Mythological and Religious Etchings

Etchings depicting biblical and mythological themes, emphasizing narrative depth and detailed imagery of divine figures and allegories.

Spinning woman / Sater and Nynf, Monogramist Dwf, After EnEea Vico, after Parmigianino, 1550 - 1570 print Two prints stuck together. Upstairs: A standing old woman with a coil clamped under her arm, spinning, in a bald landscape. Downstairs: A Sater who approaches a sleeping nymph. Oval show. Italy paper engraving spindle. satyr(s) pursuing nymph(s)

Etching by Giovanni Battista Bolognini from 1640-1670 depicting the Massacre of the Innocents in Bethlehem, emphasizing biblical narrative and detailed figures.

Etching by Olivier Dauphin created between 1654 and 1683 depicting the Holy Family accompanied by an angel and fruits.

Man in the company of Venus, Ceres and Bacchus, 1589 - 1611 print Venus, as a naked woman, sits under a tree on the lap of a young man who hugs her. She is surrounded by Bacchus, who pours her wine and Ceres who provides her with fruit. Amor focuses his arrow on her and the man. Illustration of the saying 'sine cerere et baccho friget venus' (without ceres and bacchus freezes venus), or, without food and wine, love freezes. paper engraving Without the COVER AND BACCHO CLOVE Venus." Cupid Shooting a Dart at Venus' Order

An etching from 1633 by Theodor van Thulden portraying episodes from the adventures of Odysseus, showing mythological figures and classical narrative elements.

Saint Apollonia. Saint Apollonia. Part of a series of 24 performances of female martyrs (Martyrological). The performances are equipped with edges with flowers and animals.

Adam and Eva outside Paradise, 1579 print Adam and Eva and their children Cain and Abel in the wilderness outside paradise. Adam rests the work that he has to do every day. Eva gives Abel the breast. Cain gives a sheep to eat. On the right Adam and Eva boiling in front of their house. Adam edits the country in the background. At the bottom a reference to the Bible text in Latin. Print is part of an album. paper engraving the labours of Adam and Eve; infancy of Cain and Abel (Genesis 4:1-2). Adam engaged in agricultural activities, Eve suckling the children

Copper engraving by Hendrick Goltzius, created in 1587, depicting the Parzen with symbolic gestures and classical attributes, in a detailed mythological composition.

Spinning woman / Sater and Nynf, Monogramist Dwf, After EnEea Vico, after Parmigianino, 1550 - 1570 print Two prints stuck together. Upstairs: A standing old woman with a coil clamped under her arm, spinning, in a bald landscape. Downstairs: A Sater who approaches a sleeping nymph. Oval show. Italy paper engraving spindle. satyr(s) pursuing nymph(s)

Copper engraving by Hans Collaert the Elder showing the construction of the Tower of Babel with Nimrod present, produced between 1579 and 1674, depicting architecture and human labor.

Allegory on the world liberated by Christ, Gotthard Ringgli, 1628 print paper etching Christ triumphing over devil(s) - DD - Christ beardless

Etching by Christian Winck from 1755-1775 featuring a portrait medallion framed by allegorical figures and symbolic accessories.

The Human Life by Bendemann, from "Le Magasin Pittoresque" June 1851 Anonymous. The Human Life by Bendemann, from "Le Magasin Pittoresque". Intermediary draftsman Jacques Gagné (French, St-Priest-la-Feuille 1820-1864 Paris). June 1851. Wood engraving on newsprint. Anonymous (Bertrand). Prints

Etching by Johann Christoph Storer from 1651 showing a bird appearing to a ruler, depicting figures, animals, and interior or throne room elements.

Time of peace between the peoples, 1674 print Time of peace between the peoples. The peace looks down from heaven on the harmony between the nations of the four continents of Europe (on throne), Asia (with camel), Africa (with ostrich) and America (with crocodile). Left and right references to the closing of the Triple Alliance in 1668. Allegory of the political situation in the Republic in the year 1674. Numbered at the top right: 1. Amsterdam paper etching / engraving Europe represented allegorically; 'Europa' (Ripa). Asia represented allegorically; 'Asia' (Ripa). Africa represented allegorically; 'Africa' (Ripa). America represented allegorically; 'America' (Ripa). peace Netherlands

The Human Life by Bendemann, from "Le Magasin Pittoresque" June 1851 Anonymous. The Human Life by Bendemann, from "Le Magasin Pittoresque". Intermediary draftsman Jacques Gagné (French, St-Priest-la-Feuille 1820-1864 Paris). June 1851. Wood engraving on newsprint. Anonymous (Bertrand). Prints

Allegorical show, Fabio della Cornia, 1610 - 1643 print An allegorical performance with a woman with a book in her hands. A naked child sitting on the floor pulls her robe. On the right an old man with a bowl of coins in his hands. Behind the old man are a soldier with sword and shield and a woman with a violin. Italy paper engraving the soldier; the soldier's life. coin. violin, fiddle

Love in the form of a child at Calypso and her nymphs, Jean-Baptiste Tilliard, After Charles Monnet, 1785 print Love in the form of a child is next to Calypso, sitting on a chair next to him. Nymphs go around them and telemachus is on the far left. The whole is framed by a decorative frame with olive branches and a bow at the bottom. Numbered at the top right: No. Ii. print maker: Franceafter drawing by: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). Telemachus and Calypso. nymphs (in general); 'Ninfe in commune' (Ripa). ornament ~ festoon, garland

Rhetoric, Franz Cleyn, 1645 print paper etching Education, science and learning. The Liberal Arts, 'Artes Liberals' Caduceus (staff with two snakes, Attribute of Mercury). 'Rhetorica', 'elquentia' (~ trivium); 'Rettorica' (RIPA). Bird in a cage

Apollo and Diana kill the children of Niobe, François Morellon La Cave, after Bernard Picart, 1706 - 1768 print Apollo and Diana shoot their arrows at the children of Niobe. The ground is littered with dead and dying and in the middle Niobe lives her fist to heaven. The show is caught in a list decorated with the attributes of Apollo and Diana. paper etching / engraving Apollo and Diana kill Niobe's children

Copper engraving by Jacob Matham created between 1602 and 1603 depicting a portrait of Vincent Jacobsz. Coster and allegorical kitchen and market scenes with biblical references.

God separates the light from darkness, Cesare Fantetti, After Rafaël, 1675 print God, an old man with beard, pushes clouds away from the flames in the foreground on the left. Bible verse under the show. Print is part of an album. paper etching division of light and darkness

Copper engraving by Hieronymus Wierix depicting the moral and spiritual improvement of man, created between 1573 and 1601.

Etching by an unknown engraver depicting Caritas, created between 1520 and 1600, showing allegorical representation of charity and virtue.

Copper engraving and etching by Philipp Galle depicting a fisherman, created in 1578, illustrating 16th-century European printmaking, fishing activity, and landscape details.

Ris crus on faussa, François Spite, after lucine pass by holiday, c. 1677 print publisher: RomeVaticaanstad paper engraving / etching classical history. historical persons

Cornelis van Kittensteyn engraved 'Smell; Taste Good' between 1620 and 1652, showing allegorical figures representing the senses of smell and taste in copper engraving format.

Orpheus in the underworld: the element fire; Ignis; The four elements. Orpheus with his winch for Pluto and his wife Prosperina in the Hades, with the tartarus in the background with, among other things, Sisyphus with a rock and ixion on a burning wheel, as allegory on the element fire. Print from a series of four.

Etching by Johannes Thomas showing shepherds dancing in a rural landscape, created between 1630 and 1678.

Relief with a Roman emperor that brings a sacrifice to Diana; Roman sculpted reliefs; Icone et segment (...). Reliof with a Roman emperor who is a sacrifice at a goddess Diana image. On the left a man with a spear next to the emperor. Right two men with spears. Text in Latin in undermarge. Print is part of an album.

Meno Haas (1752-1833); Johann David Schubert (1761-1822), farewell scene at a ship; A man who draws his swoon toward a woman, 1803

Copper engraving by Philipp Galle depicting hunting and animal scenes on a title leaf dedicated to Cosimo I, Grand Duke of Tuscany, produced 1578-1580.

Engraving after a fresco by Giulio Romano in Palazzo Te. Gustavo Reiger (Italian, active Rome, Italy 1860s)

Etching by Theodor van Thulden, 1633, depicting scenes from the adventures of Odysseus.

Copper engraving by an unknown monogrammist from the 16th-17th century depicting Phaethon's fall, showing chariot, horses, and human figures.

Etching by Georg Friedrich Schmidt from 1769 depicting Alexander receiving a potion from his doctor Phillipus, showing narrative composition and 18th-century printmaking techniques.

Copper engraving by Jan Wierix, 1573-1575, depicting the consecration of a new altar and the display of Nicanor's head and hand to the people with figures in ceremonial action.

A 1630-1679 etching by Franciscus van den Wyngaerde depicting Christ associated with springtime, emphasizing renewal and religious symbolism.

Koning Ahasverus gives Ester his golden scepter, Jan Punt, After Jacob de Wit, after Peter Paul Rubens, 1751 print King Ahasverus On his throne, Ester offers his gold scepter. Amsterdam paper etching / engraving Ahasuerus holds out his sceptre to Esther (Esther usually kneeling) Carolus Borromeuskerk

A brown ink drawing by Dominique Vivant Denon depicting a figure representing death interacting with a man, focusing on gesture, posture, and expression.

Passion make-up in list of peacocks, owls and swans; Passion shows in lists with animals.

Drawing of a Roman Emperor Receiving a Petition n.d. After Federico Zuccaro (Zuccari) Italian. Drawing of a Roman Emperor Receiving a Petition 345759

Rape of Lucretia, Giorgio Ghisi, After Giulio Romano, 1530 - 1570 print Lucretia, naked in her bed, tries to ward off the attacking Sextus Tarquinius with sword. On the left, a servant with a burning torch enters the room. Mantua paper engraving the rape of Lucretia: Sextus Tarquin threatens her with a dagger or a sword

Bels priests in the temple; History of Daniel, bell and the dragon. The priests of Bubble eat it to the God bell off food. They come and go through a secret corridor under the table. While they secretly take the food, their footsteps remain in the shaft scattered by Daniel on the ground. Under the show an explanatory text in Latin. This print is part of an album.

Copper engraving and etching by Christoph Schwarz from 1600-1620 depicting the Passion of Christ with figures, gestures, and religious composition.

Portrait of Agostino Barbarigo and the personifications of Eendracht and Vrede, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Agostino Barbarigo in Harnas on the front. Two committees placed a border stone on the back. Given the coats of arms in the left and right corner, it concerns the boundary stones of Emperor Ferdinand I and Venice. On the left of the pedestal is the personification unification with two cornucopia in her right hand that are entangled with each other and a fire cup in her left hand. The woman on the right has a skewer and olive branch in her hands. She is the personification of peace. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Agreement, Unity; 'Concordia', 'Concordia insuperabile', 'Concordia militare', 'Concordia di Pace', 'Unione civile' (Ripa). peace and prosp

Noah leaves the ark after the flood; Paintings in the Loggia of Rafael; Imagins Veteris AC Novi Testamenti; Rafael Bible. Noah and his family leaving the ark together with all animals. Bible verse under the show. Print is part of an album.

Copper engraving by Philippe Thomassin from 1598 depicting the martyrdom of St. Apollonia, showing detailed religious composition and facial expressions.

The three kings warned in a dream, Johann Sadeler (I), after Gerard van Groeningen, 1585 print The three kings are warned in a dream not to return to Herod. Next to the bed of every king is an angel who whispers this to them. Under the show a reference in Latin to the Bible text in mat. 2. This print is part of an album. paper engraving the three Wise Men are warned in a dream by an angel not to return to Herod

The Lost Son says goodbye to his father, 1585 print The lost son says goodbye to his father. He is on horseback and shakes his father's hand. On the right the family in front of the house. Under the show a reference in Latin to the Bible text in Luc. 15. This print is part of an album. paper engraving leave-taking and departure of the prodigal son

Saints Fulgentius, Juumdinus, Teofilus. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Łopaciński, Jan Nikodem (1747-1810), graphic artist

Mosaic in the Museo Nazionale in Naples, representing a rooster fight, c. 1875 - c. 1900 photograph National Museum cardboard. photographic support albumen print art (+ mosaic making). cock-fighting National Museum

Simei Curses David and the death of Absalom, Jacob Folkema, 1791 print Two Biblical performances from 2 Sam. 16 and 18. Simei curses David and throws stones at him, and Absalom lingers with his hair on an oak and is killed. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 59. publisher: Amsterdampublisher: Dordrecht paper etching Shimei curses David and casts stones at him. Absalom, put to flight on a mule, remains hanging by his hair in an oak-tree

Print (France)

Putti for a curtain, anonymous, 1600 - 1699 print Netherlands (possibly) paper etching Cupids: 'Amores', 'Amoretti', 'Putti'

Le Paysan qui avait offense son Seigneur, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 published in 1795 Jean Honoré Fragonard French. Le Paysan qui avait offense son Seigneur, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369354

A 1633 etching by Theodor van Thulden illustrating scenes from the adventures of Odysseus, highlighting classical mythology and narrative composition.

Copper engraving by Pierre Perret, 1582, depicting the allegory of Pictura, showing figures, gestures, and symbolic elements related to painting and art.

Apelles Schildert Alexander de Grote en Campaspe, monogrammist iqv, after Francesco Primaticcio, c. 1543 - c. 1545 print Alexander the Great and his beloved Campaspe pose for the painter Apelles, who stands behind his easel. The show is caught in a decorative oval list of saters, putti and fruits. Fontainebleau paper etching Apelles paints Campaspe and falls in love with her; Alexander yields her to him. cupids: 'amores', 'amoretti', 'putti'. satyr(s) (in general)

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Judit en Holofernes, Philips Gallus, c. 1569 print Judit beheaded Holofernes with his own sword. Her servant keeps the watch at the tent entrance. Holofernes was sleeping in his bed. His armor is on the ground in front of the bed. Haarlem paper engraving Holofernes beheaded by Judith with his own sword; the maidservant may be keeping watch

Luna / Mars / Jupiter / Mercury; Seven planets. Leaf with four prints. Top left: a young woman, personification of the moon (Luna), with spear and moon in her hands. She stands on a lobster. Numbered bottom left: 7. At the top right: an old man in army equipment, sword and shield, personification of the planet Mars, leaning on a column. Left of him a goat. At the top right a scorpion. Numbered bottom left: 3. Bottom left: An old man in army equipment, Personification of the planet Jupiter, leaning on his sword, a shield in His. Left of him an eagle. Numbered at the bottom left: 2. Bottom right: a young man with winged helmet and staff with two hoses, Mercury personification. In the background a naked man and woman. In the air a naked woman floating on a cloud. Numbered top left: 6. On each print at the bottom left of the name of the planet.

Vanity-allegory, Jacob of Wit, c. 1705 - c. 1754 drawing Four putti in a forestage. One of the putti is busy bubbles. Bottom left are symbols of worldly things, including a palette, brushes, scepter and sword. paper. ink. pencil pen / brush Cupids: 'Amores', 'Amoretti', 'Putti'

Print (France)

Medallon flanked by Melpomene and Thalia, Simon Fokke, 1747 print Empty medallion flanked by the muses of the mourning and comedy, melpomene and Thalia respectively. Melpomene has a dagger in her hands, there is a crown with scepter on her lap. Thalia holds a fool, there is a smiling mask at her foot. In the background, a woman with Lier points under her arm on the stage where Minerva shifts two diabolical figures. In the clouds, an angel is lauded by a putto. paper etching Melpomene (one of the Muses); 'Melpomene' (Ripa). Thalia (one of the Muses); 'Talia' (Ripa). (story of) Minerva (Pallas, Athena)

Venus and Cupido at Calypso, Jean-Baptiste Tilliard, After Charles Monnet, 1785 print Calypso, sitting on a rock next to a waterfall is visited by Venus with Cupido off a cloud. The whole is framed by a decorative frame with olive branches and a bow at the bottom. Numbered at the top right: No. I. print maker: Franceafter drawing by: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). Telemachus and Calypso. (story of) Venus (Aphrodite). ornament ~ festoon, garland

Mars, Philips Galle, 1581 print Mars with sword and shield in his hands. Behind him is a horse. In the lower margin a two -line Latin text. paper engraving (story of) Mars (Ares)

Judgment of Paris. Paris, seated under a tree, reaches the golden apple with his right hand. Mercurius is at his feet.

Children's murder in Bethlehem (left part), Domenico Campagnola, 1517 print Italy paper. ink pen the massacre of the innocents

Copper engraving by Aegidius Sadeler the Younger depicting the emblem Hermathena, created around 1595, showing allegorical figures and symbolic composition.

Etching by Jean Le Pautre from 1633-1682 depicting the flagellation of St. Paulus and St. Silas, showing figures, gestures, and biblical scene.

Germanicus during a storm on the North Sea, 16, Robert Delaunay, After Jean Grandjean, 1781 - 1814 print Numbered at the top right: 13. print maker: Franceafter design by: Rome paper etching / engraving storm at sea. ships (in general). (story of) Germanicus

Moses Showing the Quails to the Israelites ca. 1545 Andrea Schiavone (Andrea Meldola) Italian In Mariette Album, folio 11, top. Moses Showing the Quails to the Israelites 366241

Design for a Sepulchral Monument Divided in Two Parts with Bas Relief Surmounted by Statues and Foliate Decoration Below. 1826 Guiseppe Colignon (Collignon) Italian. Design for a Sepulchral Monument Divided in Two Parts with Bas Relief Surmounted by Statues and Foliate Decoration Below. 344182

Daniel de Volterre, la descente de la croix (Trinité du Mont) gravure. James Anderson (British, 1813 - 1877)

Saecularfeier der Geburt Gottfried Schadow's. Menzel, Adolph (1815-1905), graphic artist

Crossbreak; The little passion; Passio Christi AB Alberto Durer Nurenbergensi Effigiata. Christ bears his cross, followed by a crowd of people. Veronica stands next to him with the sweat cloth. Print is part of an album.

Parnasus et Poeta. Romano, Giulio, 1499-1546. 1825. Pinelli, Bartolomeo, 1781-1835. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Dansende bacchanten.Dancing men, women, children and satyrs.

Allegorical representation of dolphin's little one; Demarteau, Gilles (1722-1776), Guérin, Jean (1734-1787); 1770 (1770-00-00-1770-00-00);France, Ludwik Ferdynand (Delfin France - 1729-1765), Ludwik Ferdynand (Delfin France - 1729-1765) - iconography, allegories, French (culture), French graphics, marriage (allegory), reproductive graphics, drawing, art

Hans Burgkmair, known as the old (1473-1531). Der Weisse Koenig: Maximilien and Marie de Bourgogne seated near a fountain (Dornik-Ege 29). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, emperor, history, illustration, serious board, triumph, 16th 16th XVI 16th 16th 16th century, xylography, engraving

Man on a pastry is poured, Heinrich Vianden, 1844 print Belgium (possibly) paper etching Gluttony, Intemperance, 'Gula'; 'Gola', 'Ingordigia', 'Ingordigia overo Avidití', 'Voracití' (Ripa) ~ personification of one of the Seven Deadly Sins. pouring. the story of Lazarus (John 11:1-44). celebration meal, feast, banquet. wind instruments

Jacques Callot (1592-1635). "The New Testament, the resurrection of Lazarus: seventh number of a series of 10 pieces" (Lieure 1424, Meaume 44). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99590-2 Etching, engraving

Lot and his daughters, Anonymous, After Frans Menton, 1585 print Lot is in a cave next to one of his daughters. His other daughter gives his cup full of wine. In the background the fire of the cities of Sodom and Gomorra and the wife of Lot as a salt pillar. Under the performance a reference in Latin to the Bible text in Gen. 19. This print is part of an album. paper engraving Lot's daughters make their father drunk

Motif for Pediment Design, Walter Shirlaw, American, b. Scotland, 1838-1909, Black crayon, pen and ink on cream wove paper, The central part of a triangular pediment is shown. In the center, a female figure is flanked by two children. On either side are groups of two standing women each with a seated figure., USA, 1875-80, figures, Drawing, Drawing

Personification of painting. In the middle a personification of painting. In addition to her a sculpture by Artemis van Efeze. Right Personifications of fame and time. In the middle in the background the three graties and a palm tree. Left drawing children and young people. Assignment in undermarge.

Copper engraving and etching by Willem van Swanenburg depicting female personifications representing Pietas, Fragility, and Vanity, created between 1608 and 1611.

Offer van Abraham, anonymous, 1700 - 1799 drawing Abraham holds a knife in the air and is about to sacrifice his son Isaac but is stopped by an angel. paper. chalk when Abraham has his hand raised to kill Isaac, God or the hand of God restrains Abraham's hand

Picart, Bernard, Amsterdam, Title page for: CM Vanel, Galanteries des rois de France, 1731, Allegorical title page with the personification of France, Louis XIII and his mistress Marie de Hautefort, Uncut sheet with two prints. Left: the female personification of France is accompanied by Venus. She has turned away from Mars who sits mourning in the background. Above them flies Cupid. In the foreground putti who symbolize the consequences of dissolute love: Envy, Avarice, Betrayal, Perfidy and Death. In the margin a four-line caption in French. Right: Louis XIII, King of France, and his mistress Marie de Hautefort. They are standing by a fireplace in the bedroom. In the margin a three-line caption in French., print, engraving, title page, book illustration, prints, height 154 mm, width 214 mm, height 132 mm, width 80 mm, height 135 mm, width 76 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1731 - 1731, second quarter 18th century, paper, papier, etching, etchin

Visioen van H. Romualdus, Jakob Frey (I), After Andrea Sacchi, c. 1725 print Rome paper etching / engraving .

Etching by Antoine Garnier from 1631-1694 depicting a bacchanal scene with dancing figures, musical instruments, and mythological motifs.

Wedding ceremony at the Batavieren, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print Amsterdam paper etching extinct, 'historical' peoples (with NAME). civil marriage ceremony (+ variant)

Study sheet with figures, Jurriaan Andriessen, 1752 - 1819 drawing paper. ink. graphite (mineral) pen / brush

The Sacrifice of Iphigenia 1810 Jean Michel Moreau the Younger French. The Sacrifice of Iphigenia 337863

Print (France)

Sending out the Apostles. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, unknown, graphic artist

Design by Johann Theodor de Bry; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 24 x 17.2 cm (9 7,16 x 6 3,4 in.)

Bevel many onthoofding van Clodius Albinus door seventh Severus, Charles Nicolas Cochin (1), after Elisabeth Sophie Chéron, 1709 print France paper etching / engraving violent death by beheading. soldiers and civilians

Group picture The conspirators of the Gunpowder plot.

of 4