Mythological and Historical Figures in Art

Engravings portraying mythological tales and historical events, featuring figures like Venus and Mars, showcasing classical themes and stories.

Landscape with Venus and Amor, Pieter de Jode (I), After Bartholomeus Spranger, 1590 - 1632 print Venus sits on a rock and looks over her shoulder. With her right hand she holds the arrow of Amor. In the background Neptunus on his car, drawn by sea horses. In the margin a caption, in two columns, in Latin. paper engraving Venus and Cupid (Cupid not being mere attribute). (story of) Neptune (Poseidon)

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket for the Benefit of Mr. Giardini, 1780. Etching and line engraving on medium, slightly textured, cream laid paper.

Woman with incense burner, Edward Edwards, 1790 print Numbered: 39. print is part of an album. paper etching standing figure - AA - female human figure. incense-burner ~ scents, perfumes

Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a Naiad, a follower of Bacchus, carrying a vase and a round plate with three figs. She wears reeds in her hair, a gold bracelet, and a fine robe in purple, the colour of the Violarii. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.

Man is about to put down another man. In a room a man is about to put down another man. The endangered man turns into the arms of a woman.

Drawing by François Verdier showing the Lord appearing to a king and a woman, using black chalk, gray wash, and white highlights on blue paper.

Bliżej Kultury Kunstwerlag Anton Schroll & Co., Vienna, Pacher, Michael (Ca 1430/1435 1498)

Allegory on the Visual Arts, Reinier Vinkeles (I), 1777 print Amsterdam paper etching / engraving symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa). cupids: 'amores', 'amoretti', 'putti'. painting ~ applied arts (+ the work of art and its production). tools, implements of painter

Bacchanaal, Carlo Faucci, After Giovanni Battista Cipriani, After Peter Paul Rubens, 1768 print The wine god Bacchus, a Bacchante, a Sater and a Panther. Numbered bottom left: Vo. Ii. No. 30. print maker: Italyafter drawing by: Italypublisher: London paper engraving Maenad(s), Female Baccan(es). (Story of) Bacchus (Dionys), Liber. Nymphs (in general); 'Ninfe in commune' (ripa)

Personification of merit; Numismata virorum illustrium ex Barbadica Gente. A console with a hearted man. In his hands a book and scepter. He has a laurel wreath to the head. The print is part of an album.

Sulzer, Johann Georg.

Shakspeare. Timon of Athens, act IV, scene III : A wood : Timon, Alcibiades, Phrynia, and Timandra , Forests, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Timon of Athens. Thomas Pennant Barton Collection

Luca Ciamberlano, Print from Drawing Book, c 1610 1620 Print from Drawing Book

Minverva with Louis XIV from France at the age of 2, Claude Mellan, 1640 print print maker: Francepublisher: ParisFrance paper engraving (story of) Minerva (Pallas, Athena). historical persons

Nemorin in Estelle, 1822 - 1849 print Leaf with 6 performances from the story of Estelle and Némorin, after the novel by Jean-Pierre de Claris de Florian from 1787. A caption under each image. Numbered at the top right: N. 89. print maker: NetherlandsAmsterdampublisher: Deventer paper letterpress printing tales and fairy tales

PLATE PRESENTED TO THE REV. ALFRED WILLIAMS.

Medicine, Philips Galle, After Frans Floris (I), After Marten van Cleve (I), 1574 print The Roman goddess of the Panacea medicine as a personification of medicine: sitting women's figure with an open round box in the right hand, urinary in the left hand. Next to her a mortar, a retort, ointment pots and other attributes. Aluin roots and other medicinal herbs are on the ground. At the back left an anatomical lesson. On the right in the background, a man with a paper (recipe) Comes out of a house. The print has a Latin caption and is part of a series of prints about the human ventures. Antwerp paper engraving Aesculapius' daughters (with NAME). 'Medicina', allegorical representations ~ medicine; 'Medicina' (Ripa). examination of urine. anatomy lesson. pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist. crafts and industries

Noord-Nederland, Wanderer, Jan, Northern Netherlands, Vignette with Theseus and Ariadne, verso center bottom - stamped, Theseus and Ariadne walking through a landscape. Ariadne holds a thread from the ball of yarn in Theseus' hands. The depiction is largely surrounded by a band of inscriptions bearing the words Virtutis Amore and a reference to the eighth book of Ovid's Metamorphoses, in which the story is found., print, vignette, prints, height 88 mm, width 90 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1749 - 1749, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Adelaide, 1798. Line engraving.

The nymph Thetis has persuaded Vulcan, the blacksmith of the gods, to make a set of impregnable armour for her son Achilles. Painting from the House of the Skeleton (Casa di Achille) at 2, Regio IX, Insula V. Illustration drawn by Discanno and lithographed by Victor Steeger from Emil Presuhn's "Pompeji. Die Neuesten Ausgrabungen von 1874-1881," Weigel, Leipzig, 1882. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno and Miss Amy Butts, made exact copies of many wall paintings that are now lost.

Grave monument for Frederik, Prince of Oranje-Nassau, 1799. Grave monument for Frederik by Antonio Canova in the Cross of the Heremies Monastery in Padua, died on January 6, 1799. A grieving woman is sitting next to a stork. On the wall a sword and a shield with a peripheral. Three lines of Dutch text in the undermarge.

Saint. Franciszek Seraficki and the Death of Barbara Radziwiłłówna According to Józef Simmler Drew Juliusz Kossak. Cleastle from Tygodnik Ilustrowany 1868 (1) 282 Unknown, Fryk, Ludwik (n.n.), Simmler, Józef (1823 1868), Kossak, Juliusz (1824 1899)

Etching by Francesco Zuccarelli reproducing figures from Sarto's frescoes in the Santissima Annunziata church in Florence, created in 1731, highlighting Baroque religious art and fresco composition.

An etching from 1638 by François Perrier depicting Roman statues, showing classical sculptural forms and architectural context.

Paris City Hall, Festival Gallery: Committit Pelago Rates

Initial And from the scenes in the restaurant; Scholtz, Julius (1825-1893); 1859 (1859-00-00-1859-00-00);

Double portrait of Canossa Bonifacio III and his daughter Matilda from Canossa; Bonifacio III. March di Ferrara 3. B / Matilda Marchesan a di Ferrara 4. B; Rulers of Ferrara. Print is part of an album.

Robert Smirke, 1752-1845, British, Study of a Woman Sleeping in Her Chamber and a Man Standing Over Her Bed, undated. Pen and brown ink and graphite on medium, moderately textured, cream, laid paper, mounted on, thick, smooth, peach, wove paper.

Paris City Hall, Festival Gallery: Pugnat Contra Ferras

Psyche and her Sisters, plate 18 from Cupid and Psyche 1880 Germany. Etching and aquatint on paper . Max Klinger

Personificatie van de astronomie, Eloy Bonnejonne (attributed to), Monogrammist PEV (rejected attribution), after Francesco Primaticcio, 1640 - 1695 print A sitting woman holds a large book or a stone plate. A putto is against her back. Two other putti with a jug and an armillarium are standing next to her. print maker: Vlaanderenprint maker: Italyafter design by: Italy paper etching 'Astronomy', 'cosmography'; 'Cosmography' (Ripa). Armillary Sphere, Skeleton Celestial Globe. Cupids: 'Amores', 'Amoretti', 'Putti'

Design for an advertisement of Maksymilian Fajans lithographic and photographic shops. Gerson, Wojciech (1831-1901), painter

Allegory of the four continents, Christian Bernhard Rode, 1788 print paper etching continents represented allegorically

Herfst, Julien -Léopold Boilly, after Pierre Prud'hon, 1811 - 1867 print paper. Autumn, Fall, 'autumn'; "Autumn" (bank)

An etching with aquatint by Francisco José de Goya y Lucientes from 1799, titled 'Devota Profesion', showing a depiction of devoted creed.

Vanitas. Jan Pietersz. Saenredam (Holland, Zaandam, circa 1565-1607). Holland, circa 1600. Prints; engravings. Engraving

Free France Despotism destroys the feudality irons are broken (...) (IT)

Half-length portrait of young woman (top); winged woman holding a palm branch (bottom), Herculaneum, Campania, Italy, engraving by Filippo Morghen from a drawing by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume IV, plate 23, 1757-1787, Naples.

Design for a pendulum on the occasion of a marriage, François Gérard (attributed to), c. 1800 - c. 1815 Verso sketches of buildings and calculations in graphite. Paris paper. graphite (mineral)

Copper engraving and etching by Pieter Tanjé around 1757 depicting the Dead Christ accompanied by three angels. The print emphasizes anatomy, gestures, and drapery in an 18th-century religious composition.

History May 18, 1793 Francesco Bartolozzi Italian. History. Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). May 18, 1793. Etching and engraving. Thomas Tomkins (British, 1743-1816 London). Prints

Punishment; Punitio; Emblematic figures. In an interior, an old woman is sitting on a chair with a whip in her hand. On the left a child watching behind a wall. At the bottom of a line Latin text.

Tuileries (Façade sur la Cour). Édouard Baldus (French, born Germany, 1813 - 1889)

Hoogmoed, Johannes Wierix, 1609 print Landscape with the female personification of pride (Superbia). She looks at herself in the mirror she holds. print maker: Antwerppublisher: Delft paper engraving / letterpress printing Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly Sins

Personification of unfaithfulness and lust, Melchior Küsel (I), After Johann Wilhelm Baur, 1682 print At the bottom right a reference to the story of the unfaithfulness of Clytaemnestra. Text in German in the lower margin. Numbered in the bottom right: 31. Print is part of an album. Augsburg paper etching Cheat, Deceit; 'Fraude', 'Inganno' (Ripa). Unfaithfulness, 'Mala fide'

Copper engraving by Pieter van Schuppen from 1647-1702 depicting Maria Lactans with the Christ child, showing nurturing gestures, drapery, and compositional elements.

Aesculapius and Hygieia. Engraving by R. Morghen.

Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth "what does it matter Louis-Philibert Debucourt (1755-1832). Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century. What does he count (shell hat and Nankin's pants). Engraving (Floor).

Title page for: J. Le Francq van Berkhey, "The Verneeert and Verheerlyt" Sgraavenhaoke, century singer, "1776. Title page with three putti with allegorical attributes with a shield with a stork that has a snake in its mouth.

Two male hermen; Hermen. Two hermen (square pier with human bust or upper body) of bearded men. The left has a turned upper body to the right on the top of a man, and the trunk of a palm tree on the underside. On the top, the judge has wrapped a man with his forehead and upper body in cloths, and a tree trunk on the bottom. Numbered at the bottom right: 12.

Vignet with Van Baerdwyck family weapons and possible Rombout.

H. Christoffel, Wenceslaus Hollar, After Albrecht Dürer, 1642 print Saint Christoffel walking with the Christ child on his shoulder. paper etching St. Christopher, with the infant Christ on his shoulders, wading through the water and carrying his staff (palm-tree); sometimes a hermit stands on the further bank beside a chapel, a lantern in his hand

Lust, from Virtues and Vices. Heinrich Aldegrever; German, 1502-c.1560. Date: 1552. Dimensions: 105 × 63 mm (image); 142 × 129 mm (sheet). Engraving in black on cream paper laid down on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

For Children. The Gates of Paradise, Plate 5, 'Earth', Print made by William Blake, 1757-1827, British, 1793, Etching and line engraving on moderately thick, slightly textured, cream wove paper, Spine: 5 1/2 inches (14 cm), Sheet: 5 3/8 x 4 1/2 inches (13.7 x 11.4 cm), and Plate: 3 1/2 x 2 7/8 inches (8.9 x 7.3 cm), earth, historical subject, kneeling, men, nudes, rocks (landforms), text

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Two Octagons: Vigilance, Beneficence., Felice Giani, Italian, 1758-1823, Pen and ink, brush and brownish grey wash on rough paper., Vertical rectangle. Top: Vigilance shown seated between two putti raising lamp with right hand, holding something indistinct in left hand. Caption written above in black chalk: 'Vigilanza.' Bottom: Beneficence shown seated and holding two cornucopiae helped by two putti. Caption: ' beneficenza.' Small part of another drawing at left edge. Verso: small parts of two pen sketches. Left edges of left row sketches on reverse of -3394. Captions as in 1901-39-3260. On reverse 1901-39-3260part of pen sketch similar to this. Variant 1901-39-3393., Italy, ca. 1813, figures, Drawing, Drawing

Portrait of Christoph Jeremias Rost

Portrait van Andreas Morell, Rudolf Füssli (the youngest), 1756 print paper etching historical persons. ornament ~ medallion. plants; vegetation. herms (garden ornaments)

Erasistratus discovers the love of Antiochus for Stratonice 1790-1800 Edward Francis Burney British. Erasistratus discovers the love of Antiochus for Stratonice 340963

Bliżej Kultury Kunstwerlag Anton Schroll & Co., Vienna, Unknown Sculptor

Tomb monument for Maria Christina van Austria. Tomb monument for Maria Christina van Austria by the Italian sculptor Antonio Canova.

Napoleon helps to get a female personification; (...) Accorre Il Primo, La Man Le Stende: A me t'attieni, e sorgi; Illustrations at Melchiore Cesarotti poem pronea, apology for Napoleon Bonaparte; La Pronea del Cesarotti Delineata Ed Incisa Dal Matteini. Under the show a versitive in Italian. Print is part of an album.

Two men view a picture of Time, Jurriaan Andriessen, 20-Dec-1806, paper, ink, graphite (mineral), brush, h 209 mm × w 115 mm

An oil sketch by Maria Anna Angelika Catharina Kauffmann depicting a young woman listening to a harp played by a musician in a forest, executed in Grisaille with black-brown edging, 1780-1781.

Aristides writes his name on the shard of an illiterate resident of Athens, William Dickinson, after Angelica Kauffmann, 1786 print Aristides is asked by an illiterate man who does not know him to sign the shards -oriented for his own exile as part of Ostracism in Athens. London paper banishment, exile. scholar, philosopher (+ portrait of scholar, scientist). democracy; 'Democratia' (Ripa)

Angels playing Payne, Albert Henry (1812 1902), Melozzo, from Forli (1438 1494)

, Lobkowitzplatz - Lobkowitzpalais - Herculesbrunnen Wiener Bauten -Album, sheet No, side dish for the Wiener Bauindustrie -Zeitung, Unknown, photographer

Man with his hand in front of a woman with four children, Philippus Velijn, After Marten Westerman, 1818 print A man makes a negative gesture and has his hand in front of his face, with a kneeling woman surrounded by four children. She has obtained her left hand. Bottom right: bl. 39. Netherlands paper etching hand(s) towards the eye(s). mother with son(s) and daughter(s) (mother-love). mother and baby or young child. kneeling figure - AA - female human figure. arm stretched sidewards

A woman driving cupid. 1806. Elizabeth, Princess of England, 1770-1840. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

You have John the Baptist; unknown, Carl Mayer's Kunstalt (Nuremberg; Publisher; Drukarnia; 1828-Ca 1872); 1840-1850 (1840-00-00-1850-00-00);

Apollo, Cornelis Bloemaert (II), After Pietro da Cortona, 1637 - 1692 print Apollo is sitting on a stone staircase in nature. As God of the archers, he wears an arrow sleeve, De Lier he owns as a protection god of poetry and music, and as captain of the muses. Print from a series of four prints to Frescoes by Pietro da Cortona. paper engraving (story of) Apollo (Phoebus)

EMPERADOR AUGUSTO - 63 AC/14 DC. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. EMPERADOR AUGUSTO. CESAR AUGUSTO OCTAVIO. JULIO CESAR EMPERADOR.

Titus Manlius te paard, anonymous, after Hendrick Goltzius, 1586 - 1596 print The hero Titus Manlius on horseback, seen on the back. In the background you can see how he beats an opponent on horseback. Twice two verses in Latin under the performance. Copy to engraving by Hendrick Goltzius from 1586. Northern Netherlands paper engraving (Story of) Titus Manlius

Victory leads to immortality (IT)

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Allegory of "happiness Paul Marc Joseph Chenavard (1807-1895). Allegory of happiness. Feather and lavis on paper. 1807-1895.

Orpheus plays for Pluto and Proserpina (in box with 43 drawings). .

L'Huitre et les plaideurs , Rulers, Authors, Chambord, Henri-Charles-Ferdinand-Marie-Dieudonné d'Artois, comte de, 1820-1883, La Fontaine, Jean de, 1621-1695. Honoré Daumier (1808-1879). Lithographs

Bronze figures: woman in necklace decorated with phalluses, Pan with large horns and penis holding an amphora of wine and a bird, and bald old man lying on the ground with erect penis (Indian Buddha). Handcoloured lithograph from Cesar Famin's "Musee royal de Naples (The Royal Museum at Naples)," Abel Ledoux, Paris, 1836. This rare volume is a catalog of the collection of erotic paintings, bronzes and statues excavated in Pompeii and Herculaneum and stored in a Secret Cabinet at Naples.

Sleeping Amor Non ti fidar che mai non dorme Amore / egg chiude gli occhi allor che insidia un core (title on object), The sleeping Amor in a landscape. Behind him lies a burning torch. In the foreground are his arrows and bow, a painter's palette with brushes and a laurel wreath., Sleeping, unconsciousness, (story of) Cupid, Amor (Eros), sleeping Cupid, possibly signifying a slackening of Love's influence, Mauro Gandolfi (mentioned on object), 1820, paper, engraving, h 346 mm × w 376 mm

Allegory of the Alliance with France, 1795, Jacques Kuyper, 1795, Oval representation with allegory of the Alliance concluded between the Batavian Republic and France, 1795. Genius ties the arms of the two republics to a tree., draughtsman: Jacques Kuyper, (signed by artist), Netherlands, 1795, paper, pen, brush, h 133 mm × w 109 mm

Man is aging a woman in front of a dressing table, Louis Crépy (Possibly), Louis Crépy, 1690 - 1754 print In a room a lady is in a Négligé in front of her toilet mirror near the window. She is embraced by a man. In the doorway a second woman watches and puts her finger on her lips. Paris paper etching / engraving neglected. making toilet. adult

Design for a room piece: statue of sense smell, next to it a woman and child with flowers. Draughtsman: Dionys van Nijmegen. Dating: 1715 - 1798. Measurements: h 388 mm × w 242 mm. Museum: Rijksmuseum, Amsterdam.

Bandbox. Dated: 1935/1942. Dimensions: overall: 35.5 x 40.8 cm (14 x 16 1/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

Allegory on the peace of Amiens, 1802; The Vreede / La Paix. Allegory on the peace of Amiens, on March 27, 1802, which put an end to the war between Great Britain and the French Republic, Spain and the Batavian Republic. Centrally, peace floats through the clouds with an olive branch in hand. At the bottom two putti (commerce and abundance) with a horn of abundance, right a city destroyed by the war. At the bottom of the print is a strip stuck with two square verses on peace, printed from a separate plate. Reissue of 1806.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Drawing, Four Statues in Niches: Music, Architecture, Painting, and Sculpture; Study of Bacchus and Mercury; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash over traces of graphite on cream laid paper; 20.4 x 42.3 cm (8 1/16 x 16 5/8 in.)

Plate 31 of 38 from Oeuvres de J B Huet 1796-1799 France. Etching on paper . Jean Baptiste Huet

Fragment of a Fete of Bacchus. Celebrants at a Bacchanalia dance while a woman with cymbals makes music. Copperplate engraving by Francesco Bartolozzi after a design by Giovanni Battista Cipriani from 108 Plates of Antique Gems, 1860. The gems were from the Duke of Marlborough's collection.

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534), La Cassolette; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographiques de quelques unes de ses Estampes par M. Benjami. Blanquart-Évrard, Louis-Désiré (1802-1872), printing house, Delessert, Benjamin (1817-1868), photographer, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

Paris, Duchange, Gaspard, Amsterdam, Picart, Bernard, La Galerie de monsieur le Président Lambert representing the apothecary of Hercules, Mercury with a trumpet and putti carrying the skin of the Nemean lion, verso - stamped, Mercury, the messenger of the gods, comes flying with a trumpet in his hand. Putti carry the skin of the Nemean lion defeated by Hercules. Along the edges instructions for mounting the print to other prints. The print is part of a series of prints, which together represent the painted ceiling with the Apotheosis of Hercules in the Hôtel Lambert in Paris., print, prints, height 366 mm, width 593 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1713 - 1719, first quarter 18th century, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), supervision, Publication (Event), Publication, publisher, uitgever, 1662-04 - 1757-01-06

Arab women; Title page for: Hendrik Frijlink, a thousand and one night, 1848. Bust of an Arabian woman with turban and jewelry, surrounded by angels and putti. At the bottom a group of Arab women with veils, standing on a lily.

Fortuna, Pieter Nolpe, 1651 print The naked Fortuna stands on the globe with a banderole in her hands. Next to her is the wheel of fortune. Behind her, a man stabs another man, while a man falls from a high rock. Right a burning city and a rider fight. These performances depict the fickleness of Fortuna. Amsterdam paper etching / engraving Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). Fortune and misfortune (+ personification). Killing ~ aggressive relationships. On Fire, Ablaze

Aeneas carrying his father as he flees the destruction of Troy. Aeneas was a Trojan hero and an ancestor of Romulus and Remus. He became the first true hero of Rome. Illustration from supplement to 'L'antiquité expliquée et representée en figures'; (vols. 1-15, Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology.

A man kneel for a woman under a pergola. .

Pictura flanked by two putti, Jacob Ernst Marcus, after Hermanus Fock, 1801 print There is a young girl on a piercing stable, holding a tablet and drawing pen with the left hand. Next to her two naked children with palette and etching needle. On the right at the foot of the Pieth stable is a portfolio where sheets protrude. Proef pressure of the membership card of the Society of Tailing 'Art be our goal' by J. D'Ancona. Amsterdam paper etching 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa)

Woman dressed according to fashion from Frascati, Anonymous, After Pieter Lastman, 1720 - 1772 print Landscape with wife, dressed in fashion from Frascati, Italy. The woman is shown out, and profil to the left, and dances in a loose dress with a tambourine in her hands. A cloth is draped around the head. The print is part of a twelve -part series of prints with Italian costumes. Amsterdam paper etching Europeans (with NAME) (+ costume)

Woman with an angel on the right, Johannes van Dregt, 1780 drawing Woman, standing against a piece of column, on the right an angel with a bowl. paper. ink. pencil pen

e. J. Glairon-Mondet (Engraver) (After Velázquez, Diego Rodríguez de Silva y); Calcografía Nacional (The seller); Francisco Alcántara (Drafstman) / 'Vulcans Forge'. 1798. Taille douce: etching and engraving on continuous paper; 1798. Taille douce: etching and engraving on continuous paper. Museum: Museo del Prado, Madrid, España.

Copper engraving and etching by Auguste Gaspard Louis Boucher Desnoyers depicting the Madonna with the fish, created in 1822, illustrating 19th-century French religious engraving.

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