Mythological and Literary Scenes

This cluster includes etchings representing mythological and pastoral scenes, with figures in playful and allegorical contexts reflecting on literature and art.

Maria with child, Johannes de Baptist and Lam, Anonymous, François Perrier, in or after 1633 print. copy paper etching Mary and the Christ-child with John the Baptist (as child). Christ-child playing with lamb ~ Madonna-representations

Four scènes uit de idyllen van Salomon Gessner, Daniel Nikolaus Chodowiecki, 1771 print Show the scenes: Daphnis and Chloë at Alexis; Palemon; Milon and Chloë; Invention of the string instrument. paper etching Literature. pastorals, Arcadian scenes. lyre, cithara, psaltery. grave, tomb. transformation, metamorphosis of person

An etching by Wenzel Hollar from 1627-1677 showing Bacchus as a child in a mythological scene.

Copper engraving and etching by Harmen Jansz. Muller from 1586-1588 depicting two intoxicated farmers with an allegorical reference to death, showing figures, gestures, and symbolic elements.

. FAM, with writing spring and praise in the hands, is located in the middle of Putti that play with Jan Vos's books. Another putto strikes a goose with a whip. Above crown Victoria the writer bust. On the left in the background the graftombe of the writer.

Daniël scatters ash on the temple floor; Van den Bel and den Draeck in Babel; History of Daniel, bell and the dragon; Den Grooten Figuer Bibel (...). To prove that not the image of God calling the food, but the priests, decreases Daniël ash on the floor of the temple. King Cyrus lets the door of the temple seal so that nobody can come in unnoticed and eat the food. Two narren in the foreground. Under the show an explanatory text in Latin. Print is part of an album.

Copper engraving by Jan Wierix from 1573-1575 showing Christ healing a man in the Bethesda fountain and the paralyzed, depicting figures, gestures, and biblical scene.

Tamar shows the staff and ring of Judah; History of Judah and Tamar; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Judah lets the fire broken to burn Tamar's daughter-in-law. He wants to punish her because she has behaved like a whore and has become pregnant. However, Tamar shows him his staff and signet ring, with which she proves that he has made her pregnant. Then Judah acknowledges that he is guilty and not tamar. At the bottom of the margin a fresh in Latin. Print is part of an album.

Nebukadnessar sees that Sadrach, Mesach and Abednego are unharmed, 1579 print Nebuchadnessar comes to the oven and sees with surprise that Sadrach, Mesach and Abednego remain unharmed. He also sees a fourth man between them with a halo. The burned guards lie on the floor in front of the oven. Under the performance an explanatory text in Latin. Print is part of an album. paper engraving to his astonishment King Nebuchadnezzar sees four men (one of them usually represented as an angel) in the furnace; the king commands them to come forth

Satire op of Ballonvaart; Labor phisians at the Observatory dedicated to subscribers. .

Maria with child, Johannes de Baptist and Lam, Anonymous, François Perrier, in or after 1633 print. copy paper etching Mary and the Christ-child with John the Baptist (as child). Christ-child playing with lamb ~ Madonna-representations

Deucalion and Pyrrha create a new human breed, 1728 A man and a woman throw stones behind her face, who turn into men and women. They are Deucalion and Pyrrha, the only man and woman who had survived the great flood of the gods. From an oracle (in the middle of the background) they were advised to "throw the bones of the great mother behind him." On the left on the mountain behind the oracle you can see the ark in which Deucalion and Pyrrha have managed to survive the flood. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving A man and a woman throw stones behind her face, who turn into men and women. They are Deucalion and Pyrrha, the only man and woman who had survived the great flood of the gods. From an oracle (in the middle of the background) they were advised to "throw the bones of the great mother behind him." On the left on the mountain behind the oracle you can see

Portret Van Maximilian Friedrich Remarket Rired Von Kon Coweck-Roths' Chests, MetArlaus, Nicolaus named, 1778 print Through personifications, the allegory depicts the infinity of the godly fame of the portrayed person. paper etching historical persons. allegory of Time and Eternity. garland, wreath. cupids: 'amores', 'amoretti', 'putti'. armorial bearing, heraldry. book

Apollo and Diana kill the children of Niobe, c. 1650 - 1703 print Apollo and Diana fire from a cloud of arrows at the children of Niobe to punish her for her conceit. The seven sons, partly on horseback, and seven daughters of Niobe lie dead on the floor or still try to flee. In the lower margin a three -line explanation of the show in French. paper etching Apollo and Diana kill Niobe's children

Copper engraving by Crispin van de Passe from 1590-1637 showing the allegory of human age with figures representing stages of life and symbolic elements.

Copper engraving by an unknown engraver depicting Phinehas killing Zimri and Kozbi, showing figures, weapons, and the scene from the biblical narrative. Created between 1580 and 1630.

Diana in Callisto, 1589 - 1611 print Diana discovers that Callisto, one of her nymphs, is pregnant with Jupiter. She accusingly points to Callisto, whose clothes are pulled out by nymphs. In the lower margin a three -line text in two columns. paper engraving Diana with her nymphs discovers the pregnancy of Callisto

Flood in fertile soil, Achille Girardot, monogrammist AG (19th century) (Rejected Attribution), 1800 - 1850 print On the left, people, cattle, things and boats are dragged by the flowing water. Neptunus is also in the water in his car with hippocampuses. The flood is caused by four cherubs. On the right a few figures on a fertile piece of land with agricultural equipment: a woman with a lantern and a rooster (possibly the personification of vigilance); A woman with a horn of abundance and ears (ceres or the personification of abundance) and a saint with a cross, an open book and a cow (possibly Luke). Behind him two beehives as a symbol of Vlijt and above Jupiter with the eagle. Low Countries paper etching flood. fertilizing, manuring of the soil

Fire; Ignis; The four elements; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. The element fire, shown as a naked man lying against a rock and lightning in his right hand. On his left foot a salamander. On the background right, the sacrifice of Elia is digested by fire (1 could. 18: 26-35). The whole within an oval cartouche with a putto in every corner. The print is part of an album.

Copper engraving and etching by Hans Collaert the Elder depicting key scenes from the story of Jeroboam, created between 1579 and 1585, showing figures and narrative elements.

Copper engraving by Willem van Swanenburg, 1606, depicting the Areopagit judges of Athens with Judge Bias shown shedding tears, illustrating judicial proceedings.

Third pretext: the man who was just married, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1646 print A servant of the king comes to the third guest and invites him to the wedding party. The guest apologizes with the excuse that he is just married. He points to his bride. Under the show a reference in Latin to the Bible text in Luc. 14. This print is part of an album. paper engraving those that are invited to the royal wedding-feast excuse themselves

Allegory of time, Karl Russ, 1812 print Father Time is with an hourglass on his head, chained on a seat, the hose curled in the right hand. In front of him is a young naked Venus with four putti. An old woman walks away behind him. Signs of the Zodiac in the background. paper etching allegory of Time and Eternity. allegorical representations of the effects of time

Cartoon on the French, 1674. Reproduction of a cartoon on the French after closing peace between the Republic and England, 1674. A fleeing rooster (France) is tapped in the comb by an eagle (Germany). On the right a Spaniard rides a rooster to his sword to roast, also a Dutchman who puts a rooster in the cooking pot. Bottom left a cartouche with a verse of 6 lines in Dutch.

Etching by Willem Willemsz Tibout depicting the biblical story of Hagar and Ishmael. Produced 1563.

Fries puts Bacchantische Scene, Pierre Breiette, 1608 - 1647 print Rome paper etching Male Bacchant (ES)

Residents of Puerto Rico, 1726; Porto Rico; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. Men, child and wife of Puerto Rico, dressed in local costume, in the background a fort. Plate No 509 in Part XX of the Picture: Les Forces de l'Europe, Asia, Afrique et amic ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war.

Murder of the Protestants in Cahors, 1561; Series 3: French religious wars, 1559-1573. Murder of the Protestants in Cahors, 19 November 1561. The house in which a meeting takes place is fired and the fleeing protestants are killed. With caption of 8 rules in German. Left below numbered: 24. The print is part of an album.

Two performances from the stories of Wilhelm Gottlieb Becker, Daniel Nikolaus Chodowiecki, 1797 print Different figures are etched in the margin in a sketchy way. Berlin paper etching interrupted meeting, lovers caught by surprise. kneeling figure. on fire, ablaze. pilgrim(s)

A soldier shoots an arrow to a running man (in box with 43 drawings), Louis Fabritius Dubourg, 1747 drawing paper. ink. pencil pen / brush

WILLEM IV, 1752, plate 39, 1754 - 1755 The last soldiers in the funeral procession. On a wall sheets with representations of the hearse and the coffin, in the foreground two mourning boys with the stadholder's weapon. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 39. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft The last soldiers in the funeral procession. On a wall sheets with representations of the hearse and the coffin, in the foreground two mourning boys with the stadholder's weapon. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 39. In the bound edition of 1755. print maker: Northern Netherlandspublish

Triumph of De Tijd, 1563 - 1567 print Spreader on which time (tempus), like a winged old man with crutches, sits. At his feet is an hourglass that indicates the passage of time. His car - with the dials of a clock as wheels - is drawn by quick -footed deer. The time is accompanied by the four seasons. The buildings in the background have fallen into ruins. An obelisk, founded to commemorate a powerful man, fell off his pedestal. This way time overcomes the fame. Under the performance an explanatory text in Latin. This print is part of an album. paper engraving 'Triumph of time', 'Triumphus Temporis'; 'Carro del Tempo' (Ripa). Seasons of the Year (Esp. Personifications); 'Season', 'The four season of the year' (Ripa). Landscape with Ruins

Saint Martina at the stake, Antonio Gherardi, 1654 - 1702 print Saint Martina at the stake. The flames of the stake fall on her martyrs who try to hide. Central a man with a flag with: S.P.Q.R .. Italy paper etching female saints (MARTINA OF ROME) - martyrdom, suffering, misfortune, death of female saint. violent death by burning at the stake; pyre

Copper engraving and etching by Peter Isselburg from 1614 depicting the lost son guarding his pigs and his return, illustrating biblical narrative and figures with 17th-century print technique.

Body of Itys served to Tereus, Virgilius Solis, 1569 print After Procne discovers that her husband, the Thracian king Tereus, raped her sister Philomela, kills their son Itys and serves him as a meal. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Procne kills Itys, her son by Tereus, in order to serve him up as food to her husband

The kidnapping of Europe, 1728 Europe is being taken away by Jupiter in the form of a bull over the sea. On the right the service stations of Europe desperately on the beach. In the background the scene that precedes this. There, Jupiter instructs his son Mercury to drive a herd of cattle to the beach, so that he could mix himself as a bull among them and approach Europe unobtrusively. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving Europe is being taken away by Jupiter in the form of a bull over the sea. On the right the service stations of Europe desperately on the beach. In the background the scene that precedes this. There, Jupiter instructs his son Mercury to drive a herd of cattle to the beach, so that he could mix himself as a bull among them and approach Europe unobtrusively. Two times two verses in Latin under the performance. The print is part of an album. prin

God recommends Jona to go to Nineve; History of Jonah; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Jonah stands on the coastline and looks at God on a cloud. God gives Jonah the assignment to go to Nineve. At the quay wall lies the ship with which Jona flight. On the water can be seen how Jonah later is thrown overboard and swallowed up by a fish. Under the show an explanatory text in Latin. Print is part of an album.

Photograph of Jan Matejko's painting Seym in Gąsawa Szubert, Song (1837 1919)

Costume of Smyrna, 1726, 1726 print Man and wife from Smyrna with costume typical of the city. In the background a face on the city. Plate no. 467 in part XIX of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. print maker: Amsterdampublisher: Leiden paper etching / engraving folk costume, regional costume Smyrna

Circe Drinking ca. 1540-45 Léon Davent French Mariette Album, leaf 78, bottom. Circe Drinking 366750

Copper engraving by Hieronymus Wierix depicting the flagellation of Christ. Created in 1586, illustrating a key event in the Passion narrative and human figures.

Departure of the angel Rafael; History of Tobias; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Tobit and Tobias kneel on the floor after the Archangel Rafael has made known. The angel Rafaël flies away. In the background, Tobias heals his fathers blindness with the fish gall. Under the show a reference to the Bible text in Tobit 12 in Latin. Print is part of an album.

Fame and minerva with the weapon of Maria de 'Medici; Histoire de L Entrance de la Reine Mere du Roy Tres Chrestien, Dans La Grande Bretaigne. Title print with the crowned weapon of Maria de 'Medici, held by the fame and minerva, possibly referred to as patroness of the arts. Both women also hold a banana with a part of the title. Among an altar with the monogram am (Alma Mater). There are three crowns on the altar. They symbolize the three children of Maria de "Medici who were in 1639 at the throne: Louis was king of France, Elisabeth was Queen of Spain and Henrietta Maria was married to Karel I van England. Two young women with stick and mirror hold a laurel wreath above the crowns. The print is part of a book about the receipt of the French king mother Maria de "Medici to England.

Nabot is falsely accused of blasphemy and majesty bias; History of Achab, Izebel and Nabot; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. A crowd is gathered on a square in front of a building. On the building gallery is a judge next to a man who reads a complaint. Nabot is falsely accused of blasphemy and majesty bias. Under the show a verse in Latin. Print is part of an album.

Print (France)

The fattened calf is slaughtered; Parable of the lost son. In honor of the home of the lost son, a fat-minded calf is slaughtered. In the courtyard the lost son dances with the guests. A long table is ready for the banquet. Under the show an explanatory text in Latin. This print is part of an album.

Schaking van Berenice, Abraham Dircksz. Santvoort, 1662 print Titus Chess Berenice, the daughter of Herodes Agrippa I and Cypros, while the other soldiers are fighting. A few trees in the background. Above theater curtains and a cartouche with the title. print maker: Netherlandspublisher: Amsterdam paper etching title-page. theatre, theatrical performance. man abducting woman. battle (+ during the battle)

Holofernes for Nebuchadnessar, 1579 print The king of the Assyrians Nebuchadnessar is sitting on a throne and sees his supreme commander Holofernes. He instructs him to go to battle against the neighboring peoples. Under the performance a reference in Latin to the Bible text in Judit 2: 4. Print is part of an album. paper engraving Nebuchadnezzar gives Holofernes the command of an army to fight the neigbouring states

Frederik Hendrik grants mercy to the naked actionists, 1720, 1720 A railed Frederik Hendrik grants Mercy to the naked and berealed actionists by offering them a hiding place at the Wonderboom. This is an imagination of an old saying: covering with the cloak of Frederik Hendrik, which means: being free from persecution in the financial field. In the middle, wind traders drown in a ditch, on the right a merry -go -round. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving A railed Frederik Hendrik grants Mercy to the naked and berealed actionists by offering them a hiding place at the Wonderboom. This is an imagination of an old saying: covering with the cloak of Frederik Hendrik, which means: being free from persecution in the financial field. In the middle, wind traders drown in a ditch, on the right a merry -go -round. Print in the bound first edition (304

Nabot is falsely accused of blasphemy and majesty violation, 1579 print A crowd is gathered on a square in front of a building. At the gallery of the building is a judge next to a man who reads a complaint. Nabot is falsely accused of blasphemy and majesty. Under the show a verse in Latin. Print is part of an album. paper engraving two men falsely accuse Naboth of blasphemy

Landscape with three scenes in which a young woman buys a medallion, wearing and selling; DUMONDE ROUTE. Three scenes in a landscape separated by rock; Left a young woman who buys a medallion of a young man with an older woman; In the middle the same young woman with the medallion around her neck, sitting on a chair with her two children, a dog and a man making shoes; Right the same woman who sells the medallion together with her husband to an older man with wig behind a desk in an interior.

Man at the age of sixty, c. 1725 - c. 1730 print Eure man addresses a group of listeners. On the right in the foreground a sick man. With poems in Latin and German. This print is part of an album. paper engraving / etching 50-60 years

King Agrippa sees an owl above his throne / king Agrippa dies surrounded by hovelings / overwhelming of the temple by the soldiers of Pompeius / Pompeius takes the temple in Jerusalem. Needs leaves with four performances.

Title Page from 'Frises, feuillages ou tritons marins, à la romaine', Jean Le Pautre, French, 1618-1682, Pierre Mariette II, French, 1634 - 1716, Etching on paper, Title Page from 'Frises, feuillages ou tritons marins, à la romaine', France, ca. 1640-1682, Print, Print

Three men appear on Abraham / Lot and his family flights from Sodom, Pieter Tanjé, 1791 print Two biblical performances. Above: Three men tell Abraham that his wife Sara will become pregnant. Sara listens in the doorway. Below: Lot flees with its daughters from the burning Sodom. His wife has turned into a salt pillar. Among the performances a reference to the Bible texts and the titles in Dutch and French. Amsterdam paper etching / engraving the promise of a son is renewed; Sarah, overhearing it, laughs incredulously. the destruction of Sodom and Gomorrah: Lot and his family flee to Zoar, carrying their belongings; an angel may be showing the way (Genesis 19:24-29). Lot's wife looks back at the city and is transformed into a pillar of salt

Tobits Blindheid, Anonymous, After Maerten de Vos, 1585 print To the left in the background, Tobit buries the body of the murdered man, who was found on the street by Tobias. After the funeral, Tobit falls asleep against the wall of his house. One of the birds in the nest above his head drops his bird droppings on Tobits's eyes, making it blind. At the bottom of the margin an explanatory text in Latin. To Tobit 2: 1-10. This print is part of an album. paper engraving Tobit buries a dead man at night. a bird dropping falls in Tobit's eyes

Allegory of poor condition, 1653 - 1654 print In a large room a boy sits on a throne, a wind vane in the hands. A group of people uses the meal at his feet. Servants walk around, musicians make music. The windows of the room show that a siege takes place outside: there is fighting, looting and murder. In the lower margin the text of preacher 10:16 in Latin. The print is part of an album. paper engraving bad government.

Allegory on the newborn peace, 1713; The Niew Gebore Peace ordered at minus / La Paix de Nouveau Née Recommandée A Une Nourice; Plates about the peace of Utrecht from 1713 / 't Lusthof from MoMus. Allegory on the newborn peace. The holy family on the break during the flight to Egypt. Maria with the Christ child leaned against a monument, on the right reading Joseph. Allegory in which the Christ child plays the role of the young peace of Utrecht, 1713. Verses in Dutch and French in the plate. Part of a group of 28 new and old plates adapted to illustrate the Peace of Utrecht in 1713. Part of the print work is issued under the collective title 't Lust-Hof of Momus with the bundled series of cartriders during the 1901-1713 of the Spanish Succession War.

Vulcanus and Putti forge arrows on the command of Venus, Alexandre Bettou, After Francesco Primaticcio, 1622 - 1693 Decoration of a pendentive. Print is part of an album. Fontainebleau paper etching Decoration of a pendentive. Print is part of an album. Fontainebleau paper etching

Susanna and the Elders, 1579 print Susanna, who is sitting on the edge of a basin to bathe, is harassed by the two elders. Under the show a reference in Latin to the Bible text then. 13. Print is part of an album. paper engraving the elders making advances towards Susanna

Edelmoedige Rover, Daniel Nikolaus Chodowiecki, 1775 print A Rover is a traveler who has no money with it. The traveler promises that he will bring ten pounds the next day. De Rover agrees and the traveler continues his way. Not long after, the traveler returns with ten pounds. He found this on the road and asks the Rover if he might have lost it. The Rover has not lost any money and refuses to take on the ten pounds. Numbered at the top right: 10. paper etching Literature. traveller(s) attacked by robber(s)

Chiron learns Hercules Horse Riding, Jean Pesne, After Nicolas Poussin, 1678 print France paper etching / engraving Chiron instructing Hercules

Death of Sanherib, Anonymous, After Maerten de Vos, 1585 print While King Sanherib of Assyria squeezes the temple of his God Nisroch, he is murdered by two of his sons. Under the show a reference in Latin to the Bible text in 2 Kon. 19. This print is part of an album. paper engraving when Sennacherib is worshipping in the temple, two of his sons kill him with their swords

Duke van Aarschot caught in Ghent, 1577; Was stated of the states Suspect Hern, Hengesglich sucked Zu Gendt in Flandersn; Series 8: Dutch events, 1577-1583. The imprisonment of the Duke of Aarschot and other nobles in the court of S. Baeffs in Ghent, 28 October 1577. With caption of 12 rules in German. Left below numbered: 135. The print is part of an album.

Judgment of Solomo, 1643 print King Solomon sits on his throne and felt his judgment. In front of the throne the two women who both claim the motherhood of the living child. The deceased child is on the ground. Solomon instructs the living baby to share in two to determine who the child's mother is. A man pulls his sword and grabs the child by the arm. Under the show a reference in Latin to the Bible text in 1 Kon. 3:16. This print is part of an album. Amsterdam paper engraving Solomon gives verdict; he commands a soldier to divide the living child in two

Coming to Mercurius, Fabrizio Chiari, After Nicolas Poussin, 1636 print Venus and Mercury are in a landscape. In the foreground is a putto in a fight with a young sater. A putto with two wreaths in his hands watches. On the left a group of musicing putti. In the foreground on the right a lute. Italy paper etching / counterproof Mercury and Venus as lovers

Joab kills Amasa, Anonymous, After Hans Sebald Beham, 1530 - 1533 print paper Joab kills Amasa: Joab takes Amasa by the beard with the right hand as if to kiss him, and stabs him with a dagger

Cartouche with sleeping man and two women; Cartouches Modernes a Compagnés Par des Enfans. Two rocaille cartouches in a landscape with a staircase. There are a man and a dog to rest against the left-hand shower. The man is pronounced by the woman next to him. A woman with a broom attempts to hunt a cat from the right cartouche. In the underwear two columns with two-legged German text. Publisher number VII.

Roland Slaying Isabella, Keller, Engraving on paper, Europe, Print, Print

Fable of the Sater and De Boer who blows in his soup and in his hands, 1536 - 1604 print The fable of the Sater and De Boer who blows in his soup and in his hands. On the left, the farmer blows on his hands to warm them up, on the right he blows soup to cool it. paper engraving / etching broth, soup. the satyr and the peasants; according to Aesop: the satyrs and the peasant (meal, blowing to cool food, etc.)

Satan sowing weeds between the grain, Pieter Jalhea Furnius, after Gerard van Groeningen, 1585 print While the landlord and his servants are sleeping, his enemy, the devil, comes to sow weeds between the sown grain. The devil has a boar head as a head. Under the show a reference in Latin to the Bible text in mat. 13. Antwerp paper engraving while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat

Connection coring and scourging of Christ and Bathing Hoveling; Mirroring Sondaer; Moralizing lessons for hovelings. In the front floor on the left, a hostel is cut and combed by two men. A boy holds him a mirror. Right a bathing hostel. Above two soldiers who push the thorns crown on Christ's head with sticks. A third man holds him a mirror. Top right Christ, on a loincloth after naked and tied to a pillar, two soldiers. Middle above a coat of arms of a canon. The print has a title in Dutch. Print from a book edition in which a scene is always made from the life of Christ opposite a worldly situation.

Three performances with events from the penultimate decade, Daniel Nikolaus Chodowiecki, 1791 print With caption in German. Berlin paper etching Oath. death of human being. sitting or standing on clouds. crowning with laurel. revolution, revolt. grave, tomb and other grave-forms and grave-markers

Two performances from the stories of Wilhelm Gottlieb Becker, Daniel Nikolaus Chodowiecki, 1796 print Left: Bertha in the arms of Egbert. Right: Bertha asks Egbert to marry. Different figures are etched in the margin in a sketchy way. Berlin paper etching Literature. lovers' meeting. (lovers) embracing each other, 'symplegma'. proposal, declaration of love

. Patriot allegory on the attack on Hattem and Elburg by the Stadhouder, 4-6 September 1786. The city tongues of Hattem and Elburg are abused by despair, anger and despair. Prince William V brought the rights and privileges of the country with drawn sword. However, he strives by the divine grapy that threatens him with flaming sword. On the right, the high freedom is comforted and encouraged by steadfastness, courage and justice. On the attachment below the print a handwritten statement of the show.

Pan and syrinx; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. On the shore of the Ladon River, the Nymph Syrinx tries to escape the god pan. Syrinx had dedicated her lifestyle Diana and is therefore depicted in hunting clothes and with a arrow sleeve. Before Pan can catch her, she changes to Moerrasrite. Right some saters. On the left the river god and two river nymphs. This story is telling Mercurius to get asleep the hundred-eyed argus and free the cow. Under the show twice two fresh rules in Latin. The print is part of an album.

Design for a room protecting with scenes from the life of Aeneas.

Illustrations to the One Thousand and One Nights (two compositions impressed from one plate). Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Saunders, Józef (1773-1845), graphic artist

Bas-relief with two people to the meal and musicians; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Bas-relief with the representation of a triclinium. A woman and a man are arriving for the meal. Links a group of musicians. In the middle of Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Procris en de vermomde Cephalus, Paul van Somer (2), 1677 print To put her to the test, Cephalus tries in disguise to seduce his wife procris. Procris flight ashamed away. A putto keeps them both a laurel wreath. Watch other putti or play with hunting dogs. A ruin in the background. Under the image an explanatory text in French. Scene from Ovidius metamorphoses (with. VII, 795-866). Paris paper etching / engraving CEPHALUS in disguise uses presents to seduce procris. Cupids: 'Love' '' Amoretti '' Putti '

Venus in Cithera. Romano, Giulio, 1499-1546. 1825. Pinelli, Bartolomeo, 1781-1835. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Malcolm and Macduff decide to fight against Macbeth, Daniel Nikolaus Chodowiecki, 1784 print paper etching Macbeth. Literature. (revolutionary) plot, conspiracy

Personification of the war declaration, Robert van Audenaerd, 1673 - 1743 print A console with a harnessed man. He puts his command staf forward. A city is set on fire on his coat of arms. The print is part of an album. paper engraving declaration of war. setting on fire (of conquered city)

Wapentrofee with putti with breast kuras. .

Title print with portrait of Andrea Mantegna and Putti, 1776 print A landscape with temples. Four putti wear a portrait of artist Andrea Mantegna. On the left a text on a marble block. Assignment in the end margin. paper etching tools, implements of painter. portrait, self-portrait of artist. cupids: 'amores', 'amoretti', 'putti'

God creates Adam and Eva; Paintings in the Loggia of Rafael; Imagins Veteris AC Novi Testamenti; Rafael Bible. God, an old man with a beard, is in a landscape with Adam and Eva he has just created. Bible verse under the show. Print is part of an album.

Diogenes is looking for a human, Bernard Picart, 1720 print The philosopher Diogenes searches in broad daylight with a lantern for an honest person. He finds people who are shocked by their mask. Amsterdam paper etching / engraving scales. mask. Diogenes, carrying a lighted lantarn by daylight, trying to find an honest man, usually in a crowded market-place (+ in allegorical or symbolic frame or setting; with allegorical or symbolic accessories)

Four performances from classical history, Simon Fokke, 1722 - 1784 print Four performances from the classical history of one album, numbered from Liii to LVI and all provided with a caption. Top left: Death of Democles. Bottom left: Greatness of Roman envoys in Egypt. At the top right: Doding of Pompey. Bottom right: wife and children of Hermias stoned. Performances LIII and LIV at the top right marked: against about page. 61. Proposals LV and LVI at the top right marked: Against page. 116. Amsterdam paper etching death of Democles: he throws himself into a cauldron of boiling water rather than submit to the love of the tyrant Demetrius. (story of) Sextus Pompeius - death of person from classical history. violent death by stoning

Saint Wenceslaus I van Bohemen, Archangel Michael, Guardian Angel, Holy Hieronymus van Bethlehem (28-30 September), Jacques Callot, 1632 - 1636 print Sheet with four oval representations, each with inscription and date in Latin: in the top left of the Holy Wencslaus I van Bohemia on horseback with a kneeling man, at the top right of the Archangel Michael who holds a devil and holds a scale, a guard angel who points a little boy at the bottom left On a light in the sky, below the holy hieronymus in a cave with a lion next to him. This print is part of a series of prints with representations of the saints and the Christian holidays of the year. Four scenes of one plate are always printed on one leaf. Including accompanying title page and frontispiece, it concerns a total of 124 plates (490 performances). The three plates with the last 12 scenes (the changeable Christian holidays) were cut into 12 small pictures in the third state, and with a separate title page. print maker: Nancypublish

Mithras kills a holy bull, Anonymous, 1595 - 1622 print Allegorical representation of spring. Mithras kills the holy bull. A dog drinks from the wound of the bull and a scorpion attacks the testicles of the bull. There are a snake and a lion in the foreground. Upstairs and left other small representations of figures. A explanatory list of letters in Latin in the lower margin. The print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. Mithra(s), usually standing in a cave, stabs a bull with a dagger

Astronomer with Death, Anonymous, Hans Holbein (II), After 1547 print paper dance of Death; Death together with one or more human beings

Leaf from the praise of foolishness, Daniel Nikolaus Chodowiecki, 1780 print Leaf with seven framed illustrations, each belonging to a separate text part. Displayed: the dedication, foolishness, neo -tis, cupido, venus and the woman. Numbered at the top right: I. paper etching riding a horse, ass, or mule; rider, horseman. Folly, Foolishness; 'Pazzia', 'Sciocchezza', 'Stoltitia' (Ripa). fool's cap. cupids: 'amores', 'amoretti', 'putti'. other specific aspects of Venus. female sex; woman

The plundering and killing of Oudewater, 8 August 1575. Gruesome murdered by the Spanish soldiers on the population of Oudewater, 8 August 1575. The city is looted and fired by the soldiers under the command of Gilles of a look.

Murder of Hendrik III, 1589; Series 4: French, German and English events, 1576-1610. Murder of King Henry III by the Monk Jacques Clément in four consecutive scenes separated by columns: Clément takes Eucharist and confession; king murder; Coronation from Hendrik from Navarre, body of Clément is considered. With caption of 12 lines in German and 7 rules in French. Left below numbered: 257. The print is part of an album.

Young couple hug each other, Daniel Nikolaus Chodowiecki, 1779 print paper etching Literature. embracing each other, kissing

Orestes and Pylades, with hands tied behind their backs, are led by a satellite of the sea king to be purified by the priestess Iphigenes. Her statue is on the table with two vases, and her two ministers attend to the sacred lamp and other sacred instruments. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.

Drawing (Italy); Designed by Felice Giani (Italian, 1758-1823); pen and brown ink, brush and brown wash over traces of graphite on cream laid paper

Five drunkards in a landscape, Louis Spirinx, After Abraham Bloemaert, 1606 - 1669 One of the men sleeps, another breaks, the rest drinks. This print is part of an album. paper etching One of the men sleeps, another breaks, the rest drinks. This print is part of an album. paper etching

Visiting the sick, François Hutin, c. 1730 - c. 1750 print Part of a series of seven works of mercy with performances in antique setting. paper etching visiting the sick, 'aeger curatur' ~ one of the (seven) Acts of Mercy

Four episodes from national history; Illustrations from the national history. Needs of Leaves with Four Performances from National History. From Left to Right: Caught Nudby Leaves in Amsterdam; Graves of Egmond and Horne Sentenced to Death by Duke of Alva; Prediction in the open air; Siege from Amersfoort.

The Blind Liereman, ca. 1600. The Blind Liereman, ca. 1600. A blind dragon player plays for a house where a man and woman watching a bottom door. Behind the musician a man is robbed of his money pouch, children dancing in the foreground. With caption of 2 times 2 lines in Dutch.

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