Mythological and Historical Figures in Art

Engravings portraying mythological tales and historical events, featuring figures like Venus and Mars, showcasing classical themes and stories.

Landscape with Venus and Amor, Pieter de Jode (I), After Bartholomeus Spranger, 1590 - 1632 print Venus sits on a rock and looks over her shoulder. With her right hand she holds the arrow of Amor. In the background Neptunus on his car, drawn by sea horses. In the margin a caption, in two columns, in Latin. paper engraving Venus and Cupid (Cupid not being mere attribute). (story of) Neptune (Poseidon)

History writes the history, Reinier Vinkeles (I), after Jacobus Buys, in or before c. 1785 print Allegorical representation in which the personification of history sits a dictionary, behind her the freedom, in the air fame. paper etching / engraving 'History'; 'History' (Ripa)

Swimming Dame with helpers, Louis Surugue, after Peter Paul Rubens, 1726 print Paris paper etching / engraving

Family Group, of a Man his Wife and Baby, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Samuel Shelley, 1750-1808, British, 1783, Engraving

Etching by Jan van Somer depicting a brothel scene, created in 1670, showing figures engaged in indoor activities with interior architectural elements.

Relief with personification of the element of water above arch in the civilian hall of the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1719 - 1783 print Relief with personification of the element of water above the right (southern) arch on the east side of the Burgerzaal in the town hall on Dam Square in Amsterdam. In her hands she holds a ship, there is a shell crown on her head. To the left of her a rudder, rowing chip and enterhaak. To the right of her the head of a fish between the reeds. At her feet a fish, lobster and crab. Numbered in the bottom right: XCIX. N. 1. Amsterdam paper etching / engraving water (one of the four elements). ships (in general). parts of ship's exterior: rudder. fishes. crustaceans: crab. crustaceans: lobster. plants and herbs: reed Burgerzaal. City Hall of Amsterdam (1655-1808)

The punishment for high praise, 1713; The punishment for high betrayal / Juste Punition du Crime de Majesté Blessée; Plates about the peace of Utrecht from 1713 / 't Lusthof from MoMus. The beheading of John the Baptist in prison. The story used as an illustration of the punishment for a high prair associated with the peace of Utrecht, 1713. Verses in the plate in Dutch and French. Part of a group of 28 new and old plates adapted to illustrate the Peace of Utrecht in 1713. Part of the print work is issued under the collective title 't Lust-Hof of Momus with the bundled series of cartriders during the 1901-1713 of the Spanish Succession War.

Belgian Virgin before King William I, 1827, Anonymous, 1827 print Allegory on the blessings of the regime of King William I, 1827. The Belgian or Dutch Virgin standing before King William I on his throne. She carries a standard with the inscription 'Belgique'. With six -line verse. Presentation in contours. Netherlands paper etching / engraving personifications of countries, nations, states, districts, etc. Netherlands

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

Grammatica, Jacques -Antoine Friquet de Vauroze, After Sébastien Bourdon, 1663 - 1716 print Landscape with a young woman. She empties the contents of a water jug. print maker: Franceafter design by: Parispublisher: FranceFrance paper engraving / etching 'Grammar' (~ trivium); 'Grammar' (Ripa)

Portrait of Pierre-Laurent Buirette de Belloy held by a genius on a cloud with the personification of the city of Calais on the right, Louis Simon Lempereur, after Nicolas-René Jollain, 1767 print Paris paper etching / engraving historical persons. armorial bearing, heraldry. dog. ornament ~ medallion

Copper engraving by Jan Harmensz. Muller depicting the mythological scene of Merkur abducting Psyche, showing classical figures, interaction, and gestures.

Lot and his daughters, Johann Martin Preissler, After Blaise Nicolas Lesueur, After Rafaël, 1725 - 1794 print paper engraving / etching Lot and his daughters (Genesis 19:30-38)

Four putti. Four putti holds a cloth.

Allegorie on the arrival and stay of Willem V and Wilhelmina van Pruisen in Amsterdam, 1768, Reinier Vinkeles (I), Johannes Smit (publisher), 1772 print Title print for the press series of the visit and the stay of Stadholder Willem V and Princess Wilhelmina van Pruisen in Amsterdam, 30 May - 4 June 1768. For a monument there are left -wing merchants, freedom and peace and the drawing on the right. She is rewarded with money and fame. In the foreground the river gods of the Amstel and the IJ. In the background the Amsterdam town hall. On the monument portrait medallions of the prince and the princess and putti with flower garlands. paper etching / engraving symbolic representations, allegories and emblems ~ drawing. Honour, Glory; 'Ampiezza della Gloria', 'Gloria', 'Gloria de prencipi', 'Gloria & Honore', 'Honore', 'Sublimatí della Gloria' (Ripa). Freedom, Liberty; 'Libertà' (Ripa). specific aspects, allegorical aspects of Mercury; Mercury as patron. river personified, 'Fiumi' (Ripa)

Copper engraving by Hendrick Goltzius from 1597 depicting the child Jesus holding a globe as Salvator Mundi, with detailed figure and symbolic attributes.

Copper engraving by Jan Pietersz. Saenredam depicting a portrait of Hans von Aachen, created in 1601.

David de Leeuw Wurend, Claude Mellan, After Giovanni Lorenzo Bernini, 1631 print Rome paper engraving David kills a lion and a bear (or tells Saul about it)

Copper engraving and etching by Raphael Sadeler the Elder illustrating allegorical themes of pure chastity and the highway of peace, showing figures, symbolic motifs, and narrative scenes from 1570 to 1634.

Etching by Maria Anna Angelika Catharina Kauffmann depicting a young woman holding a vase, showing figure, posture, clothing, and decorative details, created in 1767.

Literature, Peace and Industry, Julien-Léopold Boilly, After Pierre Prud'Hon, 1855 print Paris paper. 'litterae', symbolic representations, allegories and emblems ~ literature; 'Lettere' (Ripa). symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). industries

Copper engraving and etching by an unknown engraver from 1590-1750 depicting caryatids and a casserole, showing architectural elements and objects.

Woman with baskets with fruits in hand by the window, Henricus Wilhelmus Couwenberg, after Gerard Dou, 1842 print A young woman with a basket with fruits in hand hangs from a window. She holds the curtain aside so that the interior is visible behind her. In the departure, a man and a woman are making music. There is a birdhouse in the windowsill, there is a dead rooster and is a vase with flowers. paper etching human figure at (open) window, seen from outside. shop-window, show-window. fruits. instrumental and vocal music together

Copper engraving by Claude Mellan from 1625 depicting Saint Catherine of Alexandria, showing figure, posture, and religious attributes.

The Senses: Touch (after Boucher). Gabriel Huquier (French, 1695-1772). Etching;

Photo production of a drawing to the Jeanne La Folle painting by Louis Gallait, Edmond Fierlants, After Anonymous, After Louis Gallait, c. 1858 - in Or Before 1863 photograph This photo is part of a cover with twelve photos and two text magazines. photographic support albumen print emotional illness, derangement, madness - AA - female human figure

Copper engraving and etching by Jan Collaert the Younger depicting Juno, Venus, Minerva, Mercury, and Paris, created between 1580 and 1612, showing classical mythological figures and narrative scenes.

Venus Anadyomene; Ceiling paintings of the Loggia di Galatea in the villa Farnesina in Rome. Venus is in a shell while she pinches water from her hair ('Venus Anadyomene'). Around her six birds, and on the left next to her the sign of the zodiac (Capricornus) of the zodiac. In the undermaster a two-legged fresh in Italian.

Plate 65 from ' Los Caprichos': Where is mom going (Donde vá mamá) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 65 from ' Los Caprichos': Where is mom going (Donde vá mamá) 380491 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 65 from ' Los Caprichos':Where is mother going (Donde v mam), 1799, Etching, aquatint and drypoint, Plate: 8 1/8 6 7/16 in. (20.6 16.4 cm) Sheet: 11 5/8 8 1/4 in. (29.5 20.9 cm). The Metropolitan Museum of Art, New York. Gift of M. Knoedler & Co., 1918 (18.64(65))

Spirit of Crugal appears to Connal, Alexander Runciman, c. 1770 - c. 1775 print The spirit of the Irish hero Crugal appears on a sleeping connal and predicts the defeat of Cuthullin. paper etching (scenes from) specific works of literature (with AUTHOR, title). spirit, ghost

Saint Helena; S. Helena; Paintings and sculptures in Rome. Saint Helena, standing next to a cross, on a terrace or platforms with classical architecture. Around her and angels fly. Under the show a caption in Latin. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print).

Copper engraving and etching by Carlo Gregori depicting the biblical judgment of Solomon, showing King Solomon, two women, child, gestures, and courtroom interaction in 18th-century style.

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534), Cupidon et les trois Graces ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographiques de quelques unes de ses Estampes. Blanquart-Évrard, Louis-Désiré (1802-1872), printing house, Delessert, Benjamin (1817-1868), photographer, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

Letters above, flanked by intertwining rinceaux. Victory crowning a victorious athlete within a space called the Xystus in Greek--the covered portico of a gymnasium. Date: ca. 1830. Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Copper engraving and etching by Hans Rottenhammer from 1560-1612 depicting Venus and Adonis, showing mythological figures, pose, gesture, and narrative interaction.

Lorenz Froelich (1820-1908), Illustration Til "The Dominical Pray", (1863)

Copper engraving and etching by Claude Augustin Duflos around 1786 depicting Jupiter and Antiope, showing figures, gestures, and classical setting.

Frederick II., King of Prussia.

Declaration angel, on clouds. Trealfast Angel, Tattered on clouds, in a Renaissance Interior.

Four sick people in St. Job, Daniel Nikolaus Chodowiecki, 1783 print Berlin paper etching Literature. emotional illness, derangement, madness. pump

Allegorical show about Vanitas and Reflection, Michel Dorigny, After Simon Vouet, After François Tortebat, 1666 print print maker: Francepublisher: Paris paper engraving / etching scenes symbolizing 'Vanitas'. reflection (in a mirror)

The dear life of the Luiwammes; L'Onorata Vita del Polrone. A man lifts a curtain behind which the sloth is on a bed resting. Title print for the series of six performances from the life of a sloth.

On a jetty a woman fills a bucket with water, Jan Luyken, 1711 print Amsterdam paper etching quay. wooden container: barrel, cask, bucket

Moses Showing the Quails to the Israelites. Artist: Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510-1563 Venice). Date: ca. 1545.In Mariette Album, folio 11, top. Museum: Metropolitan Museum of Art, New York, USA.

Title print with cartouche with title, eagles, dragons and a crowned coat of arms; Paintings of Giovanni Lanfranco intended for the Loggia del Benedizione in the Vatican; History of Petrus and Paul; Disegno della Loggia di San Pietro in Vaticano Dove Si da La Benedizione. Print is part of an album.

Print, Hope, 1787; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); Italy; stipple engraving in brown ink on white paper; 20.7 × 22.6 cm (8 1/8 × 8 7/8 in.); Bequest of George Campbell Cooper; 1896-3-335

Nicolas Delaunay after Jean Honoré Fragonard, L'Education fait tout, 1791 L'Education fait tout

Copper engraving by Lucas Vorsterman depicting Susanna bathing. Produced in 1620, it shows the biblical figure, bath scene, gestures, and traditional iconography.

Copper engraving depicting Apollo and his muses by Jean Edelinck, created in 1678, illustrating classical mythology figures and their attributes.

Germanician says goodbye to Agrippina. Germanician says goodbye to Agrippina. Next to Agrippina standing and kneeling women with children around her bed.

A pen and brush drawing illustrating Kronos carrying a sundial, created in brown tones over reddish, on brown-tinted paper.

Umbria Terni Acquasparta Palazzo Cesi05. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The death of Socrates (Illustration 8 in: Cesar Cantu, History Powszechny, Warsaw 1853, volume II, p. 166); Unknown, Orgelbrand, Samuel (Warsaw; Publisher, printing house; fl. 1836-1919); 1853 (1853-00-00-1853-00-00);

Image of Moses in Rome, Cornelis van Dalen (II), After François Perrier, after Michelangelo, 1648 - 1664 print Image of Mozes, the famous sculpture of Michelangelo, nowadays in the Sint Pieter in Rome. Amsterdam paper engraving Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law

Roman musicians performing an Epithalamium (1-3), long trumpet or tuba (4), Cupid playing a double flute or Tibiae pares (5) and Egyptian musicians playing harps and a lute-like instrument (6-10). Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

A Winged Victory Riding a Chariot; A Winged Victory Crowning Minerva; two roundels, Felice Giani, Italian, 1758-1823, Pen and black ink, graphite on paper, Top: a victory riding toward left. A rostral column is shown in the background. Bottom: a flying female genius crowning Athena seated in her study. Captions: fame della guerre; Felsina. Felsina is a word symbolizing Bologna, in Etruscan., Italy, ca. 1805, figures, Drawing, Drawing

In love couple surrounded by Putti, François Joseph Etienne Beisson, After Pierre Prud'Hon, 1797 print Scene Uit Het GEDICHT 'The art of loving' van Pierre-Joseph Bernard. Paris paper etching / engraving Cupid shooting a dart. cupids: 'amores', 'amoretti', 'putti'

Title page for: Netherlands in Verbond with Frankrijk. November 10, 1785, Reinier Vinkeles (I), After Jacobus Buys, 1786 print Title page for: Netherlands in Verbond with Frankrijk. November 10, 1785. Allegorical vignette with geniuses at a monument for the covenant between the two countries. Northern Netherlands paper etching / engraving

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Si Glacerebbe inutile per terra deserta senza frutto, E senza onore, 1774, 1790. Engraving.

Polignac and its accomplice ragusa. (IT)

Angelica and Medoro sitting in a landscape, Richard Earlom, After Benjamin West, 1768 print Medoro points to a tree in which they have carved their names. Two putti fly above them. Left front are two goats and on the right in a tree are two pigeons. London paper Medoro. Angelica. cupids: 'amores', 'amoretti', 'putti'. the carved signs (of lovers) only. other birds: dove

The sweet Magdalena

Guns on the Olympus, Michel DiGIGY, After Simon Vouet, 1640 print France paper engraving / etching the Olympian gods together: Jupiter, Juno, Neptune, Ceres, Apollo, Diana, Mars, Venus, Mercury, Minerva, Vulcan, Vesta (or Bacchus)

Saturn Paintings by Francesco Albani (series title), The god Saturn with a small child on his back. Decoration of a pendentief., Saturn (planet), Saturn and his children ('Planetenkinder'), Giovanni Girolamo Frezza (mentioned on object), 1704, paper, engraving, h 355 mm × w 280 mm

Badend Venus puts Putti, Julien-Léopold Boilly, after Pierre Prud'hon, 1853 print Paris paper bath of Venus

Scena mitologiczna (dwie kobiety przy grobowcu). Reinhart, Johann Christian (1761-1847), graphic artist

Industria; Bordurende vrouw.Woman, seated at column, working on a handicraft.

The genius of glory

Old man with clerk; Paintings in the Sixtin Chapel. A bearded seated man with a clerk. Figures from Michelangelo's ceiling painting. Numbered at the bottom right: 36. The print is part of an album.

Seated Virgin. Dominique-Vivant Denon (French, 1747-1825); after Alexis d'Egaroff (French, 18th-19th centuries). Date: 1817-1820. Dimensions: 137 × 118 mm (image); 354 × 266 mm (sheet). Lithograph in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Allegory on the moderate use of the abundance and an allegory of the cheerful pleasure, Elias van Nijmegen, 1677 - 1755 drawing Allegory on the moderate use of the abundance; Below that an allegory of the cheerful pleasure. Design for a painting. paper. ink. watercolor (paint). pencil brush / pen Abundance; 'Abondance', 'Abondance Maritima' (Ripa) (+ Two or More Personifications Pursuing One Aim). Temperance, moderation; 'Measure' (Ripa) (+ Two or More Personifications Pursuing One Aim). Temperance, 'Temperantia'; 'Temperance' (Ripa) ~ One of the Four Cardinal Virtues. Pleasure, enjoyment, joy; 'Allegrezza', 'Allegrezza da Le Medaglie', 'Allegrezza, Letitia and Giubilo', 'Diletto', 'pleasure', 'pleasure Honesto' (Ripa)

Venus, L. Richer, c. 1630 - C. 1673 print France paper etching / engraving Venus (planet). (story of) Venus (Aphrodite)

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of Pleasure or Enjoyment, verso - stamped, A console with a seated woman. In her hair a wreath of flowers. In her hands a horn of plenty and a thyrsus, a staff with a knob in the shape of a pine cone. The city is wrapped in leaves and there hanging two wreaths. The print is part of an album., print, album leaf, prints, height 182 mm, width 179 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, patron

Etching from 1638 by François Perrier featuring Roman statues, highlighting classical art and antique sculpture.

Spring; Le Printems / der Frühling; The four seasons. A man and a woman sitting in a garden for a proy and drink wine. To the left of them comes from a cellar a clerk with a bottle of drink a staircase. Above it is a rocaille ornament with vase and putto. In the underwear twice a four-line French and German text.

Etching in dot manner by L. dal Soglio around 1800 depicting Lucretia, a classical figure, with symbolic and historical representation.

Adam von Bartsch, Acension of Mary Magdalene, 1782, etching and aquatint on laid paper.

Sitting woman with horn of abundance, A. Cipriani, 1700 - 1800 drawing paper. ink. chalk pen / brush abundance; 'abondanza', 'abondanza Maritima' (ripe). (Story of) Ceres (Demeter)

Vignette with woman with laurel wreath, Hermanus Fock, 1810

Represents Shakspeare seated between the Dramatic Muse and the Genius of Painting : who is pointing him out as the proper subject for her pencil , Authors, Shakespeare, William, 1564-1616. Thomas Pennant Barton Collection

Portrait of Willem V, Prince of Orange-Nassau. Portrait of Willem V in an octagonal picture frame. There around two allegorical figures and a number of objects. Dutch text rules eight in the undermarge.

Determacht, Philips Galle, c. 1585 - c. 1590 print Women's form with snakes in the hair, walking to the right. She is wearing a bladder ball in the right, a burning torch in the left hand, with which she stirs the fire of the discord between people. Under the show two lines of text in Latin. The print is part of an album. print maker: AntwerpSouthern Netherlands paper engraving Disagreement, discord; 'Discord' (Ripa)

Copper engraving and etching by Crispin van de Passe depicting famous women with figures, gestures, drapery, and detailed backgrounds, created around 1600.

Title print with Haan on the base of a column, Jules Ferdinand Jacquemart, 1863 print maker: Franceprinter: Parispublisher: Paris paper. etching / drypoint fowl (cock, hen, chicken, etc.). column, pillar ~ architecture. etching

Job accepting Charity 1825-26 William Blake British. Job accepting Charity. Illustrations of the Book of Job. William Blake (British, London 1757-1827 London). 1825-26. Engraving. Published by William Blake (British, London 1757-1827 London) No. 3 Fountain Court, Strand. Prints

Etching by Pierre Alexandre Aveline depicting a male act, created in 1738, showing human figure and anatomy study.

Vase and standing women, Unknown, After Juste Nathan François Boucher, 1752 - 1782 print Two standing women support a pedestal with a vase. Paris paper etching ornament ~ arabesque. standing figure - AA - female human figure. vase ~ ornament

Tithonus en Aurora, Louis Simon Lempereur, After Jean Baptiste Marie Pierre, in Or Before 1765 print Paris paper etching / engraving the young Tithonus carried away by Aurora

. Theseus stands with his knots in the hand above the minotaur conquered by him. Figures around him hijit him. To a classic sculpture.

Plate 70 from 'Los Caprichos': Devout Profession (Devota profesion.) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 70 from 'Los Caprichos': Devout Profession (Devota profesion.) 380482 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 70 from 'Los Caprichos': Devout Profession (Devota profesion.), 1799, Etching, aquatint and drypoint, Plate: 8 1/16 x 6 7/16 in. (20.5 x 16.4 cm) Sheet: 11 5/8 x 8 1/4 in. (29.5 x 20.9 cm). The Metropolitan Museum of Art, New York. Gift of M. Knoedler & Co., 1918 (18.64(70))

Photo production of a drawing by Michelangelo (figure study), Adolphe Braun & Cie., 1880 - 1900 photograph paper. photographic support. cardboard carbon print

Saint Ildephonsus. Etching by W. Unger after Sir P.P. Rubens.

Antiochus, After his Demise, Dictated his Will Artist's working dates 1731-1781 France. Etching on ivory laid paper . Noël Hallé

The Blind Beggar Tricked by Lazarillo. Thomas Wyck; Dutch, 1616-1677. Date: 1636-1677. Dimensions: 127 x 114 mm (plate); 241 x 191 mm (sheet). Etching on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, FLORENCIA, USA.

Etching by Hubertus Quellinus around 1668 showing a female arched figure with a fish tail holding a water jug, accompanied by mussels, illustrating mythological aquatic theme.

Design for a grave monument.

Cimon in But (Roman Caritas), Alexander Voet (II), After Peter Paul Rubens, 1662 - 1695 print Pero sucks her father Cimon during his facility. Antwerp paper engraving But Suckling Cimon ('Roman Caritas')

Saint Caecilia, Johann Sadeler (I), After Maerten de Vos, 1583 - 1587 print The crowned H. Caecilia, sitting with palm branch in hand, a music book on the lap. Several musical instruments around her: portative, lute, flute, Kromhoorn, Viola da Gamba and two music books. In the background on the right the beheading of the Heillige. The sixth print of a seventeen -part series with female saints. Germany paper engraving St. Cecilia as patroness of music. 'Castità', 'Pudicitia', 'Vergogna honesta' (Ripa). organ. flute, aulos, tibia. lyre, cithara, psaltery. other wind instruments (with NAME). viola, violoncello; double bass. notation of music

Veneres uti observantur in gemmis antiquis, Hancarville, Pierre d', 1719-1805, after 1771

Print, LHYVER; Designed by François Boucher (French, 1703-1770); Print Maker: Louis-Félix Delarue (French, 1730 - 1777); Published by Gabriel Huquier (French, 1695-1772); France; etching on laid paper

Euthimius and thectistus after Martin of your Raphael Sadeler (said the old, 1560-1632). Euthimius and Thectistus after Martin of your. Burin, 17th century.

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