. Berlin paper etching Literature. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. fainting, swooning

Vestigia delle Terme di Tito. Muse and Polyphemus. Quadro from vault decoration in room 21. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Manna, Pietro (17..-18..), publisher

Print (Germany)

Christ and the Women on the Staircase ca. 1541-44 () Andrea Schiavone (Andrea Meldola) Italian In Mariette Album, folio 18, bottom right. Christ and the Women on the Staircase 366254

Photo productions of two genre paintings by Adriaen van Ostade, Anonymous, After Adriaen van Ostade, c. 1866 - c. 1874 photograph This photo is part of a cover with 25 photos. photographic support. cardboard albumen print historical persons. housing. violin, fiddle. dog

VATHEK. Illustration at the Gothic Roman Vathek (1786) from William Beckford. The caliping VATHEK wants to know which text is written in glowing letters on its swords. He praises a reward and punishes everyone who fails to give him the answer. Links guards of VATHEK who hold a bearded man, in the middle on a table the swords, right vathek itself that points to the bearded man with outstretched arm.

Textile, Medium: cotton Technique: printed by engraved roller on plain weave, Two scenes of courtiers and the clergy at the court of the English King, Henry VIII. The reference may be to Henry's dispute with the church. In purple on white., France, 1800-1850, printed, dyed & painted textiles, Textile

An etching by Gerard de Lairesse from 1668 depicting the biblical scene where Joseph is recognized by his brothers.

Lost credit, Daniel Nikolaus Chodowiecki, 1779 print The baron died, but Luise has no money to have a box made. Numbered at the top right: 11. paper etching conversation, dialogue; conversation piece

Woman of the Doge with two women; Scenes from the Venetian life; Habiti d'Huomeni e Donne Venetiane Con La Processione della Ser.ma Signoria et Altri Particoli Cioè Trionfi Feste et Cerimony Publiche Della Nobilissima Città di Venetia. Venice Doge Woman (Dogaressa) sitting in company of two other women. Two-part Italian text in undermarge. The print is part of an album.

Print, Design for an Andiron; Designed by Jean François Forty (active 1775 - 1790); Print Maker: Augustin Nicolas Foin (French, 1726-c. 1759); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching and engraving on laid paper

Emperor Tiberius with Parrhasius painting of Atalanta fellating Meleager. An acolyte sacrifices a sheep before him. Tibere, et le tableau grec dAtalante et de Meleagre. Copperplate engraving from Pierre-Francois d'Hancarvilles Monumens de la Vie Privee des Douze Cesars, Chez Sabellus, Capri (Monuments of the Private Lives of 12 Caesars, Leclerc, Nancy) 1780. From imaginary Spintria, medals and cameos.

Print (France)

Comité van Remotie, 1795, anonymous, after David Hess, after James Gillray, 1799 Cartoon on the (non -existent) committee of Remotie, 1795. In a church the grave of a prince of Orange is destroyed and violated. A frame is kicked and a boy urinates on a skull. Following the destruction of the grave of the Frisian Nassau's in the Jacobijnerkerk in Leeuwarden on August 1, 1795. Venice paper etching / engraving Jacobijnerkerk Cartoon on the (non -existent) committee of Remotie, 1795. In a church the grave of a prince of Orange is destroyed and violated. A frame is kicked and a boy urinates on a skull. Following the destruction of the grave of the Frisian Nassau's in the Jacobijnerkerk in Leeuwarden on August 1, 1795. Venice paper etching / engraving Jacobijnerkerk

Etching by Gillis van Scheyndel depicting female figures in rural costume, produced between 1615 and 1660.

Traveler is warmly welcomed by residents of a village, Jan Luyken, 1711 print Amsterdam paper etching / letterpress printing

Pastor Gros waiting for the fireplace, Daniel Nikolaus Chodowiecki, 1776 print Pastor Gros has agreed to marry a noble young woman, provided she recovers from a deadly disease. Pastor Gros is waiting with another woman in front of the fireplace. Behind the folding screen, the patient receives a visit from a doctor. paper etching Literature. chimney. screen, folding screen. sick-bed

Interior of a Farm at Saint-Jean-de-Touslas 1793 Jean Jacques de Boissieu French. Interior of a Farm at Saint-Jean-de-Touslas. Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). 1793. Etching with drypoint; fourth state of four. Prints

Design for a roompainting with scenes from the life of Aeneas. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 466 mm × w 366 mm. Museum: Rijksmuseum, Amsterdam.

The palace gallery around 1650

Flora and her companions, Anonymous, After Pietro da Cortona, after Johann Friedrich Greuter, After 1633 print Flora and her companion women decorate an image with flowers. paper engraving (story of) Flora. nymphs (in general); 'Ninfe in commune' (Ripa). piece of sculpture, reproduction of a piece of sculpture

Fuessli und Bodmer (Fuseli and Bodmer in Conversation). Artist: After Henry Fuseli (Swiss, Zürich 1741-1825 London). Dimensions: Plate: 12 5/8 × 9 15/16 in. (32 × 25.2 cm)Sheet: 19 3/16 × 13 9/16 in. (48.8 × 34.5 cm). Engraver: Johann Heinrich Lips (Swiss, Kloten 1758-1817 Zurich). Series/Portfolio: Heinrich Fuessli's Sämmtliche Werke, 1807. Date: 1806. Museum: Metropolitan Museum of Art, New York, USA.

Netherlands, Amsterdam, Ottens, Reinier (I) & Josua, Stairs, lower right - engraved, Sheet with 8 representations of different stairs, such as a staircase with the seven virtues, a staircase with the planets, stairs of old age, a staircase with patriarchs, a staircase with the apostles, a staircase with the elders and a staircase with the five senses. At the bottom of each representation a cartouche with two-line verse., print, popular print, prints, popular prints, verso - stamped, R. & J. Ottens Excu., height 410 mm, width 334 mm, height 354 mm, height, 253 mm, Publication (Event), Publication, Dutch, publisher, 1726 - 1750, paper, engraving, engraving (printing process), colours, print maker, printmaker

Grave monument from Engelbert II of Nassau in the Onze Lieve Vrouwekerk in Breda, 1827 - 1891 Page 9 Recto from a sketchbook with 11 sheets. Breda paper. pencil grave, tomb. sculpture

Welcome to his highness, Den / Graaf van Buuren / claim of the Katwyksche Shepherdesses, to her airy highness, / princess Carolina, by the introduction of a flower bouquet, 1761 - 1804 print Leaf with 2 shows. On the left the Graaf van Buuren (presumably stadholder Willem V) surrounded by architecture with in the middle above Moses, in the middle of two putti with a shield and biblical figures with placards with text in their hands. On the right Princess Carolina surrounded by architecture with in the middle above Moses, in the middle of two putti with a shield with text and left and right Biblical figures with placards with text in their hands. Numbered in the top left: No. 15. Amsterdam paper letterpress printing Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. cupids: 'amores', 'amoretti', 'putti'. princess

Four performances about the characteristics of the soul, plate. 2, Jan Evert Grave, 1786 - 1806 print Four representations with regard to the soul of man. Top left, marked E. 19-21: Four children playing in a garden. Above right, marked F. 22-26: a family in a living room. The mother breastfeeds one of the children. The father gives one of the children a medical examination. Another child investigates insects with a lens. Under the left, marked G. 27-29: a living room with three children playing a soldier. Another child hands his father a letter. Under the right, marked H. 30-32: a quay with two pairs that wave to a galleon. Amsterdam paper etching / engraving child. the soul during lifetime. garden. biology (+ experiment ~ scientific research). nursing, suckling. medical examination, medical treatment. trade games, imitative games, imitating adults. waving farewell ~ departure on a journey. sailing-ship, sailing-boat

More miseries. At an inn, going into a bed too short, with a wooden leg... , Amputees, Peg legs, Beds, Waking, Women domestics. Thomas Rowlandson (1756-1827). Prints and Drawings

The death of Seneca, Lodovico Lana, 1607 - 1646 print Seneca commits suicide by order of Emperor Nero. He has cuts in his arms and feet. He sits in a bath with his feet. Four spectators behind Seneca and in the background on the left. One of the spectators is sitting at a table and writes. Italy paper etching death of Seneca: at Nero's order he cuts his veins, usually sitting in a basin or bath of water, and then takes a dose of poison

Fabbled Van the King Walm Education, Johann Heartrich Mile (the Eeptery), After Jean-Baptists OUDRY, 1758 print paper etching fables of Lafontaine : Use 85(...). fowl (cock, hen, chicken, etc.)

Portrait of Jakob Paul von Gundling

Bartolomeo Altomonte depicts Pharisees and customs officers in a chalk and lead drawing with ink framing and blind pause lines for compositional structure.

Yorick with the pilgrim in conversation about his dead donkey, Daniel Nikolaus Chodowiecki, 1783 print Numbered at the top right: 8. paper etching Literature. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. conversation, dialogue; conversation piece. pilgrim(s)

Amsterdam, Strijcker, Dirck, Print of a medallion depicting a wedding ceremony in a church, Print of a medallion. In a church, a man and a woman are married by a minister. A number of people are watching. In the marginal inscription a Bible verse from Prov. 19:14 and a Bible verse from Eccl. 4:7-12., print, prent, prints, diameter 63 mm, 1588 - 1677-08-31, print maker, printmaker, 1607 - 1677, paper, counterproof, counterpressure, engraving, engraving (printing process)

Spring; Far; The four Seasons. Spring personifications sits under a tree in a landscape with flowers in her hands and flowers in the hair. Next to her is a vase with flowers, a rake and other garden tools. On the right a face on a country house with garden. In the gardens walkers and working gardens. This print is part of an album.

British leave New York at the end of the War of Independence, Daniel Nikolaus Chodowiecki, 1783 print paper etching History. city-view, and landscape with man-made constructions. the soldier; the soldier's life. departure ~ travelling. non-European white peoples: Americans. Native peoples of North America

Wood engraving, England, by Thomas Bewick.

Interior with four men around a table and a Sater with a book, Claude Mellan (attributed to), 1608 - 1688 print paper engraving satyr(s) (in general). table

Lanassa in the Tempelgang, Daniel Nikolaus Chodowiecki, 1782 print Nummered at the top left: 6 (mirrored). paper etching Literature. temple, shrine ~ non-Christian religions. vestibule, hall. statues, sculptures in garden

Villeroy and the Elector of Bavaria Kneelen for Louis XIV, 1706, 1706 print The Duke of Villeroy and Maximilian II Emanuel, the Elector of Bavaria, kneel with the stocking upside down for King Louis XIV. In the plate 2 columns in Dutch and French. Page no. 9 (numbered top right) in the series of 25 magazines entitled: By joint to the Koninglyke Almanach, called the Golde Year of the allies, 1706. Part of the print work published under the collection title: 't Lust-Hof of Momus, with The bundled series of cartoons during the years 1701-1713 of the Spanish Succession War. print maker: Northern Netherlandspublisher: Amsterdam paper etching political caricatures and satires

Old poet in conversation with a young critic, Daniel Nikolaus Chodowiecki, 1775 print A young critic and an old poets discuss the quality of a poem. The young critic does not know that the poem was manufactured by the old poet. When this becomes clear, the young critic has a clear opinion: old age and pride are sufficient to destroy poetry. Numbered at the top right: 8. paper etching Literature. young versus old age; young and old. writer, poet, author. criticizing and discussing art, art criticism

Kaberdar asks Libby to marry, Daniel Nikolaus Chodowiecki, 1790 print Numbered at the top right: 4. With caption and page reference in German. print maker: Berlinpublisher: Lauenburg paper etching Literature

The poisoning of King John I at Swineshead Abbey in Lincolnshire in 1216. Line engraving by Smith.

Design for a Painted Porcelain Plate, L'Ananas (Pineapple) from the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white gouache, red crayon, graphite on tan paper mounted on blue-gray paper, Design for a painted porcelain plate, rondel. The setting is the interior of a greenhouse. A man in right foreground is holding a pineapple in his left hand while offering a taste of the fruit in his right hand to two small girls. Another man at center points to a wall thermometer to verify the ideal room temperature to ripen pineapples. A watering can in the left foreground leans on a table which holds potted pineapples. Snakes hang from rafter supports in the middleground. A map showing Mexico and Brazil is mounted on the rear wall. Light streams through the multi-paned window at right., France, 1819-20, ceramics, Drawing, Drawing

Relief with emperor Marcus Aurelius that brings a sacrifice; Roman sculpted reliefs; Icone et segment (...). Relief with a group of figures around an altar. Emperor Marcus Aurelius brings a sacrifice. A temple in the background. Text in Latin in undermarge. Print is part of an album.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

The alpine king and the misanthrope, Magic game by Raimund Gallerie Droller Scenen for the theater newspaper, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

A fragment of the garden, on the left on the pedestal of Waza with a small tree, on the right part of a smaller one snake; unknown, Marot, Daniel (1661-1752; st.); after 1712 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, architecture, French (culture), gardeners, gardens, perspective, designs, relaying, vases, optical views

Leaf from the praise of foolishness, Daniel Nikolaus Chodowiecki, 1780 print Leaf with six framed illustrations, each belonging to a separate text part. Being depicted: the good prejudice, the poet, the writer, the philosophers, Minerva and the monks. Numbered at the top right: IV. paper etching Prejudice, Bias. writer, poet, author. scholar, philosopher. birth of Minerva; she emerges fully armed from Jupiter's head. monk(s), friar(s)

Woman has hung herself after her relationship was broken, Caspar Luyken, 1710 print Nuremberg paper etching violent death by hanging. seeking death, suicide

Lord says goodbye to woman and child. Leaf with a big representation of a man who says goodbye to his wife and son. Numbered at the top right: N. 90.

Pembury Mill, Kent, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1808, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm), dog (animal), mill, miller, wheel

Koster and De Geest, Noah van der Meer (II), After Jacobus Buys, 1778 - 1785 print The sexton of the church flees with a lantern in his hand for the spiritual appearance of Crispine. On the ground the burial plate of Crispijn and Crispine. Amsterdam paper etching organization, functionaries and dignitaries in Roman Catholic church; clergy in general. spirit, ghost. lantern. grave, tomb

Photo production from a print to the painting interior with a woman who leads a parrot, two tricks players and other figures, known as 'the parrot cage' by Jan Steen, Anonymous, after Johannes de Mare, after Jan Havicksz. Stone, c. 1865 - c. 1875 photograph Part of album with photos and lithographs of sights in North and South Holland cities, paintings and traditional costumes. photographic support albumen print ornamental birds: parrot. bird in a cage (+ feeding animal). backgammon, tric-trac

Welcome, illustration to the drama Deotymy "Fiancee from Ogrodzieniec"; Gerson, Wojciech (1831-1901); around 1884 (1831-00-00-1901-00-00);

Lodewijk VII receives a letter from Pope Eugenius III, in the presence of Bernardus of Clairvaux, Daniel Nikolaus Chodowiecki, 1781 print paper etching public penance, general avowal of faults. militant proselytizing: religious war, crusade, etc.. delivering; receiving (~ postal matter)

Interior with hairdresser and interior with woman who is shocked by 'pouf' of another woman, anonymous, c. 1750 - c. 1800 print Uncuted leaf with two performances, numbered 11 and 2. Two verse rules in Dutch among the performances. On the left is a woman with 'pouf' on a chair around which a scaffold is built. Behind her, a man with a wig is busy with the back of her hairstyle. On top of the scaffolding is a man with a sword, with a piece of hair that he cut off from the top of the high hairstyle of the woman. Under the show the verse: 'who wants to cut down after the swim,/ should go into the' machine steps'. On the right a show where a woman in old-fashioned clothing and with folded hands walks in in the room where another woman with a high hairstyle is in front of a mirror, with the verse rules: 'What should a man not experience in his old-day day,/ who Would not tremble for such a head as before death '. paper etching hairdresser. looking in the mirror; (possibly: contemplation of

An apothecary shop in Amsterdam

Photo production of a scene with Grietje from Goethe's Faust, Anonymous, After Wilhelm von Kaulbach, c. 1880 - c. 1885 photograph Part of a cover with 21 plates. photographic support albumen print painting, drawing and the graphic arts. literary characters and objects. adult man. Mary (without the Christ-child)

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Le Clerc, Sebastian (1637 1714), Blanchon, Jean Andre

Rome, Rossi, Giovanni Giacomo de', Italy, Romano, Giulio, Bartoli, Pietro Sante, History of the Emperor Constantine, Gregory Magnus Homilias aliaq. monumenta, Gregory the Great at his Writing Desk and the Destruction of the Statues of the Gods, verso - stamped, Two representations. Left: Saint Gregory the Great at his writing desk with a dove on his shoulder. Right: a converted pagan destroying statues of the gods with a hammer. Titles in bottom margin., print, prints, height 107 mm, width 227 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1499 - 1546-01-11, after a design by, Publication (Event), Publication, 1627 - 1691, publisher

Paris, Lemercier, Joseph-Rosé, Noël, Alexis Nicolas, Levié, Berthier, Italian Majolica, a plate, Reproduction of an earthenware dish with a representation of the Assassination of Verginia, recto - printed, print, engraving, page, reproduction, photographs, photographically illustrated books, Phot. col. A. Noël, ., Levié lith, height 212 mm, width 212 mm, photographer, 1859 - 1864, paper, papier, chromolithografie, clichémaker, Work conception, 1792-09-02 - 1871, after a design by, after a painting by, French, 1803-06-29 - 1887-01-01, printer, drukker

St. Potentiana; St. Dunstan; St. Yvo; St. Bernardinus of Siena. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

The Presentation of the Virgin, from the Fall and Redemption ofMan. Artist: Albrecht Altdorfer, German, ca. 1480-1538

Six performances from the death dance, Daniel Nikolaus Chodowiecki, 1791 print With caption in German. Berlin paper etching death of human being. Death as skeleton. Death dancing with one person. ruler, sovereign. beggar. family lineage, pedigree, genealogical tree or table. the new-born child. guard duty, keeping sentry. physician, doctor

Brederode deathbed, 1568, 1794 - 1796 print Hendrik van Brederode's deathbed, lord of Vianen, on February 16, 1568 in the Recklinghausen Vesting. Netherlands paper etching deathbed Recklinghausen

A Declaration of Love; Attributed to London Stereoscopic Company (active 1854 - 1890); about 1855; Photolithograph, colored;

Jules Tavernier, Spring-TimeLearning to WalkFirst Steps, 1873, wood engraving on paper.

Illustration for 'Werther's Suffering'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1787. Prints; etchings. Etching

Drawing, Cornelia, Mother of the Gracchi, Palazzo Cavina, Faenza; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and light brown wash over black chalk on rolled paper; 17.5 x 23.7 cm (6 7/8 x 9 5/16 in.)

Reproduction of a print of the coach of Philip V of Spain during his entry into Utrecht in 1713 by Bernard Picart, Anonymous, After Bernard Picart, After Christoffel Plantijn, c. 1875 - in or before 1880 photomechanical print Antwerp paper photolithography four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach

Analysis of Beauty, Plate I, Print made by J. Barlow, active 1791, after William Hogarth, 1697-1764, British, Print made by John Boydell, 1720-1804, British, 1791, Etching and line engraving on medium, slightly textured, cream wove paper

Copper engraving by Nicolaas Verkolje depicting Jacob Moelaert, created 1693-1746

Print made by J. Barlow, active 1791, Analysis of Beauty, Plate I, 1791. Etching and line engraving on medium, slightly textured, cream wove paper.

Pembury Mill, Kent (Liber Studiorum, part III, plate 12) June 10, 1808 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a rustic mill with bright sunlight drawing attention to a man inside filling sacks with flour. Outside, fellow workers load a cart while a dog sleeps in the foreground near a dripping waterwheel and dovecote. The letter "P" in the upper margin indicates Turner's category of Pastoral landscape.. Pembury Mill, Kent (Liber Studiorum, part III, plate 12) 382979

HOUSESIBLE COMPANIES / OUVRAGAS DOMESTIQUES, 1800 - 1854 print Leaf with 3 horizontal rows with a total of 12 performances of household tasks, including sewing, ironing and cooking. Numbered below: No. 65. Amsterdampublisher: Turnhout paper letterpress printing household chores. celebration meal, feast, banquet. Christmas (non-liturgical celebration)

Amor on crutches with a woman, Jan van Vianen, 1686 print Amor, leaning on a stick and on a wooden leg, looks at a woman who is reading. Love goes out much slower when it arose. Twenty -three -year -old emblem from Emblemata amatoria. Northern Netherlands paper etching (story of) Cupid, Amor (Eros). wooden leg. reading. crutches. disabilities, deformations

Study sheet with five couples. Study magazine with different figures, including five pairs, in medieval clothing. At the bottom right a farmer and a farmer with a cow. At the top left an elegantly expanded couple in conversation, the man holding a falcon on his hand.

Fig. CII. Antlia duplex.. Bockler, Georg Andreas. Prints, Drawings, Design drawings. 1662. Rare Book Division. Mechanical engineering, Machinery, Mills and mill-work, Fountains, Water pumps

Verkolje, Nicolaas, Folkema, Jacob, Two putti in a library, verso - stamped, Two putti, sitting in a library. The putto on the left has a pot with coins in his hand, the one on the right a small shelf in which the coins fit. Behind the two is a square column, adorned with an eagle and decorated at the front with an image of a Roman emperor on horseback., print, prent, prints, prenten, height 203 mm, width 128 mm, Dutch, 1692 - 1767, print maker, printmaker, 1720 - 1720, paper, papier, etching, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1673-04-11 - 1746-01-21

Two men at a wine barrel, Jan Luyken, 1711 print Amsterdam paper etching wooden container: barrel, cask, bucket. wine-cellar

Story of Joseph, Plate 89 Georg Philipp Rugendas I (German, 1666-1742). Story of Joseph, Plate 89. Mezzotint in blue ink, 10 13/16 × 15 1/4 in. (27.5 × 38.7 cm). European Art

Netherlands, Three representations: ruins on the Rapenburg in Leiden after the disaster, Louis Napoleon and hanging cloth with crown, verso - stamped, Uncut sheet with three separate representations of: the devastated area after the gunpowder disaster on the Rapenburg (Steenschuur) in Leiden on 12 January 1807, an oval portrait of King Louis Napoleon and a hanging cloth crowned by a crown with books, paper and writing materials at the bottom., print, prints, Frederik Muller Historieplaten, height 236 mm, width 192 mm, print maker, printmaker, 1807 - 1809, paper, papier, etching, engraving, engraving (printing process)

Chetyre Evangelista, miniatiury Gelatskago evangeliia XI v. Four Evangelists, miniatures from the Gelati (Georgia) Gospels, Eleventh century.. Gagarin, Grigorii Grigorevich, kniaz (1810-1893). Prints, Illustrations. 1897 - 1903. General Research Division. Architecture , Russia, Architecture, Byzantine, Architecture , Georgia (Republic), Decoration and ornament, Byzantine, Decoration and ornament, Russian

Costumi ed abbigliamenti Egiziani, 1808, by Vivant Denon (1747-1825). Published in Firenze by G. Tofani, this work features lithographs depicting Egyptian costumes and clothing. The extent of the publication includes 9 images on one page

From the history sheets, proclamation of peace in the Netherlands in Antorff Antwerp on February , Frans Franz Hogenberg -, Copper Engraver

Illustration from Les Amours pastorales de Daphnis et Chloe 1787 edition

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