Mythological and Historical Engravings

Copper engravings depicting mythological narratives and historical scenes, showcasing detailed figures and compositions from various artists.

Jakob a Laban Met Lea A Rachel, Sisto Badalocchio, After Rafaël, 1607 print Being Jakob and Laban is a conversation. Lea and Rachel are there. On the left are sheep. Numbered below: 26. paper etching story of Jacob (part I)

Copper engraving by Pierre Perret, 1582, depicting Pygmalion, showing figures, gestures, and mythological narrative.

Etching by Giuseppe Maria Mitelli illustrating the violation of ritual washing, created between 1654 and 1718.

Copper engraving by Jan Wierix depicting the king sending servants to invite guests and banishing the poorly dressed guest, produced between 1570 and 1585.

Interior with a man sitting behind a table greeted by a nobleman, Louis Michel Halbou, after Sigmund Freudenberger, 1781 - 1782 print Bern paper etching nobility and patriciate; chivalry, knighthood

Copper engraving and etching by Grégoire Huret from 1626-1670 depicting an allegory incorporating a male portrait, including symbolic elements and detailed composition.

Photo production of an engraving of the worship by the kings by Nicolaes Ryckmans, to the painting by Peter Paul Rubens, Jean Louis Bargignac, after Nicolaes Ryckmans, after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Jakob a Laban Met Lea A Rachel, Sisto Badalocchio, After Rafaël, 1607 print Being Jakob and Laban is a conversation. Lea and Rachel are there. On the left are sheep. Numbered below: 26. paper etching story of Jacob (part I)

Photo production of a painting by Domenichino, representing the Communion of the Holy Hieronymus; The communion of St. Jerome by Domenichino, Vatican. Part of photo album with recordings of sights and artwork in Rome.

Three performances from the history of Poland, Daniel Nikolaus Chodowiecki, 1796 print Different figures are etched in the margin in a sketchy way. Berlin paper etching History. hunting accidents. ruler, sovereign. index finger forwards, pointing, indicating. study; 'studiolo'; library. book

End of the Welachtenen Living, Daniel Nikolaus Chodowiecki, 1773 print The baron died of the effects of his illness. His wife is crying on a chair in front of his death bed. On the right the creditors are already entering claims. Numbered in the bottom right: 12. paper etching deathbed. weeping

A copper engraving by Jacob Mathams workshop depicting the adjourning of the kings, created between 1598 and 1601, illustrating a biblical or historical scene with regal figures.

Etching by Georg Kaspar Prenner from 1747 depicting Alessandro Farnese receiving authority or gifts from Pope Julius III in Parma, showing figures, gestures, and ceremonial setting.

Two men and a bald woman with skull on a table lit by candles, Jacques Le Roy, after Sigmund Freudenberger, 1781 - 1782 print Bern paper etching nobility and patriciate; chivalry, knighthood. dog. baldness - AA - ~ women. (human) skull

Morgus and Karly and Vignette with Karly and Fragel's Valk, Daniel Nichoella Chodowiecki, 1783 print The bad knight Morgus has kidnapped the handsome Karly and holds her beloved Fragel. Morgus promises Karly that he will release Fragel if she listens to him. On the left, Morgus leads the sad Karly to the tower without a gate, preceded by a dwarf with a torch. On the right Karly is in her prison when the falcon of Fragel flies through the window, attracted by the sound of her harp. Eventually Fragel Morgus beats in a two -camp. Numbered: 20 S. and 29 S. paper etching Literature. little people. torch. harp. predatory birds: falcon

Copper engraving and etching by Willem de Passe from 1600-1637 representing the five senses through symbolic figures and objects, arranged in detailed compositions.

Departure of Aeneas, 1660 print Anna, Dido's sister, begs Aeneas not to go. Two women hold a box. There is a soldier at Aeneas. Behind them a classic building. In the background, the crew prepares the ship for departure. This print is part of an album. paper etching Anna before Aeneas, entreating him not to leave

Isaac Blessing Jakob, 1643 print The old and blind Isaac bless Jakob, who kneels at the bed. With the help of his mother Rebekka, who is sitting on the edge of the bed, he disguised himself as his brother Esau to receive the blessing. In his neck and over his hands, Jakob wears the skin of a goat to look like his hairy brother. In the background, Esau returns from hunting. Under the performance a reference in Latin to the Bible text in Gen. 27. This print is part of an album. Amsterdam paper engraving Isaac lying in bed blesses Jacob who, disguised in Esau's clothes, brings food to his father; Jacob's hands and neck are covered with goatskins

Tombstones of Philippa von England and Catherine van Bjurum from the monastery church in Vadstena, Johannes Jacobsz van den Aveele, 1707 The print is part of an album. Stockholm paper etching Vadstena The print is part of an album. Stockholm paper etching Vadstena

Wie Till zur Barbier durch's Fenster kömt (How Till Eupenspiegel Came In Through the Barber's Window) 1806 Johann Heinrich Lips. Wie Till zur Barbier durch's Fenster kömt (How Till Eupenspiegel Came In Through the Barber's Window) 698598

Sibille Van Erythrae, c. 1585 The Sibille of Erythrae with book and naked figures. One of the Sibilles of Michelangelo's ceiling painting. Numbered below: 29. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving The Sibille of Erythrae with book and naked figures. One of the Sibilles of Michelangelo's ceiling painting. Numbered below: 29. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Etching by Jean Le Pautre depicting an interior with a bed niche, created between 1650 and 1680.

A copper engraving and etching by L. Garreau depicting musicians in a Dutch corps, created between 1780 and 1811.

Man gives talents to his servants, 1643 print A man at a table gives his money in possession of three servants before traveling. He gives five talent to the first. The other two wait behind him. A secretary signs up the amounts. In the background the man leaves his carriage. Under the show a reference in Latin to the Bible text in mat. 25:14. This print is part of an album. Amsterdam paper engraving the lord distributing talents or pounds among his servants

Gate of the Orangerie at Gunterstein Castle, Breukelen, Joseph Mulder, 1680 - 1696 print The entrance gate to the garden around the Orangerie at Gunterstein Castle in Breukelen. A man opens the fence. On the left a dog, on the right a woman and a man. paper etching / engraving gate, entrance. greenhouse, orangery Gunterstein Castle

Charles Primrose takes the wedding of his children, Daniel Nikolaus Chodowiecki, 1776 print Charles Primrose stands for the altar in his gown. Next to him are two wedding couples, consisting of his son George and Arabella and his daughter Sophia and Sir William Thornhill. Numbered at the top right: 12. paper etching (GOLDSMITH, The Vicar of Wakefield) specific works of literature (with AUTHOR, title). (civil) marriage ceremonies

Copper engraving from 1624-1677 depicting Susanna bathing, highlighting figures, gestures, and setting in a biblical narrative.

Three men in a library, Daniel Nikolaus Chodowiecki, 1778 print Satire on book collectors who collect from prestige books. paper etching study; 'studiolo'; library

Gideon and the Sheepskin, 1643 print Gideon kneels down at the sheepskin. The dew only falls on the sheepskin. On the right in the background, Gideon kneels for the second time at the sheepskin. This time the dew falls only around the sheepskin and not on the sheepskin. Gideons men look surprised. Under the show a reference in Latin to the Bible text in Ri. 6:36. This print is part of an album. Amsterdam paper engraving twice Gideon asks the Lord to show him a sign with a sheep's fleece before his raid against the Midianites

This etching by Laurent Cars, 1719-1771, illustrates figures involved in theft, capturing gestures, expressions, and interactions within a composed narrative scene.

Nocturnal encounter at the light of an oil lamp. .

Singing company, Daniel Nikolaus Chodowiecki, 1786 print paper etching Literature. vocal music, singing. glass of wine

A 1633 etching by Theodor van Thulden depicting scenes from the life of Saint Johannes von Matha, illustrating key moments of his religious and charitable activities.

Copper engraving and etching by Nicolas Poussin depicting the Adoration of the Shepherds, created between 1651 and 1721, illustrating a biblical nativity scene with figures and architecture.

Meno Haas (1752-1833); Johann Heinrich Ramberg (1763-1840), Illustration, 1752 - 1833

Album magazine with various performances, 1814 - 1869 Album magazine with 6 cut out performances from mainly folk prints, from a crowd on the street, two men at the table, a baker and a sick man in bed. Nijmegen paper snipping Album magazine with 6 cut out performances from mainly folk prints, from a crowd on the street, two men at the table, a baker and a sick man in bed. Nijmegen paper snipping

Alexander the Great brings a sacrifice to Diana, Leonaert Bramer, c. 1655 - c. 1665 After crossing the Hellespont, Alexander the Great brings a sacrifice to the goddess Diana. He is kneeling in the foreground for a lifelike Diana, surrounded by two priests and a number of soldiers. Numbered at the top right: 15. Drawing is part of an album. paper. ink pen / brush After crossing the Hellespont, Alexander the Great brings a sacrifice to the goddess Diana. He is kneeling in the foreground for a lifelike Diana, surrounded by two priests and a number of soldiers. Numbered at the top right: 15. Drawing is part of an album. paper. ink pen / brush

Two men and a woman in a library, Anonymous, Simon Fokke, 1722 - 1784 print paper etching study; 'studiolo'; library

Copper engraving and etching by Jean Couvay from 1626-1647 depicting allegorical representations of the five senses and human soul faculties, with detailed figures and symbolic elements.

Twee scènes uit life, comments and opinions Johann Bunkels, Daniel Nikolaus Chodowiecki, 1778 print On the left, John Buncle is in conversation with Miss Spence in a spa town of Harrogate. They are disturbed by a group of Irish friends of John Buncle. Among them is Mr. Mackins that is only four feet high. On the right a scene from the life story of Alvarez Douror. Looking for Belvidera Dellon, his kidnapped fiancé, he ends up in a house with an enchanted garden where he collapsed on a couch. Operating bring him inside and when he recovers he looks into the eyes of his loved one. Numbered: No. 8 and No. 14. paper etching Literature. interrupted meeting, lovers caught by surprise. little people. fainting, swooning

Etching by Jacques-Philippe Le Bas depicting a tavern scene (Wirtshausszene) with patrons and interior details, created between 1725 and 1783, reflecting 18th-century social and architectural elements.

Frederik II sad about the death of Prince Heinrich, Daniel Nikolaus Chodowiecki, 1788 print Berlin paper etching ruler, sovereign. weeping

Sick man visited by death, Daniel Nikolaus Chodowiecki, 1777 print paper etching Literature. Death as skeleton. sick-bed

Maximilian as Founder and Protector of the Order of St. George; and Maximilian and the Knights of St. George Vowing a Crusade Against the Turks; with Portraits of Emperors and Kings (Maximilian's Forerunners), from the Arch of Honor, proof, dated 1515, printed 1517-18 1515 Albrecht Altdorfer The depictions of Maximilian are by Albrecht Altdorfer; the portraits are by Hans Springinklee; and the statue of Albrecht I and the columns are by Springinklee or Wolf Traut after Albrecht Dürer.. Maximilian as Founder and Protector of the Order of St. George; and Maximilian and the Knights of St. George Vowing a Crusade Against the Turks; with Portraits of Emperors and Kings (Maximilian's Forerunners), from the Arch of Honor, proof, dated 1515, printed 1517-18. Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). 1515. Woodcut and letterpress. Prints

Etching by Wallerand Vaillant depicting the Holy Family with John as a boy, created between 1640 and 1677. The print shows detailed figures in a landscape setting.

Portrait of Angelo Barbarigo and the personifications of religion and impartiality, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Angelo Barbarigo on the front, with cardinal hat. On the back the pope under a canopy. He hands over a cardinal hat. The pedestal is flanked by religion and impartiality or justice. Religion is depicted as a veiled woman with cross and book. A flame in her left hand. There is an elephant next to her. The woman on the right is blindfolded and has a sword and cardinal hat in her hands. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). insignia of cardinal, e.g. hat, mantle. allegorical representations ~ religion; 'Religione', 'Religione de SS. Mauritio e Lazaro', 'Religione vera christiana' (Ripa). Justitia (justice) as Roman personification. trunked animals: elephant

Madonna Sistaty unknown, Rafael (1483-1520); 1830-1840 (1830-00-00-1840-00-00);

Two Boerinnen, Cornelis Bloemaert (II), After Abraham Bloemaert, 1700 - 1800 print Two women with baskets rest. Utrecht paper engraving Pastoral, Arcadian Scenes

Personification of the Seven Free Arts, Melchior Küsel (I), After Johann Wilhelm Baur, 1682 print Text in German in the lower margin. Numbered in the bottom right: 36. Print is part of an album. Augsburg paper etching The Liberal Arts, 'Liberal Arts'. 'Vulgar Arts'

Montezuma .

Vizantiiskie barel'efy, inkrustatsiia sten v tserkvi sv. Marka Saint Mark's, Venice; bas-relief.. Gagarin, Grigorii Grigorevich, kniaz (1810-1893). Prints, Illustrations. 1897 - 1903. General Research Division. Architecture , Russia, Architecture, Byzantine, Architecture , Georgia (Republic), Decoration and ornament, Byzantine, Decoration and ornament, Russian

Man and naked woman in a sleeping room, Anonymous, 1700 - 1799 drawing A naked woman is sitting on a bed in a sleeping room. To the right of her comes a woman rushed with vast arms. On the floor a boy kneels for an older man standing next to the bed. paper. ink pen bedroom. the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure

Sword of Damocles; Damokles. Dionysius has invited Damocles to eat at his table. However, it hangs a sword to a horse hair above the head.

Abraham Entertaining Three Angels, Francesco Bartolozzi, Italian, active England, 1727-1815, Lodovico Carracci, Italian, 1555 - 1619, John Chamberlaine, English, 1745 - 1812, Etching and line engraving in brown ink on white paper, The three angels sit at a table center, with Abraham to the right. The table is set, there are pitchers lower left corner. To the left, a servant bearing a tray, and from a tent beyond, a woman appears., England, 1797, Print, Print

Woman with a stew, two men at a country house and a man with baskets. Three drawings on a leaf stuck.

Leaf from the praise of foolishness, Daniel Nikolaus Chodowiecki, 1780 print Leaf with four framed illustrations, each belonging to a separate text part. Being depicted: the theological dispute, the dreaming Plato, the happiness of the artists and the farewell. Numbered at the top right: VI. paper etching 'Philosophia' discussing with philosopher. Folly, Foolishness; 'Pazzia', 'Sciocchezza', 'Stoltitia' (Ripa). bauble. scholar, philosopher. taking leave

Chapter. .

Letter above, flanked by intertwining rinceau. Worshippers in a temple of Isis. Date: ca. 1830. Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Amsterdam, Fokke, Simon, Illustrations of Dutch history, Four episodes from Dutch history, recto - manuscript in pencil, Uncut sheet with four illustrations from Dutch history. From left to right: Pacification of Ghent; Iconoclasm; Convicted before the Council of Troubles; Failed attack by Gelderland troops on Enkhuizen., print, engraving, prints, engravings, verso - stamped, 27, 34, 35, 26, height 110 mm, width 250 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen

Peter's vision of the unclean animals, Anonymous, After Philips Galle, After Jan van der Straet, 1646 print The Apostle Peter stays in the Huis van Simon de Leerlooier. Praying in his room Peter gets a vision. A large sheet appears in heaven, on which all kinds of animals of the world are located. This vision was symbolic, a sign of God that may also receive non-Jews Christ's message. In the background, the messengers of the Roman centurio Cornelius arrive at the house of Peter. Leather is tanned in the basement. Under the show a reference in Latin to the Bible text in hand. 10:11. This print is part of an album. paper engraving Peter's vision of the unclean beasts on the roof of the house of Simon the Tanner: a sheet descends from heaven full of four-footed beasts, creeping things and fowl of the air

Girl with unicorn; Paintings in Palazzo Farnese in Rome; Galeria Nel Palazzo Farnese in Roma. A girl with a unicorn in a landscape. Possible Saturn in the form of a unicorn that sucks the chest of Nymph Philyra.

Presentation of Rafael to Pope Julius II; Barth, Carl (1787-1853), Rist, Gottfried (1789-1824), Riepenhausen, Franz (1786-1831), Riepenhausen, Johannes (1787-1860), Rafael (1483-1520), Wenner, Johann Friedrich (1772- 1835); 1816 (1816-00-00-1816-00-00);

Portrait of Gregorio Barbarigo and the personnifications of generosity, virtue and consideration; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On top of it a medallion with the portrait of Gregorio Barbarigo, ambassador in England at the time of Jacobus I. On the back only the saying: Aucta Principum Concordia. Around the pedestal three personifications. Left The personification of generosity: a woman sitting on a lion, with crown and scepter and a cornucopia filled with tokens. In the middle virtue: a winged woman with a skewer in her left hand and a laurel wreath in her right hand. The sun on her breast. On the right is considerable. It is a woman with passer and ruler. Her attribute is the flying crane with a stone in her leg. The print is part of an album.

Statue of Zeus in Olympia; Olympy Iovis Simulachrum; Of the seven wonders of the world; The eight world wonders; Den Grooten Figuer Bibel (...). The image of Zeus entered the Doric Temple of Olympia, on the Greek Peloponnese. It became around 433 BC. Made by the Athenian Sculptor Phidias. To the right of the temple an image of Hercules. On the stairs for the temple people who worship the image of Zeus. In the foreground right Olympic wrestlers and riders, left one of the winners will be laughed. Under the show a verse in Latin. This print is part of an album.

Design for a Wall Decoration 16th century Attributed to Rosso Fiorentino Italian. Design for a Wall Decoration. Attributed to Rosso Fiorentino (Italian, Florence 1494-1540 Fontainebleau). 16th century. Pen and brown ink, brush and gray wash

Camille obtains the fright of her robbery while a house maid brings her the medicine, Daniel Nikolaus Chodowiecki, 1787 print Berlin paper etching Literature. interior of the house. open door. fainting, swooning. arm stretched forward

Death of Henry IV, Print made by William Bromley, 1769-1842, British, after Robert Smirke, 1752-1845, British, Published by Nuttall, Fisher & Dixon, active 1818, British, 1816, Etching and line engraving on thin, slightly textured, cream laid paper, Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm), Plate: 11 3/4 × 7 1/2 inches (29.8 × 19.1 cm), and Image: 10 1/4 × 6 1/2 inches (26 × 16.5 cm), church, death, frame (furnishing), historical subject, king (person)

Allegory with Figures of Hope, Time, and Death 1659-1734 Sebastiano Ricci Italian. Allegory with Figures of Hope, Time, and Death. Sebastiano Ricci (Italian, Belluno 1659-1734 Venice). 1659-1734. Pen and brown ink, brush and gray wash, over red and black chalk. Drawings

Four encyclopedic voor stalls, Johann David Schleuen (I), after Daniel Nikolaus Chodowiecki, 1765 - 1806 print Lakenkoopman; raid; visit; reception paper etching Society, Civilization, Culture

Print, A Girl As a Bride Hurries Toward a Boy in Turkish Costume; Designed by Hubert-François Gravelot (French, active England, 1699 - 1773); Print Maker: Jean Jacques Pasquier (French, died 1785); France; etching on paper; 1919-10-40

Two Scenes from the Deserrote, Daniel Nichoella Chodowiecki, 1774 print Left: Louise under a linden tree. Right: Louise and Alexis fall into each other's arms on a square full of soldiers. Numbered: 1 and 12. paper etching Literature. village square, place. (lovers) embracing each other, 'symplegma'. private soldier

Brabantse Leeuw shaves the Austrian, 1787, Anonymous, 1787 - 1790 print The Brabant lion as a hairdresser shaves an Austrian soldier with a saber. At the bottom, a Brabant woman washes the ministerial pants. With French inscriptions. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790. Southern Netherlands paper etching / engraving shaving, being shaved. laundering Brabant

Presentation from the history of Henry VIII, Christian Gottlieb Geyser, After Daniel Nikolaus Chodowiecki, 1796 print With caption in German and French. Numbered at the top right: 4. paper etching History. meeting. forest, wood

Peirano grave monument in the cemetery of Staglieno in Genoa; Genova. Camposanto. Mon. Peirano (Rubatto). Part of travel album with pictures of sights in Italy and southern France.

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Blanchon, Jean Andre

Abruzzo Teramo Atri S. Maria Assunta, Cathedral6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (11-15th century); sculpture; wall paintings (15th century), terracotta Roman grave relief Post-medieval: Frescos, architecture, sculpture, metalwork (reliquary and tabernacle) Exterior and interior views; extensive, detailed coverage of choir frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Florence, Collection Bardini, Two paintings of a group playing music, recto - printed, photomechanical print, photographs, Pl. 106, height 359 mm, width 267 mm, maker, producer, 1875 - 1930, paper, papier, collotype, picture, painting, more than one musician with instrument

Falstaff is worn in the basket from the laundry room, Daniel Nikolaus Chodowiecki, 1786 print paper etching laundering. hiding, hiding oneself. Falstaff. Literature

Design for a Painted Porcelain Plate, Café (Coffee) from the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white gouache, red crayon, graphite on tan paper mounted on gray-blue paper, Circular format. Six figures are grouped on the porch of a coffee plantation house in Arabia (indicated by the decorative plaque above the wall moulding. A gentleman in high hat points to a botanical book showing a drawing of the coffee plant. A man, seated at a table, appears to be holding a coffee bean pod in his right hand. To his left, a woman is pouring coffee into a cup held by a young boy. A woman, seen through the doorway (rear left) is grinding coffee beans. Another woman, seen outdoors (rear right) appears to be working at a bean roasting apparatus., France, 1819-20, ceramics, Drawing, Drawing

Charles I of England crowned by justice, 1639 Portrait of King Charles I of England, back. In his hands he has the sword and the scales of justice that stands next to him. She holds the king skept in her hand and crowns the king with a laurel wreath. In the lower margin four lines of text in two columns, in French. The print is part of a book about the reception of the French king mother Maria de 'Medici to England. London paper etching Portrait of King Charles I of England, back. In his hands he has the sword and the scales of justice that stands next to him. She holds the king skept in her hand and crowns the king with a laurel wreath. In the lower margin four lines of text in two columns, in French. The print is part of a book about the reception of the French king mother Maria de 'Medici to England. London paper etching

. Glass-in-lead window with a representation of the Spanish king Philip IV that has a document kept in which he renounced the Netherlands, after closing the Peace of Munster, 1648. In a cartouche a verse of four rules. Stained glass window in the Oude Kerk in Amsterdam posted in 1656 and renovated in 1767.

Practical knowledge of the world, Daniel Nikolaus Chodowiecki, 1773 print The young baron ended up in a brothel. While one of the women hugs him, the other steals his wallet. Nummered in the bottom left: 6. paper etching the man is robbed (brothel scene)

Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print In the margin, a putto is etched in a sketchy way. With page reference above the performance. Berlin paper etching Literature. Despair; 'Disperatione' (Ripa). seeking death, suicide

Gravestone for William Lodewijk, Count of Nassau-Dillenburg, 1620. Draughtsman: anonymous. Dating: 1700 - 1799. Place: Nederlanden. Measurements: h 201 mm × w 184 mm. Museum: Rijksmuseum, Amsterdam.

Etching by Angélique Moitte around 1766-1791 showing a rural landscape with a farm and a tavern scene, including figures, buildings, and daily activities of 18th-century life.

Card No. 14. (In the central part of the composition 11 engravings related to the miracles performed by Moses) in: Manuel pour l'Inction de la Jeunesse Par Stoy Schleuen, Chodowiecki, Gottfried (1728 1781)

Etching and copper engraving by L. Jacob from 1726 showing the apostles Matthew and Thomas.

Pencil drawings of various women by Gilles Demarteau, 1742-1776, showing detailed facial expressions, postures, and clothing typical of the 18th century.

Ludwig asks Egbert what he should say to Bertha, Daniel Nikolaus Chodowiecki, 1796 print Different figures are etched in the margin in a sketchy way. Berlin paper etching Literature. betrothal. knight

Company with fishermen and spoons on the coast, Louis Ducros, after Jacques Sablet (II), 1758 - 1810 print Print is part of an album. paper etching Europeans (with NAME). fisherman. fishing net. sea and coastal fishery. distaff

Neptunus on a dolphin, Antoine Alexandre Joseph Cardon, 1772 - 1773 Sculpture from Neptunus on a dolphin. Image made by Jean van den Perre Fils, at the Paddegracht. Numbered at the top right of the plate: 20. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772. Southern Netherlands paper etching / engraving Antwerp Sculpture from Neptunus on a dolphin. Image made by Jean van den Perre Fils, at the Paddegracht. Numbered at the top right of the plate: 20. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772. Southern Netherlands paper etching / engraving Antwerp

Studio of a Printmaker. Date/Period: 1806. Etching, unfinished proof. Width: 34.5 cm. Height: 23.1 cm (sheet). Author: Pierre-Charles Baquoy.

Ester for King Ahasveros, Jacob de Wit, after Peter Paul Rubens, 1705 - 1754 print Koning Ahasveros touches Ester, who is kneeling in front of him, with his scepter. Imagination of the Bible text Esther 15:12. Amsterdam paper etching Ahasuerus touches Esther with the sceptre (Esther 15:12) Carolus Borromeuskerk

Minna von Barnheim is Gelukkig, Daniel Nikolaus Chodowiecki, 1769 print Second deed, seventh scene from the play Minna von Barnhelm. Minna van Barnheim is happy that she has found Major von Tellheim. This is what she tells Franziska who enters the door. Numbered in the bottom right: 4. paper etching literary characters and objects

Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print Different figures are etched in the margin in a sketchy way. Berlin paper etching Literature. fainting, swooning. Despair; 'Disperatione' (Ripa)

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

Superbia (allegory on the pride and vanity), Lambert Cornelisz., After Jacob Leendertsz, c. 1590 - c. 1610 print paper

Study for 'Scientific Group', Daniel Huntington, American, 1816-1906, Graphite on lined white laid paper, Above, horiztonal study for a painting. Below, studies for figural groups within the larger composition. Lower left, man sitting at a table, and two others. Lower right, man standing with his back toward observer and others sitting around the table., London, United Kingdom, USA, 1858, figures, Drawing, Drawing

Three women from Genzano di Roma, Bartolomeo Pinelli, 1819 Three women and a shepherd in a landscape. One of the women wears a large leaf on her head. The print is part of an album. Rome paper etching Genzano di Roma Three women and a shepherd in a landscape. One of the women wears a large leaf on her head. The print is part of an album. Rome paper etching Genzano di Roma

Moroccan envoy by the States General, 1770, Reinier Vinkeles (I), After Jacobus Buys, in Or Before 1789 print The Moroccan envoy by hearing at the States General, September 6, 1770. print maker: Amsterdamafter drawing by: Northern Netherlands paper etching / engraving The Hague

Print, Design for Fountain with Putto Riding a Dolphin; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Georg Siegmond Roesch; Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758); France; etching and engraving on off-white laid paper; Platemark: 35.8 x 23.6 cm (14 1/8 x 9 5/16 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

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